HLRTY, Pineapple's Prince of Palermo, returns to the label with a VERY extended player, the Fionda EP. Building on the foundations laid by last year's GANZO EP, Fionda sees Francesco stretch his wings and continue to stake a claim as one of the most interesting and innovative producers working in the as-yet undefined space between Club, Electro, Techno and Bass. Across a full seven tracks, including another collaboration with label-affiliate Coido, we can see the scope of HLRTY's ambition really start to take shape, with thrilling results. Btw - his 'GANZOLATOR' edit got a big play recently at the Fred Again NY show, courtesy of Dr Jeep… 'Slingshooters' kicks the project off, and while it initially feels like a continuation of the stripped-back, tuff 150bpm Club vibes of 'Bitch Mode', but a surprisingly melodic breakdown leads into a deeper, more rolling second drop… Before we turn back to the tuff to close things out. 'Willigo', alongside fellow Italian new-generation dons Ethik and ETN ETN, shows a hitherto unexplored side of HLRTY's production, blending rolling house drums with lush synths, warped and heavily manipulated vocals, and emotional, almost electro synth stabs. A truly immersive listen, that still works incredibly well on the dancefloor. 'Ossimoro' takes things back to more familiar territory - tuff, club-focussed Electro. Some of the most polished production around manages to mix robotic vocals, distorted bass and punchy drums to create a guaranteed floor-shaker. 'Nutriko' brings things back up to the 150bpm range, acting almost as a continuation of 'Ossimoro'. Again taking a few elements - vocal chops, heavy bass, rolling acid - HLRTY expertly weaves them into something undeniably infectious and propulsive. '22222' sees HLRTY and Coido reunited, after their club banger 'Odiso' on the inaugural Fruit Salad Various Artists EP from the tail end of last year. Twisted techno grooves and creative distortion dominate the first half of the track, while another unexpected melodic breakdown sets up a full beat switch for the second half of the tune. Once again, the ambition extends beyond looping, copying and pasting… 'Scafazzato' (slang for a 'cheeky rascal') appears in two forms. The original expertly mixes elements of Techno, Club and Acid (and an expected piano-vamp outro) for what is becoming a HLRTY trademark blend of flavours, while the 'Dark Mix' takes things deeper - but still tuff and Club-infused. Distributed by Label Engine - www.label-engine.com

Following a banner year for both Sir Hiss and Sam Binga - and indeed for Pineapple as a whole - in 2025, we felt it was time to revisit their joint release from 2023, the Jus Mek Duppy EP - aptly retitled 'Jus Mek RMX' Bristolian maestro, AÆE leans into his Brazilian heritage on his Funk-powered rework of 'Any Weather'. Classic Volt / Carioca elements meld perfectly with SBA Karma's iconic UK Drill flow, resulting in a festival banger that has been turning heads from Outlook to EDC. Anthemic! Coido makes a return to the label, after his collaboration with HRTY on last year's Fruit Salad EP, turning the 140 electro of 'ADRL' into a snarling 150bpm monster. As always with Coido, the production weight is heavy, and the vibe is meaty - at times, almost hinting at a universe where Noisia grew up in New Jersey. Hiss & Binga rework 'Wicked Set' into a rolling, deeper percussive VIP, explicitly referencing that early 2000s 'proto-dubstep' vibe of the early FWD days. MC Jakes vocal stabs are further dubbed out from the original and are joined by hypnotic chants, distorted ethereal melodic snippets, and depth-charge bass pressure. Turn the lights down and lock in. Finally, Pineapple's resident Booty Queen, one Amy Kisnorbo, twists wicked set into a tuff, minimal but fully propulsive 150bpm workout, equal parts Chicago Juke and Detroit Electro, yet still with an unmistakeable UK Grime influence. Zaps, FX and militant kicks are the key ingredients here - and provide an essential expansion of the Kisnorbian sound world. Distributed by Label Engine - www.label-engine.com