Top 100 Chart Placements
Updated 17 hours ago
New year, new art, same drive. Pakate Records opens 2026 with one of his grooviest releases to date. Exquisite, rich drum patterns are glued to perfection with a compelling texture of ethnic percussions, perfectly inlaid one into another. It could not be Ollie BC's work. After playing his music for a while now, Jean Pierre finally met Ollie in his hometown, Manchester, thanks to FLETCH, and started chatting about signing him on the label. With carefully selected releases and a unique, highly recognisable style, Ollie has rapidly become a fan and DJ favourite, with releases on Organic Pieces, Two And A Half Cats, and RISQUE RECORDS, and now he makes his Pakate debut with the '4 Me' EP. Three original tracks that shine with Ollie's trademark groovy approach, as tribalistic vocals and wavy basslines pave the way for intricate rhythmic ramification, immediately catapulting us into a jungle of sounds and sensations. Hats off.
Argentinian producer OBEID makes his debut on COPPADOS alongside Dutch DJ and songwriter Sirolf, in a collaboration that flows naturally and feels made to hit hard late at night. Two tracks where house moves freely: fun grooves, fresh energy, and the perfect vibe to light up the dancefloor. Sirolfs vocals come in as a key element, adding character, personality, and that unexpected detail that makes the track stand out. Distributed by Triplepoint - www.triplepointmusic.com
Alleanza welcomes back label head Jewel Kid with "Emission", marking his first personal release of the year. A powerful return to the original sound that first turned heads over a decade ago, "Emission" dives straight into the raw, driving grooves and hypnotic energy that helped define his early identity. Stripped of trends and built purely for the dancefloor, the record reconnects with the essence that initially set Jewel Kid apart. Ahead of its release, a studio jam clip shared on Instagram generated significant organic momentum, surpassing 100,000 views - a clear signal that this signature sound continues to resonate strongly with audiences. "Emission" isn't about reinvention. It's about re-igniting the core. Alleanza continues to push forward - grounded in its roots, focused on the future.
Copasetic lands on Farris Wheel Limited with Descriptions, a two-track deep tech and minimal workout infused with Latin swing. Rolling percussion, weighty basslines and chopped vocal hooks drive the title track, while Breaks dives deeper into stripped-back grooves and rhythmic detail. Built for late-night dance floors, this is groove-led minimal with warmth, bounce and undeniable flow.
British talent Mitch Gilby is back on Stereophonic with the outstanding 'Loco EP.' With an outsanding energy, two Latin-infused tracks, 'Loco' and 'El Calor,' bring a vibrant mix of tribal beats and infectious grooves. Pack your margaritas and get on the floor! Stereophonic Records www.stereophonic.it info@stereophonic.it
With Make Me Wait, Ray Ricch delivers one of his most solid and representative releases to date, reinforcing his position within contemporary Tech House while incorporating a clear Minimal Tech influence and a strong club-oriented vision. Released on Crazy Nutz Music, the EP captures the natural evolution of an artist whose sound has been shaped on the dancefloor, prioritizing groove, functionality and direct connection with the crowd. Born in Terrassa (Barcelona) and musically trained from an early age, Ray Ricch has developed a distinctive sonic identity based on precise percussion, hypnotic basslines and structures designed for long, fluid DJ sets. His artistic growth has been consistently supported by key figures in the global electronic scene such as Paco Osuna, Marco Carola, Joseph Capriati, Jamie Jones and Carl Cox, while his productions have found a home on respected labels including Perfect Beats, Génesis and Glitch Society. As a DJ, Ray Ricch has performed at renowned venues and with influential promoters such as Pacha, Bora Bora, Apolo and City Hall, establishing himself as a selector with mature dancefloor awareness and a clearly club-focused mindset. The title track, Make Me Wait (Original Mix), is built around a powerful, driving groove designed for peak-time club moments. A deep, well-anchored kick lays down a solid foundation, supported by clean and functional percussion where hats, snares and toms provide constant movement without overcrowding the mix. The bassline, with a rumble-style character and hypnotic intent, acts as the track's main engine, delivering a physical and immersive low-end presence that connects directly with the dancefloor. Minimalist synth layers add a modern, digital atmosphere, reinforcing the nocturnal club aesthetic. The vocal, centered around repeated phrases such as "Don't make me wait" and "wait for your love", functions as a rhythmic and emotional hook, conveying urgency and desire while remaining perfectly integrated within the instrumental framework. On the flip side, Somewhere Else (Original Mix) explores a deeper Minimal Tech approach, focusing on sustained tension and hypnotic repetition. The track unfolds over a steady, controlled rhythmic base, where a minimal percussive groove allows the low-end to breathe and develop naturally. The bassline plays a fundamental role, delivering a deep, flowing pattern that maintains momentum and tension throughout the arrangement. Carefully dosed synth elements enhance the track's contemporary and immersive atmosphere without disrupting its clean, functional structure. The female vocal works as a mantra-like element rather than a traditional narrative, repeating lines such as "I ain't waiting around" and "you ain't welcome here", reinforcing themes of decision, release and emotional clarity. This vocal layer adds identity and emotional weight while preserving the instrumental focus of the track. Taken as a whole, Make Me Wait stands as a coherent, mature and highly functional release that highlights Ray Ricch's evolution as a club-oriented producer. With its balance of Tech House energy, Minimal Tech precision and hypnotic groove, the EP is designed for large sound systems, extended sets and moments of maximum dancefloor connection, aligning perfectly with the current international club sound and the forward-thinking editorial vision of Crazy Nutz Music. Distributed by Triplepoint - www.triplepointmusic.com
Following releases on Stacey Pullens Blackflag Recordings, UNDR THE RADAR, and his own Shake It Music Frequency imprint, Neapolitan artist G-Lover builds on a breakout 2025 with a standout debut for Adesso Music. The DJ, producer, and curator showcases his production chops once again via the superb Ready, Steady, Go / Tomorrow double A-side, further refining his rhythmic sensibility and eye for percussive detail. Opener Ready, Steady, Go collides slick hats, bongo hits, and rolling house grooves into a tight polyrhythmic framework, topped with hooky samples that weave seamlessly throughout the mix. On the digital flip, Tomorrow launches straight into a hip-swinging, bongo-fueled workout, fusing playful vocal chops with sub-aquatic synth touches to round out an essential debut on the label.
All the way from the West Coast, rising talent Nate Katz has been making a name for himself with releases that found a home on Diplo's Higher Ground, Rawsome Deep, and range, grooving all the way through to his Tamango Records debut with “Never Stop” EP. Fusing old-school samples with modern bubbling minimal basslines and fast-paced shuffling drums, Nate delivers four rolling cuts with pure dancefloor stamina, designed to keep the energy high in the club, and demonstrating why he is one of the hottest prospects in the new wave of American artists.