Top 100 Chart placements for Breaks / Breakbeat / UK Bass
Updated 10 hours ago
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A deep voyage into the vast and intense productions of Dawn Razor & Confluence. Authentic in every way yet paying homage to the classic sounds of techno and electro we all love. The two producers clearly have a profound understanding of the genre—their maturity and experience shine throughout the EP as they lead listeners into uncharted sonic territory. Resist is mesmerizing, captivating attention with edgy grooves, an undercurrent of psychedelia, and undeniable sex appeal. These murky, tricked-out productions are designed to transport dancers while making them lose themselves in the process. A true one-of-a-kind release, Resist highlights the dynamic tension between Dawn Razor & Confluence as they hone their signature bass-heavy sound, fusing multiple styles into something entirely their own. Pure class, pure heat. Remix duties feature two heavyweights. First, the iconic Jerome Hill delivers a classic rave-ready breakbeat weapon, re-envisioning Xanax with stunning vocal sample work. Finally, Doctor Jeep closes with a hypnotic, bass-driven head-banger—sexy, chugging, and deep into the night.
There is something exciting about creating a world and then populating it. Fashioning things as you would have them, rather than being constrained by an imposed landscape, or simply consuming without agency. And while art will always be limited by imagination, ability, medium and appetite, these barriers should be unconscious and ones own. Part of an individuals pool of expression rather than external restraints imposed upon them. We currently exist in an environment that is set up to gate keep what art is made and how it is consumed, and it is often far more attractive to stay within the confines of these accepted conditions, than cast out into the wilderness alone. But these are restrictions, in whole or in part, we can reject. Instead, free from the pressures of outcome, we must forge new pathways beyond this stale amphitheatre. We must reject homogenisation and allow our unconditioned voices to exist purely because we need them to…
Together with OneDa, dance icon Mason delivers a record as authentic as his legacy. With broken beats, organic pads, glitchy sound effects, and a fiery vocal that fuels rhythm and drive, Letting It Go guarantees a dance floor out of control.
For the 5th installment of the Breaking Bound series, Native Boundaries forges an arsenal of 15-track club weapons with the full intention of elevating the dancefloor. Reaching all corners of the world, the compilation reflects the diverse makeup of the artist roster through a wide range of styles and flavors, ensuring no tune is alike. Expect relentless groovers, rave anthems, and electronic madness encapsulated in electro, footwork, techno, breaks, and bass.
Theo Maurice, Footclan, Fourtwenty Sound, Grifter160 x Scarlett Star, Control Vertex, stone woven path, Jah-Jo, Lucid Distraction, Marcus Cato, Dike Disko, noRecall, RENTGENIZDAT, siiio, Silverback (UK), Hen.D, Shortage (UK)
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Ondamike, The Bass Droppers, DJ DIlect, Analog Hustlers, DJ Fixx, Thug Shells, PINGÜINO, J-Break, Dmoney, JDOUBLE, Baymont Bross, Rob Analyze, DJ MIRAGE, DJ Magic Mike, Dirty T
Best Intentions announces Inverse, a new 4-track EP from Melbourne-based producer and DJ; Pugilist. Marking his first release on the London imprint, Inverse sees Pugilist expanding further into the shadowy, percussive terrain he has become known for, merging future-focused techno, lo-fi industrial, and the energy of early hardcore breaks through his own atmospheric lens. The EP captures both the toughness of the dancefloor and the subtle experimentation that runs through his catalogue. A Scottish/Kiwi artist now based in Melbourne, Pugilist has built a reputation for stylistic range and rhythmic depth. His releases on Modern Hypnosis, Samurai Records, and 3024, along with the recent launch of his own imprint Ruff Kutz, demonstrate his ability to move across tempos and moods while maintaining a distinctive sonic identity. On the decks, he is celebrated for tightly curated sets, deep crates, and an array of unreleased dubs. Speaking on joining the Best Intentions roster and the inspiration behind the project, Pugilist shares: Stoked to be joining the Best Intentions fam with 4 x retro rave rollas across the hardcore continuum, from minimalist Techno, to smoked out Electro, to krusty Hardcore and Breaks. This EP is a mix of styles which have informed my production style over the years. It is great to be putting out music with a shared vision for giving back for a greater cause. I have been a fan of the label since its inception so jumped at the chance to do a 12. I will be donating my share of profits to the Asylum Seeker Resource Centre — a wonderful Melbourne-based charity for asylum seekers here in Naarm. They do wonderful work. https://asrc.org.au/ The EPs closing track, FKRY, a collaboration with POD, brings warped leads, stepping drum work, and old-school jungle tension into a modern, heavyweight techno frame. Proceeds of the EP will go to Asylum Seeker Resource Centre - a non profit organisation that provide a wide range of support services to people seeking asylum based in Australia.
Following the huge success of their comeback EP Gold Teeth, Mak & Pasteman are back on DEXT Recordings with the follow up Push It. The new EP sees the influential duo continue their resurgence with two heavyweight collaborations that reaffirm why their sound remains a cornerstone of the UK underground. The lead track, Push It, finds Mak & Pasteman teaming up with Denham Audio for a no nonsense club destroyer ,fusing tough as nails drums and low slung, snarling basslines, underpinned by a catchy vocal sample and immersive pads that lock perfectly into the groove. Next up, the duo link with Odd Occasion for another standout cut, blending gritty, hardware-driven breaks, obscenely distorted low end funk, and chopped up vocals to raise the energy levels even further. With DEXT026, Mak & Pasteman continue to define their legacy still evolving, still pushing boundaries, and still delivering the kind of uncompromising dancefloor heat that has been at the heart of DEXT since day one.
Whos that guy nerding behind a laptop in a French cafe? It might be Gal Tsadok-Hai, working on new beats. Since the Dutch producer moved to Montmartre (Paris), he not only shook up his life but also his modus operandi. While enjoying a cafe-au-lait and ignoring the white noise around him, he worked on his new Perot EP. A new life, a new sound. So, Tsadok-Hai decided to throw all 4x4 beats overboard. Even on Mangue, a track that starts out as a decent enough dark techno track, only to derail into a breakbeat frenzy towards the end. The other four tracks are equally adventurous and playful, with wildly zigzagging beats, rubbery congos and rattling drums. Like Squarepusher being locked up with The Gaslamp Killer and Mr. Oizo. A great EP which takes Tsadok-Hais sound in exciting new directions.