OBGON presents the second single from the album Fast Track - the track 'MKAD.' This composition is dedicated to fast night drives along Moscow's main ring road, the MKAD. The sound reflects OBGON's fresh style: dynamic, synth-driven techno at 152 BPM, enhanced with elements of breakbeat and IDM, and an arcade-inspired atmosphere that captures the feeling of a Need for Speed-style race through Moscow's streets.

The album Hey Hey was created just as spontaneously as the phenomenon its named after. Were talking, of course, about the crowd chants of Hey Hey, which often get louder than the music on the dance floor. We believe this wild outburst is too energy-consuming for the dancers, so we decided to include it in every track from the start - to free you from the need to shout and let you enjoy the music without straining your vocal cords. The Stvol team cares about your physical and mental well-being. The album features contributions from both the labels regular residents - Locked Club, Ilya Gadaev, RLGN - and newcomers like Suburban Moves (the debut of Dima Kovyazins new side project with wonky and ghetto vibes), Veniamin Svinia with his inhuman approach to art, LAUD, vyaliyy, and others

Once, Ilya Gadaev, RLGN, and ANY ACT gathered in a bear den to watch Starship Troopers and try to create some dubstep under a straight kick. In the end, they ended up with a new order of bass house/bass techno. There are nods to uk funky here, bass there, midtempo and jungle terror somewhere else, and clearly mutant techno in certain parts. Its functional stuff. Similar things are being done, but not as often. Conformist resources would simply call it techno now. Its modern stuff about the here and now. Its already been tested on the dance floors.

STVOL Bass / Club