Amsterdam's Teqmun returns to Nerve Collect with new EP, TITLE. This one comes two years after his label debut and is another five track exploration of bass driven rhythm and futurist sound design. Teqmun is a DJ and producer but also a biologist who finds great wonder in the natural world, which is reflected in his playful track titles. His music on labels like Elicit Recs, Flippen Disks and Sann Odea is impossible to pin down but defined by its tactile qualities and seamless fusion of IDM, breakbeat techno and bass. It is always club-ready but comes enriched with melodies that tickle the brain. This new EP drags you into a strange, hi-fidelity ecosystem where rhythm and texture are in constant flux as tracks implode and explode with no warning. A Man And His Toad opens with syncopated bass and a restrained swagger. Ghoulish effects and fizzing synths circling skeletal patterns that surface and recede with real unease. The dynamic Axolotl shifts the pace with chrome-plated melodies and prickly energy that sounds beamed back from a post-human world. Bee Butts retreats inward and hums with fragile detail as shimmering synths and drifting tones hover around unstable modulations. Flowers Are Electronic Billboards For Bees drives deeper into the shadows, its buzzing core wrapped in tight rhythms and digital friction. Closer Mauve Stinger leans into darker dub and traces a surreal path through urban decay and jungle overgrowth. This restless, finely detailed body of work confirms Teqmun as a singular voice mapping new terrain where fresh club impact and sonic curiosity move in lockstep.