EXTIMA continues its forward-driving momentum with the addition of Hamburg-based DJ/producer Roman Adam, delivering a finely tuned double tracker EP, Dance Control. Known for bridging groove-led tech house sensibilities with the intensity of peak-time techno, Roman brings a mature and focused sonic identity that fits seamlessly into the label's DNA. The title track, Dance Control, is a statement piece—built on a rolling, hypnotic groove that locks dancers into motion from the first bar. Its strength lies not in overcomplication, but in precision: tight low-end control, crisp percussion work, and a subtle yet effective use of atmospheric elements that evolve steadily. This is a tool designed for big rooms—confident, functional, and irresistibly fluid, with just enough character to stand out in a peak-time set. On the flip side, Controlled Collapse pushes the energy further into darker territory. Retaining the groove-centric foundation, it introduces a more driving tension, layering dynamic rhythmic shifts and textured synth work that give the track a slightly edgier, more urgent feel. It's the kind of track that thrives in the later hours—when the crowd is fully engaged and the DJ needs something both powerful and refined to elevate the moment. Together, the EP showcases Roman Adam's ability to balance groove and power with clarity and intention. It's not about excess—it's about control, flow, and impact. A strong and coherent release that reinforces EXTIMA's position in the peak-time techno space while welcoming an artist who clearly understands the craft of making dancefloors move.

EXTIMA continues its forward-driving momentum with the addition of Hamburg-based DJ/producer Roman Adam, delivering a finely tuned double tracker EP, Dance Control. Known for bridging groove-led tech house sensibilities with the intensity of peak-time techno, Roman brings a mature and focused sonic identity that fits seamlessly into the label's DNA. The title track, Dance Control, is a statement piece—built on a rolling, hypnotic groove that locks dancers into motion from the first bar. Its strength lies not in overcomplication, but in precision: tight low-end control, crisp percussion work, and a subtle yet effective use of atmospheric elements that evolve steadily. This is a tool designed for big rooms—confident, functional, and irresistibly fluid, with just enough character to stand out in a peak-time set. On the flip side, Controlled Collapse pushes the energy further into darker territory. Retaining the groove-centric foundation, it introduces a more driving tension, layering dynamic rhythmic shifts and textured synth work that give the track a slightly edgier, more urgent feel. It's the kind of track that thrives in the later hours—when the crowd is fully engaged and the DJ needs something both powerful and refined to elevate the moment. Together, the EP showcases Roman Adam's ability to balance groove and power with clarity and intention. It's not about excess—it's about control, flow, and impact. A strong and coherent release that reinforces EXTIMA's position in the peak-time techno space while welcoming an artist who clearly understands the craft of making dancefloors move.

Daniel Weirdo returns to EXTIMA with yet another striking double-tracker, this time joining forces with Levique for a collaboration that blurs the lines between genres with precision and attitude. As the title suggests, Almost House is a signature crossover—sitting right at the intersection of tech house groove and peak-time techno energy. The EP opens with "Bla Bla Bla," a bold and unconventional cut driven by quirky, offbeat vocals and out-of-the-box synth work. The track builds on a smooth yet dynamic groove, effortlessly pulling the listener into its hypnotic flow while maintaining a playful but powerful character on the dancefloor. The title track, "Almost House," follows with an irresistible groove that leans deeper into its house-influenced roots while preserving the driving force of techno. With its rolling bassline, crisp drums, and infectious rhythm, it delivers a highly functional yet stylish peak-time tool designed to keep the floor locked from start to finish. Together, these two tracks showcase a refined balance between groove and energy, highlighting the artistic chemistry between Daniel Weirdo and Levique. Almost House EP stands out as a fresh and forward-thinking addition to EXTIMA's catalog—pushing boundaries while staying firmly rooted in dancefloor impact.

Daniel Weirdo returns to EXTIMA with yet another striking double-tracker, this time joining forces with Levique for a collaboration that blurs the lines between genres with precision and attitude. As the title suggests, Almost House is a signature crossover—sitting right at the intersection of tech house groove and peak-time techno energy. The EP opens with "Bla Bla Bla," a bold and unconventional cut driven by quirky, offbeat vocals and out-of-the-box synth work. The track builds on a smooth yet dynamic groove, effortlessly pulling the listener into its hypnotic flow while maintaining a playful but powerful character on the dancefloor. The title track, "Almost House," follows with an irresistible groove that leans deeper into its house-influenced roots while preserving the driving force of techno. With its rolling bassline, crisp drums, and infectious rhythm, it delivers a highly functional yet stylish peak-time tool designed to keep the floor locked from start to finish. Together, these two tracks showcase a refined balance between groove and energy, highlighting the artistic chemistry between Daniel Weirdo and Levique. Almost House EP stands out as a fresh and forward-thinking addition to EXTIMA's catalog—pushing boundaries while staying firmly rooted in dancefloor impact.

EXTIMA Techno (Peak Time / Driving)