Sidney Charles returns to his own Heavy House Society imprint with the Bass Rider EP, a two-track release that doubles down on his unmistakable groove-led sound. Title cut 'Bass Rider' lands with immediate intent, built around a thick, rolling bassline and crisp, driving percussion. The groove settles into a confident flow, with subtle rhythmic shifts adding bounce and movement throughout. Direct and infectious, it's a track designed to lock dancers in from the first bar. On 'Ravin Crew,' Sidney Charles pushes into tougher territory, pairing a weighty low end with sharp drum work and a raw, attitude-led vocal. The energy builds through repetition and swing, keeping things tight and focused while driving momentum forward. Bold and uncompromising, it's a peak-time tool built for maximum impact. As the force behind Heavy House Society, Sidney Charles continues to shape the direction of modern underground house. His releases on Hot Creations, Eastenderz, and You & Me, alongside standout cuts like Trip Advisor, Take It Back (To The Old School) & Hyper Rave, which have landed on his own imprint, have helped define what fans recognise as The Sidney Sound, a blend of heavy low-end, punchy drums, and groove-first energy. Both behind the decks and in the studio, his approach remains rooted in physicality, drawing from old-school influences while delivering a sharp, contemporary edge. With the Bass Rider EP, Sidney Charles reinforces his label & his identity once again, delivering two no-nonsense cuts built for pure dancefloor connection on Heavy House Society.

Ozzie Guven lands on Heavy House Society with the Zero Degrees EP, a two-track release rooted in precision, groove, and late-night energy. Title track 'Zero Degrees' moves with a slick, rolling flow, driven by a crisp low end and tightly controlled percussive detail. Subtle rhythmic nuances and evolving, space-like textures give the track a distinct character, while restrained tonal elements keep the groove steady and focused. Deep, fluid, and composed, it's crafted for controlled moments on the dancefloor. On 'JUMP!,' Ozzie Guven teams up with Luke Dean for a more direct and energetic cut. A punchy bass groove and bold hooks lead the charge, while tight drums and playful rhythmic switches inject bounce and urgency. Lively and impactful, it's designed to lift the room with immediate effect. London-based DJ and producer Ozzie Guven has rapidly established himself as a key name within the UK underground. Drawing influence from 90s culture and artists such as Wiley, Dizzee Rascal, MJ Cole, and Shy FX, his sound blends elements of garage, grime, and house into a distinctive groove-led identity. His breakout Dubaholics EP on Seven Dials Records reached #1 on Beatport's Minimal/Deep Tech chart, while his music has earned support from Marco Carola, Michael Bibi, and The Martinez Brothers, to name a few. Performances across the UK and Europe, including venues such as Toffler and Hemkade, have further solidified his growing presence. Joining him on 'JUMP!', Luke Dean is one of the fastest rising UK talents out there, bringing his signature groove to the table, and blending influences from 90s Chicago house and UK Garage. With releases on Polydor, neXup, Belief, South, and MicroHertz, and performances at Fabric London, DC10, The Warehouse Project, and After Caposile, he has quickly established himself as one to watch. His breakthrough track, 'Can't Decide' with Max Dean and Locky, earned DJ Mag's Best of British 2025 'Best Track' award, it also peaked at #13 in the UK Official Singles Chart, and became one of the most Shazammed tracks in Ibiza, marking a breakthrough year for the artist. With the Zero Degrees EP, Ozzie Guven delivers a sharp and groove-focused statement on Heavy House Society, reinforcing his position as one of the UK's most respected underground talents.

Hidde van Wee returns to Sidney Charles' Heavy House Society imprint with 'Apollo', a four-track EP that blends deep tech grooves, rich percussion, and atmospheric textures into a package built for both daytime sessions and underground dancefloors. The title track 'Apollo' opens with an uplifting cut built around intricate percussion, lush synth work, and subtle ethereal vocal elements that drift through the groove. Fluid rhythms and atmospheric detail blend with warm, feel-good energy, making it a perfect fit for open-air sessions. 'Freshness' shifts into darker territory, driven by thick drums, groove-rich basslines, and chopped vocal cuts. Uplifting chords weave through the track, adding movement and contrast to its weighty low end, resulting in a punchy, forward-thinking cut packed with underground energy. On 'Electric City,' Hidde delivers a flowing groove built around crisp percussion, warm synths, and spoken vocal snippets. Solid low-end movement underpins the track throughout, while subtle melodic touches and rolling rhythms give it a feel-good energy suited to both daytime and late-night settings. Closing the EP, 'The Last Trace Of Night' leans fully into underground territory. Chunky drums, gritty vocal cuts, and textured synth work combine to create a powerful club-focused cut, delivering a driving and energetic finale built for the dancefloor. A rising name within the Dutch house scene, Hidde van Wee has earned growing recognition through releases on labels including HOME//GRXWN, Up The Stuss, and Heavy House Society. Drawing influence from house, UK garage, and electro, his groove-led productions and energetic DJ sets have seen him perform at venues including Shelter, Thuishaven, Bret, and Toffler, while continuing to build momentum across the wider underground scene. With Apollo, Hidde van Wee delivers four groove-driven productions that showcase his evolving sound, balancing uplifting moments with deeper underground energy across a versatile collection built for dancefloors.

Hidde van Wee returns to Sidney Charles' Heavy House Society imprint with 'Apollo', a four-track EP that blends deep tech grooves, rich percussion, and atmospheric textures into a package built for both daytime sessions and underground dancefloors. The title track 'Apollo' opens with an uplifting cut built around intricate percussion, lush synth work, and subtle ethereal vocal elements that drift through the groove. Fluid rhythms and atmospheric detail blend with warm, feel-good energy, making it a perfect fit for open-air sessions. 'Freshness' shifts into darker territory, driven by thick drums, groove-rich basslines, and chopped vocal cuts. Uplifting chords weave through the track, adding movement and contrast to its weighty low end, resulting in a punchy, forward-thinking cut packed with underground energy. On 'Electric City,' Hidde delivers a flowing groove built around crisp percussion, warm synths, and spoken vocal snippets. Solid low-end movement underpins the track throughout, while subtle melodic touches and rolling rhythms give it a feel-good energy suited to both daytime and late-night settings. Closing the EP, 'The Last Trace Of Night' leans fully into underground territory. Chunky drums, gritty vocal cuts, and textured synth work combine to create a powerful club-focused cut, delivering a driving and energetic finale built for the dancefloor. A rising name within the Dutch house scene, Hidde van Wee has earned growing recognition through releases on labels including HOME//GRXWN, Up The Stuss, and Heavy House Society. Drawing influence from house, UK garage, and electro, his groove-led productions and energetic DJ sets have seen him perform at venues including Shelter, Thuishaven, Bret, and Toffler, while continuing to build momentum across the wider underground scene. With Apollo, Hidde van Wee delivers four groove-driven productions that showcase his evolving sound, balancing uplifting moments with deeper underground energy across a versatile collection built for dancefloors.

Sidney Charles returns to his own Heavy House Society imprint with the Bass Rider EP, a two-track release that doubles down on his unmistakable groove-led sound. Title cut 'Bass Rider' lands with immediate intent, built around a thick, rolling bassline and crisp, driving percussion. The groove settles into a confident flow, with subtle rhythmic shifts adding bounce and movement throughout. Direct and infectious, it's a track designed to lock dancers in from the first bar. On 'Ravin Crew,' Sidney Charles pushes into tougher territory, pairing a weighty low end with sharp drum work and a raw, attitude-led vocal. The energy builds through repetition and swing, keeping things tight and focused while driving momentum forward. Bold and uncompromising, it's a peak-time tool built for maximum impact. As the force behind Heavy House Society, Sidney Charles continues to shape the direction of modern underground house. His releases on Hot Creations, Eastenderz, and You & Me, alongside standout cuts like Trip Advisor, Take It Back (To The Old School) & Hyper Rave, which have landed on his own imprint, have helped define what fans recognise as The Sidney Sound, a blend of heavy low-end, punchy drums, and groove-first energy. Both behind the decks and in the studio, his approach remains rooted in physicality, drawing from old-school influences while delivering a sharp, contemporary edge. With the Bass Rider EP, Sidney Charles reinforces his label & his identity once again, delivering two no-nonsense cuts built for pure dancefloor connection on Heavy House Society.

Hidde van Wee returns to Sidney Charles' Heavy House Society imprint with 'Apollo', a four-track EP that blends deep tech grooves, rich percussion, and atmospheric textures into a package built for both daytime sessions and underground dancefloors. The title track 'Apollo' opens with an uplifting cut built around intricate percussion, lush synth work, and subtle ethereal vocal elements that drift through the groove. Fluid rhythms and atmospheric detail blend with warm, feel-good energy, making it a perfect fit for open-air sessions. 'Freshness' shifts into darker territory, driven by thick drums, groove-rich basslines, and chopped vocal cuts. Uplifting chords weave through the track, adding movement and contrast to its weighty low end, resulting in a punchy, forward-thinking cut packed with underground energy. On 'Electric City,' Hidde delivers a flowing groove built around crisp percussion, warm synths, and spoken vocal snippets. Solid low-end movement underpins the track throughout, while subtle melodic touches and rolling rhythms give it a feel-good energy suited to both daytime and late-night settings. Closing the EP, 'The Last Trace Of Night' leans fully into underground territory. Chunky drums, gritty vocal cuts, and textured synth work combine to create a powerful club-focused cut, delivering a driving and energetic finale built for the dancefloor. A rising name within the Dutch house scene, Hidde van Wee has earned growing recognition through releases on labels including HOME//GRXWN, Up The Stuss, and Heavy House Society. Drawing influence from house, UK garage, and electro, his groove-led productions and energetic DJ sets have seen him perform at venues including Shelter, Thuishaven, Bret, and Toffler, while continuing to build momentum across the wider underground scene. With Apollo, Hidde van Wee delivers four groove-driven productions that showcase his evolving sound, balancing uplifting moments with deeper underground energy across a versatile collection built for dancefloors.

Heavy House Society UK Garage / Bassline

Hidde van Wee returns to Sidney Charles' Heavy House Society imprint with 'Apollo', a four-track EP that blends deep tech grooves, rich percussion, and atmospheric textures into a package built for both daytime sessions and underground dancefloors. The title track 'Apollo' opens with an uplifting cut built around intricate percussion, lush synth work, and subtle ethereal vocal elements that drift through the groove. Fluid rhythms and atmospheric detail blend with warm, feel-good energy, making it a perfect fit for open-air sessions. 'Freshness' shifts into darker territory, driven by thick drums, groove-rich basslines, and chopped vocal cuts. Uplifting chords weave through the track, adding movement and contrast to its weighty low end, resulting in a punchy, forward-thinking cut packed with underground energy. On 'Electric City,' Hidde delivers a flowing groove built around crisp percussion, warm synths, and spoken vocal snippets. Solid low-end movement underpins the track throughout, while subtle melodic touches and rolling rhythms give it a feel-good energy suited to both daytime and late-night settings. Closing the EP, 'The Last Trace Of Night' leans fully into underground territory. Chunky drums, gritty vocal cuts, and textured synth work combine to create a powerful club-focused cut, delivering a driving and energetic finale built for the dancefloor. A rising name within the Dutch house scene, Hidde van Wee has earned growing recognition through releases on labels including HOME//GRXWN, Up The Stuss, and Heavy House Society. Drawing influence from house, UK garage, and electro, his groove-led productions and energetic DJ sets have seen him perform at venues including Shelter, Thuishaven, Bret, and Toffler, while continuing to build momentum across the wider underground scene. With Apollo, Hidde van Wee delivers four groove-driven productions that showcase his evolving sound, balancing uplifting moments with deeper underground energy across a versatile collection built for dancefloors.

Heavy House Society UK Garage / Bassline

Ozzie Guven lands on Heavy House Society with the Zero Degrees EP, a two-track release rooted in precision, groove, and late-night energy. Title track 'Zero Degrees' moves with a slick, rolling flow, driven by a crisp low end and tightly controlled percussive detail. Subtle rhythmic nuances and evolving, space-like textures give the track a distinct character, while restrained tonal elements keep the groove steady and focused. Deep, fluid, and composed, it's crafted for controlled moments on the dancefloor. On 'JUMP!,' Ozzie Guven teams up with Luke Dean for a more direct and energetic cut. A punchy bass groove and bold hooks lead the charge, while tight drums and playful rhythmic switches inject bounce and urgency. Lively and impactful, it's designed to lift the room with immediate effect. London-based DJ and producer Ozzie Guven has rapidly established himself as a key name within the UK underground. Drawing influence from 90s culture and artists such as Wiley, Dizzee Rascal, MJ Cole, and Shy FX, his sound blends elements of garage, grime, and house into a distinctive groove-led identity. His breakout Dubaholics EP on Seven Dials Records reached #1 on Beatport's Minimal/Deep Tech chart, while his music has earned support from Marco Carola, Michael Bibi, and The Martinez Brothers, to name a few. Performances across the UK and Europe, including venues such as Toffler and Hemkade, have further solidified his growing presence. Joining him on 'JUMP!', Luke Dean is one of the fastest rising UK talents out there, bringing his signature groove to the table, and blending influences from 90s Chicago house and UK Garage. With releases on Polydor, neXup, Belief, South, and MicroHertz, and performances at Fabric London, DC10, The Warehouse Project, and After Caposile, he has quickly established himself as one to watch. His breakthrough track, 'Can't Decide' with Max Dean and Locky, earned DJ Mag's Best of British 2025 'Best Track' award, it also peaked at #13 in the UK Official Singles Chart, and became one of the most Shazammed tracks in Ibiza, marking a breakthrough year for the artist. With the Zero Degrees EP, Ozzie Guven delivers a sharp and groove-focused statement on Heavy House Society, reinforcing his position as one of the UK's most respected underground talents.

Heavy House Society

Heavy House Society

Heavy House Society Minimal / Deep Tech

Heavy House Society Minimal / Deep Tech

Kepler and Boss Priester join forces on the Use Ya Head EP, a three-track release landing on Sidney Charles's Heavy House Society imprint. Rooted in deep underground groove and forward-thinking club energy, the EP blends rolling basslines, hypnotic textures, and sharp rhythmic detail into a package built for discerning dancefloors and late-night sessions. Title track 'Use Ya Head' sets the tone with grooving low-end movement, tripped-out textures, and edgy underground energy. Driven by a weighty bassline and fluid rhythmic flow, the track balances hypnotic tension with stripped-back precision, delivering a quality-over-quantity approach perfectly suited to intimate underground spaces. On 'Bounce Around,' the pair lean into a more playful and energetic direction. An infectious urban vocal hook and killer bassline groove drive the track forward, while youthful energy and punchy percussion keep the dancefloor locked from start to finish. Direct, rolling, and full of attitude, it's a cut built for peak-time underground moments. Closing the EP, 'Realise' delivers a hypnotic blend of bounce, swagger, and dreamlike atmosphere. Already gaining support from tastemakers including Enzo Siragusa, the track combines punchy grooves and swinging rhythmic movement with immersive melodic textures, balancing power and subtlety with effortless control. Leeds-based producer Kepler has rapidly established himself as one of the UK underground's most exciting talents through his distinctive fusion of house and garage influences. With releases on labels including FUSE, Up The Stuss, Semi Delicious, and Constant Sound, alongside appearances at venues and festivals such as Fabric, Club Der Visionaere, Mint Warehouse, Gottwood Festival, and Pikes, his groove-led productions have earned support from names including Ben UFO, Raresh, Chris Stussy, Four Tet, and Sonja Moonear. Joining him, Boss Priester has continued carving out a unique identity through a refined blend of minimal, house, and techno influences. His no-nonsense approach to groove and sound design has led to releases on respected labels including Fuse London, Ba Dum Tish, X-Kalay, Dungeon Meat, and Constant Sound, while performances at Awakenings, Loveland, 93 Feet East, and Lofi have further established his growing reputation.