Top 100 Chart placements for Bass / Club
Updated 10 hours ago
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Melbourne / Naarm stronghold Butter Sessionsclock 15 years in the game with a trilogy of 12s, sustaining their uncompromising streak of peak-form electronics. The family-style V/A binds friends, collaborators, former studio neighbours and DJ booth allies, capturing a label that exists as community as much as catalogue. Disc Two lifts off with recurring contributor Rory McPikes first label outing as Rings Around Saturn, a blissed-out cosmic floater skimming the periphery. Booked in the early days of the labels formative Mania residency, Japanese don Gonno twists freestyle, techno and breaks into pure ecstasy, before the unerringly bold Jennifer Loveless spikes the punch with a hallucinatory mix of drums, disembodied voice and jazz club keys. On the flip, Boorloos Guy Contact rolls out Dance In The Grey, a shadowy prog churn pitched between new-romantic vocal sheen and EBM muscle, with Kate Miller completely rewiring the script on Sub Series E - a masterfully minimal, double-time meditation. suki presents his Sniper1 alias to close with a demonic body-jacking groove loaded for the system. Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions curatorial finesse.
Rings Around Saturn, Gonno, Jennifer Loveless, Guy Contact, Kate Miller, Sniper1
After roughing up dances earlier in the year on 7 vinyl, Footsie & Adam Prescott return with The Don and some tasty remixes. First up, jungle and bass specialist J-Kenzo strips it back for a heavy rolling assault - road tested for most of this year on soundsystems around the world. Next, like a concealed weapon, Danny T & Tradesman rip up the rules with headtop flying dub reworking - dragging it kicking and screaming further into the scoops. Their dub mix goes even further, mutating the track into a real heavy stepper that would sound obscene on rigs such as Iration Steppas.
Launching the 'whirm' imprint in 2024, Will Hofbauer & Sangre Voss have dug into a unique space within the world of curious and bizarre electronic dance music, garnering support from the likes of Ben UFO, Mary Anne Hobbs, and many more. Rooted in years of quietly swapping ideas between basements, bedrooms, and long-haul trips abroad, 'whirm' has grown into a playground for the pair's shared fascination with the mildly absurd, and their determination to keep things fun while experimenting with new ways of releasing music. On this full-length offering, Will & Sangre culminate and compile the fruits of five years of collaboration, presenting ten infectious and eccentric compositions that span the full spectrum of the 'whirm' sound. With mastering from Rupert Clervaux and artwork by La Princesa Maria, the whirm LP captures the duo's singular chemistry, an organic ecosystem of squelched rhythms, lurching melodies, and oddball charm that continues to evolve as they dream up new ways for their music to grow and take shape. ~ whirm.online
nagoyaka na kaze / 和やかな風 (quiet wind): a collection of forward-thinking electronic experiments sourced from central Japan - co-curated by Nagoya artist abentis for Facta & K-LONEs Wisdom Teeth imprint. The project profiles a close-knit community of music makers operating in and around the Japanese city of Nagoya: one of the countrys most populous and industrial cities, but one all too often overlooked in terms of its cultural significance. Curated in close collaboration with local scene organiser Yuya Abe - aka abentis - the record seeks to capture the creative energy of a community of artists making hard-to-define, future-facing electronic music away from the clamour of the bigger cities. In Nagoya, theres a strong culture of supporting artists. Even if you pursue music in your own way, as long as its good, youre encouraged to keep doing what you want, explains abentis. Within that environment, my generation has been able to freely bring in elements we like from all kinds of genres, combine them in our own way, and express ourselves individually. If you go to Tokyo or Osaka, that kind of freedom isnt something you can take for granted. Spiritually, Nagoya fits the mould of cultural hotbeds like Bristol, Detroit or Melbourne, showing that some of the most innovative creative communities form away from the glare of the capital cities. Like Detroit, Nagoya is principally known for being a major auto manufacturing hub, famous for being the home of Toyota Motors - but behind the scenes, it is quietly harbouring one of Japans most vibrant and forward-thinking electronic music scenes. In a good way, Nagoya is a bit removed from the cutting edge, so you find people making all kinds of music, explains Karnage. If youre making music, you feel like part of the crew, and people of different ages mix together without much hierarchy. The citys music scene is characterised by a freedom to mix genres and an open-door approach to creatives of all disciplines. The artists featured come from a diverse set of backgrounds, ranging from hip-hop to noise music, but have found a common collective identity in their omnivorous approach to genre. As such, the record moves fluidly between shimmering ambient and new age (Am Shhara, DHYAN, daiki hayakawa), psychedelic minimal house (Methodd, abentis), abstract, low-slung downtempo (baptisma, Nasty Soupman) and spaceage steppas (Karnage). Id say the way ambient, new age and that kind of sound design are blending nicely with dance music feels somewhat new, says baptisma, the crews eldest member and de-facto scene leader. Responsible for bringing artists like Basic Channel, Mala and Jan Jelinek to the city, baptisma has been crucial in establishing underground electronic music in Nagoya since the 90s, and now helps cultivate the next generation of local talent. Artists and DJs are seamlessly mixing ambient and new age with techno, house and bass music. I think thats a really interesting development. nagoyaka na kaze has its roots in a one-off event held in October 2024 as part of the 10 Years of Wisdom Teeth Japan tour. Curated by abentis in collaboration with Facta & K-LONE, the showcase featured live sets from eight artists based in and around Nagoya at one of the citys key dance music hubs, Club JBs. Each of the artists features again here, on record, presenting an original commission produced especially for the project. The records art direction was led by Yudai Osawa - in-house designer for Kankyō Records, the much-loved Tokyo record shop run by H. Takahashi - and features original photos by Hayato Watanabe.
Am Shhara, Methodd, abentis, baptisma, Nasty Soupman, Karnage, Dhyan, daiki hayakawa
2026-02-05 Moveltraxx
Brava, Ron Mercy, DJ Manny, TT The Artist, H4RDY, DJ co.kr, DJ Phil, Big Dope P, BFlecha, Chiara Noriko, Surly, DJ Swisha, DJ Tameil, Househead Samira, Seimei, Thys, DJ Earl, STUCKINWAVEFORMS, Dj.Mc, Heavee, Traxman, Dudley Slang, Mars Kasei, Mr. Muthafuckin' eXquire, Kill Team SCX, LEX NYRE
Our various artists compilation series is entering the next chapter. The wait is over and we are and excited to finally announce Emotional Voyage VA 4 [EVR015] ! A multi-genre compilation album that reflects the emotional depth, and forward-thinking spirit of the underground electronic music spectrum we represent. This mega VA brings together 25 tracks, each created with love and intentional expression by artists from all over the world. From deep listening moments to full-on rave euphoria, this compilation has you covered. Its a true privilege to see so many talented artists - both longtime companions and new friends joining the voyage, each contributing their own fresh approach to dance music while staying true to its roots. A key component to the track follow order on each of our VAs is the idea of a homogenous flow. This idea leans on our childhood memories of a natural album flow so many of our heroes provided. We therefor encourage you to take your time and listen to each track in running order.
Adam Rose, rieke 1312, Sentient, Marta, Moodrich, Lai Raw, Kalla, Maak, Aitch, Shuv, Carl Hang, Salush, Baya, dvidevat, Jonas Xenon, UrbnMowgli, Jotel, Cyberflex, DJ Fresh, Wretla, badtongUe, Darius The Barbarian, Stefan Seay, DJ これからの緊急災害, Gallinger
Berlin/Oslo-based electronic artist Beth Lydi returns with her latest single, Parallel in Time, the first taste of her highly anticipated upcoming album, set to release on SNOE. The track is a bold invitation to step outside the familiar, explore the unknown, and trust in the journey ahead. As a manifesto of daring and discovery, Parallel in Time blends Breakbeat inspired rhythms with energetic House grooves. The whole track is underpinned by gritty basslines and Beths enigmatic vocals, creating a soundscape thats both hypnotic and liberating. This track is about taking steps off the path thats already laid out for you, Beth says. Its about letting go, trusting the experience, and opening yourself up to new possibilities. Parallel in Time marks the start of an exciting new chapter for Beth Lydi, promising listeners an immersive journey through her distinctive blend of natural and industrial textures, deep grooves, heavy bass and emotional storytelling.
A deep voyage into the vast and intense productions of Dawn Razor & Confluence. Authentic in every way yet paying homage to the classic sounds of techno and electro we all love. The two producers clearly have a profound understanding of the genre—their maturity and experience shine throughout the EP as they lead listeners into uncharted sonic territory. Resist is mesmerizing, captivating attention with edgy grooves, an undercurrent of psychedelia, and undeniable sex appeal. These murky, tricked-out productions are designed to transport dancers while making them lose themselves in the process. A true one-of-a-kind release, Resist highlights the dynamic tension between Dawn Razor & Confluence as they hone their signature bass-heavy sound, fusing multiple styles into something entirely their own. Pure class, pure heat. Remix duties feature two heavyweights. First, the iconic Jerome Hill delivers a classic rave-ready breakbeat weapon, re-envisioning Xanax with stunning vocal sample work. Finally, Doctor Jeep closes with a hypnotic, bass-driven head-banger—sexy, chugging, and deep into the night.
A debut EP from 4STR0 marks a defining moment for the Polish producer, whose roots in Manchester have been quietly established through radio work and elusive DJ performances. Now stepping fully into focus as a producer, she reveals a sharp command of sound and a deep affinity for hard-hitting, bass-driven club music, threaded with electro tension and acidic pressure. Across four tracks, 4STR0 constructs a dense, otherworldly sonic environment. Precision sound design and considered production choices blur the line between physical club energy and something more extraterrestrial, transforming the dancefloor into a dark, alien landscape built for late-night revelry. Each track operates as its own mission, pushing deeper into the EP's universe while contributing to a broader narrative that feels immersive rather than explicit. The result is a release that unfolds gradually, rewarding close listening as much as it does high-volume systems. An impressive first statement on Left, Right & Centre, this EP introduces a producer who handles an electro-bass hybrid with confidence and restraint; signalling the arrival of a new voice operating firmly below the surface.
Lyon based dubstep/uk gararge/techno wizard drops six pieces of his sub heavy heat on Nerve Collect. Featuring collaborations with grime's latest MC talent, Capo Lee from North London and rising name in the French UK garage scene blending infectious grooves with high-energy, bass-driven productions.
Were honoured to welcome Poladroids unique blend of electro with the Accelerate EP. Continuing in the vein of his futuristic productions on Science Cult, Poladroid continues to map a sonic cartography of the post-industrial psyche, where cyber-mysticism intersects with eschatological narratives. This EP contains four tracks that represent an acceleration in the radicalism of the subject, as well as in the sound production which has evolved considerably in just a few years. An entropic acceleration that eventually leads to harmony, emerging from chaos.
5 years after the New York label launched into the uncertain world of the COVID pandemic, Kindergartens place in the New York landscape is secured. Today, the label releases its most laser-focused collection of tracks to mark the anniversary, punctuating a deep catalogue of heaters that have pushed a unique take on bass music marked by a fervent futurism and scattergun rhythmic flourish. Kindergarten has acted as a nursery of creativity for a core crew of artists discovered through physical proximity and online connection alike, and always through shared appreciation for tough and ready dancefloor sounds and genuine friendship. Fitting then, that every one of the Kindergarten alumni returns with quintessential rhythmic intricacy and head-spinning quirk, reaching for what now feel like classic Kindergarten touchpoints. Whether its knotty, muscular techno (Zipper, Tidal Bore, Lips Loose), weapons-grade sound-design (FBchord, Blah), somersaulting 160 (Mushin, splattertek, Dash You) or gnarled nods to trance (rAin, Aether Wounds, what the body does) the essence of Kindergarten is here in all its amorphic glory. Helmed by a queer woman amid the traditionally cishet and hypermasculine bass music milieu, Kindergarten helped pioneer these sounds in a city that had yet to fully adopt them as its own. Inclusivity and a family feel is at the heart of the label: witness any of Kindergartens monthly mega b2bs on The Lot Radio and you can feel how much fun the crew have playing together and how freely ideas bounce around. As ever, these tracks are bound by the same wild abandon at their core. Five years is a long time in club music, and its no easy feat to build a catalogue of music and a tight-knit community of people, all with disparate influences, and remain committed to experimentation and play while the results retain a crystallized identity. But listen to any of the eleven tracks in here and you will know what makes a Kindergarten record.
Emerging Scalio brings high-octane energy to the stage with her rich production style and captivating vocals. Her first EP for United Identities, Waitin Here, feels like snapshots from the club, showcasing Scalios signature sound, playfully shaped into two razor-sharp, seductive cuts driven by bold femininity. Both tracks on Scalios UK-leaning Waitin Here EP cut straight through any dark, hazy club space. The EP opens with the title track, a drum & bass-inspired club cut rolling forward while holding that charged pause between trouble and temptation. Bouncy and UK garage-tinted, The Heat lands as the counterpoint, built on surrender rather than anticipation. Scalio blends storytelling with sound design, bringing her spark into club music with a mix of boldness and sensitivity. Whether in a DJ set or a live performance, she moves with ease, shaping energy that feels both intimate and expansive.
Banglaboy makes his Fly Foreign debut with 'Uga,' a ferocious percussive ritual built for peak-time floors. Driven by pounding tribal drums and a commanding low-end, the track unfolds like a war chant from an imagined future-raw, ancient, and unmistakably powerful. A hypnotic, otherworldly vocal language cuts through the mix, blurring the line between human and myth as it summons pure dancefloor intensity. Equal parts primal and futuristic, Uga channels ceremonial energy into a modern club weapon, engineered to overwhelm systems and command rooms. This is Banglaboy at his most visceral-unfiltered rhythm, relentless momentum, jagged punk-leaning synths, and a sound that feels less like a track and more like a call to arms. Designed for selectors who want to move bodies and shift atmospheres, Uga stands as a defining statement on Fly Foreign Records' global, forward-facing vision.