Top 100 Chart placements for Deep House
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Christian joins forces with Sky Ladik—two creatives emerging from the deep Taunus woods near Frankfurt—for CBS 20, a genre-bending EP that defies expectations. From the pulsating echoes of 80s House to the stripped-down vibe of Rave Minimal, the duo effortlessly shifts styles, crafting a soundscape thats both nostalgic and innovative. Highlights include: GLIDE - A trancy escape that flirts with the genre but refuses to conform. QC PASS - Featuring a groovy bassline laid down by none other than a real Taunus bear wielding a contrabass. RICSOUL - A grounding conclusion that ties the EP together with rich, soulful textures. Ready to experience this sonic journey? Let the Taunus vibes carry you.
Clone Jack For Daze on a roll with Tom Carruthers up next. Tom delivering trax that will make you jack all night long! The 4 track EP reflects a keen ear for detail and a deep appreciation for retro-futuristic influences that made the genre. No nonsense classic bleepy techno with lush strings and contrasting metalic basslines fierce enough to keep the energy flowing till sunrise.
Mona Lee aka Lissa Callens and WPH label man Red D go a long way back. Red D always knew it was a matter of time before Mona Lee would come up with some music he could not refuse. A gig together and the first notes of The Reason and that was that. Classic house that would make Kerri Chandler proud is the order of the title track. A bright piano melody, a good vocal hook and rough and ready beats in a crisp production that will shake up any dancefloor. Red D himself delivers a dub that focuses on the hooks and makes them shine even more on top of a killer funky bass line. For good U.S. house measure Atlantas finest Stefan Ringer steps up to deliver his trademark dusty twist on things. As a bonus you get Spaces & Places, a delicate organic deep house beauty with Mona Lee scatting ever so subtly to make you go out of your home and out of your head. Its house, its good and it will make you dance and sing.
Heres Oh Oh, the latest three-track digital release from Apparel Music, set to grace the airwaves on December 13, 2024. This record marks the unveiling of Flying Moth, a new project embodying the artists most personal and intimate sonic journey to date. Leading up to the EPs release, the evocative single Sky Is Looking At Me - out on November 22, 2024 - offers a glimpse into this carefully crafted musical world. With Flying Moth, the artist strips away all pretensions, allowing for a raw and unfiltered expression of his artistic essence. The maturity gained through years of exploration culminates here, where sensitivity is communicated with honesty and transparency. A seamless fusion of Broken Beat, Jazz, and House music permeates the record, resulting in a soundscape both distinctive and deeply original. The opening Sky Is Looking At Me sets the tone with a Nu-Jazz/West London flavour, an elegant nod to the rich lineage of contemporary jazz-infused rhythms. As the beat goes on, Set Me Free and the title track Oh Oh delve deeper into classic House territories, where the producers sonic soul comes to life. These two tracks are brimming with the timeless energy of house, yet remain steeped in the same artistic honesty that defines this entire project. Oh Oh is the bold statement of an artists evolution, a testament to the beauty found in vulnerability, and a tribute to the cross-pollination of musical genres that shape this intimate and nuanced release.
An EP fans of Gaskin have eagerly awaited, the Me, Myself & That Dancefloor EP lands via Danny Howards unstoppable Nothing Else Matters label. Gaskins love for electronic music ignited during his time in Ibiza, which inspired him to return to the UK and launch his event brand Bass Jam in Newcastle and Leeds. Known for high-energy lineups and unforgettable parties, Gaskin quickly made a name for himself, leading to appearances at major stages like Paradise, Kaluki, MINT Warehouse, Appetite Festival, Fabric, and MINT Festival. Following his recent release Closer on Chris Stussys Up The Stuss label, which earned the attention of tastemakers like Sarah Story, Arielle Free, Pete Tong, and Danny Howard, Gaskin is ready to share his latest vision. The Me, Myself & That Dancefloor EP is house music with a fresh, modern twist—a fusion of lush, hypnotic melodies and punchy, groove-driven basslines. With a mix of soulful warmth and rhythmic precision, the EP will resonate with both classic house fans and modern dance music lovers alike.
Iron Curtis and Johannes Albert return to orbit with their highly anticipated Moon IV, the next chapter in their acclaimed lunar album series. Building on over a decade of collaboration and the cosmic groundwork in Moon I, II, and III, this fourth instalment is a testament to their ever-evolving artistry and expansive vision. Released on their beloved Frank Music imprint, Moon IV sees the duo starring an 11-track journey that once again defies genres, challenges conventions, and charts a vivid course through the electronic cosmos. From the warm opener Void Gathering and wistful melodies of Silverclub to the driving rhythms of Sounds (The Feels), which echoes the relentless pulse of NYC Post-Disco, Moon IV encapsulates the duos signature blend of moods and eras. Club LAvenir & Daso serve up euphoric moments with a nod to the French Touch, while the ambient vignette Into Somethin (Interlude) calms you down again. Electro cuts like Pipeline are reminiscent of earlier works in the Moon album series, and new paths are forged when the two are exploring Balearic Pop Music (BPM) territory in Ohne Dich. Returning from space with the elegant deepness of Bliss (The Short Finale), the duo gets you home safe and sound. Their unique studio alchemy shines brighter on this moonlit, flaring long-player than ever. So, buckle up and off we go.
What a beauty! We are almost at the end of this special year and we still have plenty of great music to clean your ears. This is release number 24 for Flexi Cuts, produced by Slowaxx and Ai Lati, a multi-genre collective led by Riccardo Chiarucci that serves up a musical dish full of quality. Funk Area EP is a cool downtempo treatment of broken, raw, dirty rhythms that are at the same time powerful and elegant. Closing the release are two remixes of a certain weight by Michael Byrne and The Mechanical Man. Distributed by Pressology - www.pressology.net
For the labels 30th release and after more than 3 years since his last EP on Rutilance Recordings, DJ Steaw is back and offers a release matching the label colors as usual. 4 cuts whose recipe remains faithful to the French producer, including a featuring with the talented Mona Lee. A remix of Feed Your Spirit from his sidekick Gunnter completes this release (digital only). Produced & written by Dj Steaw Feed Your Spirit track: Vocals by Mona Lee Remix produced by Gunnter Mixed & Mastered by Dj Steaw @Rutilance lab / Paris All rights reserved / Rutilance Recording 2024
Gorge and DÉ SAINT. team up for the girlsNboys EP on Nick Curly and Gorges own 8bit Records, delivering a striking house experience. The EP features two dynamic tracks, boysNgirls and Hear Me, each powered by deep grooves and rich, driving basslines that add extra warmth and energy to the mix. DÉ SAINT.s soulful vocals on both tracks elevate the release, creating an irresistible vibe for the dancefloor. Perfectly crafted for late nights, girlsNboys EP captures the pulse of modern house music. distributed by HS Consulting & Distribution GmbH // Housesession GmbH
Introducing the debut EP from our latest artist on Heattraxx, Lucia Scholtus! The Argentine DJ and producer, based in Hamburg, has been making waves in the German house scene and is not going unnoticed. Her first release, Sensation, brings two deep house tracks thumpers that embody everything we love: driving basslines, classic drums and deep house keys, with an unmistakable energy that takes you into a hypnotic groove. Were beyond excited to present her first-ever EP and cant wait to see what she brings to the scene next!
HNQO, the Brazilian DJ and producer hailing from the vibrant streets of Curitiba, hits the APDEXTRA catalogue with a fresh record, of course on Apparel Music, always proudly dedicated to the love for new sounds. His latest digital EP Lofloat, set to drop on November 29th, 2024, is a four-track journey through the raw, infectious energy that has become synonymous with his name. HNQO, whose music has always been a reflection of his eclectic influences - from the loose rhythms of Kool Herc to the hypnotic experiments of Jeff Mills - delivers a record that blends soul, funk, and a sophisticated personal taste for House music. Lofloat begins with Grasp a track that immediately pulls you into HNQOs world. The opening tune, which releases as a single on November 15th 2024, is a perfect introduction, showcasing the authors ability to manipulate rhythm and melody with a deft hand, creating an atmosphere thats both hypnotic, smooth and deeply engaging. Following this Grizzly Get ramps up the energy, offering a grittier, more textured sound that channels the raw power of the underground, yet remains stylish and polished. The title track, Lofloat is a masterclass in HNQOs signature style. This track effortlessly blends deep, groovy basslines creating the coolest of soundscapes. Its a track designed to move not just the body, but the soul, embodying HNQOs philosophy of making music that resonates on a deeper level, rather than just riding a groove. Closing out the EP is Shady Vibes In D Sharp, a track that dips into a moodier territory. With its intricate layering and brooding bass, its a fitting end to an EP that showcases HNQOs versatility and his commitment to pushing the boundaries of house music. With Lofloat, HNQO continues to solidify his place in the global music scene, offering a collection of tracks that are as thoughtful as they are danceable. The EP is not just a testament to his growth as an artist but also a celebration of his ability to continuously evolve while staying true to his roots. As always, HNQOs work is imbued with a sense of soul, funk, and fun - qualities that have earned him a dedicated following and that shine brightly in this latest release. Apparel Music and HNQO are joining forces for the very first time, beginning their shared journey with Lofloat, an EP that marks a new, compelling milestone in their history.
Lazy Days is delighted to welcome New Zealander, Berlin based producer Philippa to the family. A breath of fresh air in the current musical landscape, her sudden rise on the scene in the last few years might make you think shes a newcomer, but her story tells otherwise. Going back to the late 90s in Auckland New Zealand, she held many residencies, opening up for international acts such as Derrick Carter, Carl Craig, François K, and even a certain Fred Everything! Her early influences included Chicago House and the early french touch sound of Motorbass. She was also working at BPM Record Store and a host/dj on national radio (George FM). In 2013, she relocated to Berlin. In a city where everyone is an aspiring DJ, she put her own DJ career on pause to work as a teacher at Catalyst - Institute for Creative Arts & Technology. Having access to studios and musical equipment, she spent her weekends learning about synthesizers, samplers and sound design. In 2019, she established her label At Peace to release her first EPs. Since then, shes had acclaimed releases on labels such as Sloth Boogie, Razor n Tape, and of course Freerange, with a notable recent collaboration with label boss, Jimpster for their 300th release. She was also asked to remix New Zealands Fat Freddys Drop, Roach Motel (Defected/FAITH) and James Curd feat. Robert Owens. The EP opens up with the title track, Blue Skies, driven by a live bass, rolling high hats and piano hooks. The strings come in gradually to introduce the bluesy vocal sample. Darlin is next with its delicate shuffle jazz brush snares. Listen For A Heart Sound drives us home with a light jazzy rhythm section, live bass, plenty of guitar and Rhodes solo. On remix duty, we have the dynamic Dutch duo FOUK bringing their straight to the dancefloor remixing skills on Blue Skies. Known for their live sounding funk driven sound, they released on Dam Swindles Heist Recordings, Shall Not Fade, Razor-N-Tape, and their own OUTPLAY.
D.S.D. is back with four deep house slammers to rock floors and crowds. First up, title track Mackerel Skies goes heads down with a wangy 303 bass, spacy synth chords, a rising lead and drums that rock. The piano drops with a nod to the rave days, before everything blends for a heads down pumper. Jealous keeps the tempo up and takes the beats a bit more disco. Burbling synths, vocodered vocal sample, synth stabs and arps bring the positive vibes. FuQueue keeps a light touch with summery arps, gorgeous piano chords and a riffing vocal. Late nights or early mornings, you decide. Finishing things off, Pocket Sand is deep and funky, with big reverbed synths plus a popping bass and delayed keys.
Celebrating not just Ryan Elliotts faith in a vital new generation of producers and DJs, but five years of his own meticulously curated Faith Beat imprint, Have Faith is a bold new chapter for the Panorama Bar veteran. Before relocating to Berlin, Elliott cut his teeth spinning Detroit, so he pays it forward on this 34-track compilation, shining a dazzling spotlight on the local scenes and breaking new artists that promise to keep American dance music moving as it lurches towards a new era. When he was based in the US, Elliott realized how distant Europe felt for homegrown artists not just philosophically, but physically. Two years ago, he set about excavating the USs underground architecture, pooling contacts and tracks, and urging his wide network of friends to send over their best recommendations. The compilation coalesced organically, and pulls together a diverse canon of producers, offering them the global exposure they urgently need. Eighty percent of the tracks are from up-and-coming US-based artists from the Midwest and beyond, so with the 10th release on his label, Elliott lays down a glimpse of a possible future of underground house and techno that counters the scenes contemporary Eurocentricity. This music was born in the US, and its evolution might still be in American hands.
Christian AB, James Bangura, Sister Zo, Mystic Bill, Danny Daze, D33, AK, Pily & Nikes, Suade, Seelene, Aida, Sansibar, Simic, Miles Mercer, Marcel Dettmann, Ogazon, McLean & Mai, Juana, Jackson Ryland, Ladymonix, Michael J. Blood, Joyce Lim, 2Lanes, Evan Baggs, DJ Minx, Ryan Elliott, Sami, Rising Sun, The Oliverwho Factory, Vincent Desmont, Titonton Duvante, AceMo, musclecars, Sobolik, Dome Survey, Jacky Sommer
Bass Culture is very proud to welcome in the family one of the most talented french producer of his génération : Flabaire ! Between his work as co-owner of Parisian label D.KO Records, playing bass with Secret Value Orchestra, his more recent psych-rock project Aboukir, and his own solo electronic productions as Flabaire, Ralph Maruani has carved his own cosmic melodic universe. Now at the age of 30, three albums already released and a number of EPs, appearances and remixes, Flabaire appeared already throughout France, and across borders (Tresor, Hoppetosse, Pratersauna, ...). His music has been recognised by legendary artists such as Move D or Point G/DJ Gregory as well as many others of his most accomplished peers. He recently released an acclaimed EP on Jimpsters latest label Cyphon Recordings & just released a new EP on Rawax/Housewax He is now on Bass Culture records with this amazing 5 tracks EP full of timeless funk and extra deep moodyness. Including a remix of the label boss DJulz here in charge of beefing things up but keeping the orignal vibe intact.
Smallville Records welcomes Barcelonas Lis Sarroca onto the imprint this November with her four-track Untitled Thoughts EP. Since 2018, Barcelona, Spains Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarroca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts. Up first is Atacote, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. Breaks Reminder follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout. Opening the flip-side is Early Years, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. Might Be then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove. Cover Artwork by Stefan Marx
We are thrilled to present The Wound, the latest EP by the Canadian producer Brunch.wav, a mesmerising journey into the evolving soundscapes of House music, and the fifth instalment in his ever-growing discography with Apparel Music. The Wound showcases Brunch.wavs distinct ability to merge emotion with groove, encapsulating his artistic progression through three meticulously crafted tracks, each representing a chapter in his ongoing narrative with the label. The EP is an exploration of depth, both in sound and sentiment, culminating in the title track, The Wound, which serves as a powerful and introspective conclusion to this sonic trilogy. With every beat and bassline, Brunch.wav invites listeners to dive deep into his very personal version of House music, where the past meets the future, and where each track is a step forward in his musical evolution. The EP is anticipated by two singles: Conversations, out on October 11 2024, and Authenticity which follows two weeks later on October 25. Each of these tracks is a testament to Brunch.wavs ever-evolving sound and serves as a precursor to the full experience offered by the EP. The collaboration between Apparel Music and Brunch.wav continues to flourish, with The Wound, marking yet another milestone in their shared journey. This EP is more than just a collection of tracks - its a statement of growth, creativity, and the enduring partnership between the artist and a label that has consistently championed his talent.
Berlin rising! Please welcome DJ Merci in his Large Music debut. Merci has built a strong reputation as a popular DJ and producer in Berlins electric music scene. He has a strong commitment and sensibility to classic House and Garage sounds and this unique track is a filled with old school flourishes. As a bonus we enlist Larges very own ColorJaxx to ring up a tasty remix. Play these loud! Curated by Jeff Craven for Large Music LLC 31 years of House Music History. For licensing: info@largemusic.com
Lurking near the ocean floor, a beast awakens and ascends to make contact. Friend? Or foe? We shall see... Huerta presents his first EP of the year in the form of Liquid Social, the third offering on his own Leizure music. Of all the current producers helping steer the tech house revival, Steve Huertas productions are typically the lightest. I dont mean this pejoratively—hes always on point—but whether hes making loungey deepness for Slow Life or cranking out springy basslines for his own Leizure labe
Virtuoso producers, DJs, multi-instrumentalists and brothers Emanuel and Gerardo Cedillo, aka Soul Of Hex, present a sumptuous EP of essential house cuts on the lauded Mexican imprint Kilometro 4.5 featuring A-list appearances from Kuniyuki and Mad Mike Banks. This four-track record swells with life, soul and ideas; encompassing a heady mix of jazz, electro, soul, gospel and funk all channeled through a classic house lens.
UTTU present a MEGA CHILL SESH featuring a diverse range of ambient-laid-bak-electronix from the ENTIRE GLOBE! Japans machina, South Koreas Naone, Frances Nemo Vachez, Hungarys GNORK, USAs FaltyDL, Italys Cosmic Garden, Norways Skatebård & Lauer + many more - A UNIVERSE OF SOUND!
Storm Mollison, DJ Bigspin, Obalski, Lauer, Crabsticks, Skatebård, Cignol, Ludwig A.F., Nemo Vachez, DJ Shark, Naone, FaltyDL, Alan Fitzpatrick, Big Miz, Machina, Cosmic Garden, Third Son, Deadboy, Vocoded Industries, 3STRANGE
Nick Curly returns to 8bit Records with the Stay High EP, featuring two standout tracks. Stay High is packed with high-energy house vibes, bold drums, a rocking bassline, and hands-in-the-air breakdowns for peak-time dancefloor moments. On the flip side, Satellite offers a slow-burning deep house beauty, built on warm pads and a snappy groove, expertly crafted to set the mood for good times ahead. distributed by HS Consulting & Distribution GmbH // Housesession GmbH
Mid October welcomes the return of Amsterdams Easttown to Cécille with a fresh five- tracker entitled the Timeless EP. Dutch producer and DJ Easttown has been rapidly gaining recognition in the house music scene with his signature blend of sample-rich, disco-infused house. His tracks have been featured on renowned labels like Franky Rizardos LTF Records, Folamours House Of Love, and most notably Cécille, where he made a splash in April this year with his Chaos EP. The release garnered widespread acclaim and heavy rotation from top-tier artists such as Marco Carola, Fleur Shore, Franky Rizardo, Pawsa, and Dennis Cruz. With such a strong debut, theres every reason to keep an eye out for the follow-up to his most successful release to date. Title-cut Timeless leads with an amalgamation of swirling, intertwined synth lines, chuggy bass tones, sweeping filters and breathy vocals running atop a bouncy organic drum groove. Phunky follows and as the name would suggest infuses a funk energy via to a snaking bass groove, intricate congas and choppy guitar hits. On the flip-side, Slipstream strips things back to crisp drums, a bouncy bass groove, and fluttering arpeggios intertwined with plucked bass notes and chord stabs. Wavy then concludes the vinyl release on a more Disco House tip with airy keys, groovy bass licks and low-slung drums. Lastly to complete the EP, the digital bonus Balancing is offered up, embracing a more classic house feel with dubby stab sequences, robust swinging drums and swaying subs throughout.
Slump Recordings boss Baby Rollén adds to a glistening catalogue of remixes with a stripped and proggy take on James Curd's Feeling Mumbled. As well an impressive and consistent catalogue of releases and remixes, Baby Rollén's amassed a strong collection of DJ mixes and radio shows. He's guested for the likes of Ollie Rant, Hutch and Feel My Bicep's Swoose and has recorded solo mixes for Gottwood, Slothboogie and Origins; point being - he knows how to get it done in the booth and this remix certifies that notion unequivocally. His remix is an ultimately playable DJ tool; one that renders an after hours sunrise as chords bounce of the tracks surface like rays of light while tight, nifty shuffles interlock with a bouncing bass line. Like a morning salute, the track gently stretches out across it's duration with a magical intensity that stays far from boiling over but keeps you dialled in regardless. 'Next up, a bonafide legend of UK House steps in with his take on the original. Through his beloved and long-running Hudd Traxx label, Eddie's amassed a label roster that is nothing short of unfathomable. Herbert, Nightmares On Wax, Rick Wade, DJ Sneak and Chez Damier have all featured and his release catalogue is equally gilded having released music on Jovonn's Body n' Deep, Phil Weeks' Robsoul and Luke Solomon's Classic. The guy's CV alone gives us a hint as to what to expect and from the first few bars, it's clear to hear what we're in for: raw, bustling House that rolls out with beautiful energy whilst kicking and punching in all the right places.'
Brian Harden is a second generation Chicago House head, starting in 1995 under the wings of Glenn Underground, being part of the legendary Strictly Jaz Unit. His work on Detroit's Mike Grant and his Moods & Grooves label should also be noted. One of his most famous works is his second EP on Cajmere's Relief Records, originally issued in 1996. The EP contains some of the most prolific drum machine action ever committed to vinyl and stands for the sound that brought Chicago House on top of the underground Music map in the mid 90s. All four tunes have been carefully remastered from the original material for maximum club performance!
Since ten years Galerie Kurzweil enriches the electronic club scene and has made a name for itself worldwide, not least thanks to excellent bookings and its impressive sound system. To celebrate its anniversary, Galerie Kurzweil releases a 3 x color vinyl compilation with beautiful artwork by Jofeca and exclusive tracks by renowned artists Gerd Janson (aka DJ Oyster), Cinthie, Lauer x Johannes Albert, Sound Support, Wolfram, Move D and its residents Thomas Hammann (aka Retina Dreams), Terry Lee Brown Junior, Lui Hill, Phonk D, Lukas Lehmann, Levitation Venue and Accent Circonflexe. If you want to get hold of this sexy collectors item, you should pre-order directly - the compilation on vinyl is limited to 400 copies.
DJ Oyster, Lauer, Johannes Albert, Cinthie, Wolfram, LUI HILL, Phonk D, Levitation Venue, Sound Support, Accent Circonflexe, Lukas Lehmann, Move D, Terry Lee Brown Junior, Retina Dreams
Josh Baker’s You&Me label continues to go from strength to strength, and with its next release, it doesn’t miss the mark as the label welcomes Italian DJ and producer Riciar Ghir who drops the "Nice Story" EP, providing four deep cuts. Riciar has released music on numerous labels, including Mulen Records, Lyssna Records, Tzinah Records, and HEISENBERG. He has also shared the stage with internationally acclaimed artists such as ANOTR, Chris Stussy, Âme and Toman. The “Nice Story” EP is packed with old-school flavours wrapped in a modern twist. Each of the four tracks has a distinct character, featuring funky swinging drums, bouncy thick basslines, smooth rich leads, and warm spacious pads.
As summer fades into autumn, were excited to announce the upcoming release of our new album, Fløyelskveld. This album marks the second chapter in our trilogy, capturing our journey as Of Norway while reflecting on broader life themes. Sun God, the opening track of Fløyelskveld, is the first single leading up to the album. A piano-driven deep house beauty, it blends the classic and the modern with a stunning progression, accented by sprinkles of acid and a rumbling bassline. Following last years Smeigedag, Fløyelskveld (meaning velvet evening) explores the serene, bittersweet hours of dusk. Fløyelskveld will be released on November 22nd under Connaisseur Recordings, preceded by three singles, with the first dropping on September 27th.
UK-born, Lisbon-based DJ, Producer, Songwriter, and activist Megatronic joins the RNT roster with her Do I Belong To You? EP, a bold statement of her soulful and visionary sound. Side A opens with the deeply emotive The World featuring soulful and melancholic vocals by Stavros, then moves to the pulsating and freewheeling groove of Nuffin But Love (co-produced by Jitwam) and finishes with the jazzy vibes of Organic, with Megs sultry spoken poetry floating over live instrumentation. On the flip side two superlative remixes by heavyweights Jimpster and Kiko Navarro take Megs music straight to the dance floor, with Jimpster bringing is his signature lush deep textures to Been Thinking (the original of which is available as part of the digi EP only) and Kiko delivering an acid afro-house banger of a mix on The World. A gorgeous listen from beginning to end, this EP captures a sound that feels both classic and futuristic all at once.
The three-piece powerhouse that is Super FU, with members Sarah Lazenby, Paul Withy, and Rich Hall, returns to Paper with another long player of Balearic disco brilliance. The album tips its hat to a wide range of genres and influences, with hints of space disco, psychedelia, synth heavy electronica and the kind of pop that harks back to the glory days of Ibiza. There are hints of the best bits of the best record collections: Crazy P, LCD Soundsystem, Street Sounds Compilations, Prince and Sabres Of Paradise, whilst still totally unique, thanks to the slick sounds, superb production and arrangements. This is an album to soundtrack European car journeys, sunset alfresco gigs, late-night parties, and the after-hours. It is spellbinding, catchy as hell, and beautiful through and through.
Get ready to groove as Apparel Music is cooking something hot. Oh Love, the brand new EP by Ghosten, out on September 27th in all digital versions, marks the debut of Ghosten on Apparel Music and its set to make waves on dancefloors everywhere, with the single Oh Love hitting the airwaves on September 13th, a prelude to this four-track EP. Ghosten is the fresh, funky alter ego of Theo, who has split from his former Paxton Fettel projects to embark on more specific sonic adventures. Ghosten encapsulates Theos funky essence, delivering euphoric and groovy vibes. Step Into The Light opens the record with a delightful mix of nu jazz and house with a smooth, yet invigorating vibe that invites you to step into the light and get lost in the rhythm. Perfect for setting the mood and easing into the groove. Higher feat. Gabita, as the name suggests, this one takes things up a notch. With a faster pace designed for the dancefloor, Higher is all about getting your heartbeat racing and your feet moving. Its an energetic banger that will elevate any set and features the presence of Gabita, an Argentinian singer who, with her airy and classy singing style, adds the missing spice to this masterly crafted tune. Oh Love the title track and lead single, dropping on September 13th, is the heart and soul of the EP. Oh Love blends infectious melodies with a groove that is impossible to resist. Its euphoric, its funky, and its the kind of track that perfectly displays the talent of its composer. Gotta Call Johnny, rounding out the EP is this groovy, playful number. With its catchy hook and irresistible beat, Gotta Call Johnny is a perfect closing track that leaves you wanting more of its neatly arranged guitar samples. Apparel Music is proud to host Ghostens debut on its catalogue. AM is the perfect home for Ghostens unique sound and this collaboration is set to bring something fresh and exciting to listeners worldwide, being just the beginning of a long collaboration.
The second single from Fred Everythings album Love, Care, Kindness & Hope features UK singer/songwriter James Alexander Bright. The original connection came from a Groove Armada song that Fred remixed (Talk Talk) which featured James on vocals. James is known for his work on K7! and more recently with a new album On Athens Of The North. Breathe was built around a shuffly broken beat, a driving bass line and deep chords. The track also features Wayne Tennant on back vocals and Pete Whitfield on Strings. The original was championed by Colleen Cosmo Murphy on her Balearic Breakfast show as well as supported by Black Coffee, Jazzanova, Peter Kruder, Rainer Trueby. We start with 2 new unreleased versions based on the original. The Lazy Extended Vox, a longer more stripped down version of the original for the dance floor and the obligatory Lazy Dub. On remix duty, we brought in our good friend Rocco Rodamaal. He made the track shines with his trademark straight-to-the-point groove, taking the track in a new territory with none less than 5 mixes! On top of running his own Memories label out of Lyon, hes been busy with original music for Laurent Garniers QR label as well as new remixes for Louie Vega coming soon.
MAW222 MAW LOST TAPES 18 Blue Moon During all the late-night Masters At Work studio sessions (in the 90s), many new creations came about, some were used, some were put on the side for future use, and some just sat on the 2-inch tapes for decades. This is one that MAW had in mind for a seasoned house singer but never came to fruition as a full song. These vibes were strictly groove-oriented but had melody already for words to be put on the notes played or at least some guidelines. This one is smooth and two simple chords develop the feeling with driving beats and big snares. Then, it breaks out into a four-chord melodic chorus-like section which gives you that lift. Feels like its inspired by one of my fav early 80s instrumental bands Hiroshima (if Hiroshima went house :), thats just a hunch. Who knows maybe we will get a song on it, but for now here you have the raw out-the-studio late-night instrumental vibes entitled Blue Moon. Fifth Time Out The keyapellas were a version that Masters At Work did in the early years where we would give you the track with no drums so you could work two records or versions while DJing. Fifth Time Out is a track we came up with ironically without drums, these days you can add your own drums a track like this. We thought why not let everyone hear a track we started without the beat who knows someone may just add a dope beat to it!! We will add one anyway Im sure while messing around in the studio. This track also calls for some melody and lyrics with a wonderful voice!!! Enjoy the sounds of Fifth Time Out, a track done in its entirety in the mid 90s !!!!! From the MAW LOST TAPES!!! Blue Moon Luis F. Vega (Niconane Music / BMI) Administered by Ultra International Music Publishing Carl K. Gonzalez (K Dope Publishing / ASCAP) Administered by Finger Printz Music Produced, Arranged, & Mixed by Masters At Work Mixed at Kaydee Studios, DE Fifth Time Out Luis F. Vega (Niconane Music / BMI) Administered by Ultra International Music Publishing Carl K. Gonzalez (K Dope Publishing / ASCAP) Administered by Finger Printz Music Produced, Arranged, & Mixed by Masters At Work Mixed at Kaydee Studios, DE
Akoko Ajeji means Strange Time in Yoruba. All the tracks on this album are in complex polymeter, meaning that they use multiple time signatures simultaneously. Each instrumental part is composed in a different meter, and consequently the instruments shift phase or slip relative to each other. For example, the bass could be in 4/4, the organ in 5/4, the hi-hat in 7/4, and so on. Loops of different lengths gradually diverge and converge, producing intricate but non-random patterns of interference that resemble improvisation. The albums themes are trance, music, and dancing, and its titles are in Yoruba because Yoruba has evocative words for these themes. Polymeter determines not only the rhythm, but the melody and harmony too, using techniques that are as radical as the pitch sets of atonal music were in the 1920s. Korda created a custom MIDI sequencer in order to make this album, and the result is a new approach to composition, and a new type of algorithmic music. Akoko Ajeji extends polymeter into new domains such as permutational harmony generation, and fuses algorithmic music with techno and jazz.
Dutch artist LEYO delivers his debut album via Cécille Records this September, comprised of eight originals and featuring collabs with Toman and Thierry Ganz. LEYO is a project based out of Amersfoort in the Netherlands, marking its beginnings here with an LP composed utilising a full band set up, vocals from Thierry Ganz and a singular collaborative appearance from fellow Dutch artist, Toman. The debut album showcases LEYOs depth of influences, straddling the lines throughout between soulful electro-pop and funk-infused disco jams through to more raw house and sun drenched lounge cuts.
Rob Redford has over the last year been gaining a well-deserved hype with his deep and old school jackin' interpretation of Chicago and Detroit house music. On his debut for Local Talk Rob takes an ultra-deep surge into the dark electronic soul of drum machines and MPCs. The EP ranges from the quirky bassline-driven house track 'Imagine' to a Detroit-ish deep house jam entitled 'MPC Soul' and ends with the jazzy and broken-ish 'Shades Of Blue'. Proper deepness for the house heads!