HLRTY, Pineapple's Prince of Palermo, returns to the label with a VERY extended player, the Fionda EP. Building on the foundations laid by last year's GANZO EP, Fionda sees Francesco stretch his wings and continue to stake a claim as one of the most interesting and innovative producers working in the as-yet undefined space between Club, Electro, Techno and Bass. Across a full seven tracks, including another collaboration with label-affiliate Coido, we can see the scope of HLRTY's ambition really start to take shape, with thrilling results. Btw - his 'GANZOLATOR' edit got a big play recently at the Fred Again NY show, courtesy of Dr Jeep… 'Slingshooters' kicks the project off, and while it initially feels like a continuation of the stripped-back, tuff 150bpm Club vibes of 'Bitch Mode', but a surprisingly melodic breakdown leads into a deeper, more rolling second drop… Before we turn back to the tuff to close things out. 'Willigo', alongside fellow Italian new-generation dons Ethik and ETN ETN, shows a hitherto unexplored side of HLRTY's production, blending rolling house drums with lush synths, warped and heavily manipulated vocals, and emotional, almost electro synth stabs. A truly immersive listen, that still works incredibly well on the dancefloor. 'Ossimoro' takes things back to more familiar territory - tuff, club-focussed Electro. Some of the most polished production around manages to mix robotic vocals, distorted bass and punchy drums to create a guaranteed floor-shaker. 'Nutriko' brings things back up to the 150bpm range, acting almost as a continuation of 'Ossimoro'. Again taking a few elements - vocal chops, heavy bass, rolling acid - HLRTY expertly weaves them into something undeniably infectious and propulsive. '22222' sees HLRTY and Coido reunited, after their club banger 'Odiso' on the inaugural Fruit Salad Various Artists EP from the tail end of last year. Twisted techno grooves and creative distortion dominate the first half of the track, while another unexpected melodic breakdown sets up a full beat switch for the second half of the tune. Once again, the ambition extends beyond looping, copying and pasting… 'Scafazzato' (slang for a 'cheeky rascal') appears in two forms. The original expertly mixes elements of Techno, Club and Acid (and an expected piano-vamp outro) for what is becoming a HLRTY trademark blend of flavours, while the 'Dark Mix' takes things deeper - but still tuff and Club-infused. Distributed by Label Engine - www.label-engine.com

Disruptive Italian artist Fabrizio Carlini aka COIDO debuts on Nerve Collect with his Irreversible EP, which brings a hyper-charged collision of rhythm, tempo and genre. COIDO is a new project from an accomplished artist who is all about engineering bold new sound worlds. It draws on a lifetime of collecting sonic data and pulls from techno, Jersey club, breakbeat, global groove and much more. Previous high-energy works found their way to labels like YUKU, Vision and Exit and into the record bags of artists like Jamie xx, Ivy Lab and D Bridge. This latest EP sits in a space-time playground that imagines a new future for club music. Opener Irreversible is powered by throbbing bass and intricate percussive accents that demand a physical response. Precise sound design, low-end distortion and humming static all bring it to life in HD. Make Make is then a relentless 160 bpm assault with scattershot percussion triggering manic toms, twisted bass stabs and wordless vocal loops. Its controlled chaos and frenzied funk of the highest order. Majana slows things down but is another sub-powered juggernaut with syncopated hits that swings, bumps and prowls in irresistible ways. 12am is a dank, bass-loaded workout with warped pads bending around the kinetic architecture in ways that contort minds and bodies. Lastly, Delirio is polyrhythmic bass science with ghostly pads and slithers of synth sketching out guaranteed dance floor hysteria. Weaponised, unpredictable, and wired for the future, this is club music for a post-genre world.

Twenty Twenty London Recordings

Twenty Twenty London Recordings