Bass / Club
Top 100 Chart placements for Bass / Club
Updated 6 hours ago
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#3
Top Releases in Bass / Club
No More
After an amazing run with his latest EP on Hessle Audio Make It Better/ Restless Sleep Josi Devil is back with a 3 tracker on TSVI & Wallworks Nervous Horizon. Combining club functionality and cinematic sound design this EP leaves no stone unturned. No More has already conquered most dance floors around the UK and the world being played by the biggest names in the scene like Ben UFO, Joy O, Special Requests etc. Duinpan is a pounding garage banger with mind bending sound design. M.e.S the final track is a collaboration with label boss TSVI, and it definitely is the cherry on the cake incorporating both the signature Nervous Horizon sound and Josi Devils cold & slick production.
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#4
Top Releases in Bass / Club
Quest For Fire
2023-02-17 OWSLA/Atlantic
Skrillex, Bobby Raps, Mr. Oizo, Missy Elliott, Joker, Sleepnet, Flowdan, Fred again.., Four Tet, Starrah, Aluna, Kito, Eli Keszler, Nai Barghouti, Posij, Swae Lee, SiiickBrain, Beam, Peekaboo, Noisia, josh pan, Dylan Brady, Porter Robinson, Bibi Bourelly
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#5
Top Releases in Bass / Club
Trópico Eléctrico
Kicking off Intrepid Skins digital-only release series, two of Melbournes best kept secrets link up for a double drop of essential hard groove. Also stoking the fire is a remix by Brazilian party-starter Slim Soledad. Known for the unrestrained energy they bring to dancefloors at home and abroad - WATTO and Luke Hoveys ability to read a crowd comes into its own on their first release together. Rolling percussive interplays and subtly hypnotic loops drive over charged up basslines that rattle the room, all while maintaining a relentless flow throughout the EP.
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#8
Top Releases in Bass / Club
Ghost Notes
Fliss Mayo & Zebb Dempster are Dual Monitor, a London based duo. Their envelope pushing productions have earned them the moniker The UK Genre Alchemists from Rinse FM. Their open format approach to music also translates into their kaleidoscopic DJ sets which thread low slung bass, psychedelic techno, floor shaking sound-system cuts and zoned out dub and jungle. Their first EP on Nerve Collect represents everything they stand for from low end dubstep to funky tech and rattling riddims.
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#15
Top Releases in Bass / Club
Slipstream
sitting in the terminal at Barcelona airport, health safety warnings echo through empty architecture. feeling slow, and fast, out of sync with rituals and routines. structure and rhythm disintegrate into micro gestures appearing in random order, a daily psychedelia... amid all of the chaos and distraction in the last few years, its only through letting go that Ive found solid ground to stand on. These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekts label, Kapsela. Slipstream is an aural document of PVASs interior life, conceived not as a grab-bag of DJ-friendly tracks (although its clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. Wetland, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of Gathering Drift recalls GAS or Monolakes Hong Kong. Sampled breakbeats dip and swerve asymmetrically through Boba and Terminal. Across the record, textures and voices are reshaped by PVASs homemade algo-software, UMT, which, in PVAS own words, reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field. But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder: when i stop framing myself as a boundaried stone immovable, and powerful, and heavy when i stop figuring my deepest space as my own something which i am solely responsible i surrender, i surrender PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.
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#17
Top Releases in Bass / Club
Iris EP
Olof Dreijer (ex-The Knife) returns to Dekmantel with Iris, a new 4-track EP out October 25, just in time for his North America tour. Featuring remixes by Nidia and Verraco, Iris follows his 2024 collab with Diva Cruz, remixes for Bjork ft. Rosalia and Royksopp, plus acclaimed solo EPs on Hessle Audio and AD 93. Think breakdance-era energy, sound-humour, and body-synth mischief. Iris plays like a garden of sonic creaturessynths mimicking bodily sounds, chopped-up vocal textures, and 90s-style chord stabs inspired by Olofs high school b-boy phase. Its playful, raw, and weird in the best way. With over two decades of shapeshifting behind machines and decks, Dreijers been a force in electronic musicfrom festival headliners across Europe to pushing the boundaries with his Oni Ayhun alias. He also co-founded Stockholms Bamba Club, a hub for progressive, percussive sounds. Further recent highlights include co-producing tracks on Fever Rays latest album, producing Houeida Hedfis debut LP, contributing to projects by Planningtorock and Zhala, remixing Nine Inch Nails, Royksopp & Robyn, and Emmanuel Jal.
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#23
Top Releases in Bass / Club
Reset
Identified Patient returns to Dekmantel for a third time with his Reset EP. The future-facing four tracker is another mutant fusion of bass and techno with low-end power with cerebral sound designs. Job Veerman debuted on the Dekmantel UFO Series in 2019, returned in 2020 and has lit up the festival several times with transportative sets that balance power with precision. Like his productions on the Nerve Collect label, he co-runs with Gamma Intel, they are leftfield explorations of genre and tempo that find strange sensuality in often abstract ideas. Once again here, the Dutchman draws on eclectic influences to craft music that sounds like no one else but remains anchored by magnetic rhythms. Opener Light kicks off with a fuzzy synth line that slithers between syncopated drums. Whispered vocals drift through the mix as lurching basslines swell and collapse beneath them. The groove disassembles and reassembles in waves, propelled forward by bursts of glitchy, off-kilter percussion thats unsteady yet seductive. Scales is a slow, menacing descent into rhythmic darkness. It sounds both ancient and futuristic with ghoulish vocalisations and filtered synths flickering like a badly wired circuit. Theres a rave tension lurking throughout, but always in the shadows. Internal Pace drives on but rides fluid, wobbly bass while tightly looped hits build the pressure. Layers of static and subtle distortion add grit to this unrelenting heads-down roller. Finally, Return is a kinetic, razor-edged ride where jungle breaks collide serpentine melodies. Ethereal female coos drift in and out, brushing against spat-out vocal fragments so that tension crackles throughout this hallucinogenic trip. With Reset, Identified Patient reaffirms his status as a singular voice who twists sound into evocative new worlds.
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#25
Top Releases in Bass / Club
Infinite Content Loop
Infinite Content Loop was written by Plastician with the intention of it serving as a monotonous and menacing backdrop to the feeling of dread that overcomes you every day knowing you need to get on social media and post some engaging content. The idea was not to create something particularly uplifting, but a constant tone of dread and pressure brought about by the never ending bass loop and dark atmospherics, backed by a building percussive section that brings the needed progression in a more subtle way. In true Plastician style, its designed to sit between many of the genres he spins in his own sets. Influences are pulled from UK Garage, Dubstep, Techno, Breaks and more, in order to create a DJ tool that serves as the glue between them. With a remix from UK music hero Zed Bias, this is a versatile release that we hope resonates with you. Distributed by Label Engine - www.label-engine.com
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#28
Top Releases in Bass / Club
Tectonic Sound
2025-07-18 Tectonic
Pinch, Peverelist, re:ni, V.I.V.E.K, Beatrice M., Om Unit, FJAAK, J.Manuel, Cocktail Party Effect, 2562, Yushh, Appleblim, Flora Yin Wong, Kahn, Neek, SICARIA, Gemmy, Neffa-T, Shed, Sophia Loizou, Jack Sparrow, Cortical, Ipman, Distance, RSD, Coki
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#32
Top Releases in Bass / Club
SHEEPSTEP
Once, Ilya Gadaev, RLGN, and ANY ACT gathered in a bear den to watch Starship Troopers and try to create some dubstep under a straight kick. In the end, they ended up with a new order of bass house/bass techno. There are nods to uk funky here, bass there, midtempo and jungle terror somewhere else, and clearly mutant techno in certain parts. Its functional stuff. Similar things are being done, but not as often. Conformist resources would simply call it techno now. Its modern stuff about the here and now. Its already been tested on the dance floors.
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#33
Top Releases in Bass / Club
Chicken Garaage
The second release on Objekts newly established Kapsela imprint arrives in the form of Chicken Garaage, a solo 2-track EP by Objekt that explores the fertile terrain around 00s breakbeat and garage. The A-side, Chicken Garaage, is a playful and poignant nod to the pioneering proto-dubstep explorations of the early 2000s, as the genre was first beginning to crystallise, by the likes of Horsepower Productions, DJ Abstract and Benny Ill. First sketched out on tour in Melbourne while eating takeaway chicken karaage, its the first outcome of an experiment with a new workflow to produce music with an accelerated approach and more immediacy and expressivity; encouragingly, it has the lowest final version number (55) of any Objekt track in recent memory. B-side Worm Dance leans into Hertzs headsier inclinations constructed mostly from field recordings made at a lake house outside of Berlin in 2022, it channels mid-00s T++ into a moody, elastic breakbeat roller.
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#36
Top Releases in Bass / Club
We Are Deadbeats Vol. 6
2024-08-23 Deadbeats
Zeds Dead, Chee, Abstrakt Sonance, Hydraulix, Digital Ethos, OkayJake, Evalution, Cimm, Don Jamal, Steller, XL, Sagaman, HerShe, Seth David, 1TK, Operator P, Lumasi, Ghost Lotus, MontyCler, STVSH, LUMBERJVCK, HiddenLif, Veil, Skellytn, Wraz, PAV4N, Chief Kaya, Ace, Katrina Anastasia
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#45
Top Releases in Bass / Club
Tresor 30
2021-10-01 Tresor Records
Underground Resistance, Huey Mnemonic, D. Strange, Speaker Music, AFRODEUTSCHE, Juan Atkins, rRoxymore, Paris The Black FU, Helena Hauff, Lara Sarkissian, Jeff Mills, K-HAND, Claude Young, Porter Ricks, Basic Channel, Moritz Von Oswald, Donato Dozzy, Verraco, Kmru, Surgeon, James Ruskin, Regis, O/V/R, Claudia Anderson, Machina, Robert Hood, Function, LSDXOXO, Sophia Saze, Blake Baxter, SHE Spells Doom, DJ Minx, Whodat, Anthony Shake Shakir, Daniel Bell, Bergsonist, Loidis, Drexciya, Russell E.L. Butler, DJ Stingray 313, Jensen Interceptor, Terrence Dixon, Nandele, Roberto Chitsonzo, Jr., Ectomorph, Simulant, Tygapaw, Joey Beltram, Nene H, FJAAK, Yazzus, Grand River, Tv Victor, Carlota, Torus, JakoJako, Mareena
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#57
Top Releases in Bass / Club
Club Orthodontics
Marking five years of Pineapple Records and a decade since his seminal debut Wasted Days, Sam Binga returns with Club Orthodontics—a mixtape that captures, in high definition, where he stands today as an artist, DJ, and label head. Entirely collaborative and sonically expansive, the project draws from a vibrant palette: Drill, Dancehall, Baile Funk, Breakbeat Garage—all unified by Bingas signature blend of percussive drive, weighty bass, and razor-sharp vocal features. With contributions from a revolving cast of Pineapple-affiliated producers and MCs, Club Orthodontics is both a celebration of community and a masterclass in cohesion. Its unmistakably UK in its attitude and approach, designed to hit just as hard in headphones as it does in the dance. Featuring key collaborators such as Bakey, Machinedrum, and Cesco, the mixtape is a snapshot of Pineapples creative ecosystem—a scene defined not by genre boundaries, but by shared intent and fearless collaboration. Club Orthodontics isnt just a mixtape; its a testament to the collective power of sound system culture reimagined for 2025. Distributed by Label Engine - www.label-engine.com
Sam Binga, Redders, Snowy, Cesco, EMZ, Fracture, Lrusse, Machinedrum, DJ Polo, ONHELL, Mulii, Two Swords, Amy Kisnorbo, Rider Shafique
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#62
Top Releases in Bass / Club
fabric presents Laurent Garnier: Into The Low-End
2025-03-13 fabric Records
Higgo, MARIA, Martin Badder, 2XM, Neil Macleod, Arkajo, R.O.S.H., Dismantle, Ahadadream, Busy Twist, Murder He Wrote, Odd Mob, WelderB, Flowdan, Sammy Virji, Mythm, Røhaan, Sling Wave, Cesco, Hamdi, Strategy, Cartridge, Regents, Skrillex, G-Rex, Peekaboo, Lunice, Cocktail Party Effect, Benny L, MC GQ, ZeroZero, Heist, DJ Pleasure, Taxman, Kings Of The Rollers, Grey Code, Laurent Garnier
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#63
Top Releases in Bass / Club
Stay Far
UK & US production duo P Skinna & Liondub return after releasing 2 massive tracks with Busy Signal to present their first Dancehall juggling, the Bad Intention rhythm. The duo has received Radio support from David Rodigan and Rampage Sound on BBC 1Xtra, Ras Kwame on Capital Xtra, ZJ Liquid and Johnny Kool on Zip FM Jamaica, Killaboo [Addies] on Irie Jam radio, and Robbo Ranks on his syndicated dancehall show. Their new hard hitting bashment segment features artists from London, Bristol, Toronto, New York and Kingston, showcasing the duos production prowess and international music connects. UK Jungle Drum & Bass veteran MC Navigator steps up with a biting lyrical commentary and incredibly dynamic delivery on his track Stay Far. With a loyal fanbase worldwide, this one is guaranteed to see rotations.
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#65
Top Releases in Bass / Club
Da Mind Of Traxman Vol.3
Anyone with a passing interest in footwork and juke will know of Traxman. Corky Strong has a long history of deep involvement in Chicago house, first releasing on the legendary Dance Mania label in the mid nineties, and since then splitting his productions between ghetto house, juke and footwork, releasing alongside Steve Poindexter and Fast Eddie and the late DJ Deeon and DJ Rashad, including an seemingly endless supply of self-released juke edits of whatever direction his deep knowledge of Black American music takes him. The third volume of Da Mind Of Traxman is his first since 2014. In the intervening years hes kept things rolling, DJing regularly, releasing lots of music, becoming a grandfather and being a mentor for younger artists coming up in the scene. This new album was crafted with the help of fellow Planet Mu artist Sinjin Hawke, who took on A&R duties to collate the best from hundreds of tracks dating back to 2005. Sinjin holds Traxmans status in high regard; This album series is important and holds real documentarian value—working on it feels like the modern equivalent of curating a piece of Miles Daviss catalog in the 60s and 70s. Volume 3 showcases Traxmans uncanny ability to take old music into the future without losing the feeling and energy of his samples and influences. He knows how to add a hi-definition modern chassis with the skill of someone who deeply and intuitively understands the craft of dance music. These are some of the purest, most innovative ideations of Chicago footwork.
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#66
Top Releases in Bass / Club
Clutch
A Bold New Direction from Kyotos Finest. Kyoto-based dance music label NC4Ks boss, Stones Taro, delivers a daring new EP in the third installment of the NC4KWAX series. Known for his dance-floor-focused beats and impeccable sound quality, Stones Taro pushes the boundaries of his sound on this release. The EP kicks off with Clutch, a track that immediately captivates with its addictive vocal chops and signature Stones Taro breakbeats. The up-and-down bassline provides a solid foundation, ensuring that your speakers get a workout. Busy Lips follows suit, with its chaotic mix of vocal samples and percussion creating a sense of euphoria. The clap on the third beat adds a challenging yet rewarding twist to the track. The third track is pure Stones Taro, featuring a ravey breakbeat sound with trance-like elements that elevate the track to new heights. Finally, Roman producer Christopher Ledger delivers a stunning remix of the fourth track, transforming it into a tech-house masterpiece with intricate arrangements and a deep, bass-driven groove.
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#69
Top Releases in Bass / Club
Deep Freeze / Loose Leaf
The year isnt over yet! Chimpo still has beats and vibes for you. this time were treated to two 130 garage x broken beat gems, both tracks have been doing the do across festival season and are much requested so it is a pleasure to get them out into the world!
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#74
Top Releases in Bass / Club
Get Down Low
Sam Binga and Rider Shafique return to Critical in their usual atypical style, smudging the lines between dancehall, hip-hop and US club music with three vocal-driven sonic killers. ‘Bamboo’ is pure dancehall, with a stabbing bashment rhythm ridden by a slack set of lyrics from Rider that would do Vybz Kartel proud. Title track ‘Get Down Low’ calls on Cardiff rapper Magugu to elevate a moody lesson in club-ready 808s. Finally, ‘Vendetta’ takes things fully West Coast, with Teklife producer Taso linking Binga on the beats and San Francisco’s MicahTron joining Rider on the mic.
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#75
Top Releases in Bass / Club
CHANGES || VOL 1
CONDU||Ts premiere compilation features a wide-ranging yet cohesive array of vibey, synth-driven dance tracks. The album effortlessly transitions from bass-y to melodic and spans through breaks, garage, house and everything in between. Distributed by Label Engine - www.label-engine.com
Scaefa, Cortese, Choopsie, Provider, M.Shogi, Ayesha, Dom Dolby, Left/Right, miido, Ravver, MOTSA, Stones Taro
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#76
Top Releases in Bass / Club
THE REBELLION
2024-06-26 Black Major x Ice Drop
Sykes, Vanco, DJ Lag, Workaholics, Matthew Otis, K.C Driller, Mr Nation Thingz, NovaBoy, Thobeka, Da Man, Jazz Alonso, Blxckie, Leodaleo, Dezzodigo, Robot Boii, Kamo Mphela, Sane, Charlie Magandi, Kay Faith, YoungstaCPT, Dee Koala, Holy Alpha, DJ Maphorisa, 2woshort, Xduppy
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#77
Top Releases in Bass / Club
This Is The Way
DSK Records proudly announces the forthcoming release of 'This Is The Way', the latest EP by acclaimed Egyptian artist Raxon. Set to drop on all major platforms on May 24th, 'This Is The Way' is poised to captivate listeners with its modern sound and infectious energy. As the third EP of the year for DSK Records, 'This Is The Way' epitomizes the label's unwavering commitment to pushing the boundaries of electronic music. Featuring two original tracks, the EP showcases Raxon's exceptional talent and innovative production style, solidifying his reputation as a leading figure in the industry. The title track, 'This Is The Way', serves as the EP's centerpiece. A mesmerizing electronic anthem designed to ignite dancefloors worldwide. With its exciting bassline combination and catchy vocal hook, 'This Is The Way' is primed to become a mainstay in DJ sets and playlists, leaving an indelible mark on the global electronic music scene. Following is 'Bassline For Us', a dynamic and exhilarating breaks track that showcases Raxon's versatility as a producer. With surprising vocal elements and electrifying energy, 'Bassline For Us' promises to keep listeners on the edge of their seats from start to finish, reaffirming Raxon's status as a master of his craft. 'This Is The Way' is a testament to Raxon's artistic vision and the label's dedication to fostering groundbreaking talent. The EP's release on May 24th marks a significant milestone for both artist and label, signaling their continued commitment to shaping the future of electronic music. Join DSK Records in celebrating the release of 'This Is The Way' and experience the unparalleled talent of Raxon firsthand.
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#82
Top Releases in Bass / Club
Nemesi
FAEs Nemesi' EP presents an intriguing mix of electronic music that reflects her background as both a DJ and a classically trained pianist. The first track, 'Nemesi', combines breakbeat rhythms with dark vibes, featuring aggressive bell-like synths and rap-like vocals. It's a compelling blend that showcases FAE's ability to mix genres and create something unique. The second track, 'Fortuna', takes a different turn with its dark house style. The steady beat and deeper tones create an immersive atmosphere, further highlighting FAE's skill in fusing classical piano elements with electronic music. This track solidifies the EP's exploration into the versatility of electronic sounds. Overall, 'Nemesi' serves as a showcase for FAE's musical range, blending classical influences with electronic innovation. It's an EP that's likely to appeal to a wide audience, offering a fresh take on electronic music that honors its roots while looking forward to new possibilities.
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#83
Top Releases in Bass / Club
Unleash
Heavee is a Queer Chicagoan DJ & producer with a long history in footwork. His 2022 Audio Assault EP on Hyperdub showcased synth-driven, melodic footwork, but Unleash goes much further into audio worldbuilding, with a fresh, spongy and citrus-y sound palette and rich, bright chord sequences. Its minimal, airy, balancing light and dark, sometimes breezy and sometimes clinical. Heavee works simultaneously outside and inside the box, rebuilding footworks framework and vibe to his own unique specification. Rhythmically, its dance floor ready, using footworks 160 template as a springboard for building new drum sounds to express these rhythms, and draws from R&B, rap, jazz and grime, with a sprinkling of bitter-sweet vintage Detroit techno. Unleash takes footworks eats all approach to music and leads it in a fresh direction with a freedom of spirit. Its a strong addition to the footwork cannon and shows that experiments in dance music can be fun.
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#86
Top Releases in Bass / Club
Genetics
STUDIO proudly presents 'Genetics' by TINA TOKIO. After touring the world as a solo artist, FxFarmer reunites with long-time collaborator & iconic producer MUADEEP to present their best work to date. The German duo TINA TOKYO unveils a dark and tribal genre-fluid 6-tracker drawing inspiration from intricate beats, halftime, IDM, deep dubstep, drum & bass, & experimental bass music as a whole. On the visual side, we are honored to showcase the talent of French innovator Dimitri Thouzery. With a portfolio that includes collaborations with renowned entities such as Max Cooper and Le Boucan, we are thrilled to have this exceptional TouchDesigner artist on board.
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#87
Top Releases in Bass / Club
Turbo 25
2023-11-17 Turbo Recordings
Jori Hulkkonen, Tiga, Matias Aguayo, Seth Troxler, Audion, Biesmans, Extrawelt, The Hacker, Sascha Funke, Proxy, Mathame, Nikki Nair, Cora Novoa, Soulwax, Clouds, MANT, Adrian Marth, Zombie Nation, ZZT, Shaded, Disfreq, Skesa, Fedele, Nocow, DJ TRENCHCOAT, Gesloten Cirkel, Dagga, Manao
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#91
Top Releases in Bass / Club
Intimate Empty Club Room
Continuing the vein of transforming their creative process, label bosses Kassian release their 4th EP on their imprint Faux Poly. 'Intimate Empty Club Room' delivers rich layered soundscapes full of experimental harmonics and an unwillingness to be tied down to any specific club genre. The EP explores different senses of space, tone and reverberation, which are characterised in the name of each track; Shimmer, Hollow & Fade. The names themselves reflect the aesthetic of the rooms that the tracks were designed for.
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#96
Top Releases in Bass / Club
I'll Wait, I Guess
"Good things come to those who wait", says Matt Harris aka Hyroglifics about the theme of his debut album, 'I'll Wait, I Guess', a personal journey to hope and healing reflected through 16 tracks of ever-evolving music and the stories that lie within them. "I believe that good things happen with time, however, I also wanted this album to depict the realities of waiting for something and how seemingly hopeless it may seem at times". Written and recorded in Bristol before sessions in London and Los Angeles, where he now lives, 'I'll Wait, I Guess' is his most diverse body of work so far. Though led by the detailed drum and bass he's best known for, the album also includes tracks leaning towards grime, half-time, hip hop, techno and ambient music. "I really wanted to create something that shows my range as a producer and artist", Hyroglifics explains. "My taste is always evolving, so it's hard to pin down a specific 'sound,' as I really enjoy exploring the process of trying to create hybrids of genres."
Hyroglifics, Yeo Limone, Nah Eeto, Deft, Black Josh, Lyza Jane, Feux
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#98
Top Releases in Bass / Club
Can't Control Myself
We are so excited to finally release this track! This collaboration between Big Dope P and Reija Lee has been a highlight at every Moveltraxx party for the past few years and it's def been one of our most requested track IDs for sure. Club king Dope P embraced his French Touch House influences for this one with Reija's beautiful vocals flowing over 80s synth work and funky club beats to create a song that will be stuck in your head for a long time. Taken from BIG DOPE P's sophomore LP to come out later this year.
