Warbeats Records presents WAR164, the Cosmic EP by Plastic Robots and Fab Massimo, featuring a remix by Greenwolve. The three-track release moves across two distinct sonic territories — Indie Dance and Psy-Techno — tracing the contours of a collaboration built between a Brazilian duo rooted in alternative electronic music and a half-German, half-Puerto Rican producer who has spent the better part of a decade reworking Tech House on his own terms. Plastic Robots — Nando Scheffer and Daniel Queiroz — have built a project defined by sonic unpredictability and an uncompromising alternative edge. From their own label, Warbeats Records, they have expanded their reach to include Dirtybird, Mau5trap, and Sink Or Swim, while taking their sets to festivals and venues across Germany, Russia, South Africa, Argentina, and Australia. Approaching 20 million streams and 240,000 Shazams, with DJ support from names including deadmau5, Lost Frequencies, Felix Jaehn, Benny Benassi, Odd Mob, Claptone, and Gorgon City, Plastic Robots occupy a position in the Brazilian electronic scene that resists easy categorization — which is precisely the point. Fab Massimo arrived in the Tech House world in 2019 and quickly positioned himself as a voice working against the genre's more predictable tendencies. Born in Western Germany from German and Puerto Rican heritage, he shaped a rolling, restless approach to production informed by a commitment to authenticity that extends beyond the music itself — into his public advocacy for mental health and a more honest culture within the industry. His 2021 single "MY MAN" charted at Beatport #11 across all genres and surpassed 500,000 streams on Spotify, while "Smile for Me" crossed one million streams. He has performed at flagship German venues including Bootshaus in Cologne, Sisyphos, Ritter Butzke, KitKat, and About:Blank in Berlin. Internationally, his footprint reached Delta Festival in Marseille, Hollystone in Koh Phangan, and The Artistry in Goa. His most recent highlights include a play by Adam Beyer at circuitGROUNDS during EDC Mexico, a #1 chart position on Beatport's Techno (Peak Time / Driving), and placement on Spotify's Electronic Rising — all confirmed in early 2026. As label manager of LOW CEILING, he is also a structural voice in shaping the ecosystem his music inhabits. Baptiste Petit, known as Greenwolve, brings a third dimension to the project. A producer who began making music at age 12, he navigated through Minimal Techno and Psytrance before reigniting the Greenwolve project in 2022 under the Psy-Techno banner with "Freekz" on Music4Aliens. Quickly recognized by Canadian label Alpaka Muzik, he became a resident artist and has since accumulated support from Joris Voorn, Helsloot, Bart Skils, and John 00 Fleming — who played his music at Boom Festival in Portugal. His work has appeared on Beatport's Best New Techno playlist and reached Kiss FM in Melbourne, Australia. His remix of "Cosmic" extends the original's architecture into psychedelic territory, reinforcing the bridge he has made his artistic signature: between the discipline of club techno and the expansiveness of psychedelic soundscapes. The Cosmic EP presents two original productions — "Cosmic" and "Yelling at the Ghost" — alongside Greenwolve's reinterpretation. Each track navigates energy and identity from a different angle, holding together as a cohesive statement while giving each artist room to speak in their own language.

Warbeats Records presents WAR164, the Cosmic EP by Plastic Robots and Fab Massimo, featuring a remix by Greenwolve. The three-track release moves across two distinct sonic territories — Indie Dance and Psy-Techno — tracing the contours of a collaboration built between a Brazilian duo rooted in alternative electronic music and a half-German, half-Puerto Rican producer who has spent the better part of a decade reworking Tech House on his own terms. Plastic Robots — Nando Scheffer and Daniel Queiroz — have built a project defined by sonic unpredictability and an uncompromising alternative edge. From their own label, Warbeats Records, they have expanded their reach to include Dirtybird, Mau5trap, and Sink Or Swim, while taking their sets to festivals and venues across Germany, Russia, South Africa, Argentina, and Australia. Approaching 20 million streams and 240,000 Shazams, with DJ support from names including deadmau5, Lost Frequencies, Felix Jaehn, Benny Benassi, Odd Mob, Claptone, and Gorgon City, Plastic Robots occupy a position in the Brazilian electronic scene that resists easy categorization — which is precisely the point. Fab Massimo arrived in the Tech House world in 2019 and quickly positioned himself as a voice working against the genre's more predictable tendencies. Born in Western Germany from German and Puerto Rican heritage, he shaped a rolling, restless approach to production informed by a commitment to authenticity that extends beyond the music itself — into his public advocacy for mental health and a more honest culture within the industry. His 2021 single "MY MAN" charted at Beatport #11 across all genres and surpassed 500,000 streams on Spotify, while "Smile for Me" crossed one million streams. He has performed at flagship German venues including Bootshaus in Cologne, Sisyphos, Ritter Butzke, KitKat, and About:Blank in Berlin. Internationally, his footprint reached Delta Festival in Marseille, Hollystone in Koh Phangan, and The Artistry in Goa. His most recent highlights include a play by Adam Beyer at circuitGROUNDS during EDC Mexico, a #1 chart position on Beatport's Techno (Peak Time / Driving), and placement on Spotify's Electronic Rising — all confirmed in early 2026. As label manager of LOW CEILING, he is also a structural voice in shaping the ecosystem his music inhabits. Baptiste Petit, known as Greenwolve, brings a third dimension to the project. A producer who began making music at age 12, he navigated through Minimal Techno and Psytrance before reigniting the Greenwolve project in 2022 under the Psy-Techno banner with "Freekz" on Music4Aliens. Quickly recognized by Canadian label Alpaka Muzik, he became a resident artist and has since accumulated support from Joris Voorn, Helsloot, Bart Skils, and John 00 Fleming — who played his music at Boom Festival in Portugal. His work has appeared on Beatport's Best New Techno playlist and reached Kiss FM in Melbourne, Australia. His remix of "Cosmic" extends the original's architecture into psychedelic territory, reinforcing the bridge he has made his artistic signature: between the discipline of club techno and the expansiveness of psychedelic soundscapes. The Cosmic EP presents two original productions — "Cosmic" and "Yelling at the Ghost" — alongside Greenwolve's reinterpretation. Each track navigates energy and identity from a different angle, holding together as a cohesive statement while giving each artist room to speak in their own language.

Marking a decade in motion, 10 Years of Warbeats Records goes beyond being just a compilation — its a sonic time capsule of a label that, since 2015, has been shaping dancefloors and redefining independent electronic music in Brazil and beyond. The 40 tracks selected for this release offer more than just personal favorites — they are the heartbeat of the Warbeats community. Each was chosen not only for its artistic identity but also for its performance across platforms like Beatport, Spotify, YouTube, SoundCloud, Instagram, and TikTok. This is the sound of what resonated, what was bought, streamed, shared, and dropped by DJs from all corners of the globe. From standout remixes by artists like Hozho, Rachel Raw, Steve Darko, Maksim Dark, and FlexB to label-shaping originals from Plastic Robots, Detuned, Groove Delight, Underlow, Fab Massimo, and Flux Zone — this release showcases the diverse aesthetic that has defined Warbeats. With over 8.84 million streams, 3942 videos, 159K Shazams, 634 playlists, and 406 DJ supports (including Armin van Buuren, Solomun, Mau P, Felix Jaehn, and Illusionize), the data reflects the labels growing influence and cultural footprint. Warbeats Records now counts more than 450 tracks and 239 artists in its catalog. A decade in, the label remains true to its roots: delivering explosive sonic bombs with purpose and authenticity. This release is not just a look back — its a statement of everything still to come.

Marking a decade in motion, 10 Years of Warbeats Records goes beyond being just a compilation — its a sonic time capsule of a label that, since 2015, has been shaping dancefloors and redefining independent electronic music in Brazil and beyond. The 40 tracks selected for this release offer more than just personal favorites — they are the heartbeat of the Warbeats community. Each was chosen not only for its artistic identity but also for its performance across platforms like Beatport, Spotify, YouTube, SoundCloud, Instagram, and TikTok. This is the sound of what resonated, what was bought, streamed, shared, and dropped by DJs from all corners of the globe. From standout remixes by artists like Hozho, Rachel Raw, Steve Darko, Maksim Dark, and FlexB to label-shaping originals from Plastic Robots, Detuned, Groove Delight, Underlow, Fab Massimo, and Flux Zone — this release showcases the diverse aesthetic that has defined Warbeats. With over 8.84 million streams, 3942 videos, 159K Shazams, 634 playlists, and 406 DJ supports (including Armin van Buuren, Solomun, Mau P, Felix Jaehn, and Illusionize), the data reflects the labels growing influence and cultural footprint. Warbeats Records now counts more than 450 tracks and 239 artists in its catalog. A decade in, the label remains true to its roots: delivering explosive sonic bombs with purpose and authenticity. This release is not just a look back — its a statement of everything still to come.

Warbeats Best Of 2025 arrives as a distilled portrait of a defining year for the label. Throughout 2025, the imprint experienced a phase of creative expansion and artistic consolidation. Monthly sales records, a sequence of high-quality releases, and a catalog shaped around identity rather than format marked a year in which Warbeats reinforced its core vision: music built for the dance floor but driven by personality, atmosphere, and artistic intent. This was a year when the label leaned deeper into that hybrid zone in which indie dance intersects with influences from progressive house, melodic house, melodic techno, tech house, minimal, and bass house. A space where artists explored textures and moods that resist strict categorization. The catalog grew around tracks that ignite the dancefloor, but also pieces that create room for immersion, contemplation, or a drifting sense of escape. All made possible through the trust of the artists, who delivered bold, expressive works that pushed Warbeats further into a distinct artistic territory. Gathering 25 tracks that stood out in both sales and streaming, this compilation represents not only the numbers but also the aesthetic core that defined the label in 2025. It highlights how each artist helped expand Warbeats sonic palette and reinforce its role in contemporary electronic music. And it signals whats to come. With Shockline already on the horizon as a new indie dance-driven compilation, the label continues to deepen the direction that shaped this year: releasing music unafraid of the unexpected, always anchored in artistic identity.

Warbeats Records presents WAR164, the Cosmic EP by Plastic Robots and Fab Massimo, featuring a remix by Greenwolve. The three-track release moves across two distinct sonic territories — Indie Dance and Psy-Techno — tracing the contours of a collaboration built between a Brazilian duo rooted in alternative electronic music and a half-German, half-Puerto Rican producer who has spent the better part of a decade reworking Tech House on his own terms. Plastic Robots — Nando Scheffer and Daniel Queiroz — have built a project defined by sonic unpredictability and an uncompromising alternative edge. From their own label, Warbeats Records, they have expanded their reach to include Dirtybird, Mau5trap, and Sink Or Swim, while taking their sets to festivals and venues across Germany, Russia, South Africa, Argentina, and Australia. Approaching 20 million streams and 240,000 Shazams, with DJ support from names including deadmau5, Lost Frequencies, Felix Jaehn, Benny Benassi, Odd Mob, Claptone, and Gorgon City, Plastic Robots occupy a position in the Brazilian electronic scene that resists easy categorization — which is precisely the point. Fab Massimo arrived in the Tech House world in 2019 and quickly positioned himself as a voice working against the genre's more predictable tendencies. Born in Western Germany from German and Puerto Rican heritage, he shaped a rolling, restless approach to production informed by a commitment to authenticity that extends beyond the music itself — into his public advocacy for mental health and a more honest culture within the industry. His 2021 single "MY MAN" charted at Beatport #11 across all genres and surpassed 500,000 streams on Spotify, while "Smile for Me" crossed one million streams. He has performed at flagship German venues including Bootshaus in Cologne, Sisyphos, Ritter Butzke, KitKat, and About:Blank in Berlin. Internationally, his footprint reached Delta Festival in Marseille, Hollystone in Koh Phangan, and The Artistry in Goa. His most recent highlights include a play by Adam Beyer at circuitGROUNDS during EDC Mexico, a #1 chart position on Beatport's Techno (Peak Time / Driving), and placement on Spotify's Electronic Rising — all confirmed in early 2026. As label manager of LOW CEILING, he is also a structural voice in shaping the ecosystem his music inhabits. Baptiste Petit, known as Greenwolve, brings a third dimension to the project. A producer who began making music at age 12, he navigated through Minimal Techno and Psytrance before reigniting the Greenwolve project in 2022 under the Psy-Techno banner with "Freekz" on Music4Aliens. Quickly recognized by Canadian label Alpaka Muzik, he became a resident artist and has since accumulated support from Joris Voorn, Helsloot, Bart Skils, and John 00 Fleming — who played his music at Boom Festival in Portugal. His work has appeared on Beatport's Best New Techno playlist and reached Kiss FM in Melbourne, Australia. His remix of "Cosmic" extends the original's architecture into psychedelic territory, reinforcing the bridge he has made his artistic signature: between the discipline of club techno and the expansiveness of psychedelic soundscapes. The Cosmic EP presents two original productions — "Cosmic" and "Yelling at the Ghost" — alongside Greenwolve's reinterpretation. Each track navigates energy and identity from a different angle, holding together as a cohesive statement while giving each artist room to speak in their own language.

Warbeats Records presents WAR164, the Cosmic EP by Plastic Robots and Fab Massimo, featuring a remix by Greenwolve. The three-track release moves across two distinct sonic territories — Indie Dance and Psy-Techno — tracing the contours of a collaboration built between a Brazilian duo rooted in alternative electronic music and a half-German, half-Puerto Rican producer who has spent the better part of a decade reworking Tech House on his own terms. Plastic Robots — Nando Scheffer and Daniel Queiroz — have built a project defined by sonic unpredictability and an uncompromising alternative edge. From their own label, Warbeats Records, they have expanded their reach to include Dirtybird, Mau5trap, and Sink Or Swim, while taking their sets to festivals and venues across Germany, Russia, South Africa, Argentina, and Australia. Approaching 20 million streams and 240,000 Shazams, with DJ support from names including deadmau5, Lost Frequencies, Felix Jaehn, Benny Benassi, Odd Mob, Claptone, and Gorgon City, Plastic Robots occupy a position in the Brazilian electronic scene that resists easy categorization — which is precisely the point. Fab Massimo arrived in the Tech House world in 2019 and quickly positioned himself as a voice working against the genre's more predictable tendencies. Born in Western Germany from German and Puerto Rican heritage, he shaped a rolling, restless approach to production informed by a commitment to authenticity that extends beyond the music itself — into his public advocacy for mental health and a more honest culture within the industry. His 2021 single "MY MAN" charted at Beatport #11 across all genres and surpassed 500,000 streams on Spotify, while "Smile for Me" crossed one million streams. He has performed at flagship German venues including Bootshaus in Cologne, Sisyphos, Ritter Butzke, KitKat, and About:Blank in Berlin. Internationally, his footprint reached Delta Festival in Marseille, Hollystone in Koh Phangan, and The Artistry in Goa. His most recent highlights include a play by Adam Beyer at circuitGROUNDS during EDC Mexico, a #1 chart position on Beatport's Techno (Peak Time / Driving), and placement on Spotify's Electronic Rising — all confirmed in early 2026. As label manager of LOW CEILING, he is also a structural voice in shaping the ecosystem his music inhabits. Baptiste Petit, known as Greenwolve, brings a third dimension to the project. A producer who began making music at age 12, he navigated through Minimal Techno and Psytrance before reigniting the Greenwolve project in 2022 under the Psy-Techno banner with "Freekz" on Music4Aliens. Quickly recognized by Canadian label Alpaka Muzik, he became a resident artist and has since accumulated support from Joris Voorn, Helsloot, Bart Skils, and John 00 Fleming — who played his music at Boom Festival in Portugal. His work has appeared on Beatport's Best New Techno playlist and reached Kiss FM in Melbourne, Australia. His remix of "Cosmic" extends the original's architecture into psychedelic territory, reinforcing the bridge he has made his artistic signature: between the discipline of club techno and the expansiveness of psychedelic soundscapes. The Cosmic EP presents two original productions — "Cosmic" and "Yelling at the Ghost" — alongside Greenwolve's reinterpretation. Each track navigates energy and identity from a different angle, holding together as a cohesive statement while giving each artist room to speak in their own language.

Warbeats Records Indie Dance