Leading the release Brizman and Neumann offer up title-cut That Sound, featuring vocals from Tris, the composition is laid out across seven minutes with swinging percussive, murky synth bubbles and a snaking bass groove all dynamically unfolding and evolving throughout. Morning Mayhem follows next, an aptly titled track thats perfectly sculpted for frenzied dance floor moments in the early hours, employing an amalgamation of squelchy 303 licks at its core alongside tension building strings, an intricate rhythmsection and hypnotic siren like sweeps. Gated Gongs then rounds out the release on the B-Side, as the name would suggest employing metallic chimes to delicately drift atop twitchy electronic stab sequences, heavily swung drums and sleek effects work woven into the foundation

Leading the release Brizman and Neumann offer up title-cut That Sound, featuring vocals from Tris, the composition is laid out across seven minutes with swinging percussive, murky synth bubbles and a snaking bass groove all dynamically unfolding and evolving throughout. Morning Mayhem follows next, an aptly titled track thats perfectly sculpted for frenzied dance floor moments in the early hours, employing an amalgamation of squelchy 303 licks at its core alongside tension building strings, an intricate rhythmsection and hypnotic siren like sweeps. Gated Gongs then rounds out the release on the B-Side, as the name would suggest employing metallic chimes to delicately drift atop twitchy electronic stab sequences, heavily swung drums and sleek effects work woven into the foundation

Leading the release Brizman and Neumann offer up title-cut That Sound, featuring vocals from Tris, the composition is laid out across seven minutes with swinging percussive, murky synth bubbles and a snaking bass groove all dynamically unfolding and evolving throughout. Morning Mayhem follows next, an aptly titled track thats perfectly sculpted for frenzied dance floor moments in the early hours, employing an amalgamation of squelchy 303 licks at its core alongside tension building strings, an intricate rhythmsection and hypnotic siren like sweeps. Gated Gongs then rounds out the release on the B-Side, as the name would suggest employing metallic chimes to delicately drift atop twitchy electronic stab sequences, heavily swung drums and sleek effects work woven into the foundation

Martinesque is a Basel, Switzerland based producer, DJ and a staple of the Swiss underground. Since his 2018. Collaboration with Perlon / Rush Hour artist San Proper Beesle & the Beautyon abartik, hes gone on to deliver multiple EPs and an album on Adams Bite where he makes a welcome return here with his latest two-tracker, once again showcasing his distinct sound thatsinfluenced by theroots of house and techno and straddles the lines between the two. Memories leads the release and sees Martinesque fusing jazzy keys, airy synth tones and gritty bass stabs with expansive atmospherics and swinging drums. Harmony then follows and employs raw, crunchy drums with a brooding, snaking bass groove, breathy vocal chants and hypnotic arpeggio melodies all dynamically evolving throughout.

Martinesque is a Basel, Switzerland based producer, DJ and a staple of the Swiss underground. Since his 2018. Collaboration with Perlon / Rush Hour artist San Proper Beesle & the Beautyon abartik, hes gone on to deliver multiple EPs and an album on Adams Bite where he makes a welcome return here with his latest two-tracker, once again showcasing his distinct sound thatsinfluenced by theroots of house and techno and straddles the lines between the two. Memories leads the release and sees Martinesque fusing jazzy keys, airy synth tones and gritty bass stabs with expansive atmospherics and swinging drums. Harmony then follows and employs raw, crunchy drums with a brooding, snaking bass groove, breathy vocal chants and hypnotic arpeggio melodies all dynamically evolving throughout.