Top 100 Chart placements for Cecille
Updated 11 hours ago
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Amsterdam's Easttown joins the roster of Cécille Records this April with his four-track 'Chaos' EP. Dutch producer and DJ Easttown debuted in 2018 and has since gone on to release his modern interpretation of a classic house sound via the likes of the powerhouse ElRow Music, Franky Rizardo's LTF Records, Folamour's House Of Love and Amsterdam's NEED Music among others. Here, Easttown's latest collection of works comes via Nick Curly and Marc Scholl's long running Cécille Records and sees the imprint continue to shine a light on the rising talents of the Dutch capital, following on from EP's by D.Stone and Rooléh. Leading the EP is title-track 'Chaos', laid out across six minutes with a rolling drum groove, swelling sub bass, an amalgamation of choppy vocal cuts and swirling filtered synths lines. 'Passion' follows and retains a similarly loop led aesthetic via a snaking low- end drive and crisp drums, intertwined with ever unfurling sweeping atmospherics and intricate synth effects. Opening the flip-side is 'Athletic', veering into more disco infused House territory via a funk tinged bass groove, orgnanic percussion, jazzy keys, cinematic strings and resonant synth licks. 'Circles' then concludes the EP, laying down crunchy drums and bouncy plucked bass notes with heavily delayed resonant stabs a hazy underlying atmospheric tension.
Amsterdam's Easttown joins the roster of Cécille Records this April with his four-track 'Chaos' EP. Dutch producer and DJ Easttown debuted in 2018 and has since gone on to release his modern interpretation of a classic house sound via the likes of the powerhouse ElRow Music, Franky Rizardo's LTF Records, Folamour's House Of Love and Amsterdam's NEED Music among others. Here, Easttown's latest collection of works comes via Nick Curly and Marc Scholl's long running Cécille Records and sees the imprint continue to shine a light on the rising talents of the Dutch capital, following on from EP's by D.Stone and Rooléh. Leading the EP is title-track 'Chaos', laid out across six minutes with a rolling drum groove, swelling sub bass, an amalgamation of choppy vocal cuts and swirling filtered synths lines. 'Passion' follows and retains a similarly loop led aesthetic via a snaking low- end drive and crisp drums, intertwined with ever unfurling sweeping atmospherics and intricate synth effects. Opening the flip-side is 'Athletic', veering into more disco infused House territory via a funk tinged bass groove, orgnanic percussion, jazzy keys, cinematic strings and resonant synth licks. 'Circles' then concludes the EP, laying down crunchy drums and bouncy plucked bass notes with heavily delayed resonant stabs a hazy underlying atmospheric tension.
Amsterdam's Easttown joins the roster of Cécille Records this April with his four-track 'Chaos' EP. Dutch producer and DJ Easttown debuted in 2018 and has since gone on to release his modern interpretation of a classic house sound via the likes of the powerhouse ElRow Music, Franky Rizardo's LTF Records, Folamour's House Of Love and Amsterdam's NEED Music among others. Here, Easttown's latest collection of works comes via Nick Curly and Marc Scholl's long running Cécille Records and sees the imprint continue to shine a light on the rising talents of the Dutch capital, following on from EP's by D.Stone and Rooléh. Leading the EP is title-track 'Chaos', laid out across six minutes with a rolling drum groove, swelling sub bass, an amalgamation of choppy vocal cuts and swirling filtered synths lines. 'Passion' follows and retains a similarly loop led aesthetic via a snaking low- end drive and crisp drums, intertwined with ever unfurling sweeping atmospherics and intricate synth effects. Opening the flip-side is 'Athletic', veering into more disco infused House territory via a funk tinged bass groove, orgnanic percussion, jazzy keys, cinematic strings and resonant synth licks. 'Circles' then concludes the EP, laying down crunchy drums and bouncy plucked bass notes with heavily delayed resonant stabs a hazy underlying atmospheric tension.
Nick Curly offers up the two-track 'Come Right Back' EP via his and Marc Scholl's Cécille Records at the end of March. Mannheim, Germany's Nick Curly has been at the forefront of the underground House scene for two decades now, initially making his mark with his and Gorge's 8bit imprint which is notably known for shaping the distinctive sound of Mannheim's House Music output. Curly has since gone on to release on the likes of Knee Deep In Sound, Truesoul, Defected, Cocoon and of course Cécille where he makes a welcome return here with this new material. Title cut 'Come Right Back' leads and sees Nick lay down his signature swinging drum groove intertwined with a filtered disco loop, bumpy bass line and choppy stab sequences to create a dance floor focused six and a half minute workout. 'Arkum' then shifts into deeper and darked realms, merging organic percussion and gritty bass stabs with tension building strings and spoken word vocals chops to once again create a loop driven, subtly unfurling peak time tool.
Nick Curly offers up the two-track 'Come Right Back' EP via his and Marc Scholl's Cécille Records at the end of March. Mannheim, Germany's Nick Curly has been at the forefront of the underground House scene for two decades now, initially making his mark with his and Gorge's 8bit imprint which is notably known for shaping the distinctive sound of Mannheim's House Music output. Curly has since gone on to release on the likes of Knee Deep In Sound, Truesoul, Defected, Cocoon and of course Cécille where he makes a welcome return here with this new material. Title cut 'Come Right Back' leads and sees Nick lay down his signature swinging drum groove intertwined with a filtered disco loop, bumpy bass line and choppy stab sequences to create a dance floor focused six and a half minute workout. 'Arkum' then shifts into deeper and darked realms, merging organic percussion and gritty bass stabs with tension building strings and spoken word vocals chops to once again create a loop driven, subtly unfurling peak time tool.
Amsterdam's Easttown joins the roster of Cécille Records this April with his four-track 'Chaos' EP. Dutch producer and DJ Easttown debuted in 2018 and has since gone on to release his modern interpretation of a classic house sound via the likes of the powerhouse ElRow Music, Franky Rizardo's LTF Records, Folamour's House Of Love and Amsterdam's NEED Music among others. Here, Easttown's latest collection of works comes via Nick Curly and Marc Scholl's long running Cécille Records and sees the imprint continue to shine a light on the rising talents of the Dutch capital, following on from EP's by D.Stone and Rooléh. Leading the EP is title-track 'Chaos', laid out across six minutes with a rolling drum groove, swelling sub bass, an amalgamation of choppy vocal cuts and swirling filtered synths lines. 'Passion' follows and retains a similarly loop led aesthetic via a snaking low- end drive and crisp drums, intertwined with ever unfurling sweeping atmospherics and intricate synth effects. Opening the flip-side is 'Athletic', veering into more disco infused House territory via a funk tinged bass groove, orgnanic percussion, jazzy keys, cinematic strings and resonant synth licks. 'Circles' then concludes the EP, laying down crunchy drums and bouncy plucked bass notes with heavily delayed resonant stabs a hazy underlying atmospheric tension.
Nick Curly offers up the two-track 'Come Right Back' EP via his and Marc Scholl's Cécille Records at the end of March. Mannheim, Germany's Nick Curly has been at the forefront of the underground House scene for two decades now, initially making his mark with his and Gorge's 8bit imprint which is notably known for shaping the distinctive sound of Mannheim's House Music output. Curly has since gone on to release on the likes of Knee Deep In Sound, Truesoul, Defected, Cocoon and of course Cécille where he makes a welcome return here with this new material. Title cut 'Come Right Back' leads and sees Nick lay down his signature swinging drum groove intertwined with a filtered disco loop, bumpy bass line and choppy stab sequences to create a dance floor focused six and a half minute workout. 'Arkum' then shifts into deeper and darked realms, merging organic percussion and gritty bass stabs with tension building strings and spoken word vocals chops to once again create a loop driven, subtly unfurling peak time tool.