Rinse

Sit back and pour this one over ice.

Warehouse Project Records

Vitamin D Records

Maraki Records

The first release on Silent Drop, a new imprint from Thornz comes correct - showing roots & intention from the first pop to the last hiss. 1900 sweeps into your ears like a party from the 90s - skipping & tapping the perc up against your eardrums, till that bass drops. Vintage samples get hoovered into 3D rudeboy sounds. Boy Try Test: Thornz & FHSR are back once again, letting the bass synth take centre stage, with the drops hanging in silence. Cold slabs of stab come at you, all while the drum machine hunts for a home in the darkness. Monster vibe. Mellow: Skipping percussion, swinging into dirty sublines - respecting the dub operators flashbacking the hardcore wobble. Deep & dark like a nuclear sub. Style & Fashion descends into full bore post rave attack. Tense and powerful, rattling the bootlid off your SR Corsa. A foggy winter exploration into bass.

Sweetspot switches gears with Intersection One, the label's first release conceived for the digital realm. It also opens the door to Intersections, a new digital-only series for friends and like-minded artists to share their music. Intersection One sets the tone for what's to come, not by redefining Sweetspot but by extending its language. The brief remains unchanged: club music built on groove, precision and clarity. Rather than pushing a single aesthetic line, the compilation sketches out the label's range. Venda's "Manifesto" is a patient, minimal house weapon, driven by repetition and microscopic shifts that tease out tension. Carlo Gambino's "Im Good With That" dives into dub house territory, where a weighty low-end and negative space do most of the talking. Monika Ross channels a UK garage sensibility on "Bubba's Wife," all swing and needlepoint percussion, nudging the energy up. Nils Twachtmann closes with "1030," a deep house cut that favours warmth, balance and restraint over peak-time theatrics. Intersection One doesn't reinvent Sweetspot so much as sharpen its focus. The format evolves; the intent doesn't. Groove first, function always.

Garage Shared

TnT, comprised of Tobey and Tyler, are a DJ/producer duo from South Wales. Having only started their production journey early 2025, the boys have had their heads down in the studio whilst simultaneously playing sets across South Wales and the South West - testing material and honing their craft. The result - Selecta, is a no-holds-barred, garage-inspired weapon that has already picked up support and regular plays from the likes of Marsolo, Anil Aras and more, lighting up dancefloors across multiple continents.

Label boss Dan Fresco returns to VIENNA for his first EP of the year

The latest in the series of Moxy Muzik VA's. Known for being packed with new and established artists and always loaded with heaters.

Of Unsound Mind

Pressure Point Audio

Ascend Records UK

Lisa Fosmark

OCSID

BASTI

Southpoint

Local Void presents "Falling" from Blookah and SPENNY, a genre-blurring collaboration rooted in UK bass, R&B textures, and experimental bass music. Built through touring, studio experimentation, and a shared desire to push beyond traditional definitions of "bass music," the track flows between groove, atmosphere, and deep low-end. Balancing dance floor energy with immersive headphone listening, Falling captures the duo's mutual lane of influences while exploring new sonic territory. Distributed by Label Engine - www.label-engine.com

'Bless' is an up-tempo, feel-good cut from Bread.Man, packed with disco-leaning energy and infectious groove. Catchy vocal chops sit over bouncy basslines, shimmering synths, and clean, driving drums, creating something light, joyful, and built for the dancefloor. Blending disco, garage, and house influences, Bread.Man delivers a sound that's vibrant and uplifting - a reflection of the feel-good energy that makes him a standout producer in the US electronic scene.