Top 100 Chart placements for Downtempo
Updated 10 hours ago
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Every Day Magic News showcases Nyvs evolving sound - synth textures, atmospheric layers, and emotional precision. Each track captures a different shade of everyday magic, transforming simple moments into musical stories. With strong originals and a diverse set of remixes, the EP highlights Tellels collaborative spirit and artistic identity. Sazon – A slow, downtempo electronic journey driven by a pulsing groove and airy synths. In the second half, a dramatic electronic-guitar line emerges, intertwining with the rhythm to create a hypnotic, cinematic experience. Xonku – Slightly faster, blending subtle dub chords with delicate, bird-like melodies. Dreamy synths and a soft late-night atmosphere create a warm, spacious soundscape where melody and rhythm flow together seamlessly. Xonku (Somko Remix) – Transforms the original into a vibrant, danceable 110 BPM groove. Somkos signature approach balances organic and electronic elements, creating a positive, uplifting reinterpretation. Sazon (Altriparty & Hypsidia Remix) – A lively, inventive take on Sazon. Energetic and danceable, with a surprise accordion entry in the second half that elevates the track into something truly unique. Sazon (Im Mady Remix) – Slows the pulse down, offering a deep, groovy reinterpretation. Warm chords, expressive synth bass, and rhythmic interplay with the original percussion add soulful depth to the EPs narrative.
After years in the making, we are proud to finally present Cosmovisio Sessions Remixed, featuring a beautiful lineup of remixers from around the world. Born in 2022 in Montreal, this initiative brought together an eclectic mix of local musicians and composers. Across seven studio nights of spontaneous, collaborative creativity, they crafted a 7-track album full of emotion and experimentation. We then had the pleasure of inviting remixers to expand this unique project into new spheres and dimensions ranging from Downtempo and Folktronica to Indie Dance, Chillrave and even Amapiano. The EP showcases a stellar remix cast, featuring fresh takes from Dan Bay, Air Horse One, Badwolf, Dad of the Year, Soble, Hajna, Nada, and Takue SBT. At its heart, Cosmovision is a celebration of human connection uniting artists under one vision.
Don Mescal, Soul of Zoo, Shaker Brother, Leohnart, nigan (qc), Nat Barrera, Swa Swally, SEVN (CA), Ra*faelle, Alradik, Caterina Infinity, OONGA, Ultra K, Guasá Guarriors
Tellel proudly presents Riders Remixes EP, a vibrant reinterpretation of Kermesse & Turu Anasis originals, delivered by three distinctive artists from across the globe. The original tracks have already made a strong mark, taking the entire Top 3 on the Beatport Downtempo chart, with One Day My Mouth Would Be a Trumpet holding the #1 position for quite some time. Now, these remixes open a new chapter, bringing fresh emotional angles while preserving the essence of the originals. Adrian Schneider reshapes One Day My Mouth Would Be a Trumpet into a calmer, more laid-back experience, keeping the essence of the iconic trumpet while surrounding it with deep, lush textures. Reworked plucks, a modified rhythm, soft pitch-delay details and modulated vocoder - treated leads create a warm and atmospheric space. A new rounded bassline, gentle piano patterns and delicate synth plucks complete this immersive downtempo reimagination. Akira Arasawa brings his Tokyo-driven modular approach to Diaries, crafting a happy and danceable version full of technological house vibes. Using his modular setup - especially the BASTL Softpop, currently his favourite machine - he injects the track with colourful motion, playful rhythms and a modern electronic spirit while keeping the emotional core intact. To Ricciardi takes Riders straight to the dancefloor with a driving, energetic club interpretation. Built on the grooves of a Roland SH-101, rhythmic layers from Diva and movement shaped through ShaperBox, his remix transforms the original into a powerful, forward-pushing ride designed to make bodies move.
Prayana is a sonic passage through the inner and outer landscapes of a human journey. Inspired by the Sanskrit word for travel, SiddEffects guides listeners across shifting emotional terrains – from quiet introspection to expansive motion. The EP unfolds further through four unique reinterpretations by estimua, Diereva, Im Mady and LangarDor, each artist opening a new pathway through the original composition. Together, they form a multidimensional exploration of movement, transformation and the many routes a soul can take.
Du fällst. Kein Boden. Kein Halt. Kontrollverlust. Aber ein warmes Gefühl im Bauch. Du fühlst die Energie von 1000 Schmetterlingen und umarmst den hellen Himmel. Glaubst du nicht? Musst du auch nicht, denn es ist eine Erfahrung – und sie ist das Gegenteil von einem Absturz. Du fällst. Kein Boden. Kein Halt. Kontrollverlust. Aber du schlägst nicht hart auf. Du fühlst dich schwerelos und stellst fest: I Fell in Love! Schöner kannst du nicht fallen, wenn du es schaffst, dich fallen zu lassen. Glaubst du immer noch nicht? Es ist keine Frage des Glaubens. Es ist eine Frage der Erkenntnis. Dafür braucht es Mut! Es ist der Blick über die Kante, der Sprung in die Tiefe, die Öffnung der Käfigtür deines Egos. Es ist die Hingabe deiner Selbst. Liebe ist kein Flugsimulator. Du begibst dich in den freien Fall und das bedeutet Risiko! Wer fängt dich auf? Es heißt, Liebe verleiht Flügel. Doch du selbst musst die Schwingen ausbreiten und auch in Bewegung halten! Gegenwind, Turbulenzen, Sturm. Wie stark sind deine Schwingen der Liebe? Finde es heraus! Die neue EP von Lisa von Mond gibt dir schon mal ordentlich Aufwind und die Remixe von ple:xy und Lukas Endhardt verleihen dir zusätzlich Schub! Die gute Nachricht: Du bist nicht allein! Meeronauten Musik ist allerbeste Flugbegleitung! Dann die
Paul Murphys Claremont 56 label welcomes a genuine legend of UK music to its roster - Chaz Jankel, the man whose dizzying musicality and love of soul, funk and disco did much to shape the sound of Ian Durys Blockheads band in the late 1970s and early 80s. A virtuoso keyboardist with a deep love of Black American music, Jankels arrangements and compositional skills were key to the success of their records, the funkiest of which not only became crossover pop hits - see Hit Me With Your Rhythm Stick and Reasons To be Cheerful, Part 3 in particular - but also saw heavy rotation in now iconic New York clubs including the Paradise Garage and Studio 54. This continued during the formative years of his solo career, with My Occupation, Questionnaire and Glad To Know You (later famously re-edited and dubbed out for nu-disco dancefloors by Todd Terje) all becoming club hits. The great Quincy Jones also covered Jankels infectious single Ai No Carrida, while experimental, club-ready synth-jam 3,000,000 Synths was also influential during the early years of the electro movement. For his Claremont 56 bow, Jankel has delivered an all-new workout recorded earlier this year, the simply titled Rhumba Jam. A typically warm, groovy and rolling affair, it features Jankel delivering infectious, stretched-out Rhodes electric piano solos over toasty bass, clipped guitar licks, warm bass, accordion-style synth motifs and a densely layered Rhumba rhythm. While relaxed and sun-soaked, it also has bags of Balearic dancefloor potential. Murphy remixes under his now familiar Mudd alias, leaning into the tracks languid Balearic vibe while keeping a firm focus on the dancefloor. Beginning with an enticing mix of metronomic drums and jangly acoustic guitars, Murphy slowly layers up key elements of Jankels original - think rubbery bass, rhythmic handclaps, mazy synth sounds and those wonderful, stretched-out solos. Its a version that pays due reverence to the quality of Jankels musicianship, production and arrangement while subtly extending it and reframing it for 21st century Balearic dancefloors.
Citizens of Vice proudly return with release number 60 a record thats been in the works for quite some time. This latest EP comes from Bali-based DJ/live outfit Gold Suite, marking a fresh shift in their sound and style. Well let Gold Suite tell you more about it below. These two tunes were written back in January, when after a busy December of night-time DJ gigs, we were really needing to sink our teeth into something other than house and disco in the January downtime. I started to get interested in 70s library music, loving the idea that these tunes were thrust into existence in a matter of hours, to then take on a new, long life as a fundamental part of something bigger. I had in my mind the idea of composing incidental music for a resort that was lost in time. Laura was learning to play the bass guitar at the time so we got to it. Analog Swell was recorded very quickly, originally with a drum machine that was later replaced with a mono drum kit. Coast Along came later, and was the first Gold Suite recording with vocals. This felt like a real turning point, as these simple compositions could suddenly become so much more evocative. Simple, no frills, and mixable if you really want to. We hope you enjoy them. Joey & Laura (Gold Suite) The EP will be released on Citizens Of Vice on Nov 7th and is completed with remixes from Idjut Boys Dan Tyler and Sheffields finest Yarni.