Will Hofbauer has built a reputation for rhythmically precise yet playful productions, releasing on labels such as Wisdom Teeth, AUS and Optimo Music, while also running the delicate Third Place imprint from his London home. His sound sits comfortably between UK bass, house and left-field club music, defined by a very sporty sense of groove, subtle swing and an ear for detail that keeps tracks slightly off-centre and alive. Across three original tracks on the EP, Hofbauer delivers exactly that: clear, sharply cut synth work, funky low-end pressure and a wonky bounce that never feels forced or predictable. On his own request for remix duties, Eden Burns turns the main track into a minimal percussion tool playing somewhere between an orchestrated cutlery box and a daily alarm tone - annoying in theory, irresistible in practice.

Will Hofbauer has built a reputation for rhythmically precise yet playful productions, releasing on labels such as Wisdom Teeth, AUS and Optimo Music, while also running the delicate Third Place imprint from his London home. His sound sits comfortably between UK bass, house and left-field club music, defined by a very sporty sense of groove, subtle swing and an ear for detail that keeps tracks slightly off-centre and alive. Across three original tracks on the EP, Hofbauer delivers exactly that: clear, sharply cut synth work, funky low-end pressure and a wonky bounce that never feels forced or predictable. On his own request for remix duties, Eden Burns turns the main track into a minimal percussion tool playing somewhere between an orchestrated cutlery box and a daily alarm tone - annoying in theory, irresistible in practice.

Will Hofbauer has built a reputation for rhythmically precise yet playful productions, releasing on labels such as Wisdom Teeth, AUS and Optimo Music, while also running the delicate Third Place imprint from his London home. His sound sits comfortably between UK bass, house and left-field club music, defined by a very sporty sense of groove, subtle swing and an ear for detail that keeps tracks slightly off-centre and alive. Across three original tracks on the EP, Hofbauer delivers exactly that: clear, sharply cut synth work, funky low-end pressure and a wonky bounce that never feels forced or predictable. On his own request for remix duties, Eden Burns turns the main track into a minimal percussion tool playing somewhere between an orchestrated cutlery box and a daily alarm tone - annoying in theory, irresistible in practice.

KANN Bass / Club

KANN Bass / Club

Girl On Moon finds Joe Davies & Johan Kaseta in quiet-propulsion mode: a ~9-minute title track built on a spiraling string motif and a Herbert-leaning rhythm bed-dry, precise, quietly insistent, with a flicker of early Pampa warmth. K-LONE - UK producer and co-head of Wisdom Teeth, reframes the core with added air and light swing, teasing the chords forward with fine-grain percussion; its an elegant bridge between club function and detailed craftsmanship. The EP closes with a beatless dub of AMY from Joes Smallville LP (2023), stripped back to its core beauty. Three complementary cuts; long-game house that holds a room.