Following on from the success of the "Clubsonica Sampler" compilations, the label returns to the series first set up in early 2021. Now reaching a tenth installment, "Clubsonica Sampler, Vol. 10" continues an iconic and evergreen set of releases with five brand-new tracks from across Europe and South America. Opening proceedings, Marcos Fornari is a young Argentinean DJ and producer beginning to make his mark. With just a handful of releases to his name on The Purr and, most recently, on Nick Warren's The Soundgarden, "Echoes Inside" sees the Buenos Aires artist shine with a deep rhythmic gem that powers forward with a seismic sub-bass groove and cascading melodic phrasing. Evolving with ease over its 9-minute voyage, spine-tingling chord progressions and counterpoint motifs create a joyful and impressive debut. Miguel Cervantes has already presided over an impressive five-year career under his Mike Kohl pseudonym. Since a 2020 debut on Midnight Language, more than a century of releases have featured on the likes of Paul Hazendonk's Manual Music, Madloch's 3rd Avenue and Forty Cats' PURRFECTION. Now debuting on Clubsonica, "Moonlight" is propelled by a punchy kick and growling bassline groove. A smooth and reverb-laden lead adds subtle energy, and thickly textured pads, depth aplenty. Full of dancefloor know-how, Mike Kohl's production credentials are in full evidence as "Moonlight" builds to a powerful zenith in the third movement. Argentine duo, Sebastian Glazba and Nacjus are celebrated producers in their own rights. From Rosario and Colón respectively, the duo has been responsible for a string of solo hits on such esteemed imprints as AMITABHA, Droid9, AH Digital and Balkan Connection. Now coming together for only the second time after April 2026's "PRESAGE", Sebastian Glazba and Nacjus excel with "Freedom". A deep, pulsating affair, the track oozes modern Progressive House quality, building with revolving and hypnotic melodies sitting above waves of white-noise washes and percussive intent. A mesmerizing breakdown adds electricity before building into a dazzling second half that is chock-full of dancefloor intent and melodic intensity. Phillipe Lois is a proud Colombian artist with a deep love for electronic music. As both a DJ and producer, a clutch of releases since mid-2020 have found their way onto Musique de Lune, Worlds Apart and M.O.S.'s Melody of the Soul. Furthermore, February 2025's "Inner Dialogue" found its way onto "Clubsonica Sampler, Vol. 7". Joining with fellow Colombian, Nat Bieler, the Madrid-based artist has been a key figure in what she terms 'Pop gótico tropical' in honor of her native city, Cali, encompassing Latin rhythms and European music in a rich tapestry of sounds. As such, "Don't Mind" sees Phillipe and Nat create a powerful club-friendly energy that finds a driving progressive backdrop and rich melodic vibrancy form the foundation for a glorious vocal contribution from Nat to wave its way across the track in a sure-fire floor filler. Waxing and waning with ease, the vocals create an unparalleled dynamism that is sure to win affection from every quarter. The final offering sees Dutch duo QuiQui and Engelbert combine. Responsible for a triple century of credits dating back to late 2009, QuiQui has been a staple of leading imprints that include Traum, Tulipa, and Univack. Similarly, digital designer and animator Engelbert has also seen his music allied to esteemed labels that include Steyoyoke, 3RD Act and WAYU Records. Coming together on May 2025's "Goud EP" for Manual Music, QuiQui and Engelbert have created a bassline-fueled powerhouse via "Accelerating Returns". Redolent of Dutch Trance origins, the track exudes dancefloor quality with its searing glissando lead and rising melodic arpeggio. A stripped-back breakdown provides a moment for the lacerating motifs to breathe before the track picks up pace once more in the second half to dramatic and dynamic effect. Directed by Juan Pablo Torrez Mastered by Dub On Audio Press Release by James Warren Design by Dave Caro

Following on from the success of the "Clubsonica Sampler" compilations, the label returns to the series first set up in early 2021. Now reaching a tenth installment, "Clubsonica Sampler, Vol. 10" continues an iconic and evergreen set of releases with five brand-new tracks from across Europe and South America. Opening proceedings, Marcos Fornari is a young Argentinean DJ and producer beginning to make his mark. With just a handful of releases to his name on The Purr and, most recently, on Nick Warren's The Soundgarden, "Echoes Inside" sees the Buenos Aires artist shine with a deep rhythmic gem that powers forward with a seismic sub-bass groove and cascading melodic phrasing. Evolving with ease over its 9-minute voyage, spine-tingling chord progressions and counterpoint motifs create a joyful and impressive debut. Miguel Cervantes has already presided over an impressive five-year career under his Mike Kohl pseudonym. Since a 2020 debut on Midnight Language, more than a century of releases have featured on the likes of Paul Hazendonk's Manual Music, Madloch's 3rd Avenue and Forty Cats' PURRFECTION. Now debuting on Clubsonica, "Moonlight" is propelled by a punchy kick and growling bassline groove. A smooth and reverb-laden lead adds subtle energy, and thickly textured pads, depth aplenty. Full of dancefloor know-how, Mike Kohl's production credentials are in full evidence as "Moonlight" builds to a powerful zenith in the third movement. Argentine duo, Sebastian Glazba and Nacjus are celebrated producers in their own rights. From Rosario and Colón respectively, the duo has been responsible for a string of solo hits on such esteemed imprints as AMITABHA, Droid9, AH Digital and Balkan Connection. Now coming together for only the second time after April 2026's "PRESAGE", Sebastian Glazba and Nacjus excel with "Freedom". A deep, pulsating affair, the track oozes modern Progressive House quality, building with revolving and hypnotic melodies sitting above waves of white-noise washes and percussive intent. A mesmerizing breakdown adds electricity before building into a dazzling second half that is chock-full of dancefloor intent and melodic intensity. Phillipe Lois is a proud Colombian artist with a deep love for electronic music. As both a DJ and producer, a clutch of releases since mid-2020 have found their way onto Musique de Lune, Worlds Apart and M.O.S.'s Melody of the Soul. Furthermore, February 2025's "Inner Dialogue" found its way onto "Clubsonica Sampler, Vol. 7". Joining with fellow Colombian, Nat Bieler, the Madrid-based artist has been a key figure in what she terms 'Pop gótico tropical' in honor of her native city, Cali, encompassing Latin rhythms and European music in a rich tapestry of sounds. As such, "Don't Mind" sees Phillipe and Nat create a powerful club-friendly energy that finds a driving progressive backdrop and rich melodic vibrancy form the foundation for a glorious vocal contribution from Nat to wave its way across the track in a sure-fire floor filler. Waxing and waning with ease, the vocals create an unparalleled dynamism that is sure to win affection from every quarter. The final offering sees Dutch duo QuiQui and Engelbert combine. Responsible for a triple century of credits dating back to late 2009, QuiQui has been a staple of leading imprints that include Traum, Tulipa, and Univack. Similarly, digital designer and animator Engelbert has also seen his music allied to esteemed labels that include Steyoyoke, 3RD Act and WAYU Records. Coming together on May 2025's "Goud EP" for Manual Music, QuiQui and Engelbert have created a bassline-fueled powerhouse via "Accelerating Returns". Redolent of Dutch Trance origins, the track exudes dancefloor quality with its searing glissando lead and rising melodic arpeggio. A stripped-back breakdown provides a moment for the lacerating motifs to breathe before the track picks up pace once more in the second half to dramatic and dynamic effect. Directed by Juan Pablo Torrez Mastered by Dub On Audio Press Release by James Warren Design by Dave Caro

Heavily inspired by the landscapes of the Pacific Northwest, Daniel Sampson has been a rapidly rising force within the Progressive House fraternity under his Cendryma production moniker. UK-born but firmly ensconced in his Oregon home, the Cendryma sound has found its way on to a plethora of high-profile labels that include, Forty Cats PURRFECTION, Roger Martinez's HIGHER STATES and Paul Thomas' UV and UV Noir imprints. Returning to Clubsonica Records, a single remix of Hassan Maroofi in mid-2025 is now followed by a twin-track original EP of the highest quality. "Reframe" is a high-energy progressive masterclass with bouncing bassline pattern perfectly paired with a driving beat and off-beat shaker vibrancy. Evolving easily, textured pads, metallic hits and an ethereal vocal add to the syncopation before a glistening melody gradually filters its way to the foreground before taking centre stage at the breakdown. Dropping back into the tight groove and delicate vocal refrain in the second half, the "Reframe" is an impressive affair. "Possible Interlude" continues the deep progressive love affair with its subterranean sub-bass and intricate percussive groove. Rolling steadily forward, white-noise washes herald arpeggiated melodies while a lead motif shine through the mix in shimmering fashion. Counterpoint phrases add emotion aplenty felt keenly at the mid-point break, before the smooth groove hits its mark once more in the third movement. Rosario-born Ignacio Hernández has quickly established himself as one of his country's rising stars with a slew of impressive releases that have seen hits on Or Two Strangers, Mango Alley and PURRFECTION, with the latter witnessing the "Holy Place" EP at Easter 2026. February 2026 saw an impressive debut on Clubsonica Records with the "Somewhere" EP, as the Argentinean star now returns with a dynamic reworking of Cendryma's "Reframe". Filling the low-end with a thumping presence, familiar ethereal vocals and a deeper rolling groove create a powerful platform. Exuding melodic grace, a rippling arpeggio soon cascades across the track, before the central theme so dominant in the original, makes its presence felt as the second half blossoms. A second remix sees Medellín-born, Leo Guerrero enter the fray. First making his presence felt with his Trance and Eurodance productions in the 2010s as part of the Smokers Area & Guerrero duo, his shift to delving deeper into progressive sounds saw the Colombian emerge with successful solo work for the likes of Future Avenue, Strangers Beats and D-Nox's Sprout. A single remix of Juan Sapia in mid-2023 saw a Clubsonica debut shine brightly as Leo Guerrero now returns with a sparkling interpretation of "Possible Interlude". Creating a deep, effects-laden bassline sequence and driving rhythmic counterpart, the tumbling melodic refrain from Cendryma's original soon makes its presence felt. Developing over its 7-minute timeframe, the counterpoint melody from the original waxes and wanes with easy vibrancy while the lacerating bassline extravaganza propels the track forward with a devastating low-end dynamism, emphasising its angular and stereo-panned prowess. Directed by Juan Pablo Torrez Mastered by Dub On Audio Press Release by James Warren Design by Dave Caro

Heavily inspired by the landscapes of the Pacific Northwest, Daniel Sampson has been a rapidly rising force within the Progressive House fraternity under his Cendryma production moniker. UK-born but firmly ensconced in his Oregon home, the Cendryma sound has found its way on to a plethora of high-profile labels that include, Forty Cats PURRFECTION, Roger Martinez's HIGHER STATES and Paul Thomas' UV and UV Noir imprints. Returning to Clubsonica Records, a single remix of Hassan Maroofi in mid-2025 is now followed by a twin-track original EP of the highest quality. "Reframe" is a high-energy progressive masterclass with bouncing bassline pattern perfectly paired with a driving beat and off-beat shaker vibrancy. Evolving easily, textured pads, metallic hits and an ethereal vocal add to the syncopation before a glistening melody gradually filters its way to the foreground before taking centre stage at the breakdown. Dropping back into the tight groove and delicate vocal refrain in the second half, the "Reframe" is an impressive affair. "Possible Interlude" continues the deep progressive love affair with its subterranean sub-bass and intricate percussive groove. Rolling steadily forward, white-noise washes herald arpeggiated melodies while a lead motif shine through the mix in shimmering fashion. Counterpoint phrases add emotion aplenty felt keenly at the mid-point break, before the smooth groove hits its mark once more in the third movement. Rosario-born Ignacio Hernández has quickly established himself as one of his country's rising stars with a slew of impressive releases that have seen hits on Or Two Strangers, Mango Alley and PURRFECTION, with the latter witnessing the "Holy Place" EP at Easter 2026. February 2026 saw an impressive debut on Clubsonica Records with the "Somewhere" EP, as the Argentinean star now returns with a dynamic reworking of Cendryma's "Reframe". Filling the low-end with a thumping presence, familiar ethereal vocals and a deeper rolling groove create a powerful platform. Exuding melodic grace, a rippling arpeggio soon cascades across the track, before the central theme so dominant in the original, makes its presence felt as the second half blossoms. A second remix sees Medellín-born, Leo Guerrero enter the fray. First making his presence felt with his Trance and Eurodance productions in the 2010s as part of the Smokers Area & Guerrero duo, his shift to delving deeper into progressive sounds saw the Colombian emerge with successful solo work for the likes of Future Avenue, Strangers Beats and D-Nox's Sprout. A single remix of Juan Sapia in mid-2023 saw a Clubsonica debut shine brightly as Leo Guerrero now returns with a sparkling interpretation of "Possible Interlude". Creating a deep, effects-laden bassline sequence and driving rhythmic counterpart, the tumbling melodic refrain from Cendryma's original soon makes its presence felt. Developing over its 7-minute timeframe, the counterpoint melody from the original waxes and wanes with easy vibrancy while the lacerating bassline extravaganza propels the track forward with a devastating low-end dynamism, emphasising its angular and stereo-panned prowess. Directed by Juan Pablo Torrez Mastered by Dub On Audio Press Release by James Warren Design by Dave Caro