Amsterdam's Teqmun returns to Nerve Collect with new EP, TITLE. This one comes two years after his label debut and is another five track exploration of bass driven rhythm and futurist sound design. Teqmun is a DJ and producer but also a biologist who finds great wonder in the natural world, which is reflected in his playful track titles. His music on labels like Elicit Recs, Flippen Disks and Sann Odea is impossible to pin down but defined by its tactile qualities and seamless fusion of IDM, breakbeat techno and bass. It is always club-ready but comes enriched with melodies that tickle the brain. This new EP drags you into a strange, hi-fidelity ecosystem where rhythm and texture are in constant flux as tracks implode and explode with no warning. A Man And His Toad opens with syncopated bass and a restrained swagger. Ghoulish effects and fizzing synths circling skeletal patterns that surface and recede with real unease. The dynamic Axolotl shifts the pace with chrome-plated melodies and prickly energy that sounds beamed back from a post-human world. Bee Butts retreats inward and hums with fragile detail as shimmering synths and drifting tones hover around unstable modulations. Flowers Are Electronic Billboards For Bees drives deeper into the shadows, its buzzing core wrapped in tight rhythms and digital friction. Closer Mauve Stinger leans into darker dub and traces a surreal path through urban decay and jungle overgrowth. This restless, finely detailed body of work confirms Teqmun as a singular voice mapping new terrain where fresh club impact and sonic curiosity move in lockstep.

Amsterdam's Teqmun returns to Nerve Collect with new EP, TITLE. This one comes two years after his label debut and is another five track exploration of bass driven rhythm and futurist sound design. Teqmun is a DJ and producer but also a biologist who finds great wonder in the natural world, which is reflected in his playful track titles. His music on labels like Elicit Recs, Flippen Disks and Sann Odea is impossible to pin down but defined by its tactile qualities and seamless fusion of IDM, breakbeat techno and bass. It is always club-ready but comes enriched with melodies that tickle the brain. This new EP drags you into a strange, hi-fidelity ecosystem where rhythm and texture are in constant flux as tracks implode and explode with no warning. A Man And His Toad opens with syncopated bass and a restrained swagger. Ghoulish effects and fizzing synths circling skeletal patterns that surface and recede with real unease. The dynamic Axolotl shifts the pace with chrome-plated melodies and prickly energy that sounds beamed back from a post-human world. Bee Butts retreats inward and hums with fragile detail as shimmering synths and drifting tones hover around unstable modulations. Flowers Are Electronic Billboards For Bees drives deeper into the shadows, its buzzing core wrapped in tight rhythms and digital friction. Closer Mauve Stinger leans into darker dub and traces a surreal path through urban decay and jungle overgrowth. This restless, finely detailed body of work confirms Teqmun as a singular voice mapping new terrain where fresh club impact and sonic curiosity move in lockstep.

Two years after his label debut, Hassan Abou Alam returns with a second release on Nerve Collect. His seven-track Insa EP features one cut with ZIAD ZAZA and Ismail Nosrat and is another menacing blend of futuristic sonic warfare. Egypt's Hassan Abou Alam has been carving his own unique path for almost two decades. From noise music to sub-heavy techno via charged-up breaks, he has a mutant sound that thrives on contrasts. It's a fusion of the natural and the otherworldly, the ritualistic and the contemporary and has made him a favourite on labels like Rhythm Section, Banoffee Pies and Casa Voyager. With this welcome label return, he remains impossible to pin and even harder to predict. The lurching 'Insa' opens with acrobatic drum patterns and freewheeling hits, all underpinned by buzzing sub bass. Vocal fragments and sinewy synths inject futurism into the full-bodied beats. 'La3ba (ft. ZIAD ZAZA, Ismail Nosrat)' rides a quick, thumping club rhythm, this time with grimy raps and trippy ad-libs that bring urban menace as synths spray across the mix. 'Mahzooz' is a spontaneous collage of restless synths and chopped-up words, imploding and exploding as bouncy low-end anchors the groove. 'Wiskha' showcases heavily syncopated drums and mind-melting synths, stretched, filtered, and drawn out into sweeping parabolas. The brain-tickling frequencies of 'Dilapidated Thoughts' sound like liquid metal shaped with digital precision and booming bass, while 'Doos' is another pressurised ascent with mad oscillations and pixel-thin sine waves. Closer 'Fahem' blends brutal drum patterns with the EPs most human and vulnerable synths for a breathless finish. Insa is club music in constant flux - volatile, visceral and impossible to contain.

Lyon based dubstep/uk gararge/techno wizard drops six pieces of his sub heavy heat on Nerve Collect. Featuring collaborations with grime's latest MC talent, Capo Lee from North London and rising name in the French UK garage scene blending infectious grooves with high-energy, bass-driven productions.

Two years after his label debut, Hassan Abou Alam returns with a second release on Nerve Collect. His seven-track Insa EP features one cut with ZIAD ZAZA and Ismail Nosrat and is another menacing blend of futuristic sonic warfare. Egypt's Hassan Abou Alam has been carving his own unique path for almost two decades. From noise music to sub-heavy techno via charged-up breaks, he has a mutant sound that thrives on contrasts. It's a fusion of the natural and the otherworldly, the ritualistic and the contemporary and has made him a favourite on labels like Rhythm Section, Banoffee Pies and Casa Voyager. With this welcome label return, he remains impossible to pin and even harder to predict. The lurching 'Insa' opens with acrobatic drum patterns and freewheeling hits, all underpinned by buzzing sub bass. Vocal fragments and sinewy synths inject futurism into the full-bodied beats. 'La3ba (ft. ZIAD ZAZA, Ismail Nosrat)' rides a quick, thumping club rhythm, this time with grimy raps and trippy ad-libs that bring urban menace as synths spray across the mix. 'Mahzooz' is a spontaneous collage of restless synths and chopped-up words, imploding and exploding as bouncy low-end anchors the groove. 'Wiskha' showcases heavily syncopated drums and mind-melting synths, stretched, filtered, and drawn out into sweeping parabolas. The brain-tickling frequencies of 'Dilapidated Thoughts' sound like liquid metal shaped with digital precision and booming bass, while 'Doos' is another pressurised ascent with mad oscillations and pixel-thin sine waves. Closer 'Fahem' blends brutal drum patterns with the EPs most human and vulnerable synths for a breathless finish. Insa is club music in constant flux - volatile, visceral and impossible to contain.

Amsterdam's Teqmun returns to Nerve Collect with new EP, TITLE. This one comes two years after his label debut and is another five track exploration of bass driven rhythm and futurist sound design. Teqmun is a DJ and producer but also a biologist who finds great wonder in the natural world, which is reflected in his playful track titles. His music on labels like Elicit Recs, Flippen Disks and Sann Odea is impossible to pin down but defined by its tactile qualities and seamless fusion of IDM, breakbeat techno and bass. It is always club-ready but comes enriched with melodies that tickle the brain. This new EP drags you into a strange, hi-fidelity ecosystem where rhythm and texture are in constant flux as tracks implode and explode with no warning. A Man And His Toad opens with syncopated bass and a restrained swagger. Ghoulish effects and fizzing synths circling skeletal patterns that surface and recede with real unease. The dynamic Axolotl shifts the pace with chrome-plated melodies and prickly energy that sounds beamed back from a post-human world. Bee Butts retreats inward and hums with fragile detail as shimmering synths and drifting tones hover around unstable modulations. Flowers Are Electronic Billboards For Bees drives deeper into the shadows, its buzzing core wrapped in tight rhythms and digital friction. Closer Mauve Stinger leans into darker dub and traces a surreal path through urban decay and jungle overgrowth. This restless, finely detailed body of work confirms Teqmun as a singular voice mapping new terrain where fresh club impact and sonic curiosity move in lockstep.

Lyon based dubstep/uk gararge/techno wizard drops six pieces of his sub heavy heat on Nerve Collect. Featuring collaborations with grime's latest MC talent, Capo Lee from North London and rising name in the French UK garage scene blending infectious grooves with high-energy, bass-driven productions.

Two years after his label debut, Hassan Abou Alam returns with a second release on Nerve Collect. His seven-track Insa EP features one cut with ZIAD ZAZA and Ismail Nosrat and is another menacing blend of futuristic sonic warfare. Egypt's Hassan Abou Alam has been carving his own unique path for almost two decades. From noise music to sub-heavy techno via charged-up breaks, he has a mutant sound that thrives on contrasts. It's a fusion of the natural and the otherworldly, the ritualistic and the contemporary and has made him a favourite on labels like Rhythm Section, Banoffee Pies and Casa Voyager. With this welcome label return, he remains impossible to pin and even harder to predict. The lurching 'Insa' opens with acrobatic drum patterns and freewheeling hits, all underpinned by buzzing sub bass. Vocal fragments and sinewy synths inject futurism into the full-bodied beats. 'La3ba (ft. ZIAD ZAZA, Ismail Nosrat)' rides a quick, thumping club rhythm, this time with grimy raps and trippy ad-libs that bring urban menace as synths spray across the mix. 'Mahzooz' is a spontaneous collage of restless synths and chopped-up words, imploding and exploding as bouncy low-end anchors the groove. 'Wiskha' showcases heavily syncopated drums and mind-melting synths, stretched, filtered, and drawn out into sweeping parabolas. The brain-tickling frequencies of 'Dilapidated Thoughts' sound like liquid metal shaped with digital precision and booming bass, while 'Doos' is another pressurised ascent with mad oscillations and pixel-thin sine waves. Closer 'Fahem' blends brutal drum patterns with the EPs most human and vulnerable synths for a breathless finish. Insa is club music in constant flux - volatile, visceral and impossible to contain.

Lyon based dubstep/uk gararge/techno wizard drops six pieces of his sub heavy heat on Nerve Collect. Featuring collaborations with grime's latest MC talent, Capo Lee from North London and rising name in the French UK garage scene blending infectious grooves with high-energy, bass-driven productions.

Lyon based dubstep/uk gararge/techno wizard drops six pieces of his sub heavy heat on Nerve Collect. Featuring collaborations with grime's latest MC talent, Capo Lee from North London and rising name in the French UK garage scene blending infectious grooves with high-energy, bass-driven productions.

Nerve Collect Bass / Club