Oliver Koletzki continues the rollout of his highly anticipated twelfth studio album with the release of "Schnapsidee", the fourth single from his upcoming album "12". Following the lead singles "Trip With Me" (with Frida Darko), "I Don't Need Your Love", and "Petrichor", "Schnapsidee" introduces a playful, bouncy energy that adds a new layer to the album's evolving sonic narrative. Built around intricate, syncopated rhythms and dynamic synth flourishes, "Schnapsidee" is a track that immediately engages the listener, drawing them in with its infectious groove and kinetic spirit. Every element, from the bouncing percussive motifs to the detailed synth textures, reflects Koletzki's signature craftsmanship and his ability to balance precision with spontaneity. True to its name, which evokes the whimsical thrill of a "crazy idea," the track is at once playful and meticulously constructed, inviting both movement and focused listening. "Schnapsidee" deepens the narrative of "12", highlighting the interplay between introspection and rhythm-driven expression that defines the album. Its intricate arrangements and syncopated energy showcase Koletzki's continued exploration of balance — between melody and groove, tension and release, subtlety and exuberance — cementing his reputation as one of contemporary electronic music's most versatile and imaginative producers.

Oliver Koletzki continues the rollout of his highly anticipated twelfth studio album with the release of "Schnapsidee", the fourth single from his upcoming album "12". Following the lead singles "Trip With Me" (with Frida Darko), "I Don't Need Your Love", and "Petrichor", "Schnapsidee" introduces a playful, bouncy energy that adds a new layer to the album's evolving sonic narrative. Built around intricate, syncopated rhythms and dynamic synth flourishes, "Schnapsidee" is a track that immediately engages the listener, drawing them in with its infectious groove and kinetic spirit. Every element, from the bouncing percussive motifs to the detailed synth textures, reflects Koletzki's signature craftsmanship and his ability to balance precision with spontaneity. True to its name, which evokes the whimsical thrill of a "crazy idea," the track is at once playful and meticulously constructed, inviting both movement and focused listening. "Schnapsidee" deepens the narrative of "12", highlighting the interplay between introspection and rhythm-driven expression that defines the album. Its intricate arrangements and syncopated energy showcase Koletzki's continued exploration of balance — between melody and groove, tension and release, subtlety and exuberance — cementing his reputation as one of contemporary electronic music's most versatile and imaginative producers.

Oliver Koletzki continues his prolific run of form on Stil vor Talent with "Petrichor", the third single taken from his forthcoming twelfth studio album "12". A solo Oliver Koletzki original and the album's opening track, offering the most immersive and emotionally resonant glimpse yet into the world of Koletzki's new long-player.

Oliver Koletzki continues his prolific run of form on Stil vor Talent with "Petrichor", the third single taken from his forthcoming twelfth studio album "12". A solo Oliver Koletzki original and the album's opening track, offering the most immersive and emotionally resonant glimpse yet into the world of Koletzki's new long-player.

Stil Vor Talent Downtempo

Stil Vor Talent Downtempo

Oliver Koletzki continues his prolific run of form on Stil vor Talent with "Petrichor", the third single taken from his forthcoming twelfth studio album "12". A solo Oliver Koletzki original and the album's opening track, offering the most immersive and emotionally resonant glimpse yet into the world of Koletzki's new long-player.

Oliver Koletzki continues his prolific run of form on Stil vor Talent with "Petrichor", the third single taken from his forthcoming twelfth studio album "12". A solo Oliver Koletzki original and the album's opening track, offering the most immersive and emotionally resonant glimpse yet into the world of Koletzki's new long-player.

Stil vor Talent welcomes gizA djs for their debut on the label with Italian Situation, a two-track EP moving between house and disco-infused grooves. The Italian duo delivers a release shaped by contrast, nostalgia and sharp observation, translating personal reflection into dancefloor-ready storytelling. Opening track Come Back Darling is rooted in a dusty vocal discovery that sparked a deep dive into the emotional core of house music. Built on 90s-inspired grooves, conga-driven percussion, disco-tinged brass stabs and piano riffs, the track radiates soulful warmth and uplifting energy, channeling classic house spirit through a contemporary lens. On the flip side, What Are You Doing in Italy, created together with Gianpietro, takes a more direct and playful turn. Born from an organic studio jam, a funky bassline and soulful sampling form the backbone of a track that blends irony with quiet protest. The recurring vocal question reflects the artists own conflicted feelings about cultural stagnation and change, while ambient recordings from a real Italian restaurant add an authentic, bittersweet texture.

Stil vor Talent welcomes gizA djs for their debut on the label with Italian Situation, a two-track EP moving between house and disco-infused grooves. The Italian duo delivers a release shaped by contrast, nostalgia and sharp observation, translating personal reflection into dancefloor-ready storytelling. Opening track Come Back Darling is rooted in a dusty vocal discovery that sparked a deep dive into the emotional core of house music. Built on 90s-inspired grooves, conga-driven percussion, disco-tinged brass stabs and piano riffs, the track radiates soulful warmth and uplifting energy, channeling classic house spirit through a contemporary lens. On the flip side, What Are You Doing in Italy, created together with Gianpietro, takes a more direct and playful turn. Born from an organic studio jam, a funky bassline and soulful sampling form the backbone of a track that blends irony with quiet protest. The recurring vocal question reflects the artists own conflicted feelings about cultural stagnation and change, while ambient recordings from a real Italian restaurant add an authentic, bittersweet texture.

Stil Vor Talent

Oliver Koletzki continues his prolific run of form on Stil vor Talent with "Petrichor", the third single taken from his forthcoming twelfth studio album "12". A solo Oliver Koletzki original and the album's opening track, offering the most immersive and emotionally resonant glimpse yet into the world of Koletzki's new long-player.

Oliver Koletzki continues the rollout of his highly anticipated twelfth studio album with the release of "Schnapsidee", the fourth single from his upcoming album "12". Following the lead singles "Trip With Me" (with Frida Darko), "I Don't Need Your Love", and "Petrichor", "Schnapsidee" introduces a playful, bouncy energy that adds a new layer to the album's evolving sonic narrative. Built around intricate, syncopated rhythms and dynamic synth flourishes, "Schnapsidee" is a track that immediately engages the listener, drawing them in with its infectious groove and kinetic spirit. Every element, from the bouncing percussive motifs to the detailed synth textures, reflects Koletzki's signature craftsmanship and his ability to balance precision with spontaneity. True to its name, which evokes the whimsical thrill of a "crazy idea," the track is at once playful and meticulously constructed, inviting both movement and focused listening. "Schnapsidee" deepens the narrative of "12", highlighting the interplay between introspection and rhythm-driven expression that defines the album. Its intricate arrangements and syncopated energy showcase Koletzki's continued exploration of balance — between melody and groove, tension and release, subtlety and exuberance — cementing his reputation as one of contemporary electronic music's most versatile and imaginative producers.

Stil Vor Talent

Stil Vor Talent

Stil Vor Talent

Stil Vor Talent Organic House

Over fifteen years since the launch of SVT, August 2021 will see us celebrate an important milestone with the release of our 300th instalment. For the occasion, we gathered the most solid cast of fellow music partners, either old chaps or new faces to the labels far-reaching catalogue of sound. Covering the widest spectrum, from purely floor-dedicated weaponry to off-piste meanderings, through hybrid explorations and hi-velocity momentums, this triple package pledges to exhibit our stance and direction as a witness of our - musical - era. Who other than SVT founder Oliver Koletzki could possibly open that third and last instalment, were asking you. And to say the least, things get straight out funky from the first second on. Carried by the anthemic call of its title, Get On The Bus urges you to join us onboard the disco ship and boogie down as it ought to be, showering the floor under cascades of trumpeting brass, outrageously sensual slap bass and heightened drums. Deorbitings coastal daydream Oceandrive Miami 84 has us surfing a chill wave complete with the prismatic synths and 80s-laced arpeggios out a Miami Vice episode. Deer Jades lushly forested Perfect Place Perfect Time knits a dreamy web for you to lose yourself in, fusing ASMR-like speech with effervescing tribal house rhythms and brittle pop harmonics. With Godana, Daniel Rateuke invites us to lose track of the beaten path and venture into a kaleidoscopic network of distorted percussions and Afro-futuristic minimalism. Going down a more syncopated route, Kellerkinds sliced-and-diced weapon Back On Track merges the rousing power of step music, piano house poetics and vintage machinery to get its funky message across. A finely woven slab of the non-formulaic micro house with a strong organic feel, Fabian Krooss' Picking Nuts paints the sky with all kinds of vibrant shades, from iridescent steel pans to tapping drums, via bewitched computer scripts. For their part, Niko Schwind and Felix Raphael contribute the slow-burning Last Intersection - a ghostly roller dwelling the frontier between sorrowful downtempo and mystique-imbued melodic techno. Last but not least, Polaroit's Distortion Jungle wraps the record on a distinctly off-beat kind of jack, throwing back to back short-lived, dysphoric piano stabs with heavily processed synth ellipses and raw bass anamorphosis.