Critical Music
Top 100 Chart Placements
Updated 2 years ago
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#2
Feat. Banner in Drum & Bass
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#6
Feat. Banner in Overall
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#10
Top Releases in 140 / Deep Dubstep / Grime
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#11
Feat. Staff Picks in Drum & Bass
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#14
Top Releases in Drum & Bass
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#20
Feat. Staff Picks in Drum & Bass
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#21
Top Tracks in 140 / Deep Dubstep / Grime
Critical Music 140 / Deep Dubstep / Grime
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#23
Top Releases in UK Garage / Bassline
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#31
Top Releases in Drum & Bass
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#32
Top Tracks in Drum & Bass
Critical Music Drum & Bass
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#34
Top Tracks in 140 / Deep Dubstep / Grime
Critical Music 140 / Deep Dubstep / Grime
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#42
Top Tracks in 140 / Deep Dubstep / Grime
Critical Music 140 / Deep Dubstep / Grime
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#43
Top Tracks in Drum & Bass
Critical Music Drum & Bass
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#51
Feat. Staff Picks in Drum & Bass
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#52
Top Tracks in UK Garage / Bassline
Critical Music UK Garage / Bassline
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#55
Feat. New Releases in 140 / Deep Dubstep / Grime
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#60
Top Releases in Breaks / Breakbeat / UK Bass
Countdown
Enei , Cameron Hayes , Sparkz , Killa P , Eva Lazarus , Verbz , Kasra , Klo , Limmz , Megan Linnell
Top Releases
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#63
Top Releases in Drum & Bass
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#69
Top Releases in Bass / Club
Sam Binga and Rider Shafique return to Critical in their usual atypical style, smudging the lines between dancehall, hip-hop and US club music with three vocal-driven sonic killers. ‘Bamboo’ is pure dancehall, with a stabbing bashment rhythm ridden by a slack set of lyrics from Rider that would do Vybz Kartel proud. Title track ‘Get Down Low’ calls on Cardiff rapper Magugu to elevate a moody lesson in club-ready 808s. Finally, ‘Vendetta’ takes things fully West Coast, with Teklife producer Taso linking Binga on the beats and San Francisco’s MicahTron joining Rider on the mic.
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#70
Top Releases in Drum & Bass
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#74
Top Tracks in Drum & Bass
Critical Music Drum & Bass
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#79
Top Tracks in Drum & Bass
Critical Music Drum & Bass
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#83
Feat. Staff Picks in Drum & Bass
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#93
Top Releases in Bass / Club
I'll Wait, I Guess
Hyroglifics , Yeo Limone , Nah Eeto , Deft , Black Josh , Lyza Jane , Feux
Top Releases
"Good things come to those who wait", says Matt Harris aka Hyroglifics about the theme of his debut album, 'I'll Wait, I Guess', a personal journey to hope and healing reflected through 16 tracks of ever-evolving music and the stories that lie within them. "I believe that good things happen with time, however, I also wanted this album to depict the realities of waiting for something and how seemingly hopeless it may seem at times". Written and recorded in Bristol before sessions in London and Los Angeles, where he now lives, 'I'll Wait, I Guess' is his most diverse body of work so far. Though led by the detailed drum and bass he's best known for, the album also includes tracks leaning towards grime, half-time, hip hop, techno and ambient music. "I really wanted to create something that shows my range as a producer and artist", Hyroglifics explains. "My taste is always evolving, so it's hard to pin down a specific 'sound,' as I really enjoy exploring the process of trying to create hybrids of genres."
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