Kyle Watson releases his second album, Ask Me Tomorrow, on his own imprint No Context Records. 'Ask me tomorrow' is usually a deflection - a way to dodge the question and buy yourself some time. For Kyle, it's basically a confession; procrastination's been his nemesis for years. So this time, he flipped the script: eighteen weeks, start to finish. No pushing it back, no 'next month,' no tomorrow to hide behind. The pressure was the whole point, forcing him to work fast and trust his instincts. Sharpened by collaborations with fellow producers Body Ocean, Walker & Royce and Will Clarke, and standout artists Kosmo Kint, Scrufizzer, Ed Graves, Bobbi Fallon and MAY BBY, the album moves through genres without friction while staying true to Watson's distinctive sound. The end result is an album that feels diverse yet cohesive, a clear showcase of Watson's skill and range as a producer. 'Writing the album came really naturally, without overthinking - there literally wasn't any time for that. Eighteen weeks in the making, was it worth it? I think so... ask me tomorrow.' - Kyle

Room Two Recordings UK Garage / Bassline

Room Two Recordings UK Garage / Bassline

ISMOS presents **Abstract Vol. 1**, the label's inaugural annual compilation and its most ambitious project to date - a curated exploration of minimalism, perception, and the individual worlds that exist behind the music. Built around the philosophy **'Your inner world creates your reality,'** Abstract Vol. 1 brings together a carefully selected group of artists from across the minimal and tech house spectrum. Each contributes a distinct interpretation of a shared musical language, where rhythm, texture, movement, space, and subtle sonic details take precedence over excess. At the heart of the compilation is a simple idea: **less can create more.** Within minimal music, the smallest details can completely reshape an experience. A single sound can trigger a memory. A shift in rhythm can alter a mood. Space itself can become part of the groove. Abstract Vol. 1 embraces this philosophy across a collection of records designed not simply as individual club tools, but as pieces of a larger journey. The compilation represents an important chapter for ISMOS and founder RN ISMO, reflecting years spent producing, DJing, releasing music, building relationships, and developing a community around a particular approach to underground electronic music. Rather than defining that community through one specific sound, Abstract creates a space for different interpretations of it to coexist. Every artist enters the compilation with their own experiences, influences, emotions, and perspective. Every listener enters with theirs. That relationship completes the project. No two artists experience reality in exactly the same way, and no two listeners will experience these records identically. Rather than telling the listener what to feel, Abstract Vol. 1 leaves enough space for them to create their own meaning from what they hear. **One compilation. Infinite realities.** Don't just listen to the music. **Create your reality through it.**

The threeway combo you never knew you needed. Sam Binga, Machinedrum and Cesco built the raw bones of these tunes across a single morning in LA, overlooking MacArthur Park, in an intense session that saw them throwing live Bingerian vocals, raw Brazilian shrimp-sellers and tweaked-out Acid lines into the melting pot. Further sessions between Highland Park and Stokes Croft saw these bare bones jams get fleshed out into the four genre-bending tracks that make up the Niche Flex EP, all of which have been tested out in clubs and festivals across the world, and which land this September via Binga's Pineapple Records imprint, on both vinyl and digital formats. While obviously handy in the studio, Team MACESGA (as nobody calls them) also can operate a DJ booth to a reasonably high standard, as witnessed at the raucous Pineapple Takeover at the Beatport HQ in LA, and are available to showcase their Trans-Atlantic Threesome at a Quality Music Venue or Devious Fetish Spot near you. Distributed by Label Engine - www.label-engine.com

Insomniac Records UK Garage / Bassline

Atlantic Records UK UK Garage / Bassline

JLR-019 | TEITH & HD. - Guess Who's Back

ATW Records

Toolroom UK Garage / Bassline

Disorder UK Garage / Bassline

NO ART

3 white label classics.

Room Two Recordings UK Garage / Bassline

Disorder UK Garage / Bassline

In The House Recs

Krafty Kuts doesn't follow trends, he shakes them up, sending shockwaves of sonic disruption through the scene, a force that now surges into his forthcoming album Turbulence. Krafty Kuts has never chased trends; instead, he has spent decades shaking them up - a philosophy that inspired the title of his forthcoming album, Turbulence. From early releases with Ministry of Sound, Fabric and Finger Lickin', to founding his own Against The Grain label and Brighton's Supercharged club nights, Krafty Kuts' career reads like a long-form study of British bass culture. Pulling from UKG, breaks, bassline and with flashes of jazz, Turbulence twists familiar forms into something far harder to pin down. The beats are fractured and the energy is unpredictable by design. Collaborations come loaded with pedigree and punch: MC Spyda (of Tarantula with Pendulum and Balaclava with Shy FX fame) rides the low-slung, future-leaning 'Running', while B Live cuts through the breakbeat-garage hybrid 'Best In Me'. Elsewhere, 'Rocket' glows with the soulful touch of Scarlett Quinn, and Skool of Thought helps unleash the broken beat juggernaut 'Flowers'. This isn't an album that blends genres - it destabilises them. Check out the club smashes 'Wub Juggler' and 'New Ting', with support spanning from Rinse FM to BBC Radio 1. 'Over the past few years I've been releasing an EP series called Breakin' Boundaries, because I've always been about exploring the full depth and range of bass and breaks-driven music, irrespective of sub-genre. This album has been a long time coming, and honestly, I feel like I've pushed my sound further than ever before. It's full-throttle bass, diving deep into where breaks can go next - but it also includes deep, melodic songs too' This marks the first artist album released on Against The Grain in a few years, inspired by the resurgence of interest in the breaks genre and its embrace by A-list artists such as Fred Again, Chris Lorenzo, Bonobo to name a few. But do not expect a polite reintroduction. This is Krafty Kuts with the lights down low and the bass turned up, delivering a contemporary body of work that, as the title suggests, is here to shake things up.

Dance Traxx LDN UK Garage / Bassline

ec2a UK Garage / Bassline

Kepler and Boss Priester join forces on the Use Ya Head EP, a three-track release landing on Sidney Charles's Heavy House Society imprint. Rooted in deep underground groove and forward-thinking club energy, the EP blends rolling basslines, hypnotic textures, and sharp rhythmic detail into a package built for discerning dancefloors and late-night sessions. Title track 'Use Ya Head' sets the tone with grooving low-end movement, tripped-out textures, and edgy underground energy. Driven by a weighty bassline and fluid rhythmic flow, the track balances hypnotic tension with stripped-back precision, delivering a quality-over-quantity approach perfectly suited to intimate underground spaces. On 'Bounce Around,' the pair lean into a more playful and energetic direction. An infectious urban vocal hook and killer bassline groove drive the track forward, while youthful energy and punchy percussion keep the dancefloor locked from start to finish. Direct, rolling, and full of attitude, it's a cut built for peak-time underground moments. Closing the EP, 'Realise' delivers a hypnotic blend of bounce, swagger, and dreamlike atmosphere. Already gaining support from tastemakers including Enzo Siragusa, the track combines punchy grooves and swinging rhythmic movement with immersive melodic textures, balancing power and subtlety with effortless control. Leeds-based producer Kepler has rapidly established himself as one of the UK underground's most exciting talents through his distinctive fusion of house and garage influences. With releases on labels including FUSE, Up The Stuss, Semi Delicious, and Constant Sound, alongside appearances at venues and festivals such as Fabric, Club Der Visionaere, Mint Warehouse, Gottwood Festival, and Pikes, his groove-led productions have earned support from names including Ben UFO, Raresh, Chris Stussy, Four Tet, and Sonja Moonear. Joining him, Boss Priester has continued carving out a unique identity through a refined blend of minimal, house, and techno influences. His no-nonsense approach to groove and sound design has led to releases on respected labels including Fuse London, Ba Dum Tish, X-Kalay, Dungeon Meat, and Constant Sound, while performances at Awakenings, Loveland, 93 Feet East, and Lofi have further established his growing reputation.