fabric Records

Multi Culti seasonal balance returns with Equinox III Kicking things off Guadalajara-based Bofo Dab (known for their blog 'Drops a Banger') does what their name suggests. This one has been getting caned by the Keinemusik crew, legions of phone-holders' shazam-prayers will only now be answered. It's a restrained big-room horn-loaded banger. Mehmet Aslan slides in to the proceedings with an awesome FM-sounding heads-down slice of clubby introspection. Long-time cult-hero Gilb'R of Versatile records fame spaces out the side with a deep, sparkly, live synth jam. On the flip, Mytron brings a fun stripped-back cover of a stone-cold classic with Higher (state of consciousness, that is). Brazillian hotboy Niev sounds right at home on the label with the aptly titled 'Professor Banjo.' Yuki Miyauchi lends an ethereal 90s bleep-inflected chunk of vibe with 'Donkey Conga.' Finally, fellow Japanese but London-based DJ Himitsu drops the deep, rollicking 'Waterfall.'

Rumors

Maccabi House

Midnight Area is the debut album from Altered View, the duo of Johnny Midnight and Johnny Area. Across nine tracks, the pair trace a world built on tension and contrast, restraint and release, warmth and detachment. Their sound merges the pulse of dark electronic music with the atmosphere of post-punk and the emotional ambiguity of dream pop.

Numbers

Masters At Work return to the archives with 'Our Darkness', a standout demo from the unfinished MAW Electronic album sessions recorded around 2001, following Our Time Is Coming. Although the album was never completed, Louie and Kenny recorded around 14 demos during this period, with 'Our Darkness' shining through as a defining moment. Stuttering kicks, eerie synths, and three colliding basslines come together to create a dark, masterful groove that captures the forward-thinking MAW sound of the time. OUR DARKNESS' (Luis F. Vega) Niconane Music, BMI (Carl K. Gonzalez) K Dope Publishing, ASCAP Produced by Masters At Work

Life And Death

Ten years after the cult debut, producer, DJ and film composer Phil Kieran returns under his Le Carousel alias with a dazzling follow-up album. The Humans Will Destroy Us is out on the 13th March 2026 . It blends shoegaze inspired electronics, lush analogue textures and dreamy synthscapes into a rich, epic journey along a winding dancefloor that timelessly connects the club with the cosmos. There's an intentional cinematic progression through the album. It opens with radio friendly avant-pop tracks Light the Flare and The Good One whose sparkling synths, gauzy vocals and hypnotic languid beats are reminiscent of Andrew Weatherall remixes of Primal Scream. At the heart of the record sits "We're All Gonna Hurt," a slow-burning standout that captures the essence of the project: soft edges against hard truths, rhythm as catharsis. Early releases of mixes by Hardway Bros and Curses have already begun favourites for discerning DJs . The album transcends into deeper beats that don't so much drive as breathe movement onto dancefloors- a Kosmische affair conjuring the spirit of acts like NEU! while "You're killing me inside" slow dances us to a cliffhanger.

Deer Jade returns to Diynamic with her new EP "So Divine". A journey that feels like golden hours melting into warm summer nights. "Atonement" kicking in, whose gentle percussion sets the stage for those long, sun-soaked days. "So Divine" itself feels almost magical - sizzling basslines weave beneath soft, airy vocals and light piano riffs. It's warm, it's fleeting, and it lingers in the mind long after the sun sets. "Reverie Rhapsody", comes deeper, darker, hinting at the night ahead. The tempo shifts, curiosity rises and the atmosphere begins to change: outfits are chosen with care, cocktails chilled and gleaming, the anticipation tangible. Every beat teases the night further, drawing you onto the floor, where lights flicker, bodies sway and the evening unfolds into an endless, intoxicating rhythm.

Turbo Recordings

Tel Aviv-based producer Takiru returns to Kiosk ID with 'Make Waves'-a three-track EP that infuses his groove-centric sonic language with infectious joie de vivre. Following up his Kiosk ID record All Of His Friends, Takiru leans further into playful, funky House, delivering an unpretentious and emotionally buoyant set of tracks to move the body and kindle the spirit. Opener 'Dance Alone' unfolds an intelligent, chord-driven take on '90s-inspired Classic House. Weightless piano chops float above a stripped, staccato groove, while playful instrumental fragments orbit a resonant, joy-filled lead. Anchored by rolling, self-assured dynamism, Dance Alone never asks for more than it needs to deliver, instead conjuring endlessly revolving, beautifully airy themes. Title track 'Make Waves' channels Takiru at his most forward with a radiant Indie Dance-inflected groover. Together with Marci, Takiru delivers electric drums and a robust, funky core anchoring a constantly morphing palette of squelching synth lines, infectious chord chops, arcing resonators, and mechanical vocoders. Suspended pads and blown-out leads trace playful energy arcs. Make Waves ends up effortlessly uplifting without excess-warehouse-ready energy carried with warmth and carefree abandon. On closing track 'Circulator,' Takiru pares things back while simultaneously pushing his elements to the sonic brink. A funky bassline and deep, morphing chord figures form a stripped, high-voltage framework that opens up space for its mangled synth textures to bend and contort at full intensity. Circulator drives, flips, and reshapes its own momentum-unassuming, elastic, and constantly in motion. With 'Make Waves,' Takiru delivers a journey through groove-forward soundscapes guided by pure sonic intuition. Stripped, funky, and endlessly alive, Make Waves captures the ecstasy of movement-three tracks that remind why Electronic Dance Music, at its best, is as much about shared joy as it is about sound design.

GDB RECORDS

KMBN & A_M_B_O_S_S give us two tracks each on this joint E.P, trawling the lo-fi dark parts of electronic dance music

Live At Robert Johnson

Intercept

With "Sunrise Dream Vol. II", Polifonic Records continues its exploration of music conceived for transitional states: those moments where time loosens its grip and sound becomes the primary mode of perception. This is not a compilation built around genre or function, but a curated statement rooted in atmosphere, physicality, and shared experience. The release brings together a selection of artists aligned with the Polifonic ethos, each contributing a track that reflects a precise moment on the dancefloor: when night gives way to morning, bodies slow down, and awareness sharpens. Here, music operates as an environment rather than a sequence - immersive, continuous, and deeply physical. Across the record, house, electronica, acid and breaks intersect without hierarchy. Rhythms remain grounded yet fluid, textures are stripped back but intentional, and melodic elements appear only when necessary. The result is a cohesive sonic landscape that privileges tension, space, and emotional clarity over excess. Sunrise Dream Vol. II is shaped by collective presence. It draws from the energy generated by dancers moving together in prolonged states of listening, where repetition becomes hypnosis and subtle variations carry meaning. These tracks are designed to be felt as much as heard - music that resonates through the body before reaching the mind. This second volume reinforces Polifonic Records' commitment to releases that function beyond the club: records that document a moment, a feeling, and a way of inhabiting sound. Sunrise Dream is not an endpoint, but part of an ongoing dialogue between music, place, and the people who gather around it.

Twist + Turn

"Immagina" is an EP with an eloquent title, in this work Luca Vera presents songs of a different nature compared to his usual way of interpreting dance and club music, a more intense phase that excites him in different phases of an evening and therefore in composing the EP the artist imagines those different phases that push the listener to move at a fast pace.

Musumeci drops on Buttress yet another sharp style statement. Post-disco boogie accents blend seamlessly with biting 303 acid lines, delivering a classy, club-ready synthesis rooted in a rock-solid background.