Monotone Sound is keen to announce the release of ORBITTECH, by the versatile Artist Tim Sean-Lee. This drop marks Monotone Sounds comeback after over a year in the shadows, featuring four slick tracks that flaunt Tim Sean-Lees cutting-edge vibes and industrial music creativity. Tim Sean-Lees got a knack for mixing gritty, industrial beats with tight percussion, crafting tracks that catch you up and keep you hooked. ORBITTECH, the title track reflects Tim Sean-Lees signature style. In recent months, after taking a necessary break to focus on his health, he has returned to his passion for music to create three additional tracks that complement this EP. 1. Sonic Traveller (4to4 Vocal Cut) is a taut 4-to-the-floor club weapon that unfolds from a subtle acid bassline and minimal chord stabs. Midway the elements sharpen and broaden harmonically before a patient, relentless build opens the floor. Gritty lead and bass tones from the VirusTiPolar and Korg MS, plus 32 tracks of analogue synths and drum machines, deliver pure underground warehouse energy. 2. Sonic Traveller (Original Cut) rips open the floor with raw Electro grit — dry rolling kicks, grainy synth stabs and a motorik pulse that never quits. Tim Sean‑Lee strips the shine away and letting cold steel grooves do the talking. This ones for late‑night rituals and warehouse edges where the bass hits like a verdict. 3. MotioUnit slams the room with machine-voice fragments — cold, robotic commands that haunt the mix. Melodic, rolling synths weave neon lines over a punchy clap-snare that snaps like concrete. A pumping, dry 909 drives the heartbeat, relentless and unglazed. This is warehouse math: precise, ruthless and built to move bodies until dawn. 4. Orbittech drops like a glitch in the system — twisted IDM with broken-beat chops and cold, metallic percussive sounds. Tim Sean‑Lee sculpts jagged rhythms that stumble and resolve, pulling you into a mechanical dream. Monotone Sound — 16-Bit Beats