Following a banner year for both Sir Hiss and Sam Binga - and indeed for Pineapple as a whole - in 2025, we felt it was time to revisit their joint release from 2023, the Jus Mek Duppy EP - aptly retitled 'Jus Mek RMX' Bristolian maestro, AÆE leans into his Brazilian heritage on his Funk-powered rework of 'Any Weather'. Classic Volt / Carioca elements meld perfectly with SBA Karma's iconic UK Drill flow, resulting in a festival banger that has been turning heads from Outlook to EDC. Anthemic! Coido makes a return to the label, after his collaboration with HRTY on last year's Fruit Salad EP, turning the 140 electro of 'ADRL' into a snarling 150bpm monster. As always with Coido, the production weight is heavy, and the vibe is meaty - at times, almost hinting at a universe where Noisia grew up in New Jersey. Hiss & Binga rework 'Wicked Set' into a rolling, deeper percussive VIP, explicitly referencing that early 2000s 'proto-dubstep' vibe of the early FWD days. MC Jakes vocal stabs are further dubbed out from the original and are joined by hypnotic chants, distorted ethereal melodic snippets, and depth-charge bass pressure. Turn the lights down and lock in. Finally, Pineapple's resident Booty Queen, one Amy Kisnorbo, twists wicked set into a tuff, minimal but fully propulsive 150bpm workout, equal parts Chicago Juke and Detroit Electro, yet still with an unmistakeable UK Grime influence. Zaps, FX and militant kicks are the key ingredients here - and provide an essential expansion of the Kisnorbian sound world. Distributed by Label Engine - www.label-engine.com

Pineapple Records (UK) Brazilian Funk

Following a banner year for both Sir Hiss and Sam Binga - and indeed for Pineapple as a whole - in 2025, we felt it was time to revisit their joint release from 2023, the Jus Mek Duppy EP - aptly retitled 'Jus Mek RMX' Bristolian maestro, AÆE leans into his Brazilian heritage on his Funk-powered rework of 'Any Weather'. Classic Volt / Carioca elements meld perfectly with SBA Karma's iconic UK Drill flow, resulting in a festival banger that has been turning heads from Outlook to EDC. Anthemic! Coido makes a return to the label, after his collaboration with HRTY on last year's Fruit Salad EP, turning the 140 electro of 'ADRL' into a snarling 150bpm monster. As always with Coido, the production weight is heavy, and the vibe is meaty - at times, almost hinting at a universe where Noisia grew up in New Jersey. Hiss & Binga rework 'Wicked Set' into a rolling, deeper percussive VIP, explicitly referencing that early 2000s 'proto-dubstep' vibe of the early FWD days. MC Jakes vocal stabs are further dubbed out from the original and are joined by hypnotic chants, distorted ethereal melodic snippets, and depth-charge bass pressure. Turn the lights down and lock in. Finally, Pineapple's resident Booty Queen, one Amy Kisnorbo, twists wicked set into a tuff, minimal but fully propulsive 150bpm workout, equal parts Chicago Juke and Detroit Electro, yet still with an unmistakeable UK Grime influence. Zaps, FX and militant kicks are the key ingredients here - and provide an essential expansion of the Kisnorbian sound world. Distributed by Label Engine - www.label-engine.com

Following a banner year for both Sir Hiss and Sam Binga - and indeed for Pineapple as a whole - in 2025, we felt it was time to revisit their joint release from 2023, the Jus Mek Duppy EP - aptly retitled 'Jus Mek RMX' Bristolian maestro, AÆE leans into his Brazilian heritage on his Funk-powered rework of 'Any Weather'. Classic Volt / Carioca elements meld perfectly with SBA Karma's iconic UK Drill flow, resulting in a festival banger that has been turning heads from Outlook to EDC. Anthemic! Coido makes a return to the label, after his collaboration with HRTY on last year's Fruit Salad EP, turning the 140 electro of 'ADRL' into a snarling 150bpm monster. As always with Coido, the production weight is heavy, and the vibe is meaty - at times, almost hinting at a universe where Noisia grew up in New Jersey. Hiss & Binga rework 'Wicked Set' into a rolling, deeper percussive VIP, explicitly referencing that early 2000s 'proto-dubstep' vibe of the early FWD days. MC Jakes vocal stabs are further dubbed out from the original and are joined by hypnotic chants, distorted ethereal melodic snippets, and depth-charge bass pressure. Turn the lights down and lock in. Finally, Pineapple's resident Booty Queen, one Amy Kisnorbo, twists wicked set into a tuff, minimal but fully propulsive 150bpm workout, equal parts Chicago Juke and Detroit Electro, yet still with an unmistakeable UK Grime influence. Zaps, FX and militant kicks are the key ingredients here - and provide an essential expansion of the Kisnorbian sound world. Distributed by Label Engine - www.label-engine.com

One of the most interesting (and tallest) producers in Bristol, Samba - often known for his intricate and emotionally charged 140 on iconic labels such as Deep Medi - switches things up with a thoroughly dancefloor-focussed Club inspired EP for the mighty Pineapple. Broody sees Samba and another Sam (the Binga) team up with the incredibly talented Rochy Romero, who laces the bass-led beat with cold-hearted but anthemic lyrics - told my ex imma need more room, but she still on my line tryna bug me - put her on pause, I dont wanna resume. Vocal cuts and an almost vapourwave synth-line set off the pounding kicks and whip-shaking bass to create a unique blend of UK attitude and US swagger. BB was the first track Samba sent over for the EP and its a monster. Club-patterned kicks keep the funk focussed, while another female vocal represents for all the Baddies out there. Support on this one from Alix Perez, Sicaria and more. The Work brings Cimm and HiJinx into the picture - incredibly crisp production brings a luxurious sheen to the Club production palette, resulting in another Jersey-inspired dancefloor weapon. Distributed by Label Engine - www.label-engine.com

Pineapple Records (UK) Bass / Club

Sicilian producer HLRTY is a leading light of the new generation of Italian Club producers, alongside rapidly rising stars such as a COIDO, Ethik and Fabio FC (aka Was A Be). Combining elements of distorted Electro, Jersey Club and floor-shaking Techno, this new wave is making some of the most exciting dancefloor music around at the moment. GANZO itself is a slang term for a cool, shrewd and generally on-point person or thing - and coincidentally, this is maybe the first time someone Ive met at a show has sent me tracks and theyve instantly blown me away. All these tracks have been highlights in my set for the last year or so, and Im incredibly excited to help get them out into the world. VENALE has an infectious bounce, built around a single chopped-and-screwed vocal cut and the biggest kick since Timbaland brushed dirt off Jay Zs shoulder. This is Club music with a twist - its not trying to imitate the originators, but rather add a different - and complimentary - flavour to that incredibly inspiring soup. BITCH MODE is a perfect example of doing more with less - and as a result has been one of the peaks of my set for a hot minute. Sitting up around 150bpm and leaning fully into the redlining is headlining aesthetic, BITCH MODE is Charli XCX doing the Percolator in Palermo. On PCP. TALKINGSH#T brings luscious rave chords and Sheffield bleeps into the HLRTY-verse, with a more chopped-up beat adding heft doses of syncopation and funk. Not quite breaks, not quite club, but totally infectious. ANSIOGENO feels like Acid Rave and UK Funky had a child at 148bpm. Straight in from beat 1, the unique arrangement takes listeners and dancers alike on a journey through chunky intensity, culminating in a unique wobbling bassline guaranteed to fry brains and feet. OTRAVEZ feels like a Miami Bass track got lost somewhere in Southern Europe - heavy bass pressure meets twisted vocals and a sweaty electro bounce. Absolutely undeniable on a soundsystem! BITCH MODE is a perfect example of doing more with less - and as a result has been one of the peaks of my set for a hot minute. Sitting up around 150bpm and leaning fully into the redlining is headlining aesthetic, BITCH MODE is Charli XCX doing the Percolator in Palermo. On PCP. Distributed by Label Engine - www.label-engine.com

Pineapple Records (UK) Bass / Club

Pineapple Records (UK) Bass / Club

Pineapple Records (UK) Bass / Club

Marking five years of Pineapple Records and a decade since his seminal debut Wasted Days, Sam Binga returns with Club Orthodontics—a mixtape that captures, in high definition, where he stands today as an artist, DJ, and label head. Entirely collaborative and sonically expansive, the project draws from a vibrant palette: Drill, Dancehall, Baile Funk, Breakbeat Garage—all unified by Bingas signature blend of percussive drive, weighty bass, and razor-sharp vocal features. With contributions from a revolving cast of Pineapple-affiliated producers and MCs, Club Orthodontics is both a celebration of community and a masterclass in cohesion. Its unmistakably UK in its attitude and approach, designed to hit just as hard in headphones as it does in the dance. Featuring key collaborators such as Bakey, Machinedrum, and Cesco, the mixtape is a snapshot of Pineapples creative ecosystem—a scene defined not by genre boundaries, but by shared intent and fearless collaboration. Club Orthodontics isnt just a mixtape; its a testament to the collective power of sound system culture reimagined for 2025. Distributed by Label Engine - www.label-engine.com

The first in a new series of Various Artist EPs from your favourite fruit emporium, Pineapple Presents Fruit Salad: Vol 1 is a snapshot into what is getting us excited musically right now. Four tracks ranging from deep UKG, through pounding electro, raw Club and bass-heavy Acid. Myriads Deep Dive has been battered on dub by Bakey and Cesco, which should tell you all you need to know about the quality on display here. Proper Bristol rollage, with proper UK swing. Odiso is possibly the heaviest tune weve released, and sees Pineapples Sicilian Prince, HLRTY, team up with another Italian new-gen maestro, Coido, for an unstoppable electro / techno pounder. 444 sees LAs Bodymind step out from behind the decks and into her production era, smashing classic Club breaks together to create one of the rawest takes on Bmore / Jersey weve heard in a while. Acid Headtopper has been a secret weapon in Bingas sets for a while, and sees Bristols Zoro open his sound up into exciting new territories - tight 4/4 kicks, heavy sub bass and an insistent acid line all working together to trip out the dancefloor. Distributed by Label Engine - www.label-engine.com

Sicilian producer HLRTY is a leading light of the new generation of Italian Club producers, alongside rapidly rising stars such as a COIDO, Ethik and Fabio FC (aka Was A Be). Combining elements of distorted Electro, Jersey Club and floor-shaking Techno, this new wave is making some of the most exciting dancefloor music around at the moment. GANZO itself is a slang term for a cool, shrewd and generally on-point person or thing - and coincidentally, this is maybe the first time someone Ive met at a show has sent me tracks and theyve instantly blown me away. All these tracks have been highlights in my set for the last year or so, and Im incredibly excited to help get them out into the world. VENALE has an infectious bounce, built around a single chopped-and-screwed vocal cut and the biggest kick since Timbaland brushed dirt off Jay Zs shoulder. This is Club music with a twist - its not trying to imitate the originators, but rather add a different - and complimentary - flavour to that incredibly inspiring soup. BITCH MODE is a perfect example of doing more with less - and as a result has been one of the peaks of my set for a hot minute. Sitting up around 150bpm and leaning fully into the redlining is headlining aesthetic, BITCH MODE is Charli XCX doing the Percolator in Palermo. On PCP. TALKINGSH#T brings luscious rave chords and Sheffield bleeps into the HLRTY-verse, with a more chopped-up beat adding heft doses of syncopation and funk. Not quite breaks, not quite club, but totally infectious. ANSIOGENO feels like Acid Rave and UK Funky had a child at 148bpm. Straight in from beat 1, the unique arrangement takes listeners and dancers alike on a journey through chunky intensity, culminating in a unique wobbling bassline guaranteed to fry brains and feet. OTRAVEZ feels like a Miami Bass track got lost somewhere in Southern Europe - heavy bass pressure meets twisted vocals and a sweaty electro bounce. Absolutely undeniable on a soundsystem! BITCH MODE is a perfect example of doing more with less - and as a result has been one of the peaks of my set for a hot minute. Sitting up around 150bpm and leaning fully into the redlining is headlining aesthetic, BITCH MODE is Charli XCX doing the Percolator in Palermo. On PCP. Distributed by Label Engine - www.label-engine.com