Top 100 Chart placements for Breaks / Breakbeat / UK Bass
Updated 18 hours ago
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not even noticed are an incredibly talented German duo who have been laser focussed on their signature sound since their foundation in 2020. Hailing from Frankfurt & Leipzig, Carsten & Lucas have amassed a gorgeous catalogue of music that incorporates the ethereality of Trance combined with the gritty, heads-down feeling of classic Acid House and Breakbeat. Their latest EP Source Transformation lands on Faux Poly this Spring.
If you are not familiar with the works of Sergei Orange, you must be living under a rock. His music is bold and forward thinking. His latest release Penso is a testament to that. Filled with deep bass lines that shake the walls, perfectly placed synths that tantalize your aural sensations and drums that hit you right in the soul. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 197th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR197 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
DEXT Recordings is delighted to share with you our latest EP from new signing K-65 , this Bristol based artist has been on an outstanding run of form lately , his genre bending sound incorporating elements of Electro , Jungle , Breakbeat , Acid and everything in between , made him a natural candidate to join the ranks here at DEXT . And this debut EP hits like an absolute sledge hammer, with 3 high energy productions spread over different styles and tempos loaded full of breaks , booming 808's , wubs , Wobbles and a sprinkling of Kung Fu samples . To top things off Club Glow's L Major gets in on the action , coming with something a little different to his trade mark Jungle sound , the remix of the lead track "Heavyweight" , sees him dive head first into the murky low slung depths of the 140 realm . We hope you enjoy the release !
Bass heads get ready. 'Hot Cakes' has pulled out a wee gem for you this time. 'Mary Droppinz' has been on the up for the last few years and 2023 saw her rise even higher, playing sets across the US at various festivals. With a passion for bass and an eclectic taste for all things electro she's taken the 2002 track 'Every Posse & Crew' by 'Dj Deekline' and 'Freq Nasty' and put all of her production skills to work on it. The subs have gone lower, the beat sounds cleaner/sharper and the risers have more of a build-up. whilst still maintaining the original breakbeat style, this remix feels like a brand new track. For licencing & label enquires, please contact Martin Flex: martin@hotcakesmusic.com
Amy Dabbs & Coco Bryce return with a long-awaited second instalment of their collab project 'Slightly Involved', in which they interpret each other's tracks using their own unique production styles & techniques.'Slightly Involved Vol. 2' sees Amy & Coco rework four tracks previously released on their own imprints, Dabbs Traxx & Myor. Amy delivers two tunes in her signature style of coding drums from the ground up, on two of Coco's highly renowned jungle bangers, while Coco serves up jungle versions of two of Amy's house tracks from her first EP on Dabbs Traxx, crafting his tunes using lusciously layered breaks.Amy kicks off the EP with 'Decipher', a sultry breakbeat version of Coco's monster track 'Desire', laced with atmospheric pads and vocals, underpinned with a moody bassline played live on her Juno 106. This is followed by 'Lust Issues', her rich synth-heavy adaptation of Coco's highly emotive hit 'Trust Issues'.On the flip side, Coco serves up 'Banshee', a powerful stripped-back version of Amy's track 'Ghosts', capturing the eeriness of the original in the guise of a straight-up jungle heater. Coco then closes out the EP with 'Still You See', with his intricate layers of breaks providing an uptempo acid-jazz style adaptation of Amy's 'Til You See'
not even noticed are an incredibly talented German duo who have been laser focussed on their signature sound since their foundation in 2020. Hailing from Frankfurt & Leipzig, Carsten & Lucas have amassed a gorgeous catalogue of music that incorporates the ethereality of Trance combined with the gritty, heads-down feeling of classic Acid House and Breakbeat. Their latest EP Source Transformation lands on Faux Poly this Spring.
Liebus had his first release on the Holding Hands Submerged label a couple of years ago now with four killer eyes down cuts and now he's stepping up on the main label with some serious peak time action. Every track hits you straight in the chest and should send any hardened dancefloor warrior into fits of gun fingers and stank faces. Believe me, I've seen the evidence myself on many occasions when I've been testing these out in clubs over the last few years. Stand back and take notice because Liebus has arrived and he's taking no prisoners. OK enough of my blather. Go and listen to the damn things yourself and decide if you like them, rather than trying to work it out from reading a bloody press release you weirdos. All four tracks are produced and sculpted for the club. They want big sound systems and dark rooms. Close your eyes, hold hands and experience transcendental space flight...
UTTU present a collection of breakbeat, jungle & drum & bass from the vaults - tracks from some of the hottest names in the scene from Tim Reaper, Coco Bryce, My Nu Leng, Denham Audio, Desert Sound Colony and more!
Tim Reaper, Kloke, My Nu Leng, Denham Audio, Coco Bryce, DJ Y, Person Of Interest, Desert Sound Colony, DJ Shark, Tommy 2000, DJ Plant Texture, DJ Jubilee 1997, Daze, Tommy The Cat, DJ Haus
In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities. Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more. Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack - a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.
Yosh debuts on Criminal Crisis with Danger, a Dancefloor-Ready club tool featuring two original tracks and a remix by label boss frankydrama. Set within a UK Garage and Bassline environment, Yosh presents a release brimming with pulsating beats and inventive soundscapes. Danger is a sonic trip that seamlessly blends infectious energy with his usual fresh perspective.
Sergei Orange is no stranger to the breakbeat community, nor is he a stranger to making amazing music and his latest release, Eternal Spectrum is undoubtedly one of his finest pieces. Filled with mind bending, melodic bass and mesmerizing atmosphere it is sure to pleasure all your senses. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 191st release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR191 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
Phattom has the things that make you go Argh! Rolling basslines and pulsating synths are the driving force along with the epic buildup in the second break. This is truly a monster tear out style tune that is packed full of energy from start to end. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 190th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR190 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
The dynamic duo of BasStyler & Bad Legs are at it again and they're bringing their signature sound to a dancefloor near you. In The Dark there is a saviour with flavour that will guide you to the lazers on rivers of driving bass and beats and this one will be sure to flex the speakers. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 189th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR189 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
Mike Wells has been a core part of the contemporary underground scene almost since day one. He was there and helping to shape the sound of rave, UK hardcore and jungle, then sat at the forefront of the nu-school breaks revolution. He has appeared on plenty of notable labels from Rabbit City to Lot49 to Kingsize Records, but now takes care of business himself on Force Mass Motion Recordings. The opener 'In Your Eyes' has elastic drum funk designed purely for the club with filtered vocals adding the human touch. Well-designed acid lines, big hits and smeared chords keep things dynamic as the writhing groove powers on. The fantastic 'Oh Ecstasy' will have dancers in raptures with its explosive vocal cries and rave-ready synths. The artist's signature blistering breakbeats power the track along through breakdowns and big drops, all of which build the tension to electric levels.
OVUS is back at it with his newest release on Nipponeer Records. Biomech is filled with driving bass, beautiful vocals and futuristic sounds that will entertain the most sensitive synapses in your brain. It is a complete and epic adventure via sound. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 187th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR187 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.