Airtime keeps things rolling with Thijs Koning, delivering Bongoloco EP - four slapping cuts built for proper club use. Stripped, punchy and keeping the energy tight from start to finish.

OuzZart. is joining us on the court for his Sips of Aura EP.

BienAimer Music

Reshape Black

Brazilian minimal house standout Gabriel Evoke delivers the 'Son Of Mali EP' on Zero Gravity Music - a three-track package built strictly for the dancefloor. The title track 'Son Of Mali' blends organic percussion and hypnotic tension, already receiving frequent support from Renato Ratier. 'Party Time', a collaboration with Jorge Mattos, delivers a driving groove and has been played by Archie Hamilton in Argentina and also during a B2B with Gaskin at a PIV Records event in Amsterdam. Closing cut 'Mind Games' dives into deeper, hypnotic territory with rolling basslines and refined minimal textures. Three effective club weapons showcasing Evoke's signature groove-driven sound.

MKC071 - OH? - Preston Edge

Manchester's own BLND drop their debut EP on 3Sixteen delivers a deep, late-night house experience, fusing warm low end grooves with atmospheric textures and crisp percussion. Driven by underground UK influence and emotive energy.

Issues

The boombox is playing really good music for you. Turn it up! This is REECORDS SUB SERIES, baby. Spain is a real mine for young talent, and these two are no exception. Good friend of the label BizZa teams up with Red Effects for 'Birdhouse' EP: hefty, rolling grooves all the way through. From the streets, to your speakers. We ain't stopping!

Bamboleo Records welcomes Vito UK with a two-track EP packed with groove-driven rhythms, solid low-end and crisp percussive details. Functional yet full of character, both tracks deliver hypnotic flow and club-ready impact.

Marcellus (UK) returns to the Lotusland Records label along side Tomma with two club ready cuts, 'Crazy' & 'Closer'

This Ain't Bristol returns with a heavyweight various artists sampler that captures the label's signature club-focused sound. 'This Ain't Miami' brings together four artists delivering a tight selection of groove-driven cuts that move between tech house punch and deep tech finesse. Opening the release, Cody Schneida sets the tone with 'That Most High', a hypnotic tech house roller built around a locked groove and commanding vocal hook that keeps the energy simmering from start to finish. Jones follows with 'Calvin Klein', a fiercer and more bass-heavy tech house weapon designed for peak-time impact, packed with attitude and low-end pressure. On the deeper side of the spectrum, Sunnyside (US) teams up with Fulano. for 'Ecstasy', a vibrant deep tech cut that blends playful rhythm with uplifting momentum, keeping dancefloors locked in with crisp percussion and buoyant groove. Closing the sampler, Dilon Karim and Vincent William deliver 'Yaku', a minimal leaning deep tech builder that focuses on subtle progression, hypnotic rhythm, and refined groove. Balancing punchy tech house energy with deeper club textures, 'This Ain't Miami' is a versatile four-track package built for selectors who want groove, drive, and character in their sets.

Mixed & Mastered at Endless Mastering Studio

Dionysus Records

Mati Torres' 'Damn!' EP is the latest release on Rawsome Deep. Distributed by Label Engine - www.label-engine.com

Distributed by Triplepoint - www.triplepointmusic.com

Aaron Mount makes his Colour In Music debut with the 'Puro' EP. From Piñas, Ecuador, and originally inspired by Dub and Ambient textures, he now focuses on the raw, deep, and hypnotic energy of the underground minimal scene. On 'Puro', he delivers two tracks defined by a deep, minimal aesthetic and a relentless groove. Stripping away the excess, the EP showcases Mount's ability to blend his ambient roots with raw and hypnotic rhythms. Enjoy.

FRAXA brings a new strain of shadowy energy to Cadence Noire. Five tracks that balance raw club pressure with the deep and mysterious. Hard-hitting rhythms move into stripped back breaks that stretch the tension, with flutters of vocals that cut through the groove. A mechanical undercurrent of modulated textures runs through the release. Music made with a living, breathing pulse. As the journey unfolds, twisted melodies shroud the atmosphere, drifting through futuristic synth lines and dark percussive patterns. Acid creeps in at the edges, basslines bubbling beneath hypnotic rhythms. With Old Moves, FRAXA is threading together flashes of club intensity into a late-night journey that feels both ritualistic and futuristic.

Al Bradley returns to the label for his first full EP with Click Therapy Al's signature deepness is a mainstay of his seminal 3am Recordings imprint established in 2003, and his talents have landed him on some legendary labels as well as gigs stretching from Europe to the US for decades Al's skills are on full display on this release with 4 heads down hands up no nonsense cuts. Lee Guthrie drops in on remix duty to add his unique groove led percussive touch to Al's exsquisite deepness Get these bombs in your armoury (c) Copyright Click Therapy Recordings Ltd 2026 Mastered by Rob Small Mastering https://linktr.ee/clicktherapy https://www.facebook.com/albradleydj https://www.3amrecordings.com https://linktr.ee/leegu3

DNZY debutes on RIM with "Don't Stap", a focused deep tech cut built around tight percussion, rolling low-end, and a hypnotic groove aimed squarely at late-night dancefloors.