Lone Romantic

Following DJ Godfathers fierce new electro cut Get Back, RA feature A History of Ghettotech in Ten Tracks and DJ mix for EPM, he delivers an EP made solely on one piece of equipment, the Roland TR-1000. "So my man Recloose from Roland introduced me to the Roland TR-1000 a while ago and I was inspired by it the second I started playing with it! Initially, I wanted to challenge myself to make a full track using only this machine. After the first track I was having so much fun and ideas were flowing, I decided to do a full EP with it. I wanted to see how Detroit I could get with it. So I bring to you 1000 Musik!" The Roland TR-1000 Rhythm Creator features faithful recreations of classic TR-808 and TR-909 sounds, the cornerstones of classic techno and electro. In the hands of a Detroit master such as DJ Godfather this machine gets a thorough dancefloor workout. 1000 Musik gives us four different electro cuts from one truly impressive man and machine!

Clasico

Mechatronica Music

brandroid

Loop Current Records

2NIGHT Recordings

SNATCH249 by Harvard Bass, Fenech - Afters (Jesse Perez Remix).

They enter undetected and often remain unnoticed until the damage is done Parasitic Entities is Aserrins latest EP for Pan-Am Tracks. Across five electro tracks, the record explores subtle forms of dependency and exploitation that shape everyday life. The music pairs disciplined drum programming with elastic bass lines, scorching fm synth leads, and dissonant melodies. Approaching its subject with the detachment of a field study rather than a diagnosis, the EP examines patterns of parasitism and the conditions under which they emerge.

Electronic Appliances and Moodmusic proudly present Kvarken, the new full-length album from RV820 — an eight-track journey through shadowy electro, submerged ambient textures, and machine-driven rhythm science. Drawing influence from classic EBM pulse structures, cinematic drone landscapes, and deep aquatic electro atmospheres, Kvarken moves between physical intensity and immersive abstraction. The album captures a cold yet emotional sonic language where analogue grit, broken transmissions, and hypnotic low-end pressure coexist in constant motion. Across eight newly produced tracks, RV820 explores contrasts between dancefloor propulsion and slow-burning ambient passages. Heavy electro sequences dissolve into drifting drone scapes before re-emerging through submerged basslines and fractured percussion. The result is a record that feels equally suited for late-night headphone listening and dark-room systems. With Kvarken, RV820 continues to refine a distinct sonic identity rooted in Scandinavian electronic experimentation while reaching toward timeless electro futurism.

Our third vinyl release welcomes back Tom Place for his second outing on the label. Lost You sees Tom dive deeper into his trademark blend of electro, acid and club-focused bass pressure. Across three originals, restless grooves and warped synth lines keep things moving. Meanwhile, K-65 reworks the title track into a hypnotic, psy-leaning closer built for the small hours.

The artist continues his ascent to the music echelon. 'Titan' are futuristic party hit which skillfully draw from gothic dance and electro body music. The title track has the most attitude. His breaks down into a beautiful tension waves of rising paranoia with a sparkling bass sequences and meaner dark sounds. This is a perfect for underground strobe nights.

Bristol's Ben Pest returns to Co-Accused Records with four drops of full-pelt electro and techno on Lacquer of Empathy EP. A respected live artist and producer known for his production nouse, hes taken his sound to Co-Accuseds Glasgow parties, Tresor and Glastonbury and released across respected imprints that include Mechatronica, Cultivated Electronics, I Love Acid and more. This release is exactly what hes become known for turning out: rave-touched and highly effective dancefloor material. The EP opens with 'D-Transfer', a pacey piece of machine funk which leads into Mam Assid which right off the bat is an intensive, driving acid techno number. Over on the B Side, Shruthi EB is a twisted machine workout, building and rebuilding through distorted synths before locking into a relentless groove. After being self-released on digital format on his own label The Glutch now gets a vinyl pressing on this EP riffing off a mechanical melody over an air-tight beat. To close out the EP is a digital bonus track with a Rolling Edit of Shruthi EB.

Rawax

ElectroBreakz Private Label Group 2026

We are dropping the fifth transmission of our flagship electro series, More Than Machine. This isn't just a compilation; it's a manifesto. Ten tracks forged in the underground, weaponized for the club, and ranging from devastating, peak-time 808 assaults to dark, hypnotic, slow-burn mind melds. More Than Machine is a pure labor of love from a team obsessed with the culture. Electro has always been the subtext of the future, and it's time it took center stage. We've united a ruthless lineup of living legends and new-school disruptors to push the genre to its absolute limit. Plug in, turn up, and feel the voltage.

PURRR by catlaine & MCR-T

Dionysian Mysteries

For the 18th release on Plant43 Recordings, Emile Facey returns to a source of inspiration to which he's no stranger, the fascinating world of Fungi. On 'Mycelium Network' he explores this fascinating life form in four new spatial electro tracks.\nEmile: 'Did you know that the mushrooms that you find on the surface of the earth are only the fruitbody of the fungi? Underneath them hides mycelium, a root-like structure that can span vast areas. Its thread-like fibres gather nutrients, connecting and co-evolving with other plants. Research has found that it plays an important part in our ecosystems and has the potential to eradicate petroleum products, pesticides and can be used as a filter to remove microorganisms from soil or water. Life cycle analysis has revealed its viability as a carbon sink material, with the ability to remove greenhouse gases from the atmosphere.'\n'The natural world has always provided inspiration and solace for me. The astonishing complexity in the ways that plants and animals have evolved over millenia. Studying these things reminds me of how incredible and unique our planet is and how important it is to protect it.'\n'These tracks are all taken from my recent live sets, which I've been lucky enough to play in places I've always dreamed of going, including a recent trip to Japan. Touring has allowed me to get to know them inside-out and I've worked hard to capture the essence of them here.'\n'The vinyl edition of this record is made using cost effective, industry-first ECOVIN bio-vinyl, resulting in a 90\%\% reduction in its carbon footprint.'.\nPLANT43018\nWritten & produced by Emile Facey\nDesign & illustration by Emile Facey\nMastered by Boris Divider\nUK electro artist Emile Facey, aka Plant43, has built a discography totalling 10 albums and a slew of 12"s on respected scene mainstays CPU, Frustrated Funk, Semantica, Shipwrec, Cultivated Electronics and Trust. Emile is admired by his peers for his unwavering support of electronic music as an artist, DJ and promoter. His productions have been supported by luminaries like DJ Stingray, Helena Hauff, Dave Clarke, Surgeon, Rodhad, Jane Fitz and Solid Blake and have been aired on BBC Radio 1's flagship Essential Mix, BBC Radio 6, Rinse FM, Threads, NTS and the Resident Advisor Podcast. Journalist Ben Murphy has called his style "Intricate, melodic and bewitching" while giving him a 9/10 review in DJ Mag. He is a regular guest at Berlin's renowned techno club, Tresor, who released a recording of his live performance at their 34th anniversary event in March 2025, London's FOLD and festivals across Europe.

Klasse Wrecks 62nd release duly soundtracks our current dystopian and surreal surroundings with the debut record from brand new project Comply (made up of Onirik and JJ Martinez). Indebted to past sounds of EBM, dark acid and rave ghosts lost in the mist the record shines over 4 tracks, proving that when all else is lost theres always music. Its a heads down affair but still with eyes focussed firmly on the prize.