Held in Transmission explores music as something suspended between broadcast and memory. From the pirate radio energy of Pirates to the garage and post-dubstep lineage referenced in Feels So and FWD, the EP sits firmly in the echoes of UK bass culture. Virtues closes the project on a more personal note, drawing on environmental sounds recorded while touring New Zealand, allowing place and emotion to bleed into rhythm.

Following his last extended body of work Entanglements, Alix Perez taps into slower tempos for his new mini LP Sabotage. This record focuses on the 130-140 bpm realm, featuring collaborations with SP:MC, Trim, Cesco & Hijinx. From light to dark, Alix further explores his penchant for that world of music.

Held in Transmission explores music as something suspended between broadcast and memory. From the pirate radio energy of Pirates to the garage and post-dubstep lineage referenced in Feels So and FWD, the EP sits firmly in the echoes of UK bass culture. Virtues closes the project on a more personal note, drawing on environmental sounds recorded while touring New Zealand, allowing place and emotion to bleed into rhythm. The result is an EP that treats transmission as force: pirate signals, pressure waves, bass cutting through static. Sound that's direct, physical, and built to hit.

Twenty Twenty London Recordings

Following his last extended body of work Entanglements, Alix Perez taps into slower tempos for his new mini LP Sabotage. This record focuses on the 130-140 bpm realm, featuring collaborations with SP:MC, Trim, Cesco & Hijinx. From light to dark, Alix further explores his penchant for that world of music.

Twenty Twenty London Recordings

Following his last extended body of work Entanglements, Alix Perez taps into slower tempos for his new mini LP Sabotage. This record focuses on the 130-140 bpm realm, featuring collaborations with SP:MC, Trim, Cesco & Hijinx. From light to dark, Alix further explores his penchant for that world of music.

Held in Transmission explores music as something suspended between broadcast and memory. From the pirate radio energy of Pirates to the garage and post-dubstep lineage referenced in Feels So and FWD, the EP sits firmly in the echoes of UK bass culture. Virtues closes the project on a more personal note, drawing on environmental sounds recorded while touring New Zealand, allowing place and emotion to bleed into rhythm.

Artwork by Marco Chiaramonti. Mastered by Beau at Ten Eight Seven Mastering.

Twenty Twenty London Recordings

1985 Music 140 / Deep Dubstep / Grime