#26 Feat. Banner in Techno (Peak Time / Driving)

With Kyoto EP, Japanese producer Nobuharu Morimoto presents a carefully sculpted 4-track statement that bridges cultural memory and contemporary techno craft. Drawing subtle inspiration from the atmospheres, rhythms, and contrasts of his homeland, the EP unfolds as a slow-burning journey—introspective in mood, precise in sound design, and deeply immersive in execution. The opening track Kyoto sets the emotional and sonic foundation of the EP. A steady, hypnotic groove anchors evolving layers of percussion and textured synth movement, reflecting the quiet tension that exists between tradition and modern life in the ancient city. The track develops patiently, allowing small details to surface over time, creating a sense of forward motion without ever breaking its meditative flow. Kekkinokane follows with a more shadowed and introspective character. Metallic tones and restrained rhythmic patterns evoke the resonance of bells cutting through still air, while subtle variations in pressure and dynamics maintain a controlled sense of unease. The track leans into tension rather than release, making it a powerful tool for deeper moments on the dancefloor where atmosphere matters more than immediacy. Boueisen pushes the EP further into hypnotic territory. Rolling low-end movement and looping percussive elements create a dense, trance-like groove designed for late-night settings. The tracks strength lies in repetition and gradual evolution, where time begins to stretch and the listener is pulled into a focused, almost ritualistic state. The closing piece Tokinokoe, translated as the voice of time, offers a reflective ending to the EP. Subtle emotional undercurrents emerge through sparse percussion, raw textures, and a sense of space that allows each element to breathe. Rather than providing a dramatic finale, the track fades into introspection, leaving a lasting impression that lingers beyond the final beat. Enjoy

Nobuharu Morimoto

#45 Feat. Banner in Techno (Raw / Deep / Hypnotic)

With Kyoto EP, Japanese producer Nobuharu Morimoto presents a carefully sculpted 4-track statement that bridges cultural memory and contemporary techno craft. Drawing subtle inspiration from the atmospheres, rhythms, and contrasts of his homeland, the EP unfolds as a slow-burning journey—introspective in mood, precise in sound design, and deeply immersive in execution. The opening track Kyoto sets the emotional and sonic foundation of the EP. A steady, hypnotic groove anchors evolving layers of percussion and textured synth movement, reflecting the quiet tension that exists between tradition and modern life in the ancient city. The track develops patiently, allowing small details to surface over time, creating a sense of forward motion without ever breaking its meditative flow. Kekkinokane follows with a more shadowed and introspective character. Metallic tones and restrained rhythmic patterns evoke the resonance of bells cutting through still air, while subtle variations in pressure and dynamics maintain a controlled sense of unease. The track leans into tension rather than release, making it a powerful tool for deeper moments on the dancefloor where atmosphere matters more than immediacy. Boueisen pushes the EP further into hypnotic territory. Rolling low-end movement and looping percussive elements create a dense, trance-like groove designed for late-night settings. The tracks strength lies in repetition and gradual evolution, where time begins to stretch and the listener is pulled into a focused, almost ritualistic state. The closing piece Tokinokoe, translated as the voice of time, offers a reflective ending to the EP. Subtle emotional undercurrents emerge through sparse percussion, raw textures, and a sense of space that allows each element to breathe. Rather than providing a dramatic finale, the track fades into introspection, leaving a lasting impression that lingers beyond the final beat. Enjoy

Nobuharu Morimoto