Top 100 Chart placements for Bass / Club
Updated 8 hours ago
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2026-02-13 fabric Records
Fordell Research Unit, Djrum, Rudy With a Hoodie, Vitess, Paperkraft, Giammarco Orsini, Klon Dump, Andre Zimmer, DJ Tennis, Ashee, M-High, Paurro, ATRIP, Danny Daze, .VRIL, Mungo Sound Machine, Easttown, Josh Wink, Haris Laus, DJ Romain, Daskal
Following the straight up electro attack of Time Is Just Beginning and the booty funk of the Make Your Body Jerk EP featuring Chicago House don DJ Deeon (RIP), Detroit turntablist, producer and Databass label owner, DJ Godfather shows another string to his producition bow with the footwork frenzy of Square Up. Taking it back to the streets these three hard, no-nonsense ghetto tech tracks are primed for Jit battling!
nagoyaka na kaze / 和やかな風 (quiet wind): a collection of forward-thinking electronic experiments sourced from central Japan - co-curated by Nagoya artist abentis for Facta & K-LONEs Wisdom Teeth imprint. The project profiles a close-knit community of music makers operating in and around the Japanese city of Nagoya: one of the countrys most populous and industrial cities, but one all too often overlooked in terms of its cultural significance. Curated in close collaboration with local scene organiser Yuya Abe - aka abentis - the record seeks to capture the creative energy of a community of artists making hard-to-define, future-facing electronic music away from the clamour of the bigger cities. In Nagoya, theres a strong culture of supporting artists. Even if you pursue music in your own way, as long as its good, youre encouraged to keep doing what you want, explains abentis. Within that environment, my generation has been able to freely bring in elements we like from all kinds of genres, combine them in our own way, and express ourselves individually. If you go to Tokyo or Osaka, that kind of freedom isnt something you can take for granted. Spiritually, Nagoya fits the mould of cultural hotbeds like Bristol, Detroit or Melbourne, showing that some of the most innovative creative communities form away from the glare of the capital cities. Like Detroit, Nagoya is principally known for being a major auto manufacturing hub, famous for being the home of Toyota Motors - but behind the scenes, it is quietly harbouring one of Japans most vibrant and forward-thinking electronic music scenes. In a good way, Nagoya is a bit removed from the cutting edge, so you find people making all kinds of music, explains Karnage. If youre making music, you feel like part of the crew, and people of different ages mix together without much hierarchy. The citys music scene is characterised by a freedom to mix genres and an open-door approach to creatives of all disciplines. The artists featured come from a diverse set of backgrounds, ranging from hip-hop to noise music, but have found a common collective identity in their omnivorous approach to genre. As such, the record moves fluidly between shimmering ambient and new age (Am Shhara, DHYAN, daiki hayakawa), psychedelic minimal house (Methodd, abentis), abstract, low-slung downtempo (baptisma, Nasty Soupman) and spaceage steppas (Karnage). Id say the way ambient, new age and that kind of sound design are blending nicely with dance music feels somewhat new, says baptisma, the crews eldest member and de-facto scene leader. Responsible for bringing artists like Basic Channel, Mala and Jan Jelinek to the city, baptisma has been crucial in establishing underground electronic music in Nagoya since the 90s, and now helps cultivate the next generation of local talent. Artists and DJs are seamlessly mixing ambient and new age with techno, house and bass music. I think thats a really interesting development. nagoyaka na kaze has its roots in a one-off event held in October 2024 as part of the 10 Years of Wisdom Teeth Japan tour. Curated by abentis in collaboration with Facta & K-LONE, the showcase featured live sets from eight artists based in and around Nagoya at one of the citys key dance music hubs, Club JBs. Each of the artists features again here, on record, presenting an original commission produced especially for the project. The records art direction was led by Yudai Osawa - in-house designer for Kankyō Records, the much-loved Tokyo record shop run by H. Takahashi - and features original photos by Hayato Watanabe.
Am Shhara, Methodd, abentis, baptisma, Nasty Soupman, Karnage, Dhyan, daiki hayakawa
A deep voyage into the vast and intense productions of Dawn Razor & Confluence. Authentic in every way yet paying homage to the classic sounds of techno and electro we all love. The two producers clearly have a profound understanding of the genre—their maturity and experience shine throughout the EP as they lead listeners into uncharted sonic territory. Resist is mesmerizing, captivating attention with edgy grooves, an undercurrent of psychedelia, and undeniable sex appeal. These murky, tricked-out productions are designed to transport dancers while making them lose themselves in the process. A true one-of-a-kind release, Resist highlights the dynamic tension between Dawn Razor & Confluence as they hone their signature bass-heavy sound, fusing multiple styles into something entirely their own. Pure class, pure heat. Remix duties feature two heavyweights. First, the iconic Jerome Hill delivers a classic rave-ready breakbeat weapon, re-envisioning Xanax with stunning vocal sample work. Finally, Doctor Jeep closes with a hypnotic, bass-driven head-banger—sexy, chugging, and deep into the night.
Will Hofbauer has built a reputation for rhythmically precise yet playful productions, releasing on labels such as Wisdom Teeth, AUS and Optimo Music, while also running the delicate Third Place imprint from his London home. His sound sits comfortably between UK bass, house and left-field club music, defined by a very sporty sense of groove, subtle swing and an ear for detail that keeps tracks slightly off-centre and alive. Across three original tracks on the EP, Hofbauer delivers exactly that: clear, sharply cut synth work, funky low-end pressure and a wonky bounce that never feels forced or predictable. On his own request for remix duties, Eden Burns turns the main track into a minimal percussion tool playing somewhere between an orchestrated cutlery box and a daily alarm tone - annoying in theory, irresistible in practice.
2025-09-12 K7 Records
SZARY, Pobdon, Kitschselektor, Modeselektor, Slikback, Coby Sey, Olivia Salvadori, GAISTER, Akihide Monna, 9T Antiope, Aho Ssan, Dj Narciso Rsproduções, Chlär, Maxime Denuc, Paul St. Hilaire, Ben Klock, Fadi Mohem, Beirut, Kaan Pirecioglu, Yraki, Plus One, Untold, Erik Jabari, Julien Bracht, Siriusmo
Void+1 Industries is not predicting the future. They already did that. Theyre now building the broadcast-towers for after the blackout. This is an EP with no clear evolutionary lineage. Void+1 have put their marker on it, sure, V+1022D. Sounds official, like a sealed file in a cabinet somewhere off-grid. But heres the problem; theres no cabinet for it. Its DNA has been spliced too many times to count: techno wired to breakbeats synapses, low-end pressure that recalls bass music shot through electros cold, sharp edges. It sounds like the future envisioned through a cracked kaleidoscope. It doesnt fit anything (yet), but it occupies everything. The word is that the chief scientist had to summon assistance from beyond to tame the subharmonic tectonics shaped by the pressure and conflict of these tracks in order to make them safe for consumption. Liza Aikin & Monolog are not only presenting you with their most cutting-edge creations yet... There is a message here. Are you ready to decipher it?
The unknown- untitled imprint returns for a six-track EP engineered for dark rooms and tight mixes, channeling a raw, high-energy sound with anonymity at its core. As always, the producers remain unnamed until the digital release on May 30th, following the vinyl release on May 16th. unknown - untitled is a producer and DJ as well as concept-led label founded in 2020. The imprint lets the quality of the track - rather than the artist - dominate the experience, with previews for each release shared without artist details, only revealing names on the record sleeve. Across the EP, expect a full-spectrum club experience - from brooding halftime beats to razor sharp percussive workouts. A1 sets the tone with a lurching techy stepper that mutates mid-to-late 00s minimal D&B motifs into something altogether more sinister. A2 keeps the break-forward sound moving, with a high energy unit shifter. A3 rides a locked groove mentality from the jump, before saturated leads and ethereal strings elevate it to a track with huge personality. B1 is a system rattling, cinematic juggernaut. Earth shattering kicks, squelchy percussion, and spring-loaded snares complement occasional slasher movie strings. B2 is an adrenaline shot, with a Hot Pants-like break and siren synths creating an unerring, laser-focused energy. B3 subverts expectations-what starts as a footwork-indebted intro dissolves into dubbed-out breaks and pulsing low-end, before a late-stage 4/4 march drives things home.
Son Of Philip, unknown - untitled, Hodge, DJ JM, Adam Curtain, Ciel
2025-03-13 fabric Records
Higgo, MARIA, Martin Badder, 2XM, Neil Macleod, Arkajo, R.O.S.H., Dismantle, Ahadadream, Busy Twist, Murder He Wrote, Odd Mob, WelderB, Flowdan, Sammy Virji, Mythm, Røhaan, Sling Wave, Cesco, Hamdi, Strategy, Cartridge, Regents, Skrillex, G-Rex, Peekaboo, Lunice, Cocktail Party Effect, Benny L, MC GQ, ZeroZero, Heist, DJ Pleasure, Taxman, Kings Of The Rollers, Grey Code, Laurent Garnier
The Knifes Olof Dreijer introduces Colombian - Swedish percussionist and DJ Diva Cruz with a new collaborative EP on Dekmantel Records. The Brujas EP follows the debut of their exciting hybrid live show at Sonar Istanbul and ahead of upcoming performances at Sonar Barcelona, Dekmantel, and ya Festival. Together, opposing patriarchy, racism, colonialism, capitalism, and immigrant challenges, they joined forces in Olofs studio, resulting in the creation of the Brujas EP, where Diva debuts her voice. I dream to empower everyone who feels outside the box with my lyrics. It is so sad to see children singing and dancing to music made by male artists whose lyrics degrade women, and on top of that, they win prestigious awards while doing so. I dream for a better world and especially Latin America, which needs to change the macho perspective and work together for a better world for everyone, says Diva Cruz. As a percussionist Diva brings a combination of fierce live percussion together with a rhythmic blend of tunes from all over the world during her energetic DJ-sets. She has also been the lead percussionist for both Fever Ray and Robyn on their world tours. Olof quote: Im very excited about sharing this music with the world especially since its been a few years in the making. Im very grateful to work with Diva. She has shown me a new world of music and I feel like I keep evolving and learning new things all the time, especially with our new live show when playing percussion together.
At the tail end of 2021 DJ Godfather released 'This Detroit Thing Of Ours'. Like his 'Electro Beats For Freaks' album the previous year, it featured an abundance of tracks which segued into one another 46 tracks in total with a running time of nearly 2 hours. This is a man who likes to break all the album rules! Full of variety, the album covered genres like Electro, Techno, House and Ghetto Tech alongside collaborations with DJ Deeon, Goodmoney G100, King Saaidi, Gettoblaster & Missy, Lil Mz 313, Ricky Burns, JPE, Parkhouse and Dan Diamond. Revisiting that epic album, DJ Godfather is releasing a series of EPs which feature full length versions, alternative mixes, acapellas and instrumentals of some of those tracks.
Sonido Gallo Negro has been a mainstay of the current revival of tropical and psychedelic music throughout Central and South America since the first of their three albums was released in 2011. Hailing from Mexico City, a hub of cumbia, chicha, surf and garage music for over five decades, it's no wonder that SGN has such a wonderful and integrated blend of traditional styles that have travelled from the Caribbean, up the Andes, through the Amazon, around the shores of coastal Peru and back through Central America. SGN is part of a long line of artists in Mexico to make these cosmic connections found in the music's terrestrial path, yet are completely unique in their own mystical approach, both visually and sonically. As a hefty 9-piece orchestra, the band is quite capable of summoning a rich tapestry of sounds from an array of instruments of the psychedelic persuasion: farfisa, electric guitar, flute, theremin and, in the case of B-side Nino Perdido, accordion from master Colombian artist and NYCT alumnus, Carmelo Torres. It's the making of a swirling kaleidoscope of sounds and squiggles, all of which ride effortlessly over the fluid percussion and pace of those beloved Afro-Latin rhythms. In anticipation of their next full length release,Unknown Future, Names You Can Trust presents the first 7-inch 45 single to ever be released from SGN, a double-sided dose ofsonido psicodelico, spectacularly swirled into a perfect concoction of old meets new.
Nervous Horizon co-head TSVI returns to the label after his 2015 debut with a collection of ruff n ready club bumpers that emanate the raw energy of UK funky and Gqom in equal measure. Now based in London, the Italian producer continues down that path which has brought him to wider appeal - one of no-frills drum workouts punctuated with nifty sample touches and bursts of melody. He calls upon NH associates Luru and DJ JM to collaborate on the final two tracks respectively. 'Aziza' is as good an example on how TSVI and the Nervous Horizons crew generally are looking to re-shape club music.