Top 100 Chart placements for Bass / Club
Updated 20 hours ago
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Argentinian artist Balam returns to Pets Recordings for the first time since 2022, where the Multi Culti and Get Physical artist collaborated with Fernanda Arrau for the 'Sabor a Disco' EP. He now drops 'Raveton', a Latin-infused two-tracker kicking things off with 'Acido Reviente', a Baile-style vocal bouncing off infectious dembow rhythm as a squelchy square bass drives the track forward. Title track 'Raveton' follows and is another party-starter, bright synths alternating with warped vocal snippets while the strobelights flash for an eyes-closed, hands-in-the-air cut primed for the dancefloor.
Brussels artist KŌMA returns 2 months after his Off Corner debut with a remix EP made for late systems and rooms without daylight. The originals, rooted in breaks, bass and percussive drive, are reworked here by two distinct voices. NVST takes ENOVA into darker territory: controlled tension, slow pressure, low-end weight. L-Vis 1990 reshapes AXIRA into a sharper, club-focused version, pushing pace and impact while holding onto the core emotion.
The next release on dOP Only is our present to finish the year with grace. 'Pictures' is a song we have been playing for a while already, tested and polished enough to be finally release. It is our satirical take on the perpetual harassment of social media in our lives. A message against the tyranny of meaningless and empty content becoming new standards. Mocking the absurd and ugly narcissism filling the space. For this release we were lucky enough to have on board two masters of electronic music who spoiled us with their craft. First, minimal maestro Thomas Melchior, who made the song his own with his signature swing and sound, taking you to the minimal soulful church. Melchior always has a magic touch when it comes to remixes. Then comes a remix from Rekids boss Radio Slave, who slowed down the tempo to deliver a hypnotic interpretation of 'Pictures' that builds constantly over the nine minutes. His version is funky and bright, with a heavy low end to make you dance. As we always like to add a surprise, we brought in French composer MiM, creator of the Lafayette Street Studio, who has collaborated with major artists such as Rosalia and Pharrell. MiM delivers a bass interpretation of the song, leaving the four by four behind and blending electronic textures with organic sounds. Raw energy straight in the face. Pictures on the feed
Dutch-Indonesian artist LE KACANG distills the tension between raw club instinct and tight precision, threading lines from Baltimore and Jersey Club through future beats and European club mutations. With RUTHLESS EP, he delivers his two-track debut for United Identities, holding chopped funk intuitively rendered with drum intensity and heavy bass mutations. RUTHLESS EP is a no-miss for fans of Black Rave Culture, Juke Bounce Werk, and AceMoMA. Opening with Around in Space, LE KACANG drives the Lyn Collins break through bass kicks, lush key stabs, and vocal chops that bounce in your face. With broken roller Wrong Territory, he makes his sample chops talk back to the drums. Its a highlight in DJ sets on many occasions. Born and bred in Heerlen, a small city in the south of the Netherlands, LE KACANG was shaped by a bass-fuelled underground and graffiti culture. Now in Amsterdam, the Dutch-Indonesian producer connects that foundation with his deep curiosity for club culture and the ever-inspiring sound of the citys nightlife.
Askkins latest release, NECH027 marks his debut on Nastias NECHTO. A former resident of techno nights at Faktice in Nantes, Askkin has found his footing in the Brussels techno scene. His work at Faktice, now a label co-founded with producer Exal, has garnered attention across the European scene. With collaborations alongside artists like Hadone and releases on labels such as TWND and Maison Close, Askkin continues to develop a distinctive sound. For Askkin, producing music serves as an expressive outlet, capturing a range of emotions and reflections. NECH027 conveys both introspective and uplifting moments, especially the track Social Medication exemplifying his approach to blending light and darkness while maintaining a strong groove and energy. The EP features five tracks: Keep Your Chin Up, Not All Silences Sound The Same, Social Medication, Tick, and Yes. Each track showcases Askkins focus on deep emotions with a touch of hope, making NECH027 a notable addition to his growing discography.
2023-02-17 OWSLA/Atlantic
Skrillex, Bobby Raps, Mr. Oizo, Missy Elliott, Joker, Sleepnet, Flowdan, Fred again.., Four Tet, Starrah, Aluna, Kito, Eli Keszler, Nai Barghouti, Posij, Swae Lee, SiiickBrain, Beam, Peekaboo, Noisia, josh pan, Dylan Brady, Porter Robinson, Bibi Bourelly
2025-11-28 TraTraTrax
Ma Sha, Brenda, Big Ever, Dual Monitor, Mor Elian, OMAAR, Hodge, Coffintexts, Wavezim, Doctor Jeep, T.NO, Lechuga Zafiro, Piezo, Priori, Atrice, Nick Leon, DJ Swisha, Sazzle, Theorist, Lucas Kid, Mc Marsha, BIEL DO ANIL, Loris
Marking five years of Pineapple Records and a decade since his seminal debut Wasted Days, Sam Binga returns with Club Orthodontics—a mixtape that captures, in high definition, where he stands today as an artist, DJ, and label head. Entirely collaborative and sonically expansive, the project draws from a vibrant palette: Drill, Dancehall, Baile Funk, Breakbeat Garage—all unified by Bingas signature blend of percussive drive, weighty bass, and razor-sharp vocal features. With contributions from a revolving cast of Pineapple-affiliated producers and MCs, Club Orthodontics is both a celebration of community and a masterclass in cohesion. Its unmistakably UK in its attitude and approach, designed to hit just as hard in headphones as it does in the dance. Featuring key collaborators such as Bakey, Machinedrum, and Cesco, the mixtape is a snapshot of Pineapples creative ecosystem—a scene defined not by genre boundaries, but by shared intent and fearless collaboration. Club Orthodontics isnt just a mixtape; its a testament to the collective power of sound system culture reimagined for 2025. Distributed by Label Engine - www.label-engine.com
Sam Binga, Redders, Snowy, Cesco, EMZ, Fracture, Lrusse, Machinedrum, DJ Polo, ONHELL, Mulii, Two Swords, Amy Kisnorbo, Rider Shafique
2025-03-13 fabric Records
Higgo, MARIA, Martin Badder, 2XM, Neil Macleod, Arkajo, R.O.S.H., Dismantle, Ahadadream, Busy Twist, Murder He Wrote, Odd Mob, WelderB, Flowdan, Sammy Virji, Mythm, Røhaan, Sling Wave, Cesco, Hamdi, Strategy, Cartridge, Regents, Skrillex, G-Rex, Peekaboo, Lunice, Cocktail Party Effect, Benny L, MC GQ, ZeroZero, Heist, DJ Pleasure, Taxman, Kings Of The Rollers, Grey Code, Laurent Garnier
UK & US production duo P Skinna & Liondub return after releasing 2 massive tracks with Busy Signal to present their first Dancehall juggling, the Bad Intention rhythm. The duo has received Radio support from David Rodigan and Rampage Sound on BBC 1Xtra, Ras Kwame on Capital Xtra, ZJ Liquid and Johnny Kool on Zip FM Jamaica, Killaboo [Addies] on Irie Jam radio, and Robbo Ranks on his syndicated dancehall show. Their new hard hitting bashment segment features artists from London, Bristol, Toronto, New York and Kingston, showcasing the duos production prowess and international music connects. UK Jungle Drum & Bass veteran MC Navigator steps up with a biting lyrical commentary and incredibly dynamic delivery on his track Stay Far. With a loyal fanbase worldwide, this one is guaranteed to see rotations.
Anyone with a passing interest in footwork and juke will know of Traxman. Corky Strong has a long history of deep involvement in Chicago house, first releasing on the legendary Dance Mania label in the mid nineties, and since then splitting his productions between ghetto house, juke and footwork, releasing alongside Steve Poindexter and Fast Eddie and the late DJ Deeon and DJ Rashad, including an seemingly endless supply of self-released juke edits of whatever direction his deep knowledge of Black American music takes him. The third volume of Da Mind Of Traxman is his first since 2014. In the intervening years hes kept things rolling, DJing regularly, releasing lots of music, becoming a grandfather and being a mentor for younger artists coming up in the scene. This new album was crafted with the help of fellow Planet Mu artist Sinjin Hawke, who took on A&R duties to collate the best from hundreds of tracks dating back to 2005. Sinjin holds Traxmans status in high regard; This album series is important and holds real documentarian value—working on it feels like the modern equivalent of curating a piece of Miles Daviss catalog in the 60s and 70s. Volume 3 showcases Traxmans uncanny ability to take old music into the future without losing the feeling and energy of his samples and influences. He knows how to add a hi-definition modern chassis with the skill of someone who deeply and intuitively understands the craft of dance music. These are some of the purest, most innovative ideations of Chicago footwork.