Top 100 Chart placements for Electro (Classic / Detroit / Modern)
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For ALT015, we welcome the fabled DMX Krew for a second time. The Space Is Inside EP accurately reflects the artists multiple decennia in the studio, shaping his aesthetics on the axis of electro, techno and synthpop. On Vicious Windows, a distinct lead pierces through the ominous, unison-drenched synths stabs and square waves. As the track progresses, we are kept on our toes by drum fills that sound like hydraulic valves releasing pressure and subtle detune slider fiddling. The hot and sweaty Bass box combines zap-like bass patterns with even more jittery synth work, while the titular woofer addresses us in a vocoder voice. Warm Places echoes Dutch West Coast, and although concise, sufficient melody and modulated drums are snuck in to immediately reveal the artists hand. On Space Is Inside dark chords interplay with a wistful FM bass melody. Subtle bursts of synth sparkle keep everything rooted in silky melancholy. While the strings on Mental Disturbance are also gloomy, the lead is more frantic. The 303s modulation is constant, and slowly flanged snare drums try their best keeping it in line. Closer Tunnel Beneath Precinct 11 sure doesnt tone down either. The spooky, reverb-laden synth work collides with a dark, catchy bass, its cutoff and resonance knobs never left untouched. It closes down an EP of machine funk that covers a lot yet manages to shape into a satisfyingly cohesive arc.
Ukrainian artist Skinz (ofc) is back on JEAHMON! after her successful debut with Vogue earlier this year. Pantone is part of her journey with outstanding sounds, futuristic elements, breaking beats. The release comes with a Marc DePulse remix on the flip. MDP is turning up the bpm and heats up the floor. Two breakers, two Electro bangers! Choose your perfect starter!
Madd Rods third studio album is a celebration of rawness and creative autonomy. Following Sad Behaviour on Discotexas, which laid the foundations for his stylistic shift, In Constant Evolution dives deeper into that transformation. Thirteen tracks move through EBM, Electro, Krautrock, and Indie Dance with a deliberate imperfection: proof that emotion, not precision, is what endures.
This marks Palmkids first-ever release in colaboration with Must Be On Wax. Palmco is a creative duo with its own production line based in Pontevedra (Galicia). Among other projects such as PALMCO RADIO, this EP is the result of the union and friendship between Palmkids and the Galician label Must Be On Wax. On this EP, Bruss presents his vision of 90s Brazilian Baile Funk, fusing the pulsating rhythms of Baile Funk and deep grooves of Miami Bass, including remixes by Juait and Street Choice
Centrikal, alongside featured artist Mekantis, returns with a blistering new electro EP that flat out rips! Part Nineteen features heavy drum programming, menacing basslines, and razor-edged synth work. Illektrolab makes his Particle Music debut stepping in for remix duty, twisting the original mix of Convillusion into a high-voltage circuitry meltdown with deep subs, intricate sequencing and pleasant distortion - all delivered with surgical precision. Futuristic, dark, and electrified from start to finish. This is pure modern electro warfare!!
Eitan Reiter marks the sixth release on his label, Impulse. The two-track record serves as a prelude to his forthcoming retrospective album 20, a collection celebrating two decades of creative milestones. For this edition, he invites two heavyweight names from the German electronic scene, each offering a distinct reinterpretation of his work: Patrice Bäumel and Extrawelt. Bäumel, a German-born and Amsterdam-based producer often described as crafting techno for grown-ups, brings his signature balance of precision and emotional restraint. Extrawelt, the Hamburg duo of Arne Schaffhausen and Wayan Raabe, is famous for their genre-defying approach and forward-thinking sound design. The release opens with Bäumels reimagining of Eat You, stretching across twelve minutes and fifty-two seconds. Despite its length, the piece unfolds with seamless momentum—psychedelic yet meticulously structured. Layered frequencies and evolving textures create a sense of continuous motion, immersing the listener in an alternate dimension. Bäumel preserves the emotional core of Reiters original while imprinting it with his own disciplined and hypnotic sensibility. In contrast, Extrawelts remix of Ups & Downs charts a different course. Infused with elements of Electronic Body Music (EBM), their version thrives on unpredictability—trippy modulations, abrupt pauses, and oscillating rhythms that constantly shift the listeners footing. The result feels like Reiters composition magnified and distorted, bursting with kinetic energy and a sense of controlled chaos. More than a simple remix release, Eat You / Ups & Downs captures the essence of Reiters twenty-year creative journey. It not only revisits his past but expands his musical universe through the unique perspectives of two of electronic musics most inventive artists.
Experience pounding live performance electro from none other than Canadas Tomas Jirku (Force Inc) combining decades of experience with innovative sound design and dancefloor destroying machine drums. www.sciencecult.com
Second Orbit compilates some Planetaria Soundsystem tracks. Curated by DJ Free Download.
Ppalace, Sthl, The Lamediscos, DJ Rustic Widow, dB Cooper, Nash, DJ これからの緊急災害, Joe Koshin, dpcld, DJ Free Download, CPSL, Eng8, Equus, Exieve, Stuster, Amadeezy, Baka, Mezer, Highlimiter, YTP, Lil Milli, Varum, JUICY SELEKTA, Astrobee, Homeless Astronaut, Cristofeu, DRB SELECTS, Footclan
Co-Accused Records return this autumn with From The Pit, a four-track EP from Paris-born, Berlin-based producer SOD-90 that seeks out connections between electro, industrial, breakbeat and EBM. Locking into the raw, gritty range of distortion that defines his sound, the release also features a remix from Hamburgs L.F.T. and follows SOD-90s label debut with Saving Up For Botox last year. A classically trained flautist, professional musician and teacher, SOD-90s electronic production has become an increasingly vital part of his daily life. Working almost exclusively with hardware, his tracks emerge from spontaneous sessions as a channel for emotional release, fuelled by bursts of adrenaline and a need to counterbalance the refinement of classical music. Distortion, for him, is a way to dig deeper into timbre and sonic depth, pulling distinctive textures out of his machines. Opener Fugitive Passagere sets the tone with driving kick drums, distorted vocal fragments and full-throttle energy aimed straight at the club. L.F.T. s remix twists it into a dark electro moment, layering a jagged bassline over razor sharp beats. On the B side, Muzzle goes all-in on blown-out distortion and breakbeat force, before closer Rust Fountain moves into complex, off-kilter territory with ricocheting synths and layered percussion.
Mechatronica proudly presents Nexus of Shadows, DJ MELL Gs most uncompromising release yet. Across five tracks, she unleashes dystopian electro, breakbeat grit, and cyberpunk fire—raw soundscapes and futuristic vocals channeling rebellion, resilience, female rage and divine retribution in a relentless fusion of electro and industrial. A1 DJ Mell G - Global Revolution A2 DJ Mell G - We Are The Future A3 DJ Mell G - Drop Your Weapon B1 DJ Mell G - Nemesis (Destroy Your Future Edit) B2 DJ Mell G - Nemesis (Tool)
In an intricate lattice of ever-evolving electro exploration, Samuel Van Dijk is back on Delsin with a new EP. Under his VC-118A alias, the Helsinki based producer presents a richly textured, cinematic strain of machine funk that reaches beyond dancefloor functionality to test the expressive potential locked within electros crisp rhythmic framework. Theres a melancholic mood hovering over Avian as Van Dijk allows a subtle edge of distortion to creep into his flickering drum programming. The end result is a pensive sound that touches on the moodiness of orchestral composition, unfurling patiently across extended run times without losing focus. With his characteristic attention to detail and broad dynamic range, Van Dijk continues to offer up a sophisticated, emotionally-charged strain of electro like no other.
Several years after his Unrelatable 12, Marco Passarani returns with F.F.O.M., a project that bridges the raw spirit of his early Nature Records work with a more abstract, narrative approach. Blending digital and analog textures until boundaries dissolve, Passarani channels the pure techno pulse of the Roman school into stories of alien landscapes, fierce struggles, and fleeting moments of beauty, from shadowy promised lands to love songs for the unknown.
Lambratech kicks off a new trilogy starting with Footclans devastating EP Data Loss. Rooted in the raw energy of old school electro and ghetto, Footclan strips things down to the essentials: 808 drum beats and sample grooves built for the floor. Data Loss celebrates the foundations of the genre while reworking them with the punch and precision of todays underground sound. Backed by a heavyweight roster of remixers, the EP explodes across continents: Detroits Filthiest channels raw electro-bass grit, Wachita China drops razor-sharp rhythms, The Deserter mutates the flow into distorted industrial landscapes, Bocabeats injects Latin-infused grooves, EQ Why pushes the ghetto sounds to the extreme in a footwork key, and UnoTurbo twists the signal into modular madness. Together, these tracks set the stage for the Lambratech trilogy — a neon-lit journey into data corruption, machine mutation, and total collapse. Data Loss is the breach. The virus is in. The system wont recover. Art by ERA Master by Riccardo Baldoni
Footclan, Detroit's Filthiest, Bocabeats, EQ Why, UnoTurbo, The Deserter, WACHITA CHINA
The sound for the Sir Hiss project, honed and fully realised on this album, developed after a US tour for the books with Sam Binga and Addison Groove, featuring almost exclusively back-to-back sets, fusing Hisss signature selections with music beyond his usual focus at the time. This push to newer sounds from Sam Binga and Addison Groove became realised in Hiss new production mindset as his approach began incorporating much more hardware, such as his Vermona DRM1, heavily featured on this project. After his sonic experimentation grew, alongside the bolstering of his hardware arsenal, the idea of creating his first long form project, centered around the collision of his past and present, inspired the name and concept for the album, Time Dilation. Drawing on his history in Bristol, his passion for foundational pirate radio, and the wide spectrum of music across global movements, Hiss brings together distinct sounds united by a common ethos. The album consists of 10 Tracks (12 Tracks if you know where to find them…) all unique in their own right, from Electro mutations, aggressively flanged drum workouts, distorted Dancehall sluggers, alien Devils Mixes and Grime infused Brazilian Funk… all-killer-no-filler time warpers ready for the club, space and beyond… Distributed by Label Engine - www.label-engine.com
Activity FM return with their 3rd release - bringing together the sounds of UK techno and Spanish electro on this next VA EP. AFM003 sees the Bogota-Berlin collective continue in their mission to present music from different corners of club music in this new four-track showcase of raw, analog-driven electro and techno energy. Jerome Hill is up first, long established DJ famed for his turntablism meets techno style since the 90s and boss of Super Rhythm Trax and Dont. Baptised is tough from the off, launching in off classic rave stabs with an unforgiving, system punching kick drum. Next up is Lukes Anger, the second UK artist repping here and one closely tied to Hill - launching his own releases off Dont in 2008. Here he takes his classic sound and Chicago House influence with sharp and punchy techno jacker - Babe You Dont Have Time. The next half of the EP is turned over to two talents from the Spanish world of classic vocoder electro. Gente Seria Baila Chandal co-founder and Spanish Electro legend Dark Vektors offering Recorreindo El Trayecto is the perfect example of dark electro funk. Laden with gliding synths and sci fi Spanish vocals it comes with a touch of pure class and bounce. Closing things out is elusive Madrid based producer Computer Madness with his hardware analogue sound. We Orbit holds true to this with its tight drum programming, eerie synth stabs and a stripped-back electro groove.
Polybot unveils Virtual Mind release on Moodmusic Records Electric Appliances series Futuristic grooves meet raw machine funk as Polybot returns with a powerful new release, Virtual Mind, dropping October 3rd on Moodmusic Records forward-thinking Electric Appliances imprint. The two-tracker showcases Polybots unique vision of electro — sleek, hypnotic, and built for both body and mind. Virtual Mind sets the tone with sharp analog textures, driving basslines, and a spacious, sci-fi atmosphere. Ethereal robotic vocals narrate a tale of man and machine, blurring the line between flesh, steel, and data streams. Cyborg Party flips the switch with a more playful, floor-focused energy — a robotic funk jam that merges metallic rhythms with infectious grooves, channeling the spirit of a futuristic dancefloor. With Virtual Mind, Polybot continues to carve a distinct path in modern electro, blending classic hardware grit, haunting machine voices, and futuristic aesthetics. Its a release that speaks to heads on the dancefloor while pointing firmly toward the future.
https://www.facebook.com/demetae Following the massive success of his essential Space-Time Sleaze EP on the renowned Sound Du Jour, Demetae introduces his new label, Coarse Rhythm. This imprint will center on his signature Classic Electro style, infused with fresh breaks and techno influences, promising an exhilarating futuristic ride for the label in the years ahead. Distributed by Strikeforce 360 Media https://x.com/STRIKEFORCE360 http://www.instagram.com/strikeforce360/ http://www.facebook.com/Strikeforce360
We Are The Acid Robots – 6 electro-acid journeys from Baka (Berlin) & Acidulant (Malta). Bakas side flows with smooth, futuristic funk — precision beats and liquid 303 lines. Acidulant flips it to the oldschool, serving up pure electro energy with an acid twist. Future classics in the making.
After standout releases on Alien Communications, Sungate and Outer Zone, Modus returns with Expressions for Assemble Music: Mills/Hood-leaning minimalism, future-facing electro and a heads-down Detroit nod via Plotting. Essential stuff!!
Fobos Hailey is the sound of a new era. Reminiscent of the anti-authoritarian, boundless soundscapes of the early 90s, his music carries an infectious, ethereal flair of self-determination. Bulletproof oozes liquid confidence and swagger—its the kind of sound that lights a fire in your belly. Throw it on your sound system, and youll be dodging bullshit like Neo. Fobos Hailey elegantly showcases the breadth of his production—from heavy-hitting bangers to self-reflective, contemplative jams. Get ready to be dosed with some of the freshest sounds of 2025. This masterful LP re-imagines the rave sound we love from the past and pushes it into a future-facing, modern-form. Pure ferocity with a polished edge, Bulletproof Fobos Hailey shows off his iconic signature sound.
Marking his first full EP on Mechatronica, PRZ unveils Enter the Void—a sharp-edged fusion of driving electro and techno pressure. Across six tracks, he crafts a world of mechanical tension, heavy low-end propulsion, and shadowy atmospheres. The release also features a standout collaboration with Unklevon, pushing the intensity even further into the void.
The Moroccan Techno label SOTOR - is pleased to present you the new release SOT04. Meaning lines in the arabic language, SOTOR shows here its interest in the various shades of Techno. Horacio Cruz delivers 2 original tracks to write the fourth lines of the Sotors story in addition of two remixes from Spectrums Date Forces & Alien Rave: Octopus Black is an apocalyptic electro big-banger where Horacio Cruz combines both his techno and electro influences in a unique way. The Spanish techno master offers you here your first experience into a black hole. The cosmic journey continues with Alien Rave & Spectrum Data Forces versions of Octopus Black. They deliver a timeless electro gem & draw here with their remixes a musical allegory of our modern decadent world, where mankind is causing its own loss. On the B-side, Horacio Cruz delivers a powerful techno gem with Undoctrine.
Bristol-based producer Zobol lands on Brooklyn imprint Melodize with Killing Culture - a bold, four-track statement that fuses electro, breaks, and electronica into something raw, physical, and emotionally charged. Known as one half of the label Distorted Sensory Perception and as curator of the UK underground event series d3pth_p3rc3pti0n, Zobol brings a fiercely independent, hands-on ethos to his productions. Built entirely on hardware - including the Korg MS20, Roland JX-3P, Prophet Rev2, Acidlab Drumatix, Behringer TD-3, Elektron Octatrack, Soundcraft Signature MTK12 console, and finished in Ableton Live - the EP captures a live-wire energy that feels both urgent and immersive. The EP opens with Uprising, a track that sets a hopeful tone with flickers of brightness woven through its punchy rhythms - like the first sparks of something much bigger. Extrawelt reshapes the track with warm bass and swirling atmospheres, lending a more introspective, drifting character. Known for their decade-spanning contribution to electronic music - from their iconic debut on Border Community to defining live performances worldwide - the German duo once again deliver with a remix steeped in depth and analog soul. The B-side turns heavier. Weapon of Mass Distraction unfolds from a looping synth fragment, slowly ramping into a tense, bass-driven groove that hits like controlled bursts of energy - Relentless, exacting & distractingly armored with acidity. Closing track Oppression dives deeper into emotional terrain: the weight of distorted low-end channels the presence of authoritarian force, while fragile melodic elements flicker like voices struggling to be heard - eventually weakening, fading, and falling into silence. As shattered cultures bleed beneath a technocratic sky, the silenced cries of Palestine, Sudan, Yemen and other forgotten lands echo a world where humanitys dawn is cruelly denied; a stark testament to faltering global systems, demanding urgent change before the irreversible erosion of our shared future
Electric Appliances is proud to present Celestial Elegy, a new 3-track EP that dives deep into the essence of 90s electro—fusing raw machine funk, analog textures, and dystopian dreamscapes. Featuring exclusive contributions from Tuomas Juhani, deadroid, and Celsius, this release channels the spirit of classic electro while carving out fresh sonic terrain. Tuomas Juhani – Electroluddite 96 Opening the EP, Tuomas Juhani delivers a sleek, motorik journey built from icy sequences, minimalistic drum programming, and synthetic melodies that glide with machine precision. Electroluddite 96 evokes early visions of automation and urban futurism—melancholic, mechanical, and endlessly hypnotic. deadroid – cb_genesis deadroid dials in a cybernetic dreamscape with cb_genesis, weaving syncopated rhythms and crystalline synth lines into a tightly programmed banger. The track pulses like a digital lifeform born in a forgotten circuit—moody, immersive, and relentlessly groovy. Celsius – Heavenly Drawer Closing out the release, Celsius drifts into dark, etheric electro territory. Heavenly Drawer floats on distorted 808, shimmering voices, submerged snares, and gently glitching acid, offering a contemplative outro that lingers long after the needle lifts. Together, these three tracks form Celestial Elegy—a sonic tribute to the glitchy grandeur of 90s electro, reimagined by a new wave of hardware-savvy artists. Expect warm hiss, cold steel, and neural grooves designed to move both floor and mind.
Back on their own imprint for the first time since 2017, Gauss returns with Latent Space EPthree tracks of smoldering electro and dub-infused techno. The title track opens with a fresh take on the duos signature sound: weighty low-end, kinetic rhythms, and slowly shifting pads that add both introspection and scale. Subtle yet immersive, it echoes earlier explorations while carving out a more refined and spacious terrain. Backprop shifts gears into floor-focused territorypercussive and punchy, with explosive chord stabs and tight drum programming. Its raw, relentless, and engineered for full-body impact. Closing the EP is Z-1, a tense electro workout driven by syncopated drums and morphing melodic sequences. Its constantly evolving structure gives the sense of forward motion without ever breaking its glidea hypnotic, high-velocity closer in true Gauss form.
UK electro artist Emile Facey, aka Plant43, has built a discography totalling 10 albums and a slew of 12s on respected scene mainstays CPU, Frustrated Funk, Semantica, Shipwrec, Cultivated Electronics and Trust. Emile is admired by his peers for his unwavering support of electronic music as an artist, DJ and promoter. His productions have been supported by luminaries like DJ Stingray, Helena Hauff, Dave Clarke, Surgeon, Rodhad, Jane Fitz and Solid Blake and have been aired on BBC Radio 1s flagship Essential Mix, BBC Radio 6, Rinse FM, Threads, NTS and the Resident Advisor Podcast. Journalist Ben Murphy has called his style Intricate, melodic and bewitching while giving him a 9/10 review in DJ Mag. He is a regular guest at Berlins renowned techno club, Tresor, who released a recording of his live performance at their 34th anniversary event in March 2025, Londons FOLD and festivals across Europe. Celebrating the 20th anniversary of his first release, Emile Facey presents Feeding the Machines, his fifth album on Plant43 Recordings and the culmination of his work to date. These ten tracks explore Emiles passion for electro, drum and bass and techno. Of Feeding The Machines Emile said: I love a precise, machine-made sound but with this album I wanted to foreground the human so I recorded multiple passes of phrases from hardware synths, each one capturing my physical movements in real time. The slight differences in each layer creates this organic texture to the tracks, giving it a looseness or imperfection. Humans are weird and its that unpredictability that makes us interesting.Juno said: Feeding The Machines is full of signature excellence, from the lithe rhythms of Information Decay to the jittery drums and introspective chords of Anthropomorphic Algorithms via the dark, hurried urgency of the paranoid Absolute Inertia. This is another long player that is as adventurous as it is emotive and cinematic.
Poladroid returns to Science Cult with a deep dive into experimental and pounding electro. Poladroid previously appeared on the label with his groundbreaking vinyl album Son of Moloch and this release builds on his dark and bass driven sound. www.sciencecult.com
Ben Pest and ARA-U unite for the next release on No Static / Automatic. Kaos Sympatic EP started life with the pair recording jams of various vintage studio kit, including an EMS VCS3, Roland VP330 and an Orgon Systems prototype known only as the Silver Box, which developed into full tracks over subsequent sessions. Ben Pest has been busy releasing high grade club tracks including collabs with Radioactive Man and Kursa for Asking For Trouble and Love Love Records last year, and with solo EPs dropping on Cultivated Electronics and Posh End music. Here he links with NS/A boss ARA-U, turning out some of their headiest material to date.
UK electro artist Emile Facey, aka Plant43, has built a discography totalling 10 albums and a slew of 12s on respected scene mainstays CPU, Frustrated Funk, Semantica, Shipwrec, Cultivated Electronics and Trust. Emile is admired by his peers for his unwavering support of electronic music as an artist, DJ and promoter. His productions have been supported by luminaries like DJ Stingray, Helena Hauff, Dave Clarke, Surgeon, R?dhad, Jane Fitz and Solid Blake and have been aired on BBC Radio 1s flagship Essential Mix, BBC Radio 6, Rinse FM, Threads, NTS and the Resident Advisor Podcast. Journalist Ben Murphy has called his style Intricate, melodic and bewitching while giving him a 9/10 review in DJ Mag. He is a regular guest at Berlins renowned techno club, Tresor, who released a recording of his live performance at their 34th anniversary event in March 2025, Londons FOLD and festivals across Europe. Reflection | Reaction is a trilogy of EPs written by Plant43 over the course of winter 2022/23, the first in the series marking the 10th release and third anniversary for the artists Plant43 Recordings label. Over the course of twelve tracks and over an hour of new music Emile Facey takes the listener on an emotional journey through the frosty depths of winter and into the warm sunlight of spring.
Roy of the Ravers launches into party season in summer 2025, having acquired the aptly named Isle of Acid, located between the Cornish and Irish coastlines, but the evil Kikumoto, vowing to destroy the Roy 303 had tracked down Roys Isle of Acid and set sail from ROLAND LABS HQ in Japan... can Roy and his partner in Acid Jake complete the rave and get all the ravers to safety before Kikumoto arrives...?!
UK electro artist Emile Facey, aka Plant43, has built a discography totalling 10 albums and a slew of 12s on respected scene mainstays CPU, Frustrated Funk, Semantica, Shipwrec, Cultivated Electronics and Trust. Emile is admired by his peers for his unwavering support of electronic music as an artist, DJ and promoter. His productions have been supported by luminaries like DJ Stingray, Helena Hauff, Dave Clarke, Surgeon, R?dhad, Jane Fitz and Solid Blake and have been aired on BBC Radio 1s flagship Essential Mix, BBC Radio 6, Rinse FM, Threads, NTS and the Resident Advisor Podcast. Journalist Ben Murphy has called his style Intricate, melodic and bewitching while giving him a 9/10 review in DJ Mag. He is a regular guest at Berlins renowned techno club, Tresor, who released a recording of his live performance at their 34th anniversary event in March 2025, Londons FOLD and festivals across Europe. Interlinked is the fifth release on Emile Faceys new imprint, however the title track was originally written just after the UKs EU referendum in 2016. Having forged many strong musical ties with other European countries over many years, the UKs vote to leave the EU left him feeling disconnected and saddened. Now that the UK has left the EU and musicians try to navigate the impact on electronic music, a culture that thrives on being completely interlinked he felt it was time to release this track that expresses that sadness but also conveys some hope for a future in which music can connect us all again. The driving urgency of Ancient Voice follows, future electro designed to move dance floors when they return. Closing track The Silent Flock is a slower, more contemplative expression of discovery and hope.
After celebrating his debut EP on Juicy Gang Records in Summer 2024, BeamControl cooked up another six extraterrestrial Electro tracks and is now back on time for the next Summer with his new Pads From Outer World EP on Abstract Rhythm. Remixes by DJ Unisex, PL_anet, Robodrum and CT Kidobó on top.
EC13 Returns with Sonido Profundo - A High-Voltage Fusion of Electro, Techno, and Ghetto Bass EC13 is back with Sonido Profundo, an electrifying EP that blends electro, techno, and ghetto bass at a relentless 155 BPM. Staying true to his epic and experimental narrative, EC13 delivers a bold sonic experience that pushes boundaries. The release also includes alternative versions and percussive DJ tools, making it a versatile addition to any high-energy set.
Remastering 2025. Liquid, Seamless, and Lush is the order of the atmosphere in the aptly titled Lost Heaven EP. The title track Lost Heaven is a refreshing audio journey filled with smooth electro rhythms, sparkling acid leads and basslines, and therapeutic pads pushing the groove and cerebral modes to the max. The remix from veteran producer John Beltran is just as fun with his take on the story, including some silky hats and snares, mind nourishing synths, and a confident acid bassline for a good time. The track has a very interesting ending. To continue the fun ride with Cosmic Tides - a spacy and tasty dish of old school Detroit flavor featuring sharp arps of insight, basslines of funk, and dynamic atmospheres seamlessly fusing classy techno and ambient. The finale of the ep is in fine fashion with the kick-driven electro rhythms and blue water-reflecting sky melodies of Magnetic Resonance - an energetic track with an aquatic vibe, moody personality, and breezy pads - perfect for a Saturday out domain or the Brain.
Following on from 2024s Elektronically Minded EP the father and son duo, The Advent and Zein Ferreira return to Cultivated Electronics for the second instalment. The pair turn in 3 stomping Electro bombs that are aimed strictly at the dance floor. The EP is rounded off with a heady, trippy remix from CEs head honcho Sync 24.
XTRICTLY ELEKTRO returns with Volume 2, further establishing its vision of innovative and forward-thinking Electro. Featuring six producers with razor-sharp sound design and solid trajectories across the international circuit, this collective work reinforces Cosmic Tribes commitment to rhythmic synthesis, harmonic tension, and the structural discipline of the genre - unafraid to step outside orthodoxy. EC13 opens the release with another chapter of his retro-futurist signature, marked by strong conceptual intent and cinematic pulse. Spectrums Data Forces, a side project of C-System, brings the most technical edge from southern Spain, blending depth, precision, and modular design. Atix, hailing from Lyon, contributes decades of refined energy and craftsmanship, always with a club-oriented focus. Calagad 13 returns with a deep, introspective electro bass cut, reaffirming his role as a central sonic pillar of the series. Final Dream, one of Phil Kleins aliases, delivers a powerful piece built on heavy low-end and epic atmospheres, in line with his legacy as a key figure in UK Electro. Elektrotechnik, a German producer, closes the release with an industrial-leaning, bold, and uncompromising statement. Six exclusive tracks showcasing the genres vitality and the diversity of creative visions driving its continuous evolution.
EC13, Spectrums Data Forces, Atix, Calagad 13, Final Dream, ELEKTROTECHNIK
In recent years, Blackploid has come to be one of Central Processing Units signature artists. The German producer has averaged more than a record a year for the Sheffield imprint since he first landed on CPU in 2021. This prolific run continues withCosmic Drama, Blackploids second LP for the label. The album takes the baton from its predecessorEnter Universein style, delivering twelve tracks of top-quality machine-funk that draw down from electros classic artists while also imbuing proceedings with a playfulness that very much gives things a signature Blackploid-ish flavour. Cosmic Dramasets its stall out from the off. The opening run of Alien, World Construction and Virtual State all deliver piston-snapping beats which anchor pleasing melanges of B-movie synth lines. Alongside this, Blackploid adds little flourishes which add buoyancy to each joint - a syncopated bassline reminiscent of I-fs late-90s classic Space Invaders Are Smoking Grass, crackling robo-voiced commands, skittering synth chords which wash across the mix and so on. Its the work of someone completely at ease with their craft, comfortable enough to take risks without upsetting the apple cart of their sounds core appeal. Blackploids idiosyncratic approach to synth work is something which distinguishesCosmic Dramafrom the pack. Electro has long been a genre which prides itself on innovation on the keys, but few producers are willing to push their sonics as far as Blackploid does - take the seasick churn of pads and processors on Multiverse, for instance, or the way John Carpenter-esque single-note lines dovetail with gurgling synthetic pulses and eerie, spacious chords on The Lab, a highlight ofCosmic Dramas midsection. Cosmic Dramaskips along at club tempo throughout - every one of these joints will get bodies moving in dark rooms across the galaxy. However, even when tracks maintain their single-minded pursuit of machine-funk perfection, they never forget to deliver on the hooks. Blackploid has lead lines (and counter-melodies) to burn here, and each track knots them together in ever-more intriguing ways as they plough onwards. Drexciyan heads will be thrilled by the sci-fi delights of Species, for instance, while Blackploid brings melodies as cold as they are catchy on the aptly-named Polar Dunes. By the timeCosmic Dramahits upon the vroom-vrooming bassline line of closer Contact, youre fully enthralled to the albums combination of broken-beat heft and synthetic melodiousness. Central Processing Unit mainstay Blackploid comes through with another delightful dozen of electro heaters for the Sheffield label. RIYL:Drexciya, I-f, Cygnus, AFX
Testbed_Assembly. Your boss ignores you, but you feel nothing, You are a machine. Your friends underestimate you, but you feel nothing, You are a machine. Your eyes survey the vast beauty of nature, but you feel nothing, You are a machine. Your time is coming to an end, but you feel nothing, You are a machine.