Top 100 Chart placements for Bass / Club
Updated 19 hours ago
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Following up from work on Björk´s 'Fossora', Icelandic trio 'sideproject' debut on SVBKVLT with their new full-length album 'sourcepond'. Taking influence from the fog-covered wetlands of their native island, sideproject transfigure influences from the low-end frequencies of grime and bass music, and reshape it into a haze of transient-smeared beats accompanied by breathy synths that grow ever wetter till they slip beneath the surface tensions of their harmonic stratum. Compared to previous output, 'sourcepond' opts for a more concise approach to their music, stacking up their influences of experimental electronic, Icelandic punk and contemporary club music, and builds a sound that oscillates between melodic hooks and experimental rhythms. Each track carves through the sensuous material, pulling the listener into the dank sourcepond as though magnetic forces were guiding a bird's beak towards misty horizons.
French artist Jan Loup debuts on Nerve Collect. The Dutch imprint curated by Identified Patient and Gamma Intel proudly welcomes her with four wild lieft-field dancefloor gems ranging from breaks, electro, drum & bass and broken dub-step all crafted with excellent sound design. Remixes from from Gamma Intel and Maquis Son Sistem.
Welcome to Sniper's Alley here in May 2024 and one thing is for certain, its desperate times. Like being the CEO of British Leyland, Viktor Gauntlet, desperate times call for desperate measures. However, no pieces to camera will be made about 'really exciting news' , no dancing on camera to your own tracks, no smelling your own farts in the studio like you have just created Beethoven on a couple of cheap Rolands. All cringe. Total self-generated content cringe. Maybe 347 photos of myself in various but very similar positions will help. Let me upload them now for you. See you on the other side without all the false prophets. Imagine what its all going to be like looking back in 10 years time. I bet they all deny it. Its like Medusa, best not to look. Goodbye Techno. It was fun whilst it lasted. X
DJ 3000 Drops "Work In Progress" from the Album "Meze" An Ode to Detroit's Unique Sound [Your City, Date] DJ 3000, the trailblazing figure in electronic music, unveils "Work In Progress," an electrifying track extracted from his latest album "Meze." This song is a testament to the essence of Detroit's music scene, where the bassline reigns supreme, and less is indeed more. "'Work In Progress' is all about that bassline," explains DJ 3000. "I wanted to capture the raw energy and infectious groove that defines Detroit's sound. The combination of a captivating bassline with a catchy vocal creates an irresistible vibe that's impossible to resist." As the track evolved during production, DJ 3000 felt compelled to introduce stabs, adding an extra layer of Detroit funk that elevates the song to new heights. This infusion of elements reflects his deep-rooted love for Carhartt and Carhartt WIP, paying homage to both fashion and music in a seamless blend of urban culture and sonic innovation. Joining DJ 3000 on the EP are two Detroit icons, Jon Dixon and DJ Godfather, each offering their unique take on "Work In Progress" through exhilarating remixes. Jon Dixon infuses soulful melodies and driving beats, while DJ Godfather injects his signature energy, resulting in remixes that push the boundaries of sonic exploration. In addition to "Work In Progress," the EP features an exclusive unreleased tune titled "Kazani, showcasing DJ 3000's commitment to delivering fresh and innovative sounds to his audience. "Work In Progress" is not just a track; it's a celebration of Detroit's rich musical heritage and DJ 3000's dedication to pushing the boundaries of electronic music.
The Rotterdam DJ producer Mata Disk returns to Nous'klaer with 4 equally more demented slappers that hew the tightness of UK broken beat with that Dutch west-coast devil-may-care playfulness. Opener "Icon" is the most straight down the middle of the bunch with a blisteringly bouncy kick drum and percussive melody that's swung by outre hats, squeaks and beeps all punctuated by a simple melodica tinged stab. "Diffusion" spins a minimal dub bass with an aggressively swinging UK beat lushed out by crystalline pads, pushed harder with a staccato vocal chop and ever evolving sound effect flourishes.
Aniara white label number four brings exactly that to the floor. Two of Arkajo's most propulsive dance-floor tunes are combined on the A-side. Complemented by Dorisburg and Efraim Kent (a debut on Aniara) on the flip with the darker cut Data Smuggler.
March 2019, Iceland, Catartsis & Ida traverse vast expanses of snow and ice. All ears with microphones in hand, they fade in a multitude of topographies guided by the acoustic subtleties of a melting world. "Ice Collage" lures us into an Arctic fog swollen by the uncanny impression of geo-presences. Recordings of thawing landscapes, lithic crumblings, and breathing geothermal soils animate the 3 tracks of the EP into a blend of bass and ambient music.
We are very excited to welcome Klahrk to the fold on ACEN059. The London-based artist & founder of Ware Collective follows up releases with the likes of Activia Benz, Genot Centre and SFX. On the Z2 EP, he delivers four atmospheric slow-fast club cuts, exploring the lowest depths of the frequency spectrum. The title track opens proceedings with sonic interference, cavernous percussion and deep bass giving way to kicks dictating a tough, chugging rhythm. The track shapeshifts with inventive percussive work and glitched-out noise - pitched-down snares hammering down amongst stammering inhuman voices and hyperspeed hi-hats. Interference begins with phasing sci-fi percussion before propelling into a high-intensity percussive work-out. Jackhammer noise builds the tracks intensity to a fever pitch whilst chopped vocal samples inject a dancefloor energy into the mechanised atmosphere. Got2Be kicks off the second half of the release with eerie sub work and sound design before a pitched-down vocal ushers in an apocalyptic low-slung groove. The vocal sample elaborates further in an ominous breakdown before reaching out into a massive kick-driven rhythm. On the closing track, Klarhk invites Buenos Aires-based artist Kattie to collaborate on On The Circuit. A frenzied, arpeggiated synth dances amongst pummeling drums and syncopated subs, culminating in moments to cause mayhem in the dance.
Call it Footworkjungle! The hybrid bass music version of Chicago's dance music history of juke and footwork and the UK's jungle breakbeat has been coming to life across the globe for a decade now - and Arcane & Jon1st are contributing to it with their second EP on Defrostatica. While Bloodstone EP was an ad-lib-rich, all-out breakbeat assault, the Bristol/Leicester duo go deeper on Waves EP, focusing on big emotions over sharp beats.
'Spherae' marks the return to scenes of Turin-based producer and DJ Alec Pace landing now on Infinite Machine with a mind-melter EP aimed for the club. Following a 2-year long hiatus from his latest original work 'Future Now?' and previous releases on acclaimed labels such as All Centre and Nous Disques, the Italian producer delivers a new psychedelic blend of post-grime and experimental-bass condensed into a powerful club-ready 4-tracker. Opening track 'Preemah' is a dance-floor heater which plays with the alternation of perpetual crescendos and heavy kick-drops, the rhythmic session is based on a glitchy jersey-club beat while the melodic elements work with uplifting synthesizers and heavy manipulated field recordings. The explorations continues into title track 'Spherae', a peak-time 'ode to speed' which twists elements and a rhythmic session borrowed from the D'n'B scene while mangling them with 'pointillistic' synthesizers and hyper-effected spooky vocals. 'Khroma' follows next, a dark and psychedelic roller which will bring the listener into more obscure sound landscapes which delivers robotic GQOM-inspired beats with overdriven-glitchy synthesizers and tribalesque chants. The alien-shaped beats of 'Qubo' closes-down the release with its glitchy-old-skool-electro vibe, combining a rhythmic session which borrows elements from the old-skool electro with analog generated percussions and field recordings. While touching GQOM-esque and post-grime atmospheres and both pushing BPM-speed limits forwards, 'Spherae' explores further into experimental-territories yet remaining true to its club nature.
Heralding spring in an April shower of effervescent synth flair and crooked beat science, PM+ welcomes the first buds of Ralph Bass Clef Cumbers new project, Myriad Myriads. Anyone who has been keyed into Cumbers sound from his early maverick dubstep cuts through the modular manifestations via love letters to rave and beyond wont need to be sold on checking this release out. Hes got a masterful style which is raw and dexterous in equal measure, not least when it comes to the synth voices he sculpts. Strapped to acutely angled, heaven-sent kicks to maximize the energy in the club, Revelation Waves spirals around the most uplifting of FM synth licks a chrome plated tone which positively commands pure joy without a lick of saccharine on its surface. As a counterpoint, Whos yr imaginary friend? dials back the drums and weaves together more luminescent melodic threads over some positively rude bass spasms. Both cuts guarantee giddy emotional responses and endorphin rushes aplenty, both on and off the floor.
Stepping out of the frying pan and into the fire, eatmybeat welcome Belgian producer D-Nite to the label. He brings the heat on his latest release after previous drops on signature labels such as Erbium Records, Fine Grains and excess. This five track EP titled 'Ai Amor EP' explores a variety of styles including UK Funky, Bass and a unique take on drum-driven Techno. The Liège based artist displays his production prowess with immaculate synth design and ethereal soundscapes. We open with 'Ominous Arrival', which as the name suggests, lures you into its depths with ghostly vocals and succulent melodies. You won't be misled when the drums kick in and set the fist-pumping club energy, which carries throughout the EP. 'Sine DNA' is the natural progression, introducing synth patterns and pads which sound like they originated off-planet, with the drums still packing that oomph. 'Circular' begins to lean into the techno side of D-Nite's musical expression, while still building from the previous tracks with new tastes and textures. The hypnotic synth lines weave in and out as the bass goes deeper. The vibe switches as we move onto 'Ai Amor', tempting the tastebuds with its tantalising UK funky tones, whilst experimenting with bongo patterns galore - this one's punchy but sweet, like grapefruit. Finally, the project wraps up with 'Amargo' which brings all the previous tracks together in a crescendo of synth stabs, bleeps, and rolling drums. 1
'... is serving' no. 5 delivers an eclectic three-track Ballroom blowout. Merging throbbing techno rumbles with frenzied Latin undercurrents, Jaymie Silk's 'For the People' unleashes an idiosyncratic bouquet of percussive Fast House alongside a stripped Techno rendition by Bogota's Confidential Recipe. 'For the People' is a track built for the night's energetic apex: Cycling through crushing bars of stripped rumble and frenetic Djembe lines, Jaymie encapsulates the feverish energies of his Ballroom background in a percussion-driven anthem centred around a soulful vocal burning with desire. Confidential Recipe's technoid rendition strips 'For the People' to its pulsing core. A morphing layer of metallic resonance and compact drums channel the original's exuberance into an eerily vibrating and brutally efficient big-room weapon. Merging mangled Techno drums with Samba-inspired whistles and woodwinds, 'Feel that Ass' unfolds a raw and unapologetic firestorm of Latin percussion, scorching drum work, and seductive vocal chops. Both DJs have graced our booth with their high-energy sets in the past – now, Jaymie Silk and Confidential Recipe return to deliver a genre-defying vision of unbounded physicality. A fierce embodiment of undiluted Ballroom energy is served.
In the summer of 2022 the athletes of the Squamish Highliner community of British Columbia came together to rig B.C.'s longest highlines. Jannik Jivung provides Inbound with a cinematic 6 track EP to complement the stunning scenes and majestic moments of their documentary film with an epic soundscape.
This is to immerse yourself in a sonic journey that fuses the divine with the contemporary. Iscariott takes us through a unique musical landscape, where the sacred chants of the monks intertwine with abstract rhythms ranging from the most pulsating techno to the frenzy of Drum and Bass. "Iter" is more than an EP, it is a transcendental experience that challenges the boundaries of electronic music. Each track is a gateway to the mystical, an invitation to explore the depths of the soul through the power of music. From the first bars to the last echo, Iscariott masterfully guides us through a sonic universe where the sacred and the electronic converge in perfect harmony. This EP is a celebration of spirituality in the digital age, an affirmation that the divine can manifest itself in unexpected and surprising ways.
Following up from work on Björk´s 'Fossora', Icelandic trio 'sideproject' debut on SVBKVLT with their new full-length album 'sourcepond'. Taking influence from the fog-covered wetlands of their native island, sideproject transfigure influences from the low-end frequencies of grime and bass music, and reshape it into a haze of transient-smeared beats accompanied by breathy synths that grow ever wetter till they slip beneath the surface tensions of their harmonic stratum. Compared to previous output, 'sourcepond' opts for a more concise approach to their music, stacking up their influences of experimental electronic, Icelandic punk and contemporary club music, and builds a sound that oscillates between melodic hooks and experimental rhythms. Each track carves through the sensuous material, pulling the listener into the dank sourcepond as though magnetic forces were guiding a bird's beak towards misty horizons.
Cabasa makes his debut on Control Freak with 4 tracks of stripped back, percussive dance music, plus a remix from NYC/Kindergarten's Ayesha. Belgian producer Cabasa has carved a distinctive niche in the fertile Brussels club scene with his sleek & minimalistic productions, which reimagine UK soundsystem culture through a fresh, contemporary lens 'Bird Tool' traverses a range of genre and BPM ranges in typical CF fashion, from the 140-influenced stylings of 'Volume 3', to the mutant halftime rhythms of title track 'Bird Tool' and 'End Credits' - exploring a tempo range that's become a popular fixture of UK club music in recent years. Rounding off the release, Ayesha delivers a slick 'Drums You Can Touch' dub of 'Bird Tool', fresh off the back of her critically acclaimed LP 'Rhythm Is Memory'. For Fans Of: Peverelist, Toma Kami, Ehua Written & Produced by Kevin Pleinnevaux Mastered by Kassian Troyer @ D&M Remix produced by Ayesha Chugh Artwork by Max Bloom
Agustin Giri boldly ventures into uncharted musical territory with his latest EP, "Space Jungle". Comprising four tracks, including "Reality Picture," "Space Jungle," "Dobedo," and "Red Museum," this release represents Giri's most audacious and uninhibited work to date. This EP also heralds the beginning of ISOLATE's new artwork series „Between The Lines". Developed and curated by the ISOLATE team, the series draws inspiration from past artworks while infusing it with new creative input.