Glasgow Underground Nu Disco / Disco

Following the success of Small Town Boy, DE SOFFER returns with a new disco reinterpretation of Make It Wit Chu, originally recorded by Queens of the Stone Age. Already known for turning iconic vocals into modern disco floor records, DE SOFFER brings his signature disco warmth and tight, contemporary production to this 2007 classic. Groove-led bass, crisp drums, and shimmering synth textures transform the original into a confident new disco cut built for peak time crossover sets. Genres: Nu-disco Key use: Peak time disco crossover For fans of: Modern disco, indie dance adjacent sets, confident vocal floor moments

Following the success of Small Town Boy, DE SOFFER returns with a new disco reinterpretation of Make It Wit Chu, originally recorded by Queens of the Stone Age. Already known for turning iconic vocals into modern disco floor records, DE SOFFER brings his signature disco warmth and tight, contemporary production to this 2007 classic. Groove-led bass, crisp drums, and shimmering synth textures transform the original into a confident new disco cut built for peak time crossover sets. Genres: Nu-disco Key use: Peak time disco crossover For fans of: Modern disco, indie dance adjacent sets, confident vocal floor moments

Glasgow Underground Nu Disco / Disco

Glasgow Underground Nu Disco / Disco

Following the breakout success of Just Be Good To Me, French producer Baccus returns to Glasgow Underground with a bold new disco reinterpretation of We Are Family. Originally a pop-disco staple, this version strips away novelty and leans fully into groove. Live feeling bass, driving rhythm, and a powerful vocal performance transform the song into a peak time new disco record built for modern club floors. This is not nostalgia for nostalgia's sake. It is a classic song rebuilt with intent, confidence, and serious dancefloor weight. Genres: Nu-disco Key Use: Peak time disco crossover For fans of: Modern disco, confident vocal club records, DJs who like to challenge expectations

Following the breakout success of Just Be Good To Me, French producer Baccus returns to Glasgow Underground with a bold new disco reinterpretation of We Are Family. Originally a pop-disco staple, this version strips away novelty and leans fully into groove. Live feeling bass, driving rhythm, and a powerful vocal performance transform the song into a peak time new disco record built for modern club floors. This is not nostalgia for nostalgia's sake. It is a classic song rebuilt with intent, confidence, and serious dancefloor weight. Genres: Nu-disco Key Use: Peak time disco crossover For fans of: Modern disco, confident vocal club records, DJs who like to challenge expectations

Glasgow Underground Nu Disco / Disco

Glasgow Underground Nu Disco / Disco

Kevin McKay revisits That's The Way Love Goes, the timeless Janet Jackson classic written by Jimmy Jam and Terry Lewis, with a nu-disco reimagining built for modern dancefloors. Inspired by CJ Mackintosh's iconic 1993 club mixes, this version shifts the energy away from piano-led house into a warmer, funk-driven space. Live guitars and Fender Rhodes take the lead, creating movement and lift while preserving the sensual, understated power of the original song. Designed for DJs who want to introduce feel-good disco energy without jumping fully into classic territory, this is a modern reinterpretation rooted in dance music history. Genres: Nu Disco Key Use: Mid-set uplift. Disco crossover moments For fans of: Purple Disco Machine, modern disco cuts, soulful dance floors

Kevin McKay revisits That's The Way Love Goes, the timeless Janet Jackson classic written by Jimmy Jam and Terry Lewis, with a nu-disco reimagining built for modern dancefloors. Inspired by CJ Mackintosh's iconic 1993 club mixes, this version shifts the energy away from piano-led house into a warmer, funk-driven space. Live guitars and Fender Rhodes take the lead, creating movement and lift while preserving the sensual, understated power of the original song. Designed for DJs who want to introduce feel-good disco energy without jumping fully into classic territory, this is a modern reinterpretation rooted in dance music history. Genres: Nu Disco Key Use: Mid-set uplift. Disco crossover moments For fans of: Purple Disco Machine, modern disco cuts, soulful dance floors

As deep house charts lean faster and more percussive, a quieter shift has been happening elsewhere. Producers searching for mood, space and introspection have started emerging through indie dance. Artists like Adam Ten and Mita Gami have shown that you can keep deep house sensibilities while stepping outside the traditional lane. Thailand-based Konstantin Kobra sits in that school. All Eyes On Me blends a slow-burning groove with a spoken, half-sung vocal that feels intimate and slightly provocative without being obvious. Written around Phrygian tonality, the bassline moves in subtle semitone tension shifts that create lift without traditional melodic drama. It feels slightly unstable in the best way. This isn't peak-time bounce. It's warm-up hypnosis. A record for long sets and selective DJs. For fans of: Adam Ten, Mita Gami
Genre: Indie Dance / Deep-leaning Indie
Key use: Warm-up, long transitions, late-night mood building

As deep house charts lean faster and more percussive, a quieter shift has been happening elsewhere. Producers searching for mood, space and introspection have started emerging through indie dance. Artists like Adam Ten and Mita Gami have shown that you can keep deep house sensibilities while stepping outside the traditional lane. Thailand-based Konstantin Kobra sits in that school. All Eyes On Me blends a slow-burning groove with a spoken, half-sung vocal that feels intimate and slightly provocative without being obvious. Written around Phrygian tonality, the bassline moves in subtle semitone tension shifts that create lift without traditional melodic drama. It feels slightly unstable in the best way. This isn't peak-time bounce. It's warm-up hypnosis. A record for long sets and selective DJs. For fans of: Adam Ten, Mita Gami
Genre: Indie Dance / Deep-leaning Indie
Key use: Warm-up, long transitions, late-night mood building

Glasgow Underground Organic House

Glasgow Underground welcomes Bali-based duo Belyi & Kirr with Tabalear — a warm, melodic Afro / Organic House record built for sunset moments and early dancefloor flow. After the international success of Good Karma on MoBlack, Belyi & Kirr refine their sound further here, blending tribal-style vocal chants with a delicate, rolling groove and rich melodic layers. Tabalear pushes their Afro House foundations into a more organic, DJ-friendly space — musical, uplifting, and full of atmosphere. Perfect for warm-ups, transitions into the main floor, and sunrise or sunset sets. Genres: Afro House / Organic House Key Use: Warm-up → early peak, sunset / sunrise For fans of: All Day I Dream, MoBlack, Keinemusik, Igor Marijuan

Glasgow Underground Nu Disco / Disco

Glasgow Underground Organic House

Glasgow Underground Bass House

With the opening parties already underway, our thoughts turn to the summer on the dancefloor and one of the best places in the world, Ibiza. Here is our latest collection, curated exclusively for the White Isle. And, as youd expect from Glasgow Underground, we have you covered with all styles from the big stage tech house heaters through Marco Carola-approved deep house to poolside disco. Dive in!

Following the success of his nu-disco remake of Blue Monday, Israeli producer DE SOFFER returns with a stunning rework of Smalltown Boy — one of the most emotional and celebrated songs of the 1980s. This vocal was originally recorded for another project, but when the track didnt materialise, DE SOFFER asked to work with it — and he has absolutely delivered. Smalltown Boy is a notoriously difficult song to adapt for the club: the verses carry emotional weight, but the originals breakbeat-style structure doesnt translate naturally to a 4/4 floor. DE SOFFER solves that problem with style.
He keeps the iconic synths and melancholic beauty of the original, then adds an infectious disco bassline, guitar groove, and rich melodic lift that transforms it from an 80s anthem into a prime-time nu-disco floor filler. The extended version mirrors the originals emotional arc while dropping into a euphoric, arpeggiated electro-disco finale — the kind of end-of-night moment that leaves the whole ro.