Tamer Fouda's 'Override / Madness' EP arrives on Warbeats Records as a two-track Bass House statement that pairs driving rhythms with bold, uplifting energy. This release lands on 21 August 2026, introducing the Egyptian producer's bass-heavy, robotic house sound to the label. The EP opens with 'Override (Extended Mix)', a pulsing, robotic track that keeps the bassline driving through the entire runtime. The sound is playful and raw, built around a driving tempo and energetic percussion. Where 'Override' leans on darker atmospherics, 'Madness (Extended Mix)' pushes into playful, aggressive territory with a hook that hits hard and stays there. This is the track that turns a warm-up into a peak-time moment, the one you reach for when the room needs a jolt of raw energy.\n\nTamer Fouda enters this project with a career that has accumulated over 519K streams and 79 chart placements across platforms, a body of work that has charted on Beatport's Top 100 and received widespread support across the global electronic music scene. His track 'Timeless' alone has crossed over 119K streams, while his Beatport chart history includes a #28 peak on Music: Bulgaria. The artist's previous releases have drawn support from named selectors including Betoko, Petar Dundov, and Paul Anthonee, among others. His track 'Flip That' reached #2 on the Beatport Indie Dance Top 100, further establishing his presence among the genre's rising talents. His music has also earned support from Tomorrowland One World Radio charts and other influential platforms within the electronic music community. As a DJ, Tamer has toured extensively, performing across multiple countries and sharing stages with established international artists. He is recognized for his strong connection with the crowd and his ability to command the dancefloor. His sets consistently generate powerful audience reactions, positioning him as one of the leading figures in Egypt and beyond.\n\nThe 'Override / Madness' EP marks the first release from Tamer Fouda on Warbeats Records, establishing a new chapter in the artist's catalog. It is the artist's debut appearance on the roster, a distinction that highlights the release's role as a pivotal entry point for Warbeats listeners. This project serves as the artist's first footprint on the label, building on a foundation of career achievements. The EP's two tracks are designed for peak-floor impact, functioning as the precise instruments a DJ needs to shift the energy of the room. The floor will hear 'Override' as a bold, driving tool for a peak-time slot where the groove needs to remain constant, while 'Madness' provides the jolt of raw energy required to lift a set.

Dirty Thoughts EP arrives as an unusual move inside the Warbeats catalog. While the label typically reserves EPs and singles for artists with more established careers, broader reach or stronger market traction, BAGDIE enters through a different route: the material itself. Active since 2024 and still building his trajectory, the Saint Petersburg producer, born Bogdan Gaidash, has released around 20 tracks so far and remains in an early growth phase. Even so, this EP stood out to the label's curation for its artistic maturity, clarity of direction and strong dancefloor function. Across "Dirty Thoughts", "In My Head" and "Pull Me Close", BAGDIE operates within Tech House while stretching toward House, Techno, Electro and Minimal textures, always centered on rhythm, melody and energy. The release is supported by early but consistent traction, including 40K streams, 266K playlist reach, 32 playlists, 720 Shazams, 97K video views, 14 DJ supports and recent exposure through radio and playlists. More than an introduction, Dirty Thoughts EP documents a producer still in formation but already capable of delivering music with identity, control and clear club intent.

Shockline, Vol. 2 represents the next evolutionary step in Warbeats Records' compilation series, continuing the label's commitment to mapping the fluid boundaries of Indie Dance, Melodic Techno, and Tech House. Conceived as a strategic platform to highlight both rapidly emerging talents and established names, this volume expands the curatorial vision of building a cohesive sonic narrative that prioritizes movement, tension, and unquestionable dancefloor impact. This second installment brings together NO SENS, B.Freddie, Max Mojer, Humar, T.U.R.K., and Max Degrand, artists who collectively reflect different layers of contemporary electronic music. From the transatlantic tech-house synergy of Humar and T.U.R.K. to NO SENS's culturally rooted melodic storytelling and Degrand's search for deep sonic equilibrium, the compilation navigates across genres without rigid restrictions. Performance metrics strongly back the compilation's relevance. NO SENS arrives with recent support from Korolova and Hype Chart placements; Humar & T.U.R.K. bring over 37K combined streams and extensive radio play; while Max Degrand adds massive playlist reach exceeding 150K. Shockline, Vol. 2 operates seamlessly as both an immersive listening experience and a highly functional, peak-time arsenal for DJs navigating the modern club circuit.

Warbeats Records Bass House

Warbeats Best Of 2025 arrives as a distilled portrait of a defining year for the label. Throughout 2025, the imprint experienced a phase of creative expansion and artistic consolidation. Monthly sales records, a sequence of high-quality releases, and a catalog shaped around identity rather than format marked a year in which Warbeats reinforced its core vision: music built for the dance floor but driven by personality, atmosphere, and artistic intent. This was a year when the label leaned deeper into that hybrid zone in which indie dance intersects with influences from progressive house, melodic house, melodic techno, tech house, minimal, and bass house. A space where artists explored textures and moods that resist strict categorization. The catalog grew around tracks that ignite the dancefloor, but also pieces that create room for immersion, contemplation, or a drifting sense of escape. All made possible through the trust of the artists, who delivered bold, expressive works that pushed Warbeats further into a distinct artistic territory. Gathering 25 tracks that stood out in both sales and streaming, this compilation represents not only the numbers but also the aesthetic core that defined the label in 2025. It highlights how each artist helped expand Warbeats sonic palette and reinforce its role in contemporary electronic music. And it signals whats to come. With Shockline already on the horizon as a new indie dance-driven compilation, the label continues to deepen the direction that shaped this year: releasing music unafraid of the unexpected, always anchored in artistic identity.

Warbeats Records Mainstage

Marking a decade in motion, 10 Years of Warbeats Records goes beyond being just a compilation — its a sonic time capsule of a label that, since 2015, has been shaping dancefloors and redefining independent electronic music in Brazil and beyond. The 40 tracks selected for this release offer more than just personal favorites — they are the heartbeat of the Warbeats community. Each was chosen not only for its artistic identity but also for its performance across platforms like Beatport, Spotify, YouTube, SoundCloud, Instagram, and TikTok. This is the sound of what resonated, what was bought, streamed, shared, and dropped by DJs from all corners of the globe. From standout remixes by artists like Hozho, Rachel Raw, Steve Darko, Maksim Dark, and FlexB to label-shaping originals from Plastic Robots, Detuned, Groove Delight, Underlow, Fab Massimo, and Flux Zone — this release showcases the diverse aesthetic that has defined Warbeats. With over 8.84 million streams, 3942 videos, 159K Shazams, 634 playlists, and 406 DJ supports (including Armin van Buuren, Solomun, Mau P, Felix Jaehn, and Illusionize), the data reflects the labels growing influence and cultural footprint. Warbeats Records now counts more than 450 tracks and 239 artists in its catalog. A decade in, the label remains true to its roots: delivering explosive sonic bombs with purpose and authenticity. This release is not just a look back — its a statement of everything still to come.