Taking inspiration from both Electronic music and Rock & Roll, Los Angeles-based producer Skellism and rock vocalist KOU offer up a thunderous New Noise debut "Return To Love."

TRICKSTARs Bump pairs ominous synth textures and vocal chops with relentless Trap percussion, weaving in retro tones and Jersey Club bounce.

HYPERSAMPLE is an experimental, bass-forward release from HIGHSOCIETY, merging Trap foundations with Nu-Metal influence.

Synymata & neverwaves don't hold anything back, showcasing their powerful and mesmerizing soundscape in debut New Noise single "Bury Me Alive."

Creating an atmosphere of pure nostalgia, Canadian producer DLMT is back with a VIP rendition of his track "Don't Wanna Wait", bringing his piano-house and feel good bassline production to life with that right energy for the clubs.

Been Good channels playful, high-energy bass house from Cheyenne Giles, anchored by Kris Kiss spoken vocals and rolling bass synths.

Z3LLA's "Not That Innocent" reframes Britney Spears through a modern Trap lens, pairing seductive vocals with Heavy bass for a confident, club-forward update.

Henry Fong collaborates with emerging artist, FETISH, to create the energizing Techno track "Girls N Boys", featuring rave synths over a pumping bassline and vocals from MC Nas-D "Get On The Floor".

TRICKSTARs Bump pairs ominous synth textures and vocal chops with relentless Trap percussion, weaving in retro tones and Jersey Club bounce.

Vlades Push That locks in a tight Bass House groove with pocketed drums, bouncy low end, and an earworm vocal.

Dim Mak Records Trap / Future Bass

SIDEQUEST transforms Mike Posners Please Dont Go into an upbeat dance cut, layering bouncy bass leads with a fast four-on-the-floor groove.