Bass / Club
Top 100 Chart placements for Bass / Club
Updated 6 hours ago
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#1
Feat. Staff Picks in Bass / Club
No One Moves Alone
Ma ShaandHodgeannounce their first joint EP No One Moves Alone, a four-track collaboration out November 20 on Kindergarten Records. Born from a spontaneous studio session in Montreal, the record captures the spark between two artists whose paths have long paralleled across Bristol and New Yorks underground club scenes. The result is a high-energy fusion of Bristols percussive grit and New Yorks experimental edge. The pair first met in New York during a Kindergarten Records night at Nowadays, where Hodge played back-to-back with Darwin alongside the labels residents. It felt like the perfect lineup for the Kindergarten sound, says Ma Sha. That night had this wild, fluid energy that stuck with me. They kept in touch, trading production ideas and studio tips, and a year later found themselves in Montreal, each performing their debut live sets at MUTEK 2025. The following day they reunited for a three-hour back-to-back at Piknic Electronik, where the chemistry was instant. The next morning they went straight into the studio, and by the end of that session, the foundation of the record was complete. Everything just clicked, says Ma Sha. We captured the energy of those few days, our first live sets and our first proper b2b. It felt like lightning in a bottle. Hodge adds, It came together so naturally. Ma Shas energy made the creativity flow instantly. We both just followed where the sound wanted to go. The four tracks bring together Ma Shas cosmic club workouts and warped rhythmic structures with Hodges bass-heavy percussion and melodic futurism, creating music that feels both experimental and deeply physical. It reflects their shared time in Montreal, a moment defined by connection, improvisation, and mutual trust. These tracks are a direct reflection of that time, says Hodge. Theyre about connection, improvisation, and fun. The EP will be released on Kindergarten Records, Ma Shas New York-based label and a central hub for adventurous, genre-blurring dance music. Since its founding in 2017, Kindergarten has evolved from a small party series into an award-winning label and radio residency, named Best Breakthrough Label at the 2022 DJ Mag North America Awards. DJ Mag described it as an essential outpost for hard-to-define, easy-to-dance-to club music, while Resident Advisor praised its twisty, rowdy and unpredictable sound rooted in techno from both sides of the Atlantic. For Ma Sha, the release marks the next step in her evolution as a producer and performer. Known for her rhythmic experimentation and high-voltage sets, she has released on Steel City Dance Discs, Nervous Horizon, TraTraTrax, Nerve Collect, Rhythm Section International, and of course, Kindergarten. Her debut live performance at MUTEK Montreal earlier this year introduced a more physical and exploratory approach to her sound. For Hodge, a key figure in Bristols electronic landscape, the collaboration continues a path of sonic exploration. Known for his intricate percussion and emotive depth, his productions blend UK techno, bass, and experimental electronics. His 2020 album Shadows in Blue showcased his range, while his recent live performance Two Moons at MUTEK Montreal revealed a more cinematic and expansive side to his work. Together, Ma Sha and Hodge channel a shared curiosity and sense of play. Their debut collaboration unites two distinct yet complementary perspectives, linking the underground energy of Bristol with the kaleidoscopic pulse of New Yorks club scene. The result is a vivid snapshot of two artists in full creative motion.
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#4
Feat. Staff Picks in Bass / Club
Ghost Notes
Fliss Mayo & Zebb Dempster are Dual Monitor, a London based duo. Their envelope pushing productions have earned them the moniker The UK Genre Alchemists from Rinse FM. Their open format approach to music also translates into their kaleidoscopic DJ sets which thread low slung bass, psychedelic techno, floor shaking sound-system cuts and zoned out dub and jungle. Their first EP on Nerve Collect represents everything they stand for from low end dubstep to funky tech and rattling riddims.
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#6
Feat. Staff Picks in Bass / Club
SFX 5 YRS
------------------------ --????-????-??-----??--- -??----?-----??---??---- -????--?------??-??----- ----??-???-----???------ -----?-?------??-??----- -?--??-?-----??---??---- -????--?----??-----??--- ------------------------ ------------------------ -??????-?--??????-????-- -?------????-?--?-?----- -?????---??--???--????-- -----??--?---??------??- ------?--?---?-?------?- -??--??--?---?-??--??-?- --????---?---?--??--???- ---------?-------------- ------------------------ SFX 5 YRS, a collective release and sample pack in support of Palestine. SFX has been weaving interdisciplinary conspiracies since 2020. In 2025, it celebrates five years. This is the eleventh release. Curated and steered by Zoe Mc Pherson. 50\%\% of proceeds will go towards Network for Palestine, a grassroots network of Cairo mothers helping displaced Gazan families. Mastered by Nima Aghiani Artwork by Ludwig Wandinger Curated by Zoe Mc Pherson
Chewlie, Artur M Puga, Malice, SlowRolla, Swooh, Hassan Abou Alam, Willilah, Edmond Le Sebre, DMRA, Klahrk, Popon, Zoë Mc Pherson, Shhau, Marie Tjong Ayong
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#20
Feat. Staff Picks in Bass / Club
Tender Void
Another full circle moment for 3024, as we are proud to present a brand new EP by Rotterdams bass powerhouse Kessler. Four tracks, crafted in a studio space less than a kilometer from the one where 3024 was born back in 2007 (!), these breathe both a futuristic approach as well as a genuine respect for the history of the bass music continuum. Densely layered, expertly designed pads and sounds sit on top of a foundation of serpentine sine waves and choppy beat programming, whether its on the uptempo Gone or the more contemplative sounds of Kohrt - a super solid multifaceted EP in true Kessler fashion.
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#22
Feat. Staff Picks in Bass / Club
Middle Ground
Ma ShaandHodgeannounce their first joint EP No One Moves Alone, a four-track collaboration out November 20 on Kindergarten Records. Born from a spontaneous studio session in Montreal, the record captures the spark between two artists whose paths have long paralleled across Bristol and New Yorks underground club scenes. The result is a high-energy fusion of Bristols percussive grit and New Yorks experimental edge. The pair first met in New York during a Kindergarten Records night at Nowadays, where Hodge played back-to-back with Darwin alongside the labels residents. It felt like the perfect lineup for the Kindergarten sound, says Ma Sha. That night had this wild, fluid energy that stuck with me. They kept in touch, trading production ideas and studio tips, and a year later found themselves in Montreal, each performing their debut live sets at MUTEK 2025. The following day they reunited for a three-hour back-to-back at Piknic Electronik, where the chemistry was instant. The next morning they went straight into the studio, and by the end of that session, the foundation of the record was complete. Everything just clicked, says Ma Sha. We captured the energy of those few days, our first live sets and our first proper b2b. It felt like lightning in a bottle. Hodge adds, It came together so naturally. Ma Shas energy made the creativity flow instantly. We both just followed where the sound wanted to go. The four tracks bring together Ma Shas cosmic club workouts and warped rhythmic structures with Hodges bass-heavy percussion and melodic futurism, creating music that feels both experimental and deeply physical. It reflects their shared time in Montreal, a moment defined by connection, improvisation, and mutual trust. These tracks are a direct reflection of that time, says Hodge. Theyre about connection, improvisation, and fun.
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#23
Feat. Staff Picks in Bass / Club
Sorry I Lost My Glasses In The Public Bathhouse
A distinct blend of Nikki Nair and Foodmans musical styles, Nagoya EP started life in March when Nikki, on tour in Japan, visited Foodman, and they started to build tracks together. Later, across the net, they continued working up the material, which is flavoured as much by the memory of their days socialising together in Nagoya is it is by their time in the studio. Sorry I Lost My Glasses In The Public Bathhouse is the wild opener, Nikkis chopped and edited live drumming gives the rhythm an off kilter, jungle-like feel, switching around a strange, alien melody and occasional soft chords that in combination exude unusual energy. Deep Miso has sparse dizzying drums, chasing hiccuping sounds around the speakers, until it finally resolves over a single held chord.
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#25
Feat. Staff Picks in Bass / Club
DICAX Footwork Juke Pack
Footwork and juke from Chicago, as well as artists from the UK who further developed this sound with jungle influences, were the main inspiration for the founding of Defrostatica in 2015. The DICAX Footwork Juke Pack is a compilation celebrating the labels 10th anniversary and showcasing the best tracks released in the genre to date. Artists from Spain, Germany, the USA, the UK, Austria and Russia were inspired by the sound of Chicago and contributed to it within their cultural and musical context. Discover 20 footwork and juke tracks as well as remixes by Sinistarr, Sun People, BSN Posse, Arcane & Jon1st, Jana Rush and others.
Kator, BSN Posse, Jon1st, Schmeichel, Shane Lizard, Sinistarr, Morgan Neiman, Dispondant, Samotek, Sun People, Arcane, Ginko, Maltin Worf, Alec, Homesick, Goodkat
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#26
Feat. Staff Picks in Bass / Club
Perspectives (Forest Drive West Remix)
Following the release of Faulters Obstinacy earlier this year, weve turned two long-standing CF regulars and welcome two newcomers to provide their takes on the label co-founders debut club collection. As with the original, the remix EP unfolds in 2 halves: a pair of minimal-rooted 4-to-the-floor club tools, followed by a heady B-side steeped in techno and IDM. Label mainstay Syz kicks things off with a bouncy rendering of the title track in signature production style with his Space Carnival Mix, while the elusive B. McQueen dives into Zaf, providing a skippy, rolling tech-house backbone that brings the dubby elements of the original track into full club mode. On the flip, its a genuine pinch-me moment at CFHQ to feature one of our all-time favourites, Forest Drive West, transforming Perspectives into an unforgettable slo-mo chug-dub-techno trip full of the intensity only he can deliver. Rounding off, our best-loved Bristolian Yushh leans into the 90bpm range with her Swamp-pusher remix, a twisted headfuck of a beat (good luck dancing to this one), reminiscent of early Squarepusher productions.
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#37
Feat. Staff Picks in Bass / Club
Cutting Beam
Creating ecstatic, alien fusions of industrial, UK bassline and Afro-Portuguese dance music, 2rana 3crana - the project of Gum Takes Tooths Jussi Brightmore - announces their new EPThe Mountain Holds A Dagger for release November 28thon Infinite Machine. Shaped by a period of personal tragedy and physical incapacitation, it is a strange, vital celebration of life and movement. The records title comes from another story of being pushed to the brink. Prior to achieving lasting fame as an occultist writer, in 1902 the mountaineer Aleister Crowley was embarking on the first expedition up K2. One of his party fell ill, according to Richard Kaczynskis 2002 biographyPerdurabo,and feverishly told Crowley there are three of me: two are well, but the third is a mountain, which holds a dagger. This passage chimed with Brightmore, whose sense of self had undergone its own strange unravelling. After years making crushing, airless EBM with the acclaimed London band Gum Takes Tooth, Brightmore set out for a fresh start between the lockdowns - moving to an area just outside Lisbon with his young family. Soon after, however, he experienced a crippling abdominal injury which left him bedridden. Moving so slowly opened the door to this really intense self-enquiry, he says. Having had his mobility ripped away, he resolved to never take it for granted again: to celebrate movement, by focusing his creative efforts on dance music. He would combine this with a costumed drag persona, reminiscent of Johannes J. Jaruraaks work as Hungry. To dress up, to give rise to something within oneself, Brightmore claims, is another celebration of living. Regaining his mobility, he became a fixture of Portugals strange underground club-nights. Having already drawn influence from the area sonically, his industrial leanings melding with locally-popular Afro-Portuguese rhythms like batida, these gigs gave his love of dance music a political dimension. Many of these nights featured no program, trusting artists to arrange themselves in running orders, and involved clubgoers jumping in to help out with the bar or cleanup: a utopian social vision, where everyone takes care of each other. Just as the project was taking off, in Autumn 2023 Brightmores brother was diagnosed with cancer, and passed away. It took up all of my mind and heart, Brightmore says. Making dance music wasnt fitting with my state of mind, and he considered abandoning it altogether. A year later, Brightmore was attending Supernormal Festival with his family, and Repeater Radio invited him to play some tracks on their sound system. Using the shelved, work-in-progress 2rana 3crana tracks on his USB to perform an impromptu DJ set, Brightmore magnetised the crowd. People kept on coming and coming - dancing, having fun. He even left the decks himself to dance with his young daughter. The Quietus co-founder John Doran was so excited by the set, he invited Brightmore to release an exclusive EP for the websites subscribers, following his debut EPVerniz Ripplein January of this year. It charged the whole thing up again, Brightmore smiles. Two of the songs onThe Mountain Holds A Daggerwere performed, in an early state, at that course- changing set. One isCrash Era, bouncing between gelatinous, interdimensional takes on batida, grime and UK garage. The other is the hedonistic title-trackThe Mountain Holds A Dagger: a stormy, techno- adjacent stomper. New creationCutting Beamis the most unruly of the trio - a writhing, slippery industrial dance track, centred on sliding frequency sounds Brightmore likens to a drill in the forehead. Not belonging to either the plasticky fairgrounds of hyperpop or industrial wastelands of EBM,The Mountain Holds A Daggeris weirdly evocative of the natural world. Brightmore notes his use of glistening, semi- organic, digital animal sounds, like the low cyborg howls on Crash Era, but then theres the noise washes on the title-track - eerily reminiscent of crashing waves. As much asThe Mountain Holds A Daggerrepresents a deeply original kind of dance music, however, it remains rooted in the art forms basic principles: the crucial value that I place on underground club culture as a social experience, Brightmore says. Having navigated losing his ability to dance, then his motivation for making dance music in the midst of terrible grief, his love for this art-form now seems all-consuming. Being together, moving to the same music in the same place, he says, is more important than ever.
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#40
Feat. Staff Picks in Bass / Club
Terminal
Terminal is the second single from Slipstream by PVAS. -- sitting in the terminal at Barcelona airport, health safety warnings echo through empty architecture. feeling slow, and fast, out of sync with rituals and routines. structure and rhythm disintegrate into micro gestures appearing in random order, a daily psychedelia... amid all of the chaos and distraction in the last few years, its only through letting go that Ive found solid ground to stand on. These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekts label, Kapsela. Slipstream is an aural document of PVASs interior life, conceived not as a grab-bag of DJ-friendly tracks (although its clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. Wetland, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of Gathering Drift recalls GAS or Monolakes Hong Kong. Sampled breakbeats dip and swerve asymmetrically through Boba and Terminal. Across the record, textures and voices are reshaped by PVASs homemade algo-software, UMT, which, in PVAS own words, reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field. But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder: when i stop framing myself as a boundaried stone immovable, and powerful, and heavy when i stop figuring my deepest space as my own something which i am solely responsible i surrender, i surrender PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.
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#41
Feat. Staff Picks in Bass / Club
The Remedy Remixes
CoOp Presents is proud to bring you The Remedy Remixes from LCSM, featuring new flips from masterplan, Alex Phountzi (NameBrandSound) & IZCO (Brighter Days Family). LCSM (Likwid Continual Space Motion) is one of IG Cultures flagship projects, fusing an array of sounds from the worlds of jazz, soul, hip hop, garage, d&b, bruk and beyond. Previously releasing two highly-acclaimed full-length albums on Amsterdam-based label Super Sonic Jazz, this remix package features new versions of tracks featured on the 2024 project The Remedy. The 33rd release on the CoOp Presents label, this triple pack takes on three different moods from within the bruk genre, though all focusing squarely back to the dancefloor. The EP also features the vocal talents of Allysha Joy (30:70 / Joy Spheres Rees / First Word Records) and South African-born, Rara Zulu; both integral players in the Naarm / Melbourne soul, jazz, r&b and dance music community, and beyond. The Remedy Remixes embodies the vibrant sound of underground club culture in 2025. The Remedy Remixes is released on Bandcamp on October 17th, before landing on all other digital platforms on October 24th.
LCSM (Likwid Continual Space Motion), Rara Zulu, Allysha Joy
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#44
Feat. Staff Picks in Bass / Club
Mabheshingo
2025-10-24 Content Connect Africa
Babes Wodumo, Madanon, Unkle Ken, Niseni, Lelowhatsgood, Rifle Deep, SK, Jay Music, Don Edward, Sundile, ill Frost, Mampintsha, Maphara, Gallo, Dee Traits, ZVRI, Baba Ka Simba, DJ Lace, Chiefsa, MaWhoo, Trymore, Jelly Babie, Blaq kidd, Sniper, Ushuni Wasemzini
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#52
Feat. Staff Picks in Bass / Club
Look Within
To further expand his musical sphere he just founded a new label called All Things Records that will focus on his own works and collaborative projects with like-minded musicians. ́Look Within` is the first album on the label providing a glimpse of (all) things to come. In over 10 tracks, Sun People follows previous explorations into techno influenced realms at 160bpm. Yet, here he mostly leaves the sonic palette of the footwork/jungle/bass continuum to go beyond it, building a wider musical context including references to minimal music or jazz. Stepping into territories without structural or functional limitations leads Sun People towards raw, experimental, analogue jams, while remaining in the realm of club music. This form suggests a deeper exploration of dance music that wants to create and allow a meditative zone on the floor, evoking not only physical but also mental reactions and affects.
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#54
Feat. Staff Picks in Bass / Club
No More
After an amazing run with his latest EP on Hessle Audio Make It Better/ Restless Sleep Josi Devil is back with a 3 tracker on TSVI & Wallworks Nervous Horizon. Combining club functionality and cinematic sound design this EP leaves no stone unturned. No More has already conquered most dance floors around the UK and the world being played by the biggest names in the scene like Ben UFO, Joy O, Special Requests etc. Duinpan is a pounding garage banger with mind bending sound design. M.e.S the final track is a collaboration with label boss TSVI, and it definitely is the cherry on the cake incorporating both the signature Nervous Horizon sound and Josi Devils cold & slick production.
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#56
Feat. Staff Picks in Bass / Club
TD10
2025-10-10 Timedance
Shalt, Atrice, Batu, Ayesha, re:ni, Lechuga Zafiro, Bambounou, Skee Mask, Pearson Sound, Jabes, Koi, Duckett, Polygonia, El irreal Veintiuno, Jurango, Yushh, Daisy Moon, Marco Shuttle, Minor Science, Lurka, JASSS, 33emybw, Metrist, BadSista, Verraco
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#57
Feat. Staff Picks in Bass / Club
Polarize
Polarize After a standout appearance in our last compilation, Shai FM returns to Elicit with his debut solo project on the label. Four cuts filled with rhythm-driven precision and luminous atmospheres anchored by heavy low-end pressure from Philadelphias rising star. Percussion sits firmly at the forefront of this project: intricate, razor-sharp, and driving with intent. Each track is driven by a seamless flow of immersive soundscapes and tightly wound rhythms. Club-focused yet restrained, these are steppers built purely for heads-down moments.
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#58
Feat. Staff Picks in Bass / Club
Marsh Lane EP
Hodge returns to his Two Moons label to follow up Sub 100 with a 4-track EP, Marsh Lane, written during the process of working on his first live set which debuted during Mutek Montreal this summer - channeling dance floor energy with a focus on world building, tension and gritty energy of his roots.
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#61
Feat. Staff Picks in Bass / Club
Time Dilation
The sound for the Sir Hiss project, honed and fully realised on this album, developed after a US tour for the books with Sam Binga and Addison Groove, featuring almost exclusively back-to-back sets, fusing Hisss signature selections with music beyond his usual focus at the time. This push to newer sounds from Sam Binga and Addison Groove became realised in Hiss new production mindset as his approach began incorporating much more hardware, such as his Vermona DRM1, heavily featured on this project. After his sonic experimentation grew, alongside the bolstering of his hardware arsenal, the idea of creating his first long form project, centered around the collision of his past and present, inspired the name and concept for the album, Time Dilation. Drawing on his history in Bristol, his passion for foundational pirate radio, and the wide spectrum of music across global movements, Hiss brings together distinct sounds united by a common ethos. The album consists of 10 Tracks (12 Tracks if you know where to find them…) all unique in their own right, from Electro mutations, aggressively flanged drum workouts, distorted Dancehall sluggers, alien Devils Mixes and Grime infused Brazilian Funk… all-killer-no-filler time warpers ready for the club, space and beyond… Distributed by Label Engine - www.label-engine.com
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#77
Feat. Staff Picks in Bass / Club
Reset
Identified Patient returns to Dekmantel for a third time with his Reset EP. The future-facing four tracker is another mutant fusion of bass and techno with low-end power with cerebral sound designs. Job Veerman debuted on the Dekmantel UFO Series in 2019, returned in 2020 and has lit up the festival several times with transportative sets that balance power with precision. Like his productions on the Nerve Collect label, he co-runs with Gamma Intel, they are leftfield explorations of genre and tempo that find strange sensuality in often abstract ideas. Once again here, the Dutchman draws on eclectic influences to craft music that sounds like no one else but remains anchored by magnetic rhythms. Opener Light kicks off with a fuzzy synth line that slithers between syncopated drums. Whispered vocals drift through the mix as lurching basslines swell and collapse beneath them. The groove disassembles and reassembles in waves, propelled forward by bursts of glitchy, off-kilter percussion thats unsteady yet seductive. Scales is a slow, menacing descent into rhythmic darkness. It sounds both ancient and futuristic with ghoulish vocalisations and filtered synths flickering like a badly wired circuit. Theres a rave tension lurking throughout, but always in the shadows. Internal Pace drives on but rides fluid, wobbly bass while tightly looped hits build the pressure. Layers of static and subtle distortion add grit to this unrelenting heads-down roller. Finally, Return is a kinetic, razor-edged ride where jungle breaks collide serpentine melodies. Ethereal female coos drift in and out, brushing against spat-out vocal fragments so that tension crackles throughout this hallucinogenic trip. With Reset, Identified Patient reaffirms his status as a singular voice who twists sound into evocative new worlds.
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#83
Feat. Staff Picks in Bass / Club
Thoughts / Thinkings
There is an undeniable cohesion in this release as thinking often involves effort and attention, while thoughts can be passive and fleeting such when our thoughts turn into thinking. which is how the two tracks formulated themselves. Thoughts takes a step outside the parameters of other Eye Dow releases as Ido melds the spacious 118 beats per minute tempo into a 808-loaded, drone soaked and drum focused workout with nods towards certain influential early uk bass music. Morphing textures into reverb and hi hats into melodies Thinkings draws influence from Thoughts initial ideas and lays them out over a 6 minute four on the floor sink hole hyper tuned for the turning point of any set.
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#89
Feat. Staff Picks in Bass / Club
Break Yo Back EP
Chicago legend and Teklife co-founder DJ Spinn brings us a much needed reissue on vinyl of his classic BOUNCE N Break Yo Back. Created almost two decades ago, this juke essential finally gets a proper release, this time alongside five brand new tracks. In addition to being an architect of the footwork sound since the late 90s, Spinn has always had a gift for creating club anthems that go beyond the circle. Possessing one of the most charismatic voices on the mic, his party chants get cut up just like his drums, riding waves of pulsating bass without sacrificing any of his rhythmic mastery. Whether at a warehouse on the South Side or a festival in Europe, Break Yo Back EP is a timeless party gem that will wrecked havoc worldwide.
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