Roska Kicks & Snares

Noir Fever Records

Black Acre Records

NAAFI

DRMTRK

LOVE IN THE ENDZ

Another full circle moment for 3024, as we are proud to present a brand new EP by Rotterdams bass powerhouse Kessler. Four tracks, crafted in a studio space less than a kilometer from the one where 3024 was born back in 2007 (!), these breathe both a futuristic approach as well as a genuine respect for the history of the bass music continuum. Densely layered, expertly designed pads and sounds sit on top of a foundation of serpentine sine waves and choppy beat programming, whether its on the uptempo Gone or the more contemplative sounds of Kohrt - a super solid multifaceted EP in true Kessler fashion.

Rinse

Mad Decent

Ma ShaandHodgeannounce their first joint EP No One Moves Alone, a four-track collaboration out November 20 on Kindergarten Records. Born from a spontaneous studio session in Montreal, the record captures the spark between two artists whose paths have long paralleled across Bristol and New Yorks underground club scenes. The result is a high-energy fusion of Bristols percussive grit and New Yorks experimental edge. The pair first met in New York during a Kindergarten Records night at Nowadays, where Hodge played back-to-back with Darwin alongside the labels residents. It felt like the perfect lineup for the Kindergarten sound, says Ma Sha. That night had this wild, fluid energy that stuck with me. They kept in touch, trading production ideas and studio tips, and a year later found themselves in Montreal, each performing their debut live sets at MUTEK 2025. The following day they reunited for a three-hour back-to-back at Piknic Electronik, where the chemistry was instant. The next morning they went straight into the studio, and by the end of that session, the foundation of the record was complete. Everything just clicked, says Ma Sha. We captured the energy of those few days, our first live sets and our first proper b2b. It felt like lightning in a bottle. Hodge adds, It came together so naturally. Ma Shas energy made the creativity flow instantly. We both just followed where the sound wanted to go. The four tracks bring together Ma Shas cosmic club workouts and warped rhythmic structures with Hodges bass-heavy percussion and melodic futurism, creating music that feels both experimental and deeply physical. It reflects their shared time in Montreal, a moment defined by connection, improvisation, and mutual trust. These tracks are a direct reflection of that time, says Hodge. Theyre about connection, improvisation, and fun.

A distinct blend of Nikki Nair and Foodmans musical styles, Nagoya EP started life in March when Nikki, on tour in Japan, visited Foodman, and they started to build tracks together. Later, across the net, they continued working up the material, which is flavoured as much by the memory of their days socialising together in Nagoya is it is by their time in the studio. Sorry I Lost My Glasses In The Public Bathhouse is the wild opener, Nikkis chopped and edited live drumming gives the rhythm an off kilter, jungle-like feel, switching around a strange, alien melody and occasional soft chords that in combination exude unusual energy. Deep Miso has sparse dizzying drums, chasing hiccuping sounds around the speakers, until it finally resolves over a single held chord.

Banoffee Pies Records

Footwork and juke from Chicago, as well as artists from the UK who further developed this sound with jungle influences, were the main inspiration for the founding of Defrostatica in 2015. The DICAX Footwork Juke Pack is a compilation celebrating the labels 10th anniversary and showcasing the best tracks released in the genre to date. Artists from Spain, Germany, the USA, the UK, Austria and Russia were inspired by the sound of Chicago and contributed to it within their cultural and musical context. Discover 20 footwork and juke tracks as well as remixes by Sinistarr, Sun People, BSN Posse, Arcane & Jon1st, Jana Rush and others.

Following the release of Faulters Obstinacy earlier this year, weve turned two long-standing CF regulars and welcome two newcomers to provide their takes on the label co-founders debut club collection. As with the original, the remix EP unfolds in 2 halves: a pair of minimal-rooted 4-to-the-floor club tools, followed by a heady B-side steeped in techno and IDM. Label mainstay Syz kicks things off with a bouncy rendering of the title track in signature production style with his Space Carnival Mix, while the elusive B. McQueen dives into Zaf, providing a skippy, rolling tech-house backbone that brings the dubby elements of the original track into full club mode. On the flip, its a genuine pinch-me moment at CFHQ to feature one of our all-time favourites, Forest Drive West, transforming Perspectives into an unforgettable slo-mo chug-dub-techno trip full of the intensity only he can deliver. Rounding off, our best-loved Bristolian Yushh leans into the 90bpm range with her Swamp-pusher remix, a twisted headfuck of a beat (good luck dancing to this one), reminiscent of early Squarepusher productions.

Livity Sound Recordings

Black Major x Ice Drop

Hotflush Recordings

Black Rave Culture

Roska Kicks & Snares

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