Top 100 Chart placements for Bass / Club
Updated 16 hours ago
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Club omnivore Verraco applies a high tempo, hot-blooded, and percussion-heavy touch to 'All Day I Hear The Noise of Waters', switching slickly between rhythms and upping the energy on each turn.
Here comes the first of three remix packages for A08's "Waiting For Zion" album. The peruvian maestros Dengue Dengue Dengue! present a highly energetic broken beat rework of "Nineoneone" with a tropical twist. Nerk, musician and co-founder of Berlin's supergroup Toktok delivers a brilliantly crafted uptempo electro dub version of „Yamahaica". About the "Waiting For Zion" album: Caribbean, jazz, afro, reggae - the whole spectrum of world music ingeniously and ingeniously fused with electronica. A08 is the brainchild of the two Berliners Dirk Leyers and DJ Nomad. Formerly known as "AFRICAINE 808" – the studio/live music project with an album and various EPs on NYC's Golf Channel Recordings and Vulcandance. AFRICAINE 808 started as an experiment where the two succeeded in the amalgamation of rhythmic world music heritage with the zeitgeist and aesthetics of electronic dance music. After ten successful years touring the globe as a live music project, a praised double album, 5 EPs and remix work for legends like Tony Allen, Amadou & Mariam among many others, the two decided to re-invent their sound for a new album, exploring Jazz and Caribbean music among their "classic" working genres of electronic world dance music. For the production, A08 included an illustrious crowd of guests into the band line-up, featuring artists from Colombia, Ghana, Kenya, Trinidad and Germany. The outcome is "Waiting for Zion", a double album that will be released on Compost Records in winter 2023. As a live P.A. A08 are performing either as a Soundsystem with Dirk Leyers and DJ Nomad playing live and DJing, or as a live act with live percussion.
B.A.D founder NIKS debuts her first ever EP on Cead with "Milieu". The four release teleports listeners to four differing environments and spaces within one sonic journey, where each track places you in a setting that NIKS enjoys to dance and play in. The first half of the EP is for the club, where Carnival flavours, bouncy percussion and celebratory energy prevail. In V2B, violins, speedy cowbells, drums, vocals, an alarm and a tingly bass all work together to build this immediate and non-stop feeling. And Chill is an ode to the hot and sweaty nights. With succinct yet catchy vocals, a fun played in chord for a bass and a bounce throughout, NIKS' first ever house track should make you feel sexy and in charge. The second half is a cool down - Sequences transports you to a beachy sunrise via NIKS'own field recordings of birds and the sea in Mexico, which fill and build the space. Dubstep adjacent Stomp The Grid, which is NIKS' first collaboration with Or:la, soaks you in its warm sub bass. This real underground and "in the zone" track touches on elements of grime married with glitched out sound bites, subtle sub basses and hard hitting drums. All of this complemented by one drawn out echoed word throughout.