Top 100 Chart placements for DE SOFFER
Updated 1 year ago
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Few songs are as instantly recognisable, or as universally loved, as (I've Had) The Time Of My Life. Originally recorded by Bill Medley and Jennifer Warnes for the Dirty Dancing soundtrack, it is a record that transcends generations, genres and dancefloors. This version began life as a personal wedding edit, created by Kevin McKay as a gift for a close friend's celebration in Portugal. The reaction on the night made one thing immediately clear. This was not just a one-off moment, it was a record that connected. Rather than releasing it on Glasgow Underground, the idea found its natural home on WTF, a sublabel created specifically for pop-leaning, feel-good club records. Enter DE SOFFER, who was already making waves with his modern disco sound. Handed the vocals and creative freedom, he delivered a polished nu disco anthem that fully embraces the song's emotional lift while driving it firmly into contemporary club territory. With DE SOFFER currently sitting at number one on both Beatport and Traxsource's Nu Disco charts, this release feels perfectly timed. Uplifting, confident and unashamedly joyful, it is exactly the kind of record WTF Music exists to release.
Following the success of his nu-disco remake of Blue Monday, Israeli producer DE SOFFER returns with a stunning rework of Smalltown Boy — one of the most emotional and celebrated songs of the 1980s. This vocal was originally recorded for another project, but when the track didnt materialise, DE SOFFER asked to work with it — and he has absolutely delivered. Smalltown Boy is a notoriously difficult song to adapt for the club: the verses carry emotional weight, but the originals breakbeat-style structure doesnt translate naturally to a 4/4 floor. DE SOFFER solves that problem with style. He keeps the iconic synths and melancholic beauty of the original, then adds an infectious disco bassline, guitar groove, and rich melodic lift that transforms it from an 80s anthem into a prime-time nu-disco floor filler. The extended version mirrors the originals emotional arc while dropping into a euphoric, arpeggiated electro-disco finale — the kind of end-of-night moment that leaves the whole ro.
Following the success of his nu-disco remake of Blue Monday, Israeli producer DE SOFFER returns with a stunning rework of Smalltown Boy — one of the most emotional and celebrated songs of the 1980s. This vocal was originally recorded for another project, but when the track didnt materialise, DE SOFFER asked to work with it — and he has absolutely delivered. Smalltown Boy is a notoriously difficult song to adapt for the club: the verses carry emotional weight, but the originals breakbeat-style structure doesnt translate naturally to a 4/4 floor. DE SOFFER solves that problem with style. He keeps the iconic synths and melancholic beauty of the original, then adds an infectious disco bassline, guitar groove, and rich melodic lift that transforms it from an 80s anthem into a prime-time nu-disco floor filler. The extended version mirrors the originals emotional arc while dropping into a euphoric, arpeggiated electro-disco finale — the kind of end-of-night moment that leaves the whole ro.