Krafty Kuts doesn't follow trends, he shakes them up, sending shockwaves of sonic disruption through the scene, a force that now surges into his forthcoming album Turbulence. Krafty Kuts has never chased trends; instead, he has spent decades shaking them up - a philosophy that inspired the title of his forthcoming album, Turbulence. From early releases with Ministry of Sound, Fabric and Finger Lickin', to founding his own Against The Grain label and Brighton's Supercharged club nights, Krafty Kuts' career reads like a long-form study of British bass culture. Pulling from UKG, breaks, bassline and with flashes of jazz, Turbulence twists familiar forms into something far harder to pin down. The beats are fractured and the energy is unpredictable by design. Collaborations come loaded with pedigree and punch: MC Spyda (of Tarantula with Pendulum and Balaclava with Shy FX fame) rides the low-slung, future-leaning 'Running', while B Live cuts through the breakbeat-garage hybrid 'Best In Me'. Elsewhere, 'Rocket' glows with the soulful touch of Scarlett Quinn, and Skool of Thought helps unleash the broken beat juggernaut 'Flowers'. This isn't an album that blends genres - it destabilises them. Check out the club smashes 'Wub Juggler' and 'New Ting', with support spanning from Rinse FM to BBC Radio 1. 'Over the past few years I've been releasing an EP series called Breakin' Boundaries, because I've always been about exploring the full depth and range of bass and breaks-driven music, irrespective of sub-genre. This album has been a long time coming, and honestly, I feel like I've pushed my sound further than ever before. It's full-throttle bass, diving deep into where breaks can go next - but it also includes deep, melodic songs too' This marks the first artist album released on Against The Grain in a few years, inspired by the resurgence of interest in the breaks genre and its embrace by A-list artists such as Fred Again, Chris Lorenzo, Bonobo to name a few. But do not expect a polite reintroduction. This is Krafty Kuts with the lights down low and the bass turned up, delivering a contemporary body of work that, as the title suggests, is here to shake things up.

Krafty Kuts doesn't follow trends, he shakes them up, sending shockwaves of sonic disruption through the scene, a force that now surges into his forthcoming album Turbulence. Krafty Kuts has never chased trends; instead, he has spent decades shaking them up - a philosophy that inspired the title of his forthcoming album, Turbulence. From early releases with Ministry of Sound, Fabric and Finger Lickin', to founding his own Against The Grain label and Brighton's Supercharged club nights, Krafty Kuts' career reads like a long-form study of British bass culture. Pulling from UKG, breaks, bassline and with flashes of jazz, Turbulence twists familiar forms into something far harder to pin down. The beats are fractured and the energy is unpredictable by design. Collaborations come loaded with pedigree and punch: MC Spyda (of Tarantula with Pendulum and Balaclava with Shy FX fame) rides the low-slung, future-leaning 'Running', while B Live cuts through the breakbeat-garage hybrid 'Best In Me'. Elsewhere, 'Rocket' glows with the soulful touch of Scarlett Quinn, and Skool of Thought helps unleash the broken beat juggernaut 'Flowers'. This isn't an album that blends genres - it destabilises them. Check out the club smashes 'Wub Juggler' and 'New Ting', with support spanning from Rinse FM to BBC Radio 1. 'Over the past few years I've been releasing an EP series called Breakin' Boundaries, because I've always been about exploring the full depth and range of bass and breaks-driven music, irrespective of sub-genre. This album has been a long time coming, and honestly, I feel like I've pushed my sound further than ever before. It's full-throttle bass, diving deep into where breaks can go next - but it also includes deep, melodic songs too' This marks the first artist album released on Against The Grain in a few years, inspired by the resurgence of interest in the breaks genre and its embrace by A-list artists such as Fred Again, Chris Lorenzo, Bonobo to name a few. But do not expect a polite reintroduction. This is Krafty Kuts with the lights down low and the bass turned up, delivering a contemporary body of work that, as the title suggests, is here to shake things up.

Krafty Kuts doesn't follow trends, he shakes them up, sending shockwaves of sonic disruption through the scene, a force that now surges into his forthcoming album Turbulence. Krafty Kuts has never chased trends; instead, he has spent decades shaking them up - a philosophy that inspired the title of his forthcoming album, Turbulence. From early releases with Ministry of Sound, Fabric and Finger Lickin', to founding his own Against The Grain label and Brighton's Supercharged club nights, Krafty Kuts' career reads like a long-form study of British bass culture. Pulling from UKG, breaks, bassline and with flashes of jazz, Turbulence twists familiar forms into something far harder to pin down. The beats are fractured and the energy is unpredictable by design. Collaborations come loaded with pedigree and punch: MC Spyda (of Tarantula with Pendulum and Balaclava with Shy FX fame) rides the low-slung, future-leaning 'Running', while B Live cuts through the breakbeat-garage hybrid 'Best In Me'. Elsewhere, 'Rocket' glows with the soulful touch of Scarlett Quinn, and Skool of Thought helps unleash the broken beat juggernaut 'Flowers'. This isn't an album that blends genres - it destabilises them. Check out the club smashes 'Wub Juggler' and 'New Ting', with support spanning from Rinse FM to BBC Radio 1. 'Over the past few years I've been releasing an EP series called Breakin' Boundaries, because I've always been about exploring the full depth and range of bass and breaks-driven music, irrespective of sub-genre. This album has been a long time coming, and honestly, I feel like I've pushed my sound further than ever before. It's full-throttle bass, diving deep into where breaks can go next - but it also includes deep, melodic songs too' This marks the first artist album released on Against The Grain in a few years, inspired by the resurgence of interest in the breaks genre and its embrace by A-list artists such as Fred Again, Chris Lorenzo, Bonobo to name a few. But do not expect a polite reintroduction. This is Krafty Kuts with the lights down low and the bass turned up, delivering a contemporary body of work that, as the title suggests, is here to shake things up.

Against The Grain Breaks / Breakbeat / UK Bass

Shaka Loves You presents Joints n' Jams Vol. 1, a new and fitting addition to the Bombstrikes series of compilations. The ever-increasing number of Shaka fans will already be aware of the Joints n' Jams ethos, either through their monthly Soho Radio show or the hugely successful night in their hometown of Glasgow, both delivered under the Joints n' Jams banner. The duo has now brought that same approach to its next logical step with a fully-fledged album, delivering a fine selection of 24 tracks of the finest hip-hop, funk, disco that are dancefloor tested, straight from the SLY crates. The assembled track listing really does encapsulate the signature 'SLY' sound. The curation has been executed to perfection with the Shaka boys choosing some of their favourite tracks, both past and present, spanning genres that they love to play regularly in their sets. For a track to make it on to the album it quite clearly needed to pass a high bar of quality control in terms of production, groove, feel and funky-ness and of course, make sense together as a body of work. The result is a dazzling array of music and artists including new and exclusive music from the Shaka guys themselves alongside DJ Nu-Mark & Quantic, Kraak & Smaak, The Nextmen & Kiko Bun, Izo FitzRoy, Chali 2NA & Krafty Kuts, Andy Cooper, The Allergies and Fort Knox Five. Also not forgetting the Disco vibes of Hobbs & Ron Mexico, Birdee & Andre Espertue, Afriquoi and Art of Tones. There is also a DJ Mix from Shaka Loves You, delivered with the seamless high quality you would expect. This is the first volume in series which looks set to be a real stand out for Bombstrikes and a future classic.

Krafty Kuts doesn't follow trends, he shakes them up, sending shockwaves of sonic disruption through the scene, a force that now surges into his forthcoming album Turbulence. Krafty Kuts has never chased trends; instead, he has spent decades shaking them up - a philosophy that inspired the title of his forthcoming album, Turbulence. From early releases with Ministry of Sound, Fabric and Finger Lickin', to founding his own Against The Grain label and Brighton's Supercharged club nights, Krafty Kuts' career reads like a long-form study of British bass culture. Pulling from UKG, breaks, bassline and with flashes of jazz, Turbulence twists familiar forms into something far harder to pin down. The beats are fractured and the energy is unpredictable by design. Collaborations come loaded with pedigree and punch: MC Spyda (of Tarantula with Pendulum and Balaclava with Shy FX fame) rides the low-slung, future-leaning 'Running', while B Live cuts through the breakbeat-garage hybrid 'Best In Me'. Elsewhere, 'Rocket' glows with the soulful touch of Scarlett Quinn, and Skool of Thought helps unleash the broken beat juggernaut 'Flowers'. This isn't an album that blends genres - it destabilises them. Check out the club smashes 'Wub Juggler' and 'New Ting', with support spanning from Rinse FM to BBC Radio 1. 'Over the past few years I've been releasing an EP series called Breakin' Boundaries, because I've always been about exploring the full depth and range of bass and breaks-driven music, irrespective of sub-genre. This album has been a long time coming, and honestly, I feel like I've pushed my sound further than ever before. It's full-throttle bass, diving deep into where breaks can go next - but it also includes deep, melodic songs too' This marks the first artist album released on Against The Grain in a few years, inspired by the resurgence of interest in the breaks genre and its embrace by A-list artists such as Fred Again, Chris Lorenzo, Bonobo to name a few. But do not expect a polite reintroduction. This is Krafty Kuts with the lights down low and the bass turned up, delivering a contemporary body of work that, as the title suggests, is here to shake things up.

Krafty Kuts doesn't follow trends, he shakes them up, sending shockwaves of sonic disruption through the scene, a force that now surges into his forthcoming album Turbulence. Krafty Kuts has never chased trends; instead, he has spent decades shaking them up - a philosophy that inspired the title of his forthcoming album, Turbulence. From early releases with Ministry of Sound, Fabric and Finger Lickin', to founding his own Against The Grain label and Brighton's Supercharged club nights, Krafty Kuts' career reads like a long-form study of British bass culture. Pulling from UKG, breaks, bassline and with flashes of jazz, Turbulence twists familiar forms into something far harder to pin down. The beats are fractured and the energy is unpredictable by design. Collaborations come loaded with pedigree and punch: MC Spyda (of Tarantula with Pendulum and Balaclava with Shy FX fame) rides the low-slung, future-leaning 'Running', while B Live cuts through the breakbeat-garage hybrid 'Best In Me'. Elsewhere, 'Rocket' glows with the soulful touch of Scarlett Quinn, and Skool of Thought helps unleash the broken beat juggernaut 'Flowers'. This isn't an album that blends genres - it destabilises them. Check out the club smashes 'Wub Juggler' and 'New Ting', with support spanning from Rinse FM to BBC Radio 1. 'Over the past few years I've been releasing an EP series called Breakin' Boundaries, because I've always been about exploring the full depth and range of bass and breaks-driven music, irrespective of sub-genre. This album has been a long time coming, and honestly, I feel like I've pushed my sound further than ever before. It's full-throttle bass, diving deep into where breaks can go next - but it also includes deep, melodic songs too' This marks the first artist album released on Against The Grain in a few years, inspired by the resurgence of interest in the breaks genre and its embrace by A-list artists such as Fred Again, Chris Lorenzo, Bonobo to name a few. But do not expect a polite reintroduction. This is Krafty Kuts with the lights down low and the bass turned up, delivering a contemporary body of work that, as the title suggests, is here to shake things up.

83 was born in 2016 as a sanctuary for creative freedom and bold ideas. Today, it has evolved into a global benchmark label, synonymous with quality and innovation. The label has successfully united the scene's heavyweights, bridging the gap between legendary figures and the new wave of talent shaping the future of broken beats.

Krafty Kuts doesn't follow trends, he shakes them up, sending shockwaves of sonic disruption through the scene, a force that now surges into his forthcoming album Turbulence. Krafty Kuts has never chased trends; instead, he has spent decades shaking them up - a philosophy that inspired the title of his forthcoming album, Turbulence. From early releases with Ministry of Sound, Fabric and Finger Lickin', to founding his own Against The Grain label and Brighton's Supercharged club nights, Krafty Kuts' career reads like a long-form study of British bass culture. Pulling from UKG, breaks, bassline and with flashes of jazz, Turbulence twists familiar forms into something far harder to pin down. The beats are fractured and the energy is unpredictable by design. Collaborations come loaded with pedigree and punch: MC Spyda (of Tarantula with Pendulum and Balaclava with Shy FX fame) rides the low-slung, future-leaning 'Running', while B Live cuts through the breakbeat-garage hybrid 'Best In Me'. Elsewhere, 'Rocket' glows with the soulful touch of Scarlett Quinn, and Skool of Thought helps unleash the broken beat juggernaut 'Flowers'. This isn't an album that blends genres - it destabilises them. Check out the club smashes 'Wub Juggler' and 'New Ting', with support spanning from Rinse FM to BBC Radio 1. 'Over the past few years I've been releasing an EP series called Breakin' Boundaries, because I've always been about exploring the full depth and range of bass and breaks-driven music, irrespective of sub-genre. This album has been a long time coming, and honestly, I feel like I've pushed my sound further than ever before. It's full-throttle bass, diving deep into where breaks can go next - but it also includes deep, melodic songs too' This marks the first artist album released on Against The Grain in a few years, inspired by the resurgence of interest in the breaks genre and its embrace by A-list artists such as Fred Again, Chris Lorenzo, Bonobo to name a few. But do not expect a polite reintroduction. This is Krafty Kuts with the lights down low and the bass turned up, delivering a contemporary body of work that, as the title suggests, is here to shake things up.

Stepping away from his signature breaks sound, Krafty Kuts drops 'Curvy'-a flawless flex of UK Garage influence. It lands as the final serving in a string of heavy-hitting singles before the release of his highly anticipated new album, Turbulence. Curvy is strictly made for movement. Whether you're rinsing it during a workout or catching the reload at peak time in the dance, the energy is undeniable - and the kind of heat you'd expect from a pioneer whose career reads like a long-form study in British bass music culture. From early releases with Ministry of Sound, Fabric, and Finger Lickin', to the foundation of his own Against The Grain imprint and Brighton's iconic Supercharged, his reputation is as hot today as it's always been. Turbulence isn't an album that simply blends genres-it destabilises them. Pulling from UKG, breaks, bassline, and unexpected flashes of jazz, Krafty Kuts twists familiar forms into something much harder to pin down. The beats are fractured, the low-end is rumbling, and the energy is unpredictable by design. Come and get curvy.

Krafty Kuts unleashes New Ting, the third single from his forthcoming album Turbulence, turning up the intensity as the release date approaches. Built for the dance floor and engineered for bass lovers, the track delivers a heavyweight punch with clean, minimal breakbeats and deep basslines. Marking a bold evolution in sound, New Ting introduces a fresh take on breaks that is as relentless as it is refined. Whether in the club or through the speakers at full tilt, this is a track designed to move bodies and shake foundations. 'I've never been interested in staying in one lane. For me, it's about breaking boundaries. The moment you feel comfortable is usually the moment you need to try something different.' - Krafty Kuts This is the new sound of breaks. This is the 'New Ting.'