Peach Discs continues into 2026 with a deeply jacking record from the king of the live house jam Demuja. If you've seen him on the 'gram you'll know just how incredibly prolific he is - the tracks that make up this EP were whittled down, tweaked and finessed from close to 100 demos, and we're thrilled with what we've put together, together. In his own words, the EP is "a little love letter to the dancefloor that lives within the idea of a long, sweaty night out. All the tracks were made at very different stages - some produced a while ago, others more recently - and I hope that's part of what makes the EP interesting as well." The "title.txt" EP embodies a pure distillation of Demuja's sound- rooted in classic house techniques with a dubbed-out sensibility and, the record's five tracks all stem from live-jams bashed out with focused intention in his Austrian studio on a plethora of drum machines, synths and effects units. Things kick off with probably the wiggliest of the lot, as "Stop Asking Me" worms a long-range bassline around snappy, stripped-back drums before leaning towards techno (can you hear a snare on the 2 and the 4 cos i can't) on "Oldhead," as its dusty samples drag it back towards house, with a sprinkling of dubstep flavour tucked away in the breakdown. The A-side wraps up in a dubbed-out mode with "Say No More's" deep, modulating textures wrapping themselves around skippy, insistent percussion. Those dub sounds carry over onto the B-side's "Tool 6," as classically filtered chords peek through the mix (though that bassline is definitely talking tech-house), and Pulse brings it home with strutting drums, disembodied vox and arcing synthlines. We've also thrown in two bonus tracks you won't find on the 12" but will be available to those that pick up a copy of the record through the Peach Discs Bandcamp. Tasked with picking one fave each, Gramrcy went for "Almost Cherry," a barreling ride across an insistent Reese bassline reminiscent of Samuel L Sessions' best bombs, while Shanti chose the wiggling, diva-wailing "Art of Failing."

PIV proudly presents Angels EP by George Smeddles. The English DJ and producer showcases his skill for crafting soulful grooves in a perfectly packaged release for house music enthusiasts. Each track takes the listener on a musical journey, and the EP has already proven itself to be a memorable addition to the PIV catalog. For the true house heads George has teamed up with the legendary House Gospel Choir on the title track 'Angels' and the release also features the one and only Chez Damier on the B-side with 'Feel It'. A true house music EP at its finest.

Morris Audio

Boyanza Records

Bass Culture Records

Permanent Vacation

The creative bond between Atjazz and Fred Everything is a story decades in the making. It began in 1998 at The Bomb in Nottingham during a DiY label night—a label through which they both released music. That first encounter sparked a lasting friendship and a steady exchange of ideas that would continue for many years. While they collaborated regularly and remixed each other's work, it wasn't until the summer of 2022 that they committed to making a full-length album. The project took shape during an 8-day stay at Martin's (Atjazz) home in the Midlands of England, where they set themselves the challenge of writing one track per day. Their shared musical language allowed ideas to move quickly, with some tracks forming in under an hour. Over the next three years, the material was carefully developed alongside their respective album projects: Atjazz's Starbase 17, Fred Everything's Love, Care, Kindness & Hope, and All Is Well's A Break In Time. A final session in Montreal in 2024, coinciding with Fred's 50th birthday, brought the album into focus. From there, the duo invited a select group of world-class collaborators, including Jorge Bezerra (The Joe Zawinul Syndicate / St Germain), Octavio N. Santos (SiR, Lupe Fiasco), Clyde Beats, Ernesto & The Basement Gospel, and Dominique Fils-Aimé. The result is a personal, well-constructed record that draws on the spirit of 90s deep house while applying three decades of experience to a deeply rooted, forward-thinking sound. It is a sonic testament that honours their mutual love of synthesizers, beat making, and sound design. It is a project that took 8 days to start, 3 years to finish, and 30 years to perfect.

Wolf Music Recordings

Aus Music

Heist Recordings

Kompakt

Berg Audio

Per Hammar joins Craigie Knowes for his label debut Sidewinder EP. 4 rolling tracks built to maintain and elevate dancefloor momentum. Per Hammars production mastery is distilled into these monstrous club jams with every element tailored to serve the rhythm and keep you moving. This record is varied yet coherent package of house, tech-house and minimal flavour; from the rolling bassline on Sidewinder, the minimal chug of Viper, the euphoric uplift of Afterglow, to the thump and swing of Mono Boy. A record for the DJs and listeners alike.

20/20 Vision Recordings

With a soaring, emotionally-charged sonic signature all his own, Sam Goku returns to Dekmantel for his latest four-track EP, Bliss Drift. As Sam Goku, over the past few years Robin Wang has edged into the beating heart of the contemporary house and techno scene with a rejuvenating sound that reaches from peak time maximalism to immersive introspection. Across a run of acclaimed albums and EPs including 2024's Radiants on Dekmantel he's balanced the heavyweight impact of his rhythms with mesmerising melodies and swirling atmospheres. It's precisely this blend he brings to Bliss Drift, writing and recording from the heart and accurately capturing what he describes as a sense of blossoming "a renaissance into something new yet familiar." Make no mistake, this is music to make you move. 'Rhythm Drift' and 'Bliss Drift' lead on rock-solid rhythms as springboards for Goku's ascendant tones. Airy, mysterious pads and sampled choral voices meet with glistening chimes that soften the tough edges of the drums a quintessential demonstration of how to make a tender banger. 'Warm Soils' strikes a deeper, more meditative note enriched with haunting flutes and a heads-down roll to the percussion, while 'Infinity Keys (Sina's Song)' lets rich layers of melodic sequencing dictate the pace in a poised demonstration of techno composition at its most expressive. Catching the mood as the Northern Hemisphere heads out of the winter months, Goku's unique energy hails a return to the light via four distinct twists on the house and techno tradition.

Heattraxx

Aterral

Tartelet Records

Malikk makes his debut on Nick Curly and Gorge's 8bit with "So Smooth", a slick two-tracker built around fluid house grooves. "So Smooth" and "Closer Now" blend funk-driven rhythms, sleek vocals and a cool, understated flow that locks you in from the first bars. Gorge and Nick Curly step in on remix duties, adding their unmistakable DNA with warm low-end pressure, fluid rhythms and that signature 8bit groove. distributed by HS Consulting & Distribution GmbH // Housesession GmbH

Steve Bug and Pornbugs team up on Behind The Glass / On The Swing with remixes from Mihai Popoviciu and Markus Homm. Unsung House hero, Steve Bug has been there and done it all. Arguably Germanys most important pioneer, his label Poker Flat has been an epoch-defining imprint. Celebrating 20 years of Bondage-Music Pornbugs are mixing in different circles with recent releases for Selador, Acker Dub and Sublease Music, showcasing their crossover appeal with a new generation of DJs. Opening with On The Swing we are delighted by classic deep vibes with a modern twist. Grooevsome and warm, this will get the floor going anywhere in the world. On remix duties, Mihai Popoviciu drops his trademark style, smoothing out the bumps for a deeper ride. Next up, Behind The Glass takes a similar path. Soulful warmth exudes from the speakers as the bumpy bass and echoing keys mark time. Reaching a crescendo with muted acid undertones in the second half keeps attention high and the dancefloor full and happy. For his remix, Markus Homm takes it deeper with shades of Detroit. Liquid cool for the later floors.