Warp Records

Progressive Collection is one of Forward Musics most popular compilations since 2013.

DeepDownDirty

Music To Die For

Carlos As first album has a special meaning, it is 22 tracks divided into 2 releases, the first part is an interpretation of groove and emotions from which a white heart is born which is dedicated to a special person in his life, an album that shows the growth of the artist for more than two decades of work on the world scene, a contribution to the electronic culture of which its meaning is a little beyond the normal, very underground serious music that represents many artists who come from effort and humility, remember that Carlos is Chilean, a country from which his genre is somewhat difficult to accept, but at the same time the artist interprets well the sound he wants to achieve, very progressive and minimalist sounds with dark tech house touches always linked to the darkness that is reflected in his outfits and gigs Distributed by Triplepoint - www.triplepointmusic.com

Stripped Recordings

Cadenza

Get ready to experience pure emotion with Sofia—a powerful and personal tribute to the most important girl in my life, my daughter. Driven by deep love and inspiration, this track blends heartfelt melodies with the soulful voice of Victoria Ray, capturing the essence of a fathers bond in every beat. Sofia is more than just music—its a story, a feeling, and a celebration of beauty, innocence, and connection. Dont miss this emotional journey wrapped in sound.

REK'D

Ritmo Futuro

Samurai Music

US-based producer Solis [US] returns to Univack with an EP featuring three original tracks and two remixes by Kostya Outta and Redspace, titled Darshan / Lumina / Nebula. With a focus on Progressive House, this release stands out for its melodic sophistication and emotional depthhallmarks of all the artists involved. In Darshan and Lumina, Solis reveals his unmistakable and personal style, marked by melodic elements that merge into a progressive, epic, energetic, and timeless harmony. Kostya Outta delivers a reinterpretation of Lumina with more drive and dynamism. His version incorporates expansive elements and a more assertive energy, preserving the melodic soul of the original but pushing it toward a more club-oriented approachperfect for peak-time moments. Redspaces remix of Lumina transforms the track into a darker, more hypnotic landscape. With a pulsating groove, psychedelic effects, and subtle layers of emotional tension, this version fits seamlessly into deeper moments on the dancefloor. Finally, Nebula closes the EP with an entirely different atmosphere: an ambient journeyspatial, ethereal. With floating textures, expanding harmonies, and a tempo suspended in time, this piece serves as a perfect DJ set intro or a backdrop for introspective and meditative moments. Feedbacks & Support: Hernan Cattaneo, Guy J, Gai Barone, Michel De Hey, Mariano Mellino, BLANCAh, Paul Thomas, Dmitry Molosh, James Monro, Tali Muss, Cosmonaut, Fernando Ferreyra, Noiyse Project, Nicolas Viana, Newman (I Love), Redspace, Analog Jungs, Ewan Rill, Ilias Katelanos, Wierd Sounding Dude, Lonya, Oliver & Tom, Antrim, Ziger, K Loveski, N-TCHBL, Huminal, Cream, Oliver & Tom, Priya Sen, Juan Pablo Torrez, VegaZ, Danny Lloyd... Mastered by Integral Bread

Berlin-based Italian DJ / producer TRENT returns with 1000 Flashbacks, a retro-facing 4-track EP fit for the chuggy cosmic underground. Known for his vital role in the legendary Cocktail dAmore scene and his deep-digging sets at Oscillator, Trent channels a rich set of influences and potent nostalgia into four fresh cuts: ⚡ Gimme Something opens the record with vocal euphoria and funked-out bassline powered disco.
? Cin Cin is a cheeky toast to Italo-mania, bubbling with percussion seduction.
? Shiva Boom brings tribal acid hypnosis to downtempo spirit-chug.
? Down to Oz closes the EP in a hazy groove topped with anthemic melodic line. *Artwork by Singapore-via-Berlin visual wizard Reza Hasni*

Bedrock Records

Lapsus

Earlier this year label boss collaborated with Ranj Kaler for their track Whales which received considerable positive feedback and topped the beatport charts too. Now they have returned to give the recently released stereo mind track Tension three treatments. Sun drenched electronica, breakbeat Balearic Summer Vocal and Instrumental Mixes and a Beatless Vocal Mix perfect for those chilled moments. Mastered by Rob Small Mastering. Leeds. England

Recognition is one of the oldest Polish record labels releasing electronic music on vinyl. After over 25 years of continuous activity and dozens of records, its time for a recapitulation - and time to honour all the artists associated with the label. Jacek Sienkiewicz, an uncompromising artist and tireless promoter of new sounds, decided to invite almost all producers and musicians who have ever been guests at Recognition to collaborate. Recognition 25 is a musical journey, starting with the club hit Drifting by Jacek Sienkiewicz and ending with the ethereal ambient of Giro Araña. In between, we find a whole palette of colours and shades of modern electronics, from proper club tracks to technologically and compositionally advanced experiments. The first record of the compilation is definitely intended for DJs - tracks tailored for parties are presented by Chino, Jurek Przeździecki, Michał Wolski, the DWA duo, and Etiop. The second record is much more experimental - here Robert Piotrowicz, Porosty, Ostrowski, Jackname Trouble and Sroczyński present their singular visions. Both worlds come together via tracks recorded by Jacek with his friends - Max Loderbauer, AtomTM and Ricardo Villalobos. The compilation clearly shows how diverse, yet creative and original, the artists who have collaborated with Recognition over the past 25 years are. It is also a perfect example of how contemporary electronic music connects, inspires and paves new paths. And when created with heart and passion - it becomes timeless.

Plano B Records

Having an artist with such artistic projection is a true cultural privilege, a conceptual heritage, where making music to make numbers is definitely far from the creative process of DJ and producer BLANCAh, considered today one of the great references for the new generations of the South American scene. Making an album is something that very few producers have ventured into in a hedonistic and uncertain post-pandemic world, and she presents her third in 10 years under the alter ego BLANCAh. An album requires a certain capacity and depth of sound structure that escapes the minds of those who live by copy and paste, which is why it is something that few propose to create. Music For When The World is Silent is my reunion with the essential force that has always guided me and that had died inside me for a moment. Designing tracks that speak to each other is a creative process that lasts for months, like a web that is built thread by thread until it forms a broad and connected structure. This process requires thinking about elements in an abstract way and applying them to each song to create a unique sound sense. This is what BLANCAh does in her new studio album, where she is partly inspired by feelings of anguish over her own musical evolution, until she finds the freedom to make music for herself, without having to look for references in markets that today seem to live in the past.

Metropolis Records