Top 100 Chart placements for Breaks / Breakbeat / UK Bass
Updated 19 hours ago
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The darkness has come forth from its infinite depths and sought refuge in this tune and tears it to shreds. The dark, dirty bass sounds and ominous vocals make this one a level one can only get to when you are really feelin’ it. Paket has released a monster and it’s name is MERIKENIC! Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 198th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR198 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
After a sonic storm of previous tracks loaded with their heavier imprint, the coup de grâce is here, offering absolute mastery over a sound meticulously designed to delight the most demanding and forward-thinking breakbeat seekers. The trio persistently elevates our standards along an ascending trajectory with boundless potential. Turn it up!
It is bad when one thing becomes two. One should not look for anything else in the Walk Of The Panther. It is the same for anything that is called a Walk. If one understands things in this manner, he should be able to hear about all ways and be more and more in accord with his own. Eighth single for 2024 and fast rising USA producer BeatsMe is back with a groovy and sexy Breaks mover. This is the sound of tomorrow, the sound of Architektur Records. Breaks from another dimension for your dancing pleasure!!
If you are not familiar with the works of Sergei Orange, you must be living under a rock. His music is bold and forward thinking. His latest release Penso is a testament to that. Filled with deep bass lines that shake the walls, perfectly placed synths that tantalize your aural sensations and drums that hit you right in the soul. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 197th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR197 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
DEXT Recordings is delighted to share with you our latest EP from new signing K-65 , this Bristol based artist has been on an outstanding run of form lately , his genre bending sound incorporating elements of Electro , Jungle , Breakbeat , Acid and everything in between , made him a natural candidate to join the ranks here at DEXT . And this debut EP hits like an absolute sledge hammer, with 3 high energy productions spread over different styles and tempos loaded full of breaks , booming 808's , wubs , Wobbles and a sprinkling of Kung Fu samples . To top things off Club Glow's L Major gets in on the action , coming with something a little different to his trade mark Jungle sound , the remix of the lead track "Heavyweight" , sees him dive head first into the murky low slung depths of the 140 realm . We hope you enjoy the release !
Tone dropout records are coming back, after a small hiatus, with a digital album, consisting of 9 full on big party trax, tone dropout style. This will later be split into two or three ep's and released on vinyl later in year or next year. This is a VA album featuring - DAWL, The-HeMen, ASCOT, Corporeal Face, Sween, Five Ten and XR3. You can expect the usual big bass lines, heavy breaks and bleeps, stabs and swirls, crushing synths and beautiful strings. all the ingredients for a big return with 9 full on trax, that will work on any dancefloor. also includes previously released track from Dawl as a digital bonus.
Like the nut this album has many health benefits. It's loaded with audio nutrients but will increase your chances of tinnitus. While low in calories it can assist with muscle growth from aggressive dancing also contributing to weight loss. It can help decrease stress and lower your blood pressure as has been designed to uplift, add dopamine and serotonin to the brain. 3 years in the making this album effortlessly hops between Roasts preferred genres of Hip Hop, Funk, Mid Tempo Breaks and Reggae. All tracks have a sprinkle of positivity, kick starting with Soul Food featuring Kurnel MC, Natty and Profit. inviting you to their audio abode for some snacks and a knees up over a reggae sampled Hip Hop beat. It's hard not too high five a stranger while listening to this one. Next up Kylie Earl puts a spring in your step by requesting you to Lose Yourself in a world of disco, snappy drums, synths, funk drenched guitars and keys. Grab her hand and forget about what you've got going on in life. Give in to the music and put a grin on your chops. Then back down to earth with a four-finger slap into a 125bpm, Reggae infused mosh pit. Listen while Profit gives you the lowdown on his past and present in Homegrown. This is one for the clubs and the 90's kids with his references to sweaty raves, Biggie and Tupac all spat out effortlessly over this fast paced bassy stomper. After getting roughed up in Profits manor Mr Greg Blackman offers some soothing vibes for The People. This one's a straight up feel good funk bonanza. Get your fingers snapping as GB doesn't hold back on waxing his pipes over Roasts dusty keys, horns and drums. Hungry for more vibes? The plates half full. Broken Poetz drag you back to the dance floor while Roast serves up some seasoned synths accompanied by a funky back drop of neck snapping beats. If you didn't know…Now You Know. After a very current mid-tempo sound we wind down, reminisce and Take You Back over a jazzy hip hop number with Figure of Speech and Kristy Kurowski. Expect super smooth flows and head nodding harmonies over this classic sounding hip hop track. Now, time too rough it up a bit. Roast call's upon BC's finest Illvis Freshly to bless this sleazy sampled hip hop banger. Expect 808's, Synths and speedy hats giving this a 2020 feel. Kick back while the boys lay down some punchy vocals for all the Road Runners out there. Hitting number 1 on various digital download stores this was many peoples summer jam! Its only right Roast got back in the lab with MysDiggi while adding Ella in the mix made this a mid-tempo, feel good anthem helping multiple listeners Let It Go. PRofit comes back up to bat, or Knock Knock your door down with this breakbeat banger. The boys have shutdown raves whenever this is performed. Expect high energy raps, hard beats, crunchy synths and funky scratches making this a favourite for the dance floor. We Keep It Movin' as Roast teams up again with Rider Shafique bringing Nu school hip hop sounds over African flutes and guitar. Combine this with Riders un-mistakable voice and all the elements combined produce a very unique sounding and dope track. Reaching Out to his label mate Kurnel MC. They both deliver a very high energy positive club track. Guest guitar licks from Mr Stabalina, precise raps and flows from the Kurnel while Roast gets it ready for the party by sprinkling some funky cuts on the side. Finishing this album with Sour Bliss. A track recorded in 2004. Bought back to life in 2018 and destined for release. Roast souped up this masterpiece from his old collaborator Triggs Vega, giving it a current feel. Still 100%% Triggs and 100%% relevant.
Bass heads get ready. 'Hot Cakes' has pulled out a wee gem for you this time. 'Mary Droppinz' has been on the up for the last few years and 2023 saw her rise even higher, playing sets across the US at various festivals. With a passion for bass and an eclectic taste for all things electro she's taken the 2002 track 'Every Posse & Crew' by 'Dj Deekline' and 'Freq Nasty' and put all of her production skills to work on it. The subs have gone lower, the beat sounds cleaner/sharper and the risers have more of a build-up. whilst still maintaining the original breakbeat style, this remix feels like a brand new track. For licencing & label enquires, please contact Martin Flex: martin@hotcakesmusic.com
Amy Dabbs & Coco Bryce return with a long-awaited second instalment of their collab project 'Slightly Involved', in which they interpret each other's tracks using their own unique production styles & techniques.'Slightly Involved Vol. 2' sees Amy & Coco rework four tracks previously released on their own imprints, Dabbs Traxx & Myor. Amy delivers two tunes in her signature style of coding drums from the ground up, on two of Coco's highly renowned jungle bangers, while Coco serves up jungle versions of two of Amy's house tracks from her first EP on Dabbs Traxx, crafting his tunes using lusciously layered breaks.Amy kicks off the EP with 'Decipher', a sultry breakbeat version of Coco's monster track 'Desire', laced with atmospheric pads and vocals, underpinned with a moody bassline played live on her Juno 106. This is followed by 'Lust Issues', her rich synth-heavy adaptation of Coco's highly emotive hit 'Trust Issues'.On the flip side, Coco serves up 'Banshee', a powerful stripped-back version of Amy's track 'Ghosts', capturing the eeriness of the original in the guise of a straight-up jungle heater. Coco then closes out the EP with 'Still You See', with his intricate layers of breaks providing an uptempo acid-jazz style adaptation of Amy's 'Til You See'
Jesse Skeens' aka / Medway's 1998 much loved space houser Resurrection arrives in 2024 sporting three new mixes, each bringing something very new to the table. South London heavyweight Ranj Kaler sticks closest to the brief, adding rolling, fat, crunchy breaks to the swelling pads, deep synths and crafted melodies of the original, pushing the feel of the original smartly into the post Bicep / Frankie Wah world. Fast rising Berliner and Kalahari Oyster Kult mainstay Oslvanger goes down a different route, weaving snippets of the OG in and out of a tough, rolling 4/4 groove, before breaking out into a discoey / deep house last third finale, the kind that feels destined to work on dancefloors across the spectrum. Rounding things off, teenage North Devon / Bristol upstart Roo J focuses.
not even noticed are an incredibly talented German duo who have been laser focussed on their signature sound since their foundation in 2020. Hailing from Frankfurt & Leipzig, Carsten & Lucas have amassed a gorgeous catalogue of music that incorporates the ethereality of Trance combined with the gritty, heads-down feeling of classic Acid House and Breakbeat. Their latest EP Source Transformation lands on Faux Poly this Spring.
Liebus had his first release on the Holding Hands Submerged label a couple of years ago now with four killer eyes down cuts and now he's stepping up on the main label with some serious peak time action. Every track hits you straight in the chest and should send any hardened dancefloor warrior into fits of gun fingers and stank faces. Believe me, I've seen the evidence myself on many occasions when I've been testing these out in clubs over the last few years. Stand back and take notice because Liebus has arrived and he's taking no prisoners. OK enough of my blather. Go and listen to the damn things yourself and decide if you like them, rather than trying to work it out from reading a bloody press release you weirdos. All four tracks are produced and sculpted for the club. They want big sound systems and dark rooms. Close your eyes, hold hands and experience transcendental space flight...
Motto Sono Records by Miia Magia & Mr. Barth presents: (MOTTO43) City Of Light EP. 3 tracks with beautiful sound design by Roberto Rodriguez, a music producer and DJ based in Helsinki, Finland. Over his 30 year long career he has built a wide catalogue of critically acclaimed records ranging from ambient, through deep house to banging techno.
Arc Flash marks a shift in sound for Ghoulish, delving a deeper and darker this time around. A percussion focused release with an emphasis on chopped samples and tension building tactics from start to finish. A stand alone single with a Korzi reflip thrown in to give the Left, Right & Centre mark of approval.
not even noticed are an incredibly talented German duo who have been laser focussed on their signature sound since their foundation in 2020. Hailing from Frankfurt & Leipzig, Carsten & Lucas have amassed a gorgeous catalogue of music that incorporates the ethereality of Trance combined with the gritty, heads-down feeling of classic Acid House and Breakbeat. Their latest EP Source Transformation lands on Faux Poly this Spring.
UTTU present a collection of breakbeat, jungle & drum & bass from the vaults - tracks from some of the hottest names in the scene from Tim Reaper, Coco Bryce, My Nu Leng, Denham Audio, Desert Sound Colony and more!
Tim Reaper, Kloke, My Nu Leng, Denham Audio, Coco Bryce, DJ Y, Person Of Interest, Desert Sound Colony, DJ Shark, Tommy 2000, DJ Plant Texture, DJ Jubilee 1997, Daze, Tommy The Cat, DJ Haus
In a world engulfed by the digital realm, where social media platforms thrive and dominate every aspect of our lives, the enigmatic project known as Datashader was founded to reflect on the pervasive erosion of authentic human connection through various virtual realities. Artistically, Datashader seeks to critique the impact of technology on human identity and relationships, breaking with an archetype of digital conformity and expressing a profound disillusionment with the superficiality of online interactions through music. Genuine human connection and art cannot be quantified by likes, comments, or followers but rather thrives in the visceral realm of shared sonic experience and human emotion. This idea is at the core idea of Datashader, whose artistic expression ranges from avant-garde composition and electronic experimentations to art, installation, film and more. Expressed within the varied contexts of diverse artistic mediums, Datashader explores the concept of "technological gentrification", which describes the gradual displacement of human interaction by technology. Just as gentrification alters the urban landscape, driving out communities and cultures, digital gentrification transforms the social landscape, replacing genuine connection with curated online personas. Musically, Datashader's practice confronts this dystopian reality, highlighting the alarming consequence of people becoming mere nodes in a network, reduced to a collection of data points. This is manifested sonically by a blistering assault of breaks, recontextualized IDM, abstract electronics and otherworldly synthscapes, conceived as the aesthetic counterbalance to much of contemporary electronic music's dancefloor focus. Datashader dives deep into genres and influences which stand for a form of sonic resistance: A contemporary anti- soundtrack - a sonic mirror of the price we pay for convenience and instant gratification. A self-image in constant flux. No false technological idols.
'THERE IS HOPE' the successful single that made rainbow waves in Progressive House in 2023 returns now with a whole fresh sounding remixes package. DJ Zombi, the Beat Boutique owner teamed up with legendary D-Nox for a melodic diamond and now they choose four like mind artists for Deep, Organic and Minimal remixes. The line up is: Maxxim with liquid deep house version, Sides with daytime dreamer, Madraas with deep tech groover and last but not least userUNKNWN with minimal / breaks interpretation.
DAWL is one of our new skool producers who is a master of capturing the sound of the early 90's raves. A genius in the studio who is capable and competent to be able to navigate between genres with skill and finesse. Returning for his second outing on the Vinyl Fanatiks sister label, Amen Brother, DAWL turns in 4 mega old skool tracks that take you on a trip. Every release we have put out by DAWL sells out (he also released a screaming acid 303 EP for our other label Acid Boom last year) as he has a fanbase that draws in the original ravers along with the younger generation who have embraced this sound with vigour. Grab a copy, drop it on the deck and go four a journey with a master craftsman!
Yosh debuts on Criminal Crisis with Danger, a Dancefloor-Ready club tool featuring two original tracks and a remix by label boss frankydrama. Set within a UK Garage and Bassline environment, Yosh presents a release brimming with pulsating beats and inventive soundscapes. Danger is a sonic trip that seamlessly blends infectious energy with his usual fresh perspective.
Sergei Orange is no stranger to the breakbeat community, nor is he a stranger to making amazing music and his latest release, Eternal Spectrum is undoubtedly one of his finest pieces. Filled with mind bending, melodic bass and mesmerizing atmosphere it is sure to pleasure all your senses. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 191st release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR191 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
Phattom has the things that make you go Argh! Rolling basslines and pulsating synths are the driving force along with the epic buildup in the second break. This is truly a monster tear out style tune that is packed full of energy from start to end. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 190th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR190 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
With a heart full of hope and a mind determined to showcase his forward-thinking creativity, Dante makes his debut on Stereofox Records with an empowering 4-track EP titled Reason. The release builds on everything that Patrick has learned over the course of recent years and follows his path towards establishing a solid presence on the electronic alternative scene.
The dynamic duo of BasStyler & Bad Legs are at it again and they're bringing their signature sound to a dancefloor near you. In The Dark there is a saviour with flavour that will guide you to the lazers on rivers of driving bass and beats and this one will be sure to flex the speakers. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 189th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR189 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
Mike Wells has been a core part of the contemporary underground scene almost since day one. He was there and helping to shape the sound of rave, UK hardcore and jungle, then sat at the forefront of the nu-school breaks revolution. He has appeared on plenty of notable labels from Rabbit City to Lot49 to Kingsize Records, but now takes care of business himself on Force Mass Motion Recordings. The opener 'In Your Eyes' has elastic drum funk designed purely for the club with filtered vocals adding the human touch. Well-designed acid lines, big hits and smeared chords keep things dynamic as the writhing groove powers on. The fantastic 'Oh Ecstasy' will have dancers in raptures with its explosive vocal cries and rave-ready synths. The artist's signature blistering breakbeats power the track along through breakdowns and big drops, all of which build the tension to electric levels.
OVUS is back at it with his newest release on Nipponeer Records. Biomech is filled with driving bass, beautiful vocals and futuristic sounds that will entertain the most sensitive synapses in your brain. It is a complete and epic adventure via sound. Nipponeer Records being based in Tokyo, Japan; was founded by Hiroshi Fukuma in 2003. This is the 187th release of the label, while the first EP came out in 2009 - aiming to reach a place of solely ageless and quality music, where time has got no dimension. NPR187 ©℗ 2024 NIPPONEER RECORDS. Produced and Artwork by Hiroshi Fukuma. Coordination by McTwist of So So Flesh. Mastered by Gábor Deutsch at anorganik mastering.
Four Bars EP is the 14th release on Unfound Sounds, a UK imprint founded by JOBE. Unfound Sounds socials: Instagram: @unfoundsoundsrecords Soundcloud: @unfoundsounds JOBE socials: Instagram: @jobe_music Soundcloud: @j0be Produced, Mixed & Mastered by JOBE
In celebration of the label's 500th release, I am honored to have collaborated with the great Simon Shackleton (Elite Force) to create this song. It serves as a reminder of why I have been dedicated to making music for the past 20 years: music is a universal language that has the power to help you achieve everything you've dreamed of since childhood (Raul AKA Guau)
NEO TRILOGY's latest release further solidifies the band as one of the most notable inputs in the game. Their signature blend of hard-hitting underground breaks with ethnic accents and top-tier ambient details shines through on their two new tracks, "Black Moon Sacrifice" and "Warlock." NEO TRILOGY brings a testament to an innovative style and promises a thrilling journey for heavy and energetic breakbeats enthusiasts. Audiogore AGE058 is another drop ready for the seekers vibrating far from the usual and most popular noises.
Dansu Discs presents their third release of 2024 with exciting up and comer MKII's second release on the imprint. The 'On Your Own' EP is a break neck 4 tracker borrowing elements from the fundamental strands of club music from hardcore and jungle to piano and diva house. 'My Mind' opens up the release as it means to go on; fast paced euphoria driven by classic piano keys and vocal samples topped off with a bass bin shaking switch up mid way through. 'No More' and 'On Your Own' bring with them more piano goodness driven by breaks, bass and pitched up vocals, albeit each with their own unique charm, definitely more on an emotive tip. 'To Be Free' is the perfect closer with its 4/4 groove and slightly slower pace, wrapping up an impressive second Dansu Discs showing for MKII.