Top 100 Chart placements for Electro (Classic / Detroit / Modern)
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Escape Notion is the last ep from dvidevat, established figure within the Slovenian electronic music scene, who as usual delivers gritty breaks and high-octane Techno. The release contains 4 original tracks and a powerful Electro remix by the Icelandic artist jadzia. Rave can start ! Distributed by Label Engine - www.label-engine.com
Hailing from the Eternal City, Teslasonic delivers a fine blend of Electro, Italo, Acid, Downtempo and atmospheric elements, featuring a mesmerising remix by the legendary DJ Overdose. Teslasonic makes his second appearance on Tiger Weeds with Libero Pensiero EP, following his contribution on the labels first VA compilation. Libero Pensiero translates directly to free thought. Thats exactly how you should approach this six-track EP. Each track stands on its own, yet together, they form a cohesive narrative of creative freedom.
After release Dark Vibrations, Colombian producer Magnum Opus is back to us with a new EP Area Zero. Four genre compositions are accentuating the general rhythm on a kick drum beats and harsh sequences of the bass parts. Opening up is Scythe, with beat lost in a mix of jittery dark synths and powerful snare. The centre piece though, is the FM arps, which cut through the inviting darkness and general purpose. This is a captivating track that goes way beyond the dance floor: brilliant futuristic banger with a bright hypno sound.
Electric Appliances are back with a strong 3-tracker from label favourites Klas Lindblad aka Freestyle Man, Alberto Ess and their brand new collaboration project Mathtronix. All 3 songs are very diverse and show their love for different vibes of electronic music over the years. The collaboration Uranus Imploding is hard electro at its finest, while Computer Control has a more chill, 80s inspired electro sound with hints of early Warp sounds. Finally, the EP ends with Quantum Warfare by Lindblad, a stroll through mid-90s Braindance Park with colourful mushrooms everywhere.
Sha Ru, the boundary-pushing duo from NYC-via-Berlin, returns to Jupiter4 with a high-octane four-track EP Circling The Vortex that channels the raw energy of their live performances into the studio. This release explores intensity, flow, and emotion, marking a bold step forward as the duo continues to expand their sonic palette.
Reculture returns with its second installation of A Touch of Culture! Landing in 2 parts - the compilation reels in even more friends of the label showcasing the variety and depth of the narratives from the artists it closely keeps eyes on. Seven different tracks - seven different textures, emotions and soundscapes. Artwork by @pepedsgn Copy By Joanne Philpott
Digitalis (aka Kaya Project, Hibernation) returns to Alien Breakdance with a beauty of a melodic Electro Breaks track Depth Of Field! From the 90s til now Digitalis has stood the test of time and its no wonder he tours the world non stop as a headlining artist with his Kaya Project alias! Seb Taylor is his name and hes been making timeless music since he first appeared on the scene as a Psy Trance producer called Shakta back in the early 90s! Some people just have a knack for continuing to make modern relevant music for many many years! On remix duties we welcome back Encounters who once again shows his diverse musical abilities with his flashback to that 80s electro sound, including a half time breakdown with a MASSIVE SNARE that really drives home the nostalgic feeling his remix brings out. Mostly knows for his sweet downtempo psychedelic sound, its only a matter of time before hes well respected in the Electro scene too!
The prolific Jonny Dillon aka Automatic Tasty from Wicklow, Ireland, should be familiar to most with an interest in acid inspired electronic music. 15 years of releases on such luminary labels as Acid Waxa, Further Electronix, Lunar Disko, Wrong Island and CPU, his debut release on Winthorpe is an 8 track LP of stylish and subtle machine braindance titled One Foot in the Rave. The LP is a vibrant collection of tracks that showcase Jonnys signature styles - melodic melancholic acid jams, bleepy funk and warm analog electronics. Suitable for the stero or the soundsystem, from the upfront bounce of The Apocalypse is Now and Raymond Tuesdays Big Day Out to the shimmering reverb of Starry Night and birdsong of Ringfort were in familiar Tasty psychedelic terrain According to the man himself What to say about this record? I dont really know and it hardly matters. I wrote them on different bits of gear; ye olde faithful Roland SH101, my MC202 (pencil and paper de rigeur), a battered x0xb0x 1.0 (thx Daniel!), a beloved Yamaha Cs-5, a similarly beloved Roland SH5, a truly hammered Juno106, a Roland JX3P, a Nord something or other, an MPC2500, my TR606, and a Vermona DRM1 MKII being sequenced via a bedraggled TR626. Also Jays TR808 is on there (thx Jay!) and a TR8 being squashed through a Mutronics Mutator (wheee Damo!) and a Zoom H4n recorder. I edited them on a dilapidated laptop, with no headphones or monitors, steering by the tiny speakers on the computer and playing them in my car, twiddling the mix as I went. But these are frivolous and unimportant details. All that matters is that these songs were made out of love. Cheerio, Jonny. P.s.: This record is dedicated to Jay Winthorpe Kelly. One Foot in the Rave is out on Vinyl / Digital 14th October
Exzakt returns with LoveHertz, a masterfully crafted 10-track album released on Monotone that showcases his evolved veteran skills. This album is a flavorful fusion of Electro, Miami Bass, and Freestyle, exuding tons of character and energy. LoveHertz features a diverse array of tracks, from the powerful female vocals to the soulful vocoder ballads, and Exzakts signature raw vocals. The standout tracks Dont Know How To Forget, Nothing Wrong, and Inside My Dream highlight Exzakts ability to blend genres seamlessly, creating an immersive listening experience. With LoveHertz, Exzakt proves once again why he is a respected name in the electronic music scene, delivering a unique and compelling album that is sure to captivate listeners and leave a lasting impression.
RAWAX welcomes Rupert Hartick to the artist family! We are very happy to present you this very talented Producer and DJ on our 24th edition of the RAWAX S-series. Rupert delivered a warm, trippy & soulful release.
Local Codes Wat U Wanna EP is a sonic embodiment of Mike Tyson in his prime: an uncontrollable force with undeniable talent that sends listeners into a frenzied, berserk state. To amplify the raw power of this release, Any Act was brought on board for remix duty, transforming the track into a fearless exploration of uncharted territory, blending drum & bass with foghorns in their inimitable, boisterous style. The Wat U Wanna EP is a relentless, audial powerhouse that leaves an unforgettable mark on all who dare to listen.
Digital masters of our second vinyl. Four monumental unique tracks, full with lush kicks, emotional synths and twisted vocals, enough to put fire on any dancefloor. Played by: Varhat, Nu Zau, Mihai Pol, Prichindel and more.
Synthogerm, the second installment from the Bio-Synthetic Compendium, delves deeper into the dystopian scientific world of EC13. Following Biomantics, this track introduces the creation of hybrid beings known as Synthogerms, organisms born from the fusion of synthetic life and biological elements. ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ Bio-Synthetic Compendium: Studies on Hybrid Life Forms 1. Synthogerm (noun): An artificially created being that combines synthetic life with organisms from other planets, emphasizing vitality and biological integration.
Australian-based techno artist Eddie Hale delivers his second album Vanishing Point on his label Denude. The expansive new body of work draws inspiration from a silent meditation retreat he undertook in 2023. From the axis of a quietened mind, the unfolding of nine meticulously crafted pieces of music could be considered ephemeral meditations in their own right. Observations of phenomena rising and falling within, through regular focused time spent in the studio sculpting interstellar transmissions and grounding them in the physical realm. Whilst the album reflects the floor-friendly techno that Eddie is known for, it also takes excursions into more genre-fluid territory showing that not only is he a maturing artist, but also one worth paying attention to in the ever-expanding ocean of electronic music available in 2024. Exploring a wide range of textures and shapes, one is taken deep into a world where anything is possible. Standout track Affinity with its incessant raw beats and timeless melodic beauty sits juxtaposed against electronica-facing excursions such as Black Rock. Observer reflects on the roots of the techno blueprint, whilst aiming the arrow firmly at the target of what techno can be; pure unadulterated futurism. Remaining true to his unmistakable signature sound, Eddie presents an honest and unique sonic soundscape that is unafraid to step beyond the stifling homogeny that plagues modern techno and into a world that optimistically pushes forward.
Monés music is all about breaking the mold and keeping it fresh. The genre-fluid artist Sooraj Sivadas, aka MONé, has built a reputation for delivering genre-blending, high-energy sets. His sets are a thrilling mix of breaks, electro, techno, progressive, and acid, always keeping the crowd on its toes. Its this fearless approach that sets him apart. His music has been released on respected labels like Observant Music, Juicebox Music, Occultech and more, reflecting his passion for innovation and his commitment to keeping things fresh. Looking ahead, MONé is all about versatility. Hes constantly experimenting, pushing his sound in new directions, and ensuring that every track and set is a new experience. After a year-long hiatus from the studio, MONé returns with a whole new sonic palette, keeping no limits on genre. He delves into his love for breaks, electro, acid, and techno to produce four club tracks that embody his new approach. A well-blended mix of hard-hitting drums, bass lines that screech through, and sinister melodies, each track cuts through the floor, creating tension and release at all the right moments. Artwork & Visuals by HalfDiminishedSeventhChord
Chicago-based DJ and producer KEEFE presents his latest work: Hold It On is KEEFEs manifesto, a distinctive fusion of bold bass lines and razor-sharp 909 rhythms, making it an essential electro club tool. Rave Step is punchy and energetic, gravitating towards the electrifying realms of hard groove and electro. Vintage vocal samples create a proper dance floor weapon. Smoke is a hard-hitting Chicago club track brimming with relentless energy and a dark flavour. Its an uncompromising slammer where the beat perfectly melds with the vocals, giving a tribal feel to the collective movement the track evokes. Did you hear the sirens? Second Stretch closes the EP with a techno DJ tool, a high-impact hard groove club track that resonates with dancers and DJs. This EP encapsulates KEEFEs ability to create powerful and dynamic tracks that have the power to captivate the dance floor properly. Distributed by Pressology - www.pressology.net
V10 is the brainchild of Seoul-based producer PRIMIT, the mastermind behind the remarkable label Resentment Nation. This electrifying project carries an insatiable hunger for high-speed energy that sets it apart from the rest. Unlike some electro music that tries too hard to be edgy but ends up feeling nerdy, V10 exudes a sense of authenticity both inside and outside the bedroom studio. It invites listeners to embrace lifes thrilling, unpredictable adventures. Drawing inspiration from high-octane experiences like speeding through the streets of Seoul on a motorbike, PRIMITs V10 is an unmistakable nod to the powerful F1 Ferrari V10 engine. Featuring 10 adrenaline-fueled tracks, the music captures the essence of speed, danger, and explosiveness. PRIMIT expertly fuses elements of breakbeat, techno, and the iconic sound of Electro Punk, reminiscent of a gritty fusion between Three Six Mafia and cutting-edge electro production. Pushing the boundaries even further, PRIMIT seamlessly incorporates nu-metal influences, evoking the likes of Korn, Limp Bizkit, and Papa Roach. While this sound might not cater to everyones taste, theres no denying its raw intensity and head-turning brilliance.
Maelstrom returns to Central Processing Unit for the fourth time, and its the one born Joan-Mael Peneaus lengthiest drop on the Sheffield label yet. The French artist has been a mainstay in the European electro game since the 2000s, and Malestrom brings that experience to bear on new LP The FM Tapes. He goes about this album with the assurance of a seasoned pro, combining his mastery of electro production techniques with a trademark guile to craft an expertly-paced eleven-track affair. The first section of The FM Tapes sets out the albums stall with style and aplomb - listeners are in store for a rich feast of off-kilter machine-funk which will feature no shortage of intriguing detours. On opener Ondes Courtes the mix throbs with all manner of strange electronic gristle: a distorted bass hum rattles the monitors; wisps of distortion float across the mix; eerily pretty keys wax and wane before giving way to a radar pulse. Ondes Courtes is an ominous slouch of a scene-setter, and it lines things up perfectly for following cut Alt50ser to lock in. This tracks churning, gurgling mid-tempo rattle brings to mind the wacky insistence of Modeselektor. Maelstrom repeats the slow-fast one-two again directly afterwards - La Vie Sociale Des, a strange nugget that sounds like an early Eski instrumental stripped for parts and blasted into the cosmos, is an ideal prelude to the twitchy space-funk of My Digitone. Maelstroms staying power in the electro world comes, in no small part, from his ability to apply his delightfully idiosyncratic choices to some of the genres staple production tropes. On The FM Tapes, he marks himself out once more as a pleasingly unorthodox talent by taking tracks in unexpected directions to produce surprising - and often rather moving - results. There are multiple cuts here which channel the more cerebral end of Richard D. James AFX/Analord output: My Digitone may be a quicksilver techno-electro number, but theres still something cinematic about the synth treatment here which softens the edges; Suedes minor-key oscillations bring other CPU veterans like Cygnus and Bochum Welt into view; Res 06, one of two Fasme collaborations on the record, is full of pathos even as the beat programming bangs and whirrs throughout. While theres a deep emotional undercurrent to The FM Tapes, though, Maelstroms commitment to bringing the thrills surfaces time and again. If Res 06 had Maelstrom and Fasme getting wistful, the albums other Fasme link-up Trempo is one of the hardest club joints here, a piece of old-school Detroit energy replete with some great cascading drum production. Indeed, Trempo comes in the middle of a run towards the albums end where Maelstrom takes the handbrake off - theres a wild-eyed sense of fun to The Operator and Upside Down DX7 which has one thinking of the zany cut-and-thrust of KiNKs best work. Maelstroms latest drop for Sheffields Central Processing Unit label is an album of leftfield electro numbers that bring both pounding beats and poignant production. RIYL: KiNK, Modeselektor, Cygnus, Bochum Welt, AFX
Get ready to experience the electrifying thrill of Return Of ElectroBass! Straight out of Sunny South Florida where the low riders are fueled by the vibration of bass & the sweat of strippers. Exzakt x BFX is teaming up with international sensations Vema Diodes from Spain and the legendary Dynamik Bass System from Germany to deliver an adrenaline-fueled 12 record like no other. Side A kicks off with the block-rocking beats of TIME TO COLLECT and REDLINE DISTRIKT, igniting the dance floor with infectious energy and mesmerizing rhythms. Then, brace yourself for Side B as Dynamik Bass System brings their signature ElectroBass sound to FAR FROM HUMAN and the mind-blowing ROBOTMACHINE REMIX. This collaboration promises a wild ride through the cutting-edge realms of electro and bass music, this is a must, in the bag, for any Electro fanatic!
Jennifer Lovelesss 2023 anthem Pleasure gets twisted with three dynamic reworks and a dub mix, taking the original vision into new sonic territory. Parisian DJ / producer extraordinaire Bambounou pumps out a jackin version to fire things up. Next up, the Lisbon-based veteran tINI gives a nod to old-school electro in a fresh bass-heavy offering. The EP is rounded off with an Indubm-3ntal mix by Loveless and label bosses Sleep D venturing into dubbed out techno territory, layering deep, atmospheric textures over hypnotic beats. Together, these remixes take the original to new heights, bringing pure pleasure to the deepest and darkest dancefloors.
The first record in a new series of VA releases from Mechatronica, Constellations Vol. 1 features Zeta Reticula, LUZ1E, Serge Geyzel, Aura Nox, Vertical67 and Ufaze.
Zeta Reticula, LUZ1E, Serge Geyzel, Ufaze, Vertical67, Aura Nox
This is our third album under the alias html_. With each project we undertake, we strive to explore new sonic territories and create truly authentic pieces. Over the past few months, weve experimented with different recording techniques, and in this album, youll find tracks created 100\%\% in one shot, directly from the machines, modulated live. Other tracks follow our classic approach, where we record our machines into the DAW and start building from there. Find your favorite track, and we hope you enjoy this release. Much love html_
Bristols Innate label is back with a first outing of the year and it returns to their various artists format with a mix of talents all making their mark. UK veteran Tom Churchill opens up with Unknown Unknowns (Edit), which brings plenty of fuzzy and lo-fi aesthetic to jacked up drums and spaced-out pads. Rai Scott then shows her class with Suasion that sinks down deep into immersive drums and is subtly lit up with simmering strings. Innate co-founders Owain K and Gilbert then hook-up under their brand new alias Curved Space and showcase their love of electro with Reverie, a dreamy cut that glows with nice celestial melodies and will have dance floors in a zoned-out state. Last of all its Lisbon mainstay Jorge Caiado who debuts with the chord-laced Floating Without Lifting, a sophisticated and serene jazz-techno cut that takes you to the stars.
UFC presents Cybernetic Implant, its seventh release, an EP where electro and cyberpunk go hand in hand with hardware equipment for a trip to an unpromising future. The Ep consists of six tracks, three originals mixes produced by Atico Corp. and three remixes by producers Hd Substance, 7053M4R14 and Robot City. In the three original tracks we find three different visions of electro where broken and sharp rhythms are mixed with bursts of synthesizers, atmospheres and samples that refer directly to less optimistic science fiction. On the other side we have the three remixes where each artist contributes their particular vision by reimagining the tracks in their studios directly from their hardware gear. Synthesizers, drum machines and hardware effects are once again invited to the journey. Welcome this time not to a credible future, but to a dystopian future.
PLOT embraces the dark side of aggressive rhythms in the service of the chaotic flow of electronic art. The EP features 3 original works and one remix from RLGN. Illegal Nobility production weaves an invisible threaded canvas, anyone who comes into contact with their sound remains forever wrapped in the field of rhythms,transforming and evolving in service of public alchemy of the infinite potential of electronic sound. The illegal clan at the moment remain unidentified. Rumor has it that they were hanged by the Spanish Inquisition long ago, and the bodies are just puppets controlled by the backstage of the highest order. PLOT is Pure unadulterated bass, with RLGN delivering a filthy and unforgiving thugged out remix of 3am Base.
Detroits Filthiest returns with his first ep on Motor City Electro Company in 7 years. Hell Hath No Fury is a action packed release with inspirations from the dark side of Detroits Filthiest. He brings his own unique take on electro and drum n bass tracks. 2+2 tracks that are dance floor ready to shake speakers and move feet.
DSK Records is thrilled to announce the release of the highly anticipated album USWATT by the renowned Barcelona based Egyptian artist, Raxon. Scheduled for release on October 4th, 2024. After releasing his debut album Sound Of Mind on Kompakt in 2021, this new album marks a significant milestone for both the artist and the label, being Raxons second album and the first album released by any artist on DSK Records. The album will be available in both digital and vinyl formats. Raxon, a luminary in the electronic music scene, with many successful EPs on important labels such as Cocoon, Kompakt, Ellum and Diynamic, he has once again captivated audiences with his innovative sound and masterful production. His new album USWATT features ten original tracks, each meticulously crafted to showcase his unique style and artistic vision. As Raxons second album, it represents the culmination of years of evolution and refinement in his music.
Body of Choice is a robotic yet soulful tune that combines an Elektro and Disco feel. It also fits in nicely with Burger Steaks recent Deep Breaks concept, Expect a ride! Mixed by Stefan Janson. Mastered by Alex Kruger
Burroughs (formerly Bud Burroughs) continues his evolution on Seventh Sign, with the singular Carl Finlow lending a masterly remix to an already formidable collection, marking another fine release on this storied imprint.
Objekt launches his new label, Kapsela, with a 10-year anniversary reissue of his lauded production Ganzfeld. An ambitious, evocative electro/IDM epic with cavernous drums and a riotously funky bass solo, Ganzfeld was initially released in 2014 on Leisure System as the B-side of Hypnagogia, a split EP with Detroit electro pioneers Dopplereffekt. It quickly garnered critical acclaim (including Track Of The Year by Resident Advisor) and amassed a cult following despite clocking in at 147bpm, a relatively unwieldy tempo for most DJs at the time. Given the seismic shifts in tempo and genre that have taken place in the 10 years since and the emergence of a new generation of producers with whom Ganzfelds influence has resonated, 2024 seemed like the perfect moment for a re-release. Commissioning remixes for the first time, Objekt enlists Djrum, who delivers a jaw-dropping 10-minute rendition which weaves through multiple genres and tempos with the cinematic flair of a short film score. Milans Piezo contributes a taut, prickly interpretation that builds tension at 80bpm before exploding into a cathartic double-time closer. Finally, US ambient artist Ulla fully deconstructs the original into a serene, undulating lullaby.
Years of Denials Suicide Disco Vol. 2 album is receiving a well-deserved remix treatment from some of the dearest and most important artists in their circle. Featuring The Hacker, NEVER & Maenad Veyl, Phase Fatale, Kris Baha, Velvet May, Codex Empire, Geistform & Years of Denials very own Supreme Low, some of the most influential figures in the genre are offering their unique takes on their favorite tracks from the album.
Crossed Paths explores the chance encounters and unexpected meetings that shape our destiny. Through six captivating tracks, Dirk Wiertz and Bitum bring together an essence that resonates with the twists and turns of our paths. Their distinct electro offers an immersive experience that encourages appreciation for the connections in our lives, inviting listeners to reflect on their own experiences of crossing paths with others. Format: Digital Catalog number: TWDIG03 Mastered by: Lloyd Stellar All tracks produced by: Dirk Wiertz & Francois Maitrejean Distributed by: EPM Music Artwork by: Rigas
2024-10-04 Urban Distortions
Avenue313, Gravitational Effect, Krypton 81, Synth Alien, Slaker, Dark Prophet, X-TRUDER, Fleck E.S.C., Jauzas The Shining, AE35, G13CK, Kim Cosmik, Jay Mass, Cybereign, Will Web, Pl_anet, Drox, Konerytmi, Lloyd Stellar, TECHcontrol, Darren J Horgan, Alavux
Alien Breakdance welcomes back D.Vices and brandroid to the label! With two driving Electro Breaks tracks, D.Vices brings back his signature acid electro sound to the label with "Charmed" and "Inquiry". On remix duties is none other than brandroid who delivers a monstrous electro bass remix! Both of these artists are no stranger to the Beatport top 10 in Electro (Modern, Classic, Detroit) genre and we at Alien Breakdance are ecstatic to have them back on board!
First ever EP Alchemistry from Kevalin transforms raw energy into a high-octane fusion of Electro and Breakbeat. Tracks with steroid-fueled bass and manic energy, fusing frenetic beats and basslines that hit like a jolt of adrenaline. The EP channels alchemical art of converting unrefined sound into captivating energy. Join her on this experiment where chaos meets creativity. Distributed by Label Engine - www.label-engine.com
In a world awash with fleeting musical trends, Bøneheads latest EP, titled Neurødivergent emerges as a beacon of raw, unfiltered electronic genius. This audacious release plunges listeners into an emotional labyrinth meticulously crafted by the experimental artist from New Delhi, India. Released on his homegrown label, Bøne.FM, known for its genre fluid approach, we can safely say you will not find any 2 releases that sound the same. Bønehead is constantly pushing the boundaries of music and art, as is the label, providing endless opportunities for experimental artists around the world that share his vision. Blending elements from trance, electro, breakbeat, and techno and taking inspiration from genres like progressive metal, he has crafted each track with a profound emotional experience, inviting listeners to embrace their own memories and offering a sanctuary where past and present converge. Speaking to a generation longing for authenticity, its impossible not to feel the echoes of countless nights spent on dance floors, where the music was more than just sound. The albums visual elements also reflect its emotional depth. Designed by HalfDiminishedSeventhChord its a metaphor for his exploration of the spectrum of human emotion and the contrast between the exuberant highs and the introspective lows. Artwork & Visuals by HalfDiminishedSeventhChord
Cleared, the duo of Steven Hess and Michael Vallera has re-emerged with Hexa, their sixth release and third for the Touch label. Steven Hess recorded sessions in the groups practice space, handing them over to Vallera, who in turn added his home recordings, mixing and manipulating them. The final product provides only the barest of hints to any instrumental points of origin, such is the extent of their intermixture. Hexa brings the listener interiority and depth, beginning with the slow build of the title track, where chiming details prompt a cycling drone. The Magnetic Bloom pulsations give way to granulated smears, while the well-named Time in Return plays with repetition and layering. The density in the tracks relents with 53S, a recording from a train station contributed by the field recordist Chris Watson. The spatial sensations brought by the clanking and creaking offer a respite of sorts before the accretion of processed magnetics resume on the aptly entitled Sunsickness. Clouds of static overwhelm the initial melodies of Ash. Pulses, bursts, and points of electronics breach the layered blankets and sheets of sound, as with the concluding track, Oval Waters. If you need to identify a genre locale, put Hexa on the side of the street where current electronic music lives. However you categorize the album, it is an absorbing listen front- to-back. Each track emerges with layers peeling and/or accreting and new details revealing themselves. [Bruce Adams, 2024]
Handing over the controls to well-known figure of the German and Georgian electronic scenes in the persons of .VRIL and HVL, our next installment finds the pair laying down a quintet of hybrid electro and techno weapons that sends us straight back to the heyday of Rephlex and like-minded visionary ventures. All in that stark contrast between ethereal spaciousness and steely, martial rhythms out the industrial spectrum, Far Field takes us on a voyage across the board, from breaks-heavy machine stunts to washed-out tapestries, via EBM-laced detours and junglistic maneuvers. Investigating the nexus zone between dance functionality and limitless escapology, it extrapolates both artists blends to further immersive, hypnotic effect. Taking over the A side, .VRIL gets the ball rolling with Lost Together, which sets the tone on a low-slung, nostalgia-drenched note; combining the syncopated swagger of downtempo techno with ambient-oid stasis and static-filled opacity. Like watching an all-metal sun sinking past the blazing skyline. Revving up the engines, Fnord feat. RYN conjures up a way more muscular arsenal of big-room-ready wares, from aggro snare salvos to anthemic synth kinetics, through that replicant-hunting kinda vibe. One to have the Saturn rings go hula hoop, with all woofers and brains in the vicinity melting in XTC. Shutting the A side off, We Believe returns to a lighter, more vaporous mindset but sure implements that signature heavy swing of .VRIL, flush with textured kicks and FX-soaked arps. True monster prog swell. Flip it over and theres HVL dishing out a textbook example of his vortical electronic furls with the title-track, Far Field - an oneiric drift that slowly rises from its heavy-lidded slumber, ascending towards bleepin n bloopin experimental effervescence as bars fly by. A number bound to hack your body and mind into two distinct facets, and while one dances its way frantically across the ever buzzing space/time continuum, the other shall reach a state of healing calm and transcending ubiquity. Smoothly shuttling us off to the upper layers of the ionosphere, Lancet Mxi clenches it on a trippy note, taxiing us midway zero-G UK bass territories and eerie ambient abstraction. HVLs total, widescreen vision at its most unhindered, all set at expanding your mind to yet uncharted horizons of sound and closing the gap between two distant, estranged galaxies. A fractured headspace to both dance and dream to.
High-bpm 5-tracker of sinister futurism and leftfield electro. No Evil in Me marks the second release of Son of on Digital Empathy. Enter a future world where pixels bleed emotion and empathy becomes currency. Analog machine-beats, with entropic whole-tone melodies, that are as unsettling as they are hypnotic. For those seeking non-conventional Detroit influencedelectro.
Co-Accused return for their second release of 2024 with a hand picked V/A sharing sounds from some of the labels favourite electro and techno producers. Underground legends and fearsome up-and-comers come on board to the Glasgow based label with Lukes Anger, SOD-90, Steve Allman, Mal_Hombre and Parand delivering tracks. CR006 VA is selected for the dancefloor, tried and tested in Co-Accused's own DJ sets. Lukes Anger launches the EP with some up for it wonky business in Choplifter. From one of the masters of the wonky techno sound Lukes Anger continues in full form with his tight yet askew playful beats. SOD-90 comes in next with Saving Up For Botox with his fearless punk take on the electro sound - his own brand of high intensity atmospherics mixed with distorted synth lines, vocals and kicking breaks. Cultivated Electronics Steve Allman leads the B Side with This is Not A Dream calling on driving hoover bass and haunting synths in classic UK electro style. For the B2 Mal_Hombre takes the EP down a deeper and more spatial path with Triangulation with delicately detailed and propulsive techno, a long time friend of the label whose debut album Andromeda Outpost released on Jeff Mills iconic Axis Records. Topping the whole thing off Berlin based producer and Avoidant alumni Parand delivers the final hit with Bloc - a powerful, pitch black, driving heads down moment.
Turkish producer Ongun Tütüncü distinguishes himself as a highly innovative and versatile electronic music artist. Throughout his successful DJ career, Ongun Tütüncü has skillfully blended Chicago, Deep, and Tech House with other genres. As a producer, Ongun has created several chart-topping Electro tracks. His artistic career continues to rise, with his latest work leading to a contract with Munich-based label ZEN DNA, which Beatstats ranks among the all-time top labels in the electro genre. ZEN DNA, renowned for its roster including artists like Lazarusman, Stanny Abram, Creasol, Utilizer, Red Led, D.Vices, and Art Was Art, regularly receives support from legendary DJs such as Laurent Garnier, Carl Cox, Dave Clarke, and Timo Maas. Onguns latest 2-track release features Are We Dreaming and My Friend, aligning perfectly with ZEN DNAs forward-thinking musical direction. Operating within flexible genre boundaries, Onguns creative output, while rooted in electronic instruments, delves deeply into human emotions and the richness of contemporary experience, forming a cohesive conceptual whole of timeless value.
Shock finds U.S. artists Angel Alanis and Maria Goetz exploring the intersections of electro and techno. The title track combines elements of classic Detroit electro with the jackin attitude of Chicago house and techno, resulting in a fresh sound that we absolutely love. For the b-side, Angel and Maria team up with Jack Colemans D.Vices moniker to deliver a growly electro tune titled The Best Way.
Acid Coalition 3 contains 25 artists and 28 acid tracks! Acid Coalition 3 contains a variety of acid styles. From Acid-Techno to Acid-Electro/break. From deep to raw to English style. So check it out! According to many, this is already the acid compilation of 2024
Chihiro Hikari, Acidulant, Citric Acid, 3hx, G303, Akkaelle, 303 Vision, Johnfaustus, DJ Wank, Biam, Carara, Sour, Paul Renard (NL), AXIS3340, Jerzz, Electrodiagnostic, VNDM, Dima Gastrolër, SAMOH, Primity, Sarufaromeo, Oliver Kalte, Blurred, EKATA (UK)
Zygimantas Dzikevicius aka 5ZYL hails from the vibrant urban district of Pasilaiciai in Vilnius, Lithuania. Since embarking on his musical journey in 2007, Zygimantas has been deeply influenced by the raw energy of old-school rave, breakbeat, and techno. His early work focused on crafting dubstep and jungle tracks, earning him spots as a dj at various underground parties and open-air events, including the renowned broken rhythm sound festival, Satta. In late 2019, he adopted the alias 5ZYL, a name that quickly garnered attention from influential figures such as Jensen Interceptor and local talent scouts from PPP and PZ Records, leading to a series of acclaimed EP releases. After five years of intense exploration and innovation within the electronic dance music scene, 5ZYL is set to unveil his highly anticipated debut album Reese Dreams. This LP represents a culmination of his creative journey, meticulously crafted to showcase his evolving sound. The album is presented in two distinct sections: the first half delves into the intricate world of broken beats, while the second half transitions into a high-energy powerhouse experience. Reese Dreams is not just a collection of tracks but a testament to 5ZYLs unique artistic vision and his dynamic approach to electronic music. More information at www.partyzanai.com
Drawing inspiration from the eternal concept of transmutation in alchemy, this V.A delves deep into the intricacies of human existence, exploring existential daydreams and everyday struggles. Each track serves as a journey through the essence of our being, capturing the evolution we undergo through the challenges we face.
Trajano, ãdre, Alex Nunes, Delusional Luy, Electric Dreams (BR), Fr_nza, InVertida, Minos, Rebel Chipset, SCHRIKER
BEREZAs Acid Slug EP brings the heat with his fusion of old school rave and raw stripped back acid tinged breakbeat. The producer has a clear admiration for punk,hardcore, and the 90s rave scene which shines through much of his tracks. The EP is stacked with 2 remixes one from label boss Buzz Kill and the fantastic Nite Fleit.
BEREZA, Петар Мартич, Buzz Kill, Nite Fleit
"Water In The Moon" marks the highly anticipated album release by Dsum. Following his last album in 2022, Dsum unveils a 12-track opus meticulously crafted to explore the boundaries of electro sounds, oscillating between experimental ambient and Detroit techno. It represents perhaps his most musically rich endeavor to date. To be released under his own label, Back Door, his fourth album is the culmination of years of introspective musical exploration, tracing its origins back to the lockdown period of 2020. A tribute to the genesis of electronic music, "Water In The Moon" pays homage to Dsum's electronic roots while pushing the boundaries of sonic innovation. Drenched in analog warmth, the album boasts lush pads, expansive synths, and gritty 808 electro beats, crafting a mesmerizing mosaic of soundscapes that transport you to outer space. Every track showcases Dsum's production and electronic music expertise, with brief variations and instrumental snippets adding to a unified journey of auditory exploration. Distributed by Pressology - www.pressology.net
After 27 years, The Implant (aka Arno Peeters/Sp@sms) retruns to Phoq U, with more than one hour of weird and wonderful acid, electro and experimental techno tracks, including a stomping Assembler Code remix. This extended digital release has 4 bonus tracks compared to the vinyl relese. plus the original full-length version of 211 (KlingKlang).
Omni meaning all-encompassing is an apt title for celebrating over a decade of existence of Blue Hour Music. Marking the musical diversity and longevity of Blue Hours imprint, the Omni V/A series brings together a wide range of artists from the full electronic music spectrum, plunging into a pool of techno, trance, breaks and everything in between.
Spekki Webu, DJ Ibon, Tracing Xircles, Ryan James Ford, DJ MARIA., Levzon, Hasvat Informant, Matriark, DJ Ali, Newa
Dive into the life drama expressed through robots, with Spanglish dialogs and a cinematic atmosphere. In "Moksha Liberation Remixes," acclaimed electro producers like CREASOL, LLOYD-STELLAR, SACE2, and 5ZYL reimagine the original theme "Moksha," offering unique reinterpretations that will make you rediscover every nuance of this captivating musical narrative. EC13 adds the final touch with an exclusive version.
We proudly present the fourth edition of our electro series More Than Machine. Dance floor electro is the order of the day! Ten peak-time electro tracks produced by a great line-up of new school and long-established producers! These projects are our big passion, and we hope you enjoy this album as much as we do.
Christian Smith, Demetae, Stanny Abram, Robert Babicz, Diego Infanzon, Funk D'Void, Ian O'Donovan, Hertz, Shaun Moses, John Selway
deadbeat Records are back with an EP from Dawn Razor. Five tracks of varying styles, including a rare remix from the elusive Kovyazin D. EP title track Sixteen is an ethereal affair - designed to sweep you away on a wave of joyous confusion. One for the twilight hours. The A2 is a remix of Sixteen by veteran producer Kovyazin D - a chugging electro house banger which you can expect to be hearing lots over the coming months. Panomatic Mono is a rumbling breakbeat affair with bass that will knock your socks off, while Good Old Days chugs and sputters its way into the wee hours. Last up - the digi-only track Mark Stout is a nod towards the early 00s sounds of Vitalic and International Deejay Gigolos.
DifferentSound 27th release first trance is presented. "The First Series of Trances" Curated by Pate Jaar, featuring various trance tracks. The album is notable for its unique soundscapes and intricate production techniques. This compilation boasts four tracks, each a testament to the label's commitment to pushing the boundaries of sound. What ties these tracks together is their unwavering dedication to crafting captivating melodies that linger in your mind long after the music ends. Coupled with strong, groovy, and hypnotic rhythms, every track on this release invites you to surrender to the dancefloor. Thanks to jadzia, Pire Meilleur, SINIC and Alex Gordiy for their contribution to this project. Artist: Various Label: DifferentSound Catalog: DSTVA001 Format: Digital Genre: Electronic Style: Techno Release Date: July 15, 2024 Mastered by Paul Mac. Curated by Pate Jaar.
101 Pulse Breaker is a hard-hitting Electro-Ghetto Tech ride, packed with aggressive acid basslines and sharp, crushing beats. Across five tracks, Adi Yair crafts an intense, energetic sound that is raw, powerful, and designed to mess with your mind. Distributed by Label Engine - www.label-engine.com
2024s first multi-artist release brings the heat with a diverse collection of Bass, Electro, breakbeat, and Drum & Bass tracks. This compilation merges both established and rising producers, offering a cutting-edge snapshot of global dance music and rave culture, set to ignite music lovers passion worldwide.
Dawn Razor, ArcheTech, Slutty Tati, Inuza, Noren, PanicMan, Neida, Mesmerist, Kwake, Grave, F-Word, Fleisher, Jenasi, HAZY BLADES, Яблочко Зелёное, Pivaas, LOCAL CODE, P.92
German artist Martin Matiskes start in music came at the hands of the legendary DJ Hell, who invited him to his first DJ gigs in 1999 at one of his Gigolo label nights in Munich. His own productions, inspired by early electronic pioneers like Kraftwerk and Jean Michel Jarre, soon followed on International Deejay Gigolo Records, as have many more since on Frustrated Funk, Bordello A Parigi, Moustache Records and Central Processing Unit. Matiske has had high-profile support from the likes of Dave Clarke and Helena Hauff, and this new EP for Brooklyn-based label Melodize is another one that will surely find wide acclaim. The fantastic Moments opens up with ice-cold snares and drum sounds that are backlit by celestial pads as retro-future synth work brings colour to this catchy and optimistic proto-electro groove. Moments then gets a sublime remix treatment from the prolific and endlessly creative Legowelt, who has explored every different style possible under a myriad of aliases on a range of cult labels like Clone, LIES and Crème Organization. The Dutch maestros superb take on Moments is an astral electro workout with killer acidic lines, squelchy bass and daubs of psychedelic colour. On the flip, Dimensional Space Travel is another cinematic electro journey that taps into the motorik tick of Kraftwerk with distinctive melodic phrasings, forming a playful call-and-response with the background chords. Closer Analogue Being taps into early electro with lovably tinny rhythms and sugary, pixelated analogue chords that bring a sense of nostalgia and ruefulness.
Dekmantel Ten is a mirror of Dekmantel Festival. The 7x12 boxset includes seven records that mirror the seven stages to be found at the 2024 event, their 10th edition since 2013. The tracklisting isnt rigid some of the musicians gathered here have in fact played at most of the available stages but like a Mobius strip looping round, or a cat-and-mouse game, its not hard to discern a symbiotic relationship. Split seven ways, DKMNTL100 is a testament to the art of curation and the importance of quality control. At artist level, Dekmantel Ten finds room for several artists including Karenn, Jeff Mills and Marcel Dettmann who played at the very first Dekmantel Festival in 2013, and are by now impossible to detach. The Loops disc contains names whose stories have dovetailed alongside the festival, concluding in memorable headline moments: Young Marco, Palms Trax and Alchemical Sisters, aka Eris Drew and Octo Octa. Widen the lens and youll find history from across the landscape: the laboratories of professorial techno (Dasha Rush, Steve Rachmad, DJ Nobu) and gilded halls of house (Steffi, Luca Lozano, Bufiman); varied soundsystem icons (Kode9, Adrian Sherwood, DVS1) meeting limelights of contemporary Amsterdam (upsammy, Identified Patient, Zohar); as well as the modern conduits channelling decades of outernational vibrations (Nick Leon, BADSISTA, Animistic Beliefs, Veracco and a great many more). All 44 artists presenting exclusive material are indispensable into the Dekmantel story to date, and no doubt make up future developments over the horizon. That goes for the areas, too: Because while the seven stages found at Dekmantel Festival are individually resonant enough that they could become splinter festivals in their own right, its that union which lends the core festival its strength.
Young Marco, Palms Trax, Alchemical Sisters, Masalo, Call Super, Amaliah, Steffi, DVS1, Interstellar Funk, Roza Terenzi, Luca Lozano, Peach, Sterac, JakoJako, DJ Nobu, Talismann, Dasha Rush, Kode9, Verraco, Nick Leon, Bufiman, Adrian Sherwood, Ramzi, Identified Patient, Simo Cell, Linapary, upsammy, Toma Kami, RHR, BadSista, Introspekt, Karenn, Zohar, Lee Gamble, Animistic Beliefs, Aquarian, SKY H1, NVST, Marcel Dettmann, Wata Igarashi, Spekki Webu, DJ G, Aurora Halal, Polygonia, DJ Python
Grow, Cyborg Rhetoric, and Jasper 303 have returned to the Pangeria Galaxy to continue their exploration of the interstellar mycelium network using their spore drive technology. For CHP Recordings 50th release, they have shared the sonic record with us once again.
Having built a cult following with his live hardware performances and releases on Orson and Varial, Ninechecker disembarks for a solo EP displaying his versatility. The blistering A Very English Wind opens procedures, followed up by the evocative gliding dub of Antennas. On the Bside, shifting gears again with the Rephlex-informed menace of Curtain Twitcher and closing with the lush, woozy cassette ambiance of Proposal. The digital release includes an exclusive track, Turn My Lungs To Ice.
Spanish artist Calagad 13 brings the noise with his CHP debut Matraka. This dance floor ready weapon, accompanied by a dub mix, is perfect for every hour. Cyborg Rhetoric delivers his signature dark style with a remix and dub.
Original, sharp, and with a highly consolidated artistic and sonic signature, dedicated music producer Drama.efx is an indisputable reference when it comes to Electro. Based in São Paulo , Brazil he brings 5 electro tracks for his first release on Massa Records
An esteemed academic, producer and artist, DJ Freakuency presents the Scumklub™ EP, Criminality. Each track contributes unique sonic tonalities to the overall musical dynamics of the EP. From start to finish, all tracks contain efficiently executed experimentation with composition, arrangement, sound design, audio production and electronic music studio skills. Superior in quality, sound and style, these five floor-filling tracks are ready to be used in the office, club or home. Criminality includes remixes by Australia's Jensen Interceptor, South America's DJ これからの緊急災害 & a stellar bonus track by Irish electro veteran, GUS. Welcome back to Scumklub™.
It's the final release of the eight-part Astra Spectra series featuring none other than label co-founder Syrte with a powerful 6 track EP that traverses the space between IDM, Electro and something else. Included is a collaboration with Science Cult co-operator Aura Nox. Pressed on a limited run of blue translucent vinyl, the colour and name of the EP correspond to Iron on the Fraunhofer Absorption Spectrum of our sun. Stefan Weise aka Syrte envisioned the Astra Spectra series as a celebration of mankinds vision for space exploration, past and future, while also expressing a love for space science, science fiction and the spirit of discovery. Each release in the series is representative of a color frequency in our suns absorption spectrum and the element which is represented by that, hence the name, which means Solar Spectrum. www.sciencecult.com
Munich-based label ZEN DNA proudly unveils the latest two-track release from Slovenian producer Stanny Abram. Known for his innovative approach, Abram continues to redefine electronic music, blending Electro, House, Techno, and Tech House with remarkable versatility. Reflecting his upbringing in post-communist Slovenia, Abrams music transforms historical traumas into powerful soundscapes. The tracks "Parole" and "Space & Time" explore futuristic themes and hypnotic atmospheres, driven by expertly crafted drum patterns and meditative vibes. "Parole," meaning "words" in Italian, features a futuristic industrial base complemented by a warm female vocal narrating in Italian, a nod to Abram's influences from Italian radio and music. Growing up in Slovenia, where the music scene was less developed, he turned these limitations into strengths, becoming a significant name in Electro music. In contrast, "Space & Time" needs no translation, showcasing Abram's distinctive production style and intuitive grasp of technology. Experience the groundbreaking sound of Stanny Abram's "Parole" / "Space & Time" and discover why he is one of today's most creative artists.
Ten years after his first full-length effort 'Man Is Deaf' landed him firmly in the runnings for DJ Mag's album of the year, prodigal son Michael Anthony Wright AKA Brassica returns to Civil Music with a deeply accomplished, painstakingly whittled LP of hydraulic electro slickness, rich synthscapes, and hooky, peak-time tearjerkers for the most discerning front-left lifers. 'Tribeless Gathering' is a barnstorming testament to Brassica's stylistic and timbral deftness, touching down in the elusive epicentre of the club/home listening venn diagram with ease. From the elastic, neon acid pointillism of opener 'Hop Kweng' to the mardy, miasmic plod of closing chugger 'Changa Hill', Brassica seamlessly segues between avenues of influence, his notoriously omnivorous musical knowledge roadmapping each turn. Raised on a diet of everything from early rave standards to metal, and schooled in avant garde sonics as a student of sound design at LCC, Brassica does a peerless job of sublimating his countless influences into a record of refined, heterogeneous, and most crucially, catchy, club moods. Less spartan than his more recent oeuvre on Feel My Bicep, and less baroque than his technicolour experiments in postmodern synth pop with vocalist Stuart Warwick, Tribeless Gathering represents Brassica's triumphant return to the main room, replete with rushy hooks primed for the planet's finest soundsystems, and passages of heads-down tension bound to draw listeners right to the edge of their seats. Overall it is a concise and refined testament to Wright's command of spectral sonics and effortless ability to pressurise a dancefloor. It is no surprise that he has also worked as a prolific mastering engineer, tuning music from a plethora of dance disciplines for maximum club impact. This work extends to his own projects (including this one), cementing them as rare expressions of complete artistry from studio to turntable. As we delve deeper into the record, we are ushered through a series of accomplished and varied club moods, each channelling a unique cocktail of influences, but retaining a warm, ebullient analogue sensibility unique to Brassica's work. This playful scope of influence calls to mind James T Cotton or Machinedrum's experiments in dance music form, but Wright manages it all under one roof, wrangling everything from sashaying wub-laden two step to snarling Dillinja-esque FM damage into something inherently his. Choice cut 'Change Yourself' layers an almost Cerrone-like piano refrain over radiant surges of saturated bass, dubby, strobing chords and a jagged, driving break, building to a jaw-clenching apex of dancefloor elation, while the rude, playful half-step of 'Elevation' breaks down the vintage speed garage formula into linear fragments, utilising a tight palette of resonant bass slugs, infectious synth leads and Papua New Guinea-style vocal strobes. The aptly named 'Hold Tight' fuses heart-in-mouth UK 'ardkore pads with glissando acid disturbance and surgical snare fills in a formula which recalls the ethereal grit of Nubian Mindz' 00s experiments in big-smoke break science, while the questing melodic arcs and arpeggiated squarewaves of 'Pinball Marinara' could easily have soundtracked an 80s sci-fi epic, beset with sparkling, bare-bones drum programming and hazy beds of sub sediment. With 'Tribeless Gathering', Brassica both irreverently fuses and pays homage to the many unique and weird permutations of UK dance music. The short lived gathering of junglists, ravers and house hotsteppas of a similar name may have long since dissipated, along with the tribes themselves, but across these 11 tracks, he lays a blueprint for a new sound of togetherness.
London based label Natural Selection mark the beginning of their new 'Selected Works' series with an exquisitely curated 38-track VA compilation, which brings together some of the most respected names in the worlds of Techno, Electro, IDM & Industrial Electronica, including SHXCXCHCXSH, N?rbak, The Advent, NX1, Charlton, MAEDON, Somatic Responses, Plant43, Annie Hall & more. Together with all the artists involved in the project, Natural Selection show their solidarity with those suffering through the humanitarian crisis in Palestine by donating all profits from the release to the PCRF (Palestine Children's Relief Fund). Great efforts have been made from everyone involved to come together and support this vital cause. Natural Selection are well known for bridging the heavier spectrum of Techno, Electro, IDM, Acid, etc. with new, experimental style and form. One can always expect the most cutting-edge, hard-hitting, underground electronics via their releases and also their regular label nights, which have gained notoriety for daring lineups and extreme diversity in sound.
SHXCXCHCXSH, NX1, Charlton, Tremor, Uun, ASEC, HMMND, Mist Gasp, Rommek, NØRBAK, The Advent, Radial, Operator, Hiroaki Iizuka, Ryuji Takeuchi, HIRT, Kodah (UK), NEMRAC, Plural, Monya, Maedon, Andrømeda, Cailin, Duellist, Acidic Male, Swarm Intelligence, Somatic Responses, Scald, Jadzia, Shun, EKATA (UK), Alex Jann, Obzerv, Annie Hall, Plant43, Blixaboy, Noamm, Ivna Ji, The Subdermic, Rough, Mina Lord
Techno legend Umek debuts on Science Cult under his electro moniker Zeta Reticula. Four high powered electro stormers lead the charge supported by a dark, pounding remix from Germanys Tag & Wandrach and a weapons grade Electro / IDM remix from label founders Syrte and Visions Of Glosters.
Break 3000 present this special vinyl re-issue of some much sought after Electro Clash classics from the period 1998-2003. Available now on limited Red Marbled Vinyl for the first time again since almost 25 Years ago! After the fast selling Emolotion EP on Italys Mondo Phase imprint and the The Rise of Poseidon 1 on the Argentinian label Calypsos Dream released last year we present you the final chapter of the early 00s Electro and Electro Clash gems produced by Break 3000 while living in Maastricht and Cologne. The first track is a remix made for the legendary Pocketgame label from Germany in 2003 that was run by Maru & Comix, released on the We Are He-Man EP by STR & Tim Tycoon that also featured a stellar Legowelt remix. This one is an absolute belter of a track and to this day is one of Break 3000s favorite tunes he ever produced. Followed by the cool, dark and Cold-Waveesque Electro cut The Wait that was released on a massive Compilation on Pocketgame that same year called Bonuslevel One North and South with such amazing artists on it like Steril, Ladytron, Mutron, Nitsch and Gleinser, Hong Kong Counterfeit and of course the label heads Maru & Comix. The B-side looks back in time even further. Electric Blue and Spacemachinenreise were released on Meuse Muzique from Maastricht and were on the Maastricht-Liege EP and the Electric Kingdom EP from 2002 and 2003. Lastly Lectrolite #2 was released on a one-off vinyl release on Break 3000s own Casa Nova imprint in 1999. And especially this tune marked the start of his Electro endeavors the following years. So get your hands on these fine tunes once more with this special packaged and limited re-release. All tracks have been carefully re-mastered from the original tapes and sound better than ever! Play it LOUD! All tracks are re-mastered by Salz Mastering in Cologne. Music, Photography & Art by Break 3000.
Artist: DMX Krew Title: Brain Mutants EP Label: No Static / Automatic Release date: 21/06/2024 Format: Vinyl & Digital Cat No: NSA007 Tracklisting: A1. Mutated Brain Process A2. Electric Mutant A3. Non-Euclidean Coordinates B1. Tunnel Mutant B2. Depressed Mutant Brains rule for the next No Static / Automatic release as the hyper-prolific DMX Krew presents five new tracks of laser gun acid, bleepy electro and mutant tunnelling techno on Brain Mutants EP. NS/A could not be more honoured to bring DMX Krew to the label, hugely influential in UKs electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. Theres over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond. Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor. Buy: https://ara-u.bandcamp.com Website: www.nostaticautomatic.com Instagram: @nostaticautomatic
PRZ comes to Sync 24's Cultivated Electronics with his first double album "Lost Art". In the ever-evolving realm of electronic music, where sonic innovation is the currency, PRZ (Gal Perez) emerges as a luminary, crafting sonic landscapes with a distinct style that blends intricate rhythms, ethereal melodies and pulsating beats. As a producer, DJ, co-founder of the Chateau Royal label and Pluto Junkies member, PRZ has spent the last decade shaping his sound and releasing tracks on some of dance music's most respected labels including Clone West Coast Series and Hilltown Disco. With a boundless imagination and unwavering commitment to sonic exploration, his "Lost Art" release is a fully-formed album rather than just a collection of tracks, opening with the atmospheric intro of "Introvert", before the playful sonic antics of tracks like "Lazerton", "Lost Art" and "Voice Over". Other tracks bring pure Electro darkness like "Velocity Shift" alongside the ElectroTechno of "Time To Decide", the EBM-esque "Azaya" or the retro funk of "Back From 89" - all primed for dance floors, before closing on the melancholy "Miss You".
Legendary electro producer Carl Finlow makes his return to Science Cult with a 2x12 LP on white vinyl. From start to finish Plasmoids delivers with expertly crafted electro. Mr Finlows production skills are present across a variety of styles from the cyber funk inspired Trimonogogo to the retro-styled Relic. This is an album not just for fans of Carl Finlows work, but a showcase of electro at its finest. www.sciencecult.com
One of the most prolific electro artists of his generation, Boris Bunnik aka Versalife, returns to TRUST with an exceptional soundtrack for the cataclysmic times we live in. As neofeudalist power structures solidify around us, Versalife's tracks remain in constant flux. Subtle tonal shifts and undulating synth currents create tension and beauty while crisp machine beats provide the clockwork rhythm for humanity's march into the singularity.
Chip Stress 13 contains 3 original electro tracks. The EP kicks off with the acid-infused A track, where Stahl expertly manipulating the knobs of the 303 while Erhalder has reedited the jams elements to form a cohesive and dynamic track, stressing the old 808 drums with a bit of saturation. The second track offers a blast from the past, originating from a 2003 jam session and polished to meet 2024's sonic standards — now shared with the public for the first time. Concluding the lineup, the third track introduces orchestral stabs that build dramatic tension over the smooth, pulsating rhythms of 808 beats.
Having been a part of the label since its inception, Soft Collision's debut on Artificio continues the narrative begun with Imago, his contribution to the compilation Ficciones. Asterismo is a collection of five spatial, subtly acid-tinged, electro-infused tracks meticulously constructed with evocative melodies and basslines. From the eponymous opener to the bass-inflected Conmocion, each track evolves organically, filling unseen voids with a harmonious blend of synth interactions and dynamic rhythms.
Lord Jalapenos explores the human machine with his debut Vinyl LP on Science Cult. Inspired by cyborgs, science fiction and real life experiences, Lord Jalapenos' IDM informed Electro vibe is on full display here with pounding rhythms, dark and sweeping bass lines and his signature bit reduced sound. Featuring artwork by @gretahaga_
Having been a part of the label since its inception, Soft Collision's debut on Artificio continues the narrative begun with "Imago," his contribution to the compilation Ficciones. "Asterismo" is a collection of five spatial, subtly acid-tinged, electro-infused tracks meticulously constructed with evocative melodies and basslines. From the eponymous opener to the drum and bass-inflected "Conmocion," each track evolves organically, filling unseen voids with a harmonious blend of synth interactions and dynamic rhythms.
In 2024, ZEN DNA celebrates its tenth anniversary with a series of noteworthy releases. The Munich-based label entrusted catalog number 50 to Art Was Art, whose productions have played a decisive role in the resurgence of the global Electro scene. After Art received the proposal to take on this honor, he dedicated weeks to working on a project for this once-in-a-lifetime release. The Final Destination' addresses the current state of the world while symbolizing the culmination of one phase of creativity and the dawn of a new era for this exceptional producer. In numerology, 50 signifies positive changes, spiritual awakening, and fresh starts, qualities reflected in his outstanding work, marking a pinnacle in his career. His sound seamlessly blends the future, present, and past into a timeless material. Through 'The Final Destination,' his creative journey merges seamlessly with the label's vision, symbolizing a harmonious union of artist and platform, marking a pivotal moment in both narratives.
Radioactive Man & Ben Pest deliver their 2nd EP on Asking For Trouble. 4 Trax of ravey acid vibes for the dirty dancefloor. Both have been doing their own live sets across the planet, the trax reflect this in the way these were built. Contrary to the EP title, you do actually want this in your house.
Stasis returns to De:tuned with 7 unreleased tracks from his archives for the Time Sensitive LP. Legendary UK techno pioneer Steve Pickton compiles a stunning collection of DAT tape excerpts from the Otherworld studio sessions. Recorded between 1992-1996, this collection represents the peak of the Stasis sound. An in-depth masterclass of emotive techno and simply a must-have for any true techno enthusiast. Mastered by Matt Colton at Metropolis. Al White created all the graphic work. A separate digital release will also be available at the usual digital shops. Stay tuned!
Welcome to the exhilarating realm of Stanny Abram's latest creation, 'Revenge of the Proteus EP,' proudly presented by the esteemed AREVILO Records label! This EP is a captivating fusion of pulsating electro rhythms, driving basslines, and soul-stirring vocals, promising an immersive journey into the depths of electronic music. AREVILO Records