DJ Godfather maintains his roll of releases into 2026 as he follows up the electro stylings of Sporadic with a new EP of straight up footwork, club-focussed frenzy. This time he teams up with Detroit based music collective Dastardly Kids who bring fun back to the dancefloor! Stay Outside gets its jit on the floor, just in time for Detroits Movement festival. Dastardly Kids formed from humble beginnings in Ypsilanti, MI. Fellow high school misfits Sonny & Pat each found fellowship in the off-kilter stylings of acts like MF DOOM, Wu-Tang Clan, and Parliament. In later years they would expand their ranks to include vocalist Champagne Santana. The addition pushed DK's sound to a whole new scope, each member bringing their own flavour and energy. These days Dastardly Kids are capturing the Ghetto Tech sounds of their youth and amplifying it to help lead the new wave of modern dance music. Now, alongside DJ Godfather the three cuts of 'Big Booty Gurls', 'Heart Attack' and 'Stay Outside' are here to put feet on the dancefloor and butts in motion, one sex-fuelled anthem at a time!

TraTraTrax

Moveltraxx

Early Reflex

Amity

Amsterdam's Teqmun returns to Nerve Collect with new EP, TITLE. This one comes two years after his label debut and is another five track exploration of bass driven rhythm and futurist sound design. Teqmun is a DJ and producer but also a biologist who finds great wonder in the natural world, which is reflected in his playful track titles. His music on labels like Elicit Recs, Flippen Disks and Sann Odea is impossible to pin down but defined by its tactile qualities and seamless fusion of IDM, breakbeat techno and bass. It is always club-ready but comes enriched with melodies that tickle the brain. This new EP drags you into a strange, hi-fidelity ecosystem where rhythm and texture are in constant flux as tracks implode and explode with no warning. A Man And His Toad opens with syncopated bass and a restrained swagger. Ghoulish effects and fizzing synths circling skeletal patterns that surface and recede with real unease. The dynamic Axolotl shifts the pace with chrome-plated melodies and prickly energy that sounds beamed back from a post-human world. Bee Butts retreats inward and hums with fragile detail as shimmering synths and drifting tones hover around unstable modulations. Flowers Are Electronic Billboards For Bees drives deeper into the shadows, its buzzing core wrapped in tight rhythms and digital friction. Closer Mauve Stinger leans into darker dub and traces a surreal path through urban decay and jungle overgrowth. This restless, finely detailed body of work confirms Teqmun as a singular voice mapping new terrain where fresh club impact and sonic curiosity move in lockstep.

Moveltraxx

After giving us a minute to catch our breath, Australia's most prolific electroid pressure cooker Jensen Interceptor barrels back into earshot with some of his most wildly tweaked productions to date. The Sydney-born sound crusher makes a PM+ debut with two servings of the kind of intensely detailed, nerve-shredding gear that makes speaker stacks melt into a puddle of radioactive goo. 'Alien Body Positivity' is something we can all get behind, not least with the kind of mutant style that makes everyone throw themselves into distinctly unearthly forms. There's a rave sensibility coursing through the lurid square wave synth work, but it's warped with reckless abandon at every turn and strapped to a brutally heavy kick that sounds like boulders bouncing down a mountain pass. 'Flux Entrance' finds a slower groove and then deftly peppers it with double-time intensity for a future footwork sort of effect all the better to ride the exotic lead lick and stretched-out sonic zipper at the front of the mix. Hold tight for the razor chops on the vocal in the final stretch the dizzying icing on a dislocated disco cake. On both counts this is Jensen coming correct with the most delightfully damaged wares in his accomplished career.

Lobster Boy

French Tabloïd