WO03 - Dragutesku - Tenor EP

First part of Cosmjn's Soul Things album, originally released on vinyl in 2020. Played by Raresh, Rhadoo, Petre Inspirescu, Priku, Sammy Dee and many others

Out of Work

Disorder

HB011 - 8 Years Of Love EP

21/52: Weekly transmissions from the M-Plant archive

Key Records

not at home

Well-known and firmly established as a platform for high-quality underground music, Ray Okpara's AMA Recordings proudly continues its celebration of the label's milestone series with AMA051 - Brainows Part 2. Following the powerful comeback of Part 1, this second chapter brings a fresh wave of remixes from a global lineup of top-tier artists. Each one delivers a unique interpretation of Ray Okpara's classic 'Brainows,' taking it into new sonic dimensions while keeping the groove and soul that made the original so iconic. Part 2 features outstanding reworks by Lebaron from Montreal, Marko Nastic from Belgrade, Sakro from Mexico, Chris Wood & Christian Burkhardt from Frankfurt, and ME & MO - the Malaga-based duo Moruki and Memed Awad. Deep, driving, and full of character - Brainows Part 2 continues the journey with pure dancefloor magic.

Fioretti makes his Cadenza debut with Orizzonti, a four track release full of swinging rhythms and loop mastery. The Italian producer channels the golden essence of early era house music, delivering a sound that is as sexy as it is tasteful. Smooth, warming synth notes glide softly, as dreamy melodies captivate with soft vocal flutters. Each layer building around the percussion at the centre, the patter of bongos rolling over a deep bassline that doesn't stop grooving. Hints of jazz weave through every track, from meticulous keys to bursts of sweet sax. The atmosphere grows with beauty and purpose, as classic feels blend with the contemporary. Fioretti has captured a fresh motion, one to get lost in. Eyes closed.

Wrong Number Records

Yotto Records

Andhera Records

Facundo Godoy is a DJ and producer focused on the club, with a raw, functional approach where groove and low end take the lead. His sound is shaped by countless hours on the dance floor and deep listening, with a strong understanding of tension, timing, and the subtle details that hold a set together. Rather than following trends, he has developed a distinct identity built for long, dynamic sets where every track serves a purpose. His upcoming EP features two direct, high-energy cuts designed for peak time moments, driven by solid basslines, tight grooves, and a minimal yet effective aesthetic. One track introduces a repetitive vocal hook, 'What's The House?', designed as a tool for the floor.

On this fourteenth release, Deep Cutz Records steps into new territory with its first-ever EP. Breaking away from its signature single format, the label delivers two cutz by Davide Mentesana — a producer who masterfully balances groove-driven percussion with glitch-infused sound design. More percussive in nature yet deeply atmospheric, both tracks showcase the artist's ability to merge rhythmic intensity with detailed, textural elements. It's a dual approach where groove and abstraction coexist, shaping a distinctive and evolving dancefloor language. Leading the EP is Pink Palace, the title track and conceptual core of the release. Built on layered glitches and intricate percussive patterns, it unfolds through immersive atmospheres that generate tension and drift into micro-house territory. Vocal elements shift between distant textures and forward, almost teasing phrases, creating a sense of confusion and mystery. There's a playful irreverence running through it — provocative, slightly mocking, as if challenging the conventions of the genre while maintaining a clear, hypnotic identity. On the other side, Rubbery takes a more direct club-oriented approach. Rooted in a stronger percussive drive, it blends tribal and Bronx-inspired grooves into a more classic, dancefloor-ready structure. Rap-infused vocals cut through the mix with attitude, locking into the rhythm alongside deep low-end and synth-driven basslines. The breakdown stands out as a defining moment: two sharp synths take control — one reinforcing the groove, the other building a tense, focused atmosphere — while the vocal suggests a sense of alertness, pulling the listener into a moment of anticipation before the drop. When it hits, the track returns with full force — percussive, raw and unapologetically club-driven. Two cutz, two distinct energies, coming from the same origin but heading in different directions. This is Pink Palace — the fourteenth release of Deep Cutz Records. Distributed by Triplepoint - www.triplepointmusic.com

After their fiery debut together, ('Like Gravity', Globuli 004, 2024) Ed Davenport and Tee Amara return with their second single on Globuli, 'Deepest Sea'. Inspired by the chugging propulsion of US Masters like Angel Moraes, David Alvarado, and Saeed & Palash the duo continue their deep-dive into dramatic progressive house featuring Spanish-British Tee Amara's poetic vocals at the fore. 'Deepest Sea' comes in its full vocal version - a storming peak-time swell - plus a stripped Dub for wonky dance floors; Davenport's shifting frequencies and precise drums pushing forward. Berlin's Panorama Bar closing-set maestro Nick Höppner hands in a glistening hi-tech remix exploring euphoric, acid soul, while Horoom / Bassiani resident Hamatsuki extracts an exquisitely swung deep house study, for fans of Steve O'Sullivan, Sushitech and Mojuba records. Asunción's Condesa Club co-founder, and Pampanam label boss Chavi brings the heat in a funky amalgam of tripping acid, psychedelic signals and tight jacking percussion on his remix. // "Colours collide, Everything glides. Strange waters, And yet, The infinite pool of our roots. Every Drop. Holding on to my Body. Where does the Sea begin, Where is the line to my skin? Breathe In." //

Bass Culture Records

Handpicked returns with its 24th release, welcoming back Gian-Paul and Dayna C for their second outing on the label, delivering three originals alongside a remix from Italian favorite Jamahr!

Organic Pieces

Airtime welcomes Oward with Stupid Sound - a twisted, slappy EP, built for those head bopping moments. Stupid sounds which are slightly wrong in all the right ways. We're also welcoming back Luis Ripa on the label with his rolling rework of the lead track.