Globally respected British electronic music pioneer John 00 Fleming returns with his first full-length artist album in eight years, announcing The Lost Tribe, an 18-track body of work set for release in early April via his own imprint, JOOF Recordings. The album arrives at a defining moment in Fleming's career, coinciding with an extraordinary 40 years behind the decks; a dual milestone that underscores both creative longevity and forward momentum. Rather than looking back, The Lost Tribe firmly faces forward. It is an unapologetic, long-form dance album that challenges modern electronic music conventions, rejecting short-format, algorithm-driven production in favour of immersive compositions designed to unfold patiently and purposefully. Every track on the album is an original John 00 Fleming production, with extended runtimes that allow space for atmosphere, narrative and emotional development; hallmarks that have defined his sound and DJ philosophy for decades. Speaking about the upcoming album, John commented: "Six years in the making, this album captures key moments and milestones from across my career, drawing inspiration from the highs, lows, and personal ambitions shaped by a constantly evolving music industry." The album title, The Lost Tribe, carries layered meaning. It reflects a growing community of artists and clubbers who feel increasingly alienated by the current festival and streaming landscape – where attention spans are short, tracks are built for instant impact, and musical journeys are often sacrificed for viral moments. Fleming positions the album as both a response and a rallying call: a reminder that electronic music was born from rule-breaking, long nights and shared transcendence on the dance floor. This philosophy mirrors his enduring approach as a DJ. Known worldwide for his extended sets (often spanning eight hours or more) Fleming has long treated the dance floor as a space for storytelling rather than spectacle. In recent years, he has continued to challenge festival norms with multi-hour headline performances, offering audiences depth and progression in an era increasingly dominated by rapid-fire drops and uniform playlists. The Lost Tribe also marks a deeply personal chapter. The album was shaped during a period of significant reflection and transformation, including Fleming's experience overcoming cancer – a journey that profoundly altered his outlook on creativity, ambition and purpose. That shift is felt throughout the record, which carries a renewed emotional weight and sense of clarity, blending power and vulnerability with the confidence of an artist fully in command of his craft. Musically, the album draws on Fleming's cinematic instincts and background in composition, incorporating expansive intros, evolving structures and richly detailed sound design. The tracks are designed not simply to be played, but to be experienced – whether on a dance floor, in headphones, or as part of a continuous listening journey. John 00 Fleming's influence on electronic music is both foundational and ongoing. Beginning his career at just 15 years old during the rise of the UK rave movement, he has remained a consistent and trusted figure across decades of cultural and technological change. His career has taken him from the UK's formative club circuit to some of the world's most revered stages, including BOOM Festival, Tomorrowland, EDC, Ozora, Creamfields and countless underground institutions worldwide. As a producer, he has released multiple acclaimed artist albums, achieved Gold disc status and earned millions of streams, while maintaining respect from peers ranging from underground innovators to global icons such as Jean-Michel Jarre and Muse. Beyond the club world, his work has extended into film and television composition, including collaborations with The Royal Philharmonic Orchestra at Abbey Road Studios. Through his imprint JOOF Recordings, Fleming has also cultivated a globally respected label and community, championing forward-thinking electronic music with integrity and independence at its core.

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Defected

lets.techno.rec@gmail.com Distributed by Pressology - www.pressology.net

CLR

Nervous Records

Senso Sounds

Drumcode

Armada Music

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Take a look back at the tracks that defined Drumcode in 2025.

A State of Trance

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AlpaKa MuziK

Alpaka muzik is incredible happy to present the first full album release of one our up and coming German talents who's been making waves in our scene very quickly!! The 9 track LP contains a massive list of collaborators. MIBuilt over the course of a year, this album explores the darker edges of electronic music, moving between Psytech, Dark Progressive and Dark Minimal. The journey opens with a dub-influenced Drum & Bass intro, setting the tone with deep textures and a shadowy atmosphere before transitioning into slower, rolling grooves and hypnotic structures. There's no strict concept behind the project — the focus was purely on creating a dark, immersive sound and letting each track evolve naturally. The result is a diverse yet cohesive collection driven by mood, rhythm and detail. Featuring 3 original tracks and 6 collaborations, the album brings together different influences while staying rooted in a raw, underground aesthetic.

DCLVlll returns to Sudbeat with a brace of originals. Based in the south of France, DCLVIII OFC is an innovative techno artist whose signature sound has rapidly caught the attention of the electronic music community. Signed to Laurant Garnier's COD3 QR, Radio Slave's REK'D, and Steve Parry & Dave Seaman's Selador, he skillfully blends deep, hypnotic rhythms with atmospheric melodies, creating immersive soundscapes that resonate on dancefloors around the world. Opening the EP with 'Revolution', rolling toms and snappy percussions prepare us for a rollicking deep techno ride peppered with nuanced nods to Detroit. Imagine 'Knights of the Jaguar' with a filthy reese bass and your not far off. On the flip, 'My Secret' begins with thoughtful percussion and grimy bass. Melodics fill the space opening the track up. Horns and acid in the second half keep the sonics evoling into a wall of beautiful noise.

Electric Ballroom

Physical Presents

Long time electronic legend Marco V joins forces with his son Thomas Newson for a new EP on Filth on Acid that brings plenty of low-end punch and electrifying synth work. Dutch pioneer Marco V brings decades of global club pedigree having played all over the world and shaped the sound of prog and trance for decades. Newson always adds his own modern energy and has had plenty of chart success, and together they are on top form with this one. Vibr8 is an atmospheric sound with magnificent synth craft reaching to the skies, buoyant kicks and a melancholic edge that makes it all the more impactful. It Gets Better is full of main room energy with screwy synths rising up through rock solid kicks. Emotion comes for the vocal stabs while drum fills and filters ramp up the pressure to make sure the dancefloor will go wild once the drop comes. This is a cross-generational collaboration that bridges classic and contemporary electronic sounds.

Alex Stein and Victor Ruiz reunite on VOLTA with Another Story, a two-track EP that captures the essence of their long-standing creative partnership while pushing their signature sound firmly into the present.