"Disco Intel" is for Groovy Tunes, the first big club where I became a resident. Suddenly, I was playing for almost 1,500 people every week. That was a huge jump for me, and at first it was amazing; I've had some wonderful times there. But after a year and a half, it wasn't really my set anymore; management was telling me what to play, and it became a formula I didn't believe in. I needed to be in control of my own music again, even if that meant starting over. So I left, and that's where "Can't Function" comes in. I moved to a club called Shaft, where I'd also won a DJ contest, and it felt like the right move. It wasn't. I went from playing peak-time slots to a packed floor to opening for almost no one. It was a real learning curve, but most of all a very conflicted time. I couldn't go back to playing something I didn't believe in anymore, but I also wasn't reaching anyone in this new place. The only thing I could do was move forward and invest time in my craft.

Watergate Records continues its 2025 journey with Excursions Pt. 2, the 2nd chapter in Biesmans new series. Once again he delivers a two-track EP that pushes his signature blend of emotion and energy to new heights. Leading the charge is I Want A Feeling, a deep and groovy indie dance cut featuring the legendary Robert Owens. With Owens soulful vocals riding atop Biesmans shimmering synths, this track is a masterclass in euphoric dancefloor storytelling. On the flip side, Sexy Planet shifts gears into high-energy mode, embracing the hypnotic pulse of trance with a modern twist. Fast-paced and full of urgency, this track is a cosmic trip through time and space. With Excursions Pt. 2, Biesmans once again proves his ability to craft timeless yet forward-thinking club music, ensuring that 2025 stays in motion.

"Disco Intel" is for Groovy Tunes, the first big club where I became a resident. Suddenly, I was playing for almost 1,500 people every week. That was a huge jump for me, and at first it was amazing; I've had some wonderful times there. But after a year and a half, it wasn't really my set anymore; management was telling me what to play, and it became a formula I didn't believe in. I needed to be in control of my own music again, even if that meant starting over. So I left, and that's where "Can't Function" comes in. I moved to a club called Shaft, where I'd also won a DJ contest, and it felt like the right move. It wasn't. I went from playing peak-time slots to a packed floor to opening for almost no one. It was a real learning curve, but most of all a very conflicted time. I couldn't go back to playing something I didn't believe in anymore, but I also wasn't reaching anyone in this new place. The only thing I could do was move forward and invest time in my craft.

"Disco Intel" is for Groovy Tunes, the first big club where I became a resident. Suddenly, I was playing for almost 1,500 people every week. That was a huge jump for me, and at first it was amazing; I've had some wonderful times there. But after a year and a half, it wasn't really my set anymore; management was telling me what to play, and it became a formula I didn't believe in. I needed to be in control of my own music again, even if that meant starting over. So I left, and that's where "Can't Function" comes in. I moved to a club called Shaft, where I'd also won a DJ contest, and it felt like the right move. It wasn't. I went from playing peak-time slots to a packed floor to opening for almost no one. It was a real learning curve, but most of all a very conflicted time. I couldn't go back to playing something I didn't believe in anymore, but I also wasn't reaching anyone in this new place. The only thing I could do was move forward and invest time in my craft.