Top 100 Chart Placements
Updated 2 hours ago
2000 And One , Sandy Huner , Mind Control , LA Synthesis , Thor , Connective Zone , Permutation , Stasis , CiM
Featuring rare- and first-on-vinyl tracks from beloved producers such as 2000 And One, Stasis, and CiM. Remastered by DMX Krew and with an accompanying online essay by Oli Warwick. Across eight carefully selected slices of starry-eyed machine soul, Cold Blow presents an exquisite tour through backroom techno and downtempo electro. With a focus on thematic flow and an immersive listening experience, the London-based label explores works from leading lights of the 1990s and previously unreleased cuts that celebrate the human heart that can be discovered in synthetic sound practices. The development of techno in the 1990s saw the music evolve in different directions across the world. From the expressive blueprint laid out by the Detroit pioneers, a wide range of tempos and energies emerged. Techno's evocative synthesis and intricate drum machine programming was especially potent for deeper explorations away from the dancefloor. Documents Of A Different Reality casts back to when technology was steering quantum leaps in communication and creativity and the future was shot through with naive optimism. It was also a time when the media and industry hadn't caught up with the music to box it into distinct categories. As such, there's a sense of creative freedom that informs the older tracks on the album, from 2000 And One and Sandy Huner's sparkling example of early Dutch techno to London-based LA Synthesis' detailed take on braindance and the majestic night sky vision of cult legend Stasis. There's also space for rare, late 90s machine funk from Icelandic outlier Thor alongside Connective Zone's charmingly fractured bleep dream and a more contemporary offering from Barcelona-based duo Permutation. Meanwhile Mind Control and CiM both capture the spirit of stylistic fusion with twitchier rhythms that take influence from hardcore and jungle as much as techno. With an atmospheric through-line of melancholic pads and harmonious leads, this small but perfectly formed collection naturally follows on from previous, equally thought-out compilations on Cold Blow, and adds a distinct perspective on the history and continuing legacy of pioneering early ambient techno.
Juani Ross , Paco Disaster , Danem (MX) , Stefano Mapo , Himy Vana , L.A. DYSTO , HeorH , Marc DePulse
Is anyone hungry in here? Delivery services brings a huge box. Diverse offer to make everyone of you guys happy and full! From crispy to sweet, from spicy to soft. Goodies from all over the planet. Lets open the package and see what is in and what matches your taste: Kicking off with starters from Argentina. Juani Ross breaks the bones. But, well: "Get They Know" has no time for boring warm-ups. This one is made for the big stages! Paco Disaster and Danem (MX) already serves the spicy food. "From The Low" is for the peak: a fancy Progressive Indie track that makes the floor move crazy! Our REDUX homie Stefano Mapo comes around with a crispy Techy track. "El Cuerpo Decide" is a typical main course. Back in the box we are happy to present Himy Vana (remember "Backgame"?) again, this time with a melodic roll called "Body Slide". Bringing another taste to the box we welcome Northern Irish guys L.A. DYSTO for their raw and special roll "The Black Triangle". An analogue monster for the Techno bunker! "GodisLove" by Bulgarian talent HeorH offers sweet bites and we close the release with Marc DePulse dessert track "Traumir". Trust me? Trau mir? Traum? Let's keep on trusting and dreaming. Happy dinner to everyone with this yummy selection! We made this box as diverse as possible. JEAHMON! won't leavy any of you hungry...
With the sonic inspiration from his early youth solidly fusing the spark that would pave his road ahead, Avram's music began to take shape as ideas and make sense in his head as he grew older. This release showcases three breakbeat tracks with bold basslines and nasty vocals, a signature move from Avram's vast repertoire guaranteed to wake you up and make you dance wherever you are.
"On its Various 2 compilation, Altered Circuits returns with a gripping four-track selection by an equal number of distinct-voiced artists. Perrax En La Calle sees tINI merge sturdy drums, arpeggiated basslines, and ominous synth work. She knows what makes the floor tick blindfolded, and keeps the energy high here, channelling electronic body music and Italo into a contemporary club knockout. Up next is Ionic, a fusion of quirky, pointillist hooks that play call and response, driven by 909 kicks and a sub pattern underneath. Mogwaa spellbinds, and often pulls the rug only to reveal more intricate melodic needlework -- it's done so nimbly and enticingly, there's no way not to get drawn in. On the flip side, rising talent Desiree Falessi joins with the peak time Scandal. Statically-charged basslines mesh with reverb-drenched percussion salvos, and as slinky pads and subtle theme variations emerge, the intensity builds toward a tipping point. Closer Flex features a sharp arpeggiated bassline that funnels through misty, LFO-steered synths, scattered alarm-like melodies, muffled vocals, and gated-reverb snares. When classic high-pass modulation intermezzos are introduced, Monile demonstrates how sparse means, when deployed precisely, can sustain considerable tension."
With Adventures of the Past Vol 2, Markus Sommer continues his archive series with twelve previously unreleased productions written between 2013 and 2019. The release offers a wider look into Sommer's studio language before and around the development of his later sound — raw, instinctive and deeply connected to the underground club culture surrounding Frankfurt, Offenbach and Berlin. Across the release, Sommer moves between deep house, acid, electro, techno, UK garage, tech house and minimal moods without forcing the tracks into one fixed direction. Instead, Vol 2 works like a selector's archive: a collection of club-focused sketches, machine-driven grooves and late-night electronic moods that each carry their own moment and purpose. There are shades of Detroit electro and machine funk, but also the warmer, looser house sensibility that runs through his work as a DJ, producer and co-founder of Pager Records. Rather than a retrospective in the traditional sense, Adventures of the Past Vol 2 feels like a recovered hard drive of club memories — honest, energetic and full of personality. It is music for DJs who like records with character: tracks that sit between scenes, styles and moments, made with instinct rather than calculation.
After the bacchanalian feast that was Fluo V, a label-wide celebration of the maximalist energy set deep in Kindergarten's DNA, the imprint returns to its well-trodden split EP format, the clearest distillation of the label's collaborative spirit. On "Final Drive," new ground is broken as Sobolik and georg-i release music together for the first time. Born of longstanding mutual admiration and a budding friendship between the two artists, this project's story began when the internet pen pals met for the first time at a London studio to form the initial ideas for these tracks. Both artists already had a sizable body of collaborative works, and had been fans of each other for several years, trading dubs for touchstone sets at Honcho Campout and Feudal Festival. Their styles slotted together seamlessly, while their contrasting creative temperaments, Sobolik's haphazard flair and georg-i's frenetic precision, fused alchemically as they pushed the music forward in the ensuing months. The resulting tunes are propulsive, intense club tracks with a refreshing embrace of hefty bass-drops. "Forced Induction" pairs insistent, rhythmic synths with big, stompy bass and drums while buried vocal chops and secondary melodies worm their way around the soundscape. "Overtorqued" starts in glassier space, building in intensity around distorted horn sounds before slamming home a huge morphing bassline, stalagmite stabs and a pummelling beat. Higher frequencies make way for the nostril-rattling drum charge as the track progresses before a yearning lead melody folds back into the mix. A proper "let's have it" dancefloor moment at full throttle. Their individual tracks offer a kind of map key for discerning which ideas and elements may have come from who. With "Surface Tension" georg-i leans into a trancy sound palette and a nervous, staccato energy. Filters roll over the mix in a satisfying dance with squelchy, almost tactile, sound design ooze into every corner of the track. Sobolik's "Short Shift", on the other hand, is a big bompty stepper with a blown-out and somehow jaunty bassline, chimes and bells ringing around an illegible robotic vocal sample like a corrupted answer machine message and a recurring swelling of bright light that threatens to swallow up the track. When this falls away at the bass drop's satisfying thwack, the various flourishes shimmer and dance around each other in a mechanical ballet. A meeting of minds and ears to satisfy the cerebral and the somatic in equal measure.
For the second IT record from Detroits Andy Toth, he explores a sci fi fusion of electro and acid, with a remix by BMG of Ectomorph fame. Andy Toth has a long history in Detroit Techno, from an engineering and mixing background where he mixed records for the likes of Mike Huckaby and many others, to co-authoring Sandwiches. For this record, Andy had the songs mixed on hardware by BMG in his studio, to give them an even more 3 dimensional sound and an even greater weight. The result for the Mind Lock EP is simultaneously hypnotic, acid, sci fi, and electro. The depth of tone, density of sound and maturity of concept come through the 4 deeply compelling tracks that you can just get lost in. Unique versions available on black and color vinyl, and unedited originals are available digitally.
Bosconi Records proudly introduces Neon Cyberwave, the first solo EP on the label by Italian electronic visionary Miguel Herrnandez, marking a milestone in the evolution of an artist who has consistently bridged Detroit-rooted aesthetics with the experimental pulse of the European underground. Based in the Val dElsa region between Florence and Siena, Miguel has forged a unique sonic identity shaped by his devotion to vinyl, his deep connection to the techno capital the Motor City, and his passion for deeply rooted yet still futuristic electronic culture. His productions and DJ setsbuilt on a seamless fusion of raw electro, deep house attitudes, new beat flavors, and timeless grooveshave appeared on respected labels such as Bosconi, Rawax, and Norm Talleys Upstairs Asylum. With Neon Cyberwave, he now delivers his most complete and personal statement to date. The EP opens with Neon Cyberwave, a powerful acid-driven stomper built around a rolling 303 bassline, warm melodies, and an emotional breakout moment that captures both the effectiveness and the sensitivity of Miguels approach. It flows naturally into Italo FM, a track infused with Italo disco spiritchoir-like harmonies, a punchy bassline, and a groovy, ecstatic progression that turns into a genuine dancefloor trigger. The journey deepens on the flip, where VHS Direct Drive introduces a dystopian atmosphere characterized by constantly shifting, unusually toned bass movementsunpredictable yet catchy, fresh yet rooted in classic electro DNA. This is followed by Electric Soul Stranger, where Miguel navigates Drexciyan undercurrents and subtle Gigolo-era references, balancing between straight rhythmic propulsion and broken-beat twists to create a cold, mental, transportive electro experience. The record closes with the epic Punky Shift, a dramatic and powerful finale echoing the spirit of artists like The Hacker. Dramatic strings, an intense acid bassline, and a massive groove come together to shape a timeless closing trackone designed for peak emotional moments, sunrise sets, and long-lasting memories. With Neon Cyberwave, Miguel Herrnandez has crafted a work that feels fresh yet nostalgic, classic yet forward-facing, and deeply personal. It stands as a versatile DJ weapon, a tribute to electros past and future, and a defining chapter in the artistic evolution of one of Tuscanys most intriguing electronic voices.
''Over the past three decades, Philipp Lauer has produced an incredible body of work, deploying a myriad of aliases, both as a solo artist and as a part of collaborative projects. From his hardware-steeped Frankfurt studio Pyramide 2, he has built this catalogue through original material and remix commissions, taking on the full spectrum of electronic music while retaining an unmistakable signature. He combines a hands-on approach to rhythm and composition with a DIY MO and a love of big hooks. The level of expertise seems to facilitate a playfulness that subtly permeates all layers of his work. He's a pop melody natural who just so happens to love fiddling with synthesizers, drum machines, and effects an equal amount. All of these qualities are exemplified on ''Embalmed In Martino'': Lauer's four-track ode to the Belgian Martino sauce, a spicy tomato-based condiment, and arguably the essential ingredient to top off the namesake raw meat sandwich. On ''Embalmed'', which makes use of instrumentation that would fit right in on an early eighties Manchester cut, and ''Martino'', where a sturdy, electroclash flavored arp bass provides the stamina, a slew of big and small riffs easily work their way in, thirsting for our ears. On the other side, ''Transactional'' combines Miami basslines and similarly electro-fundamental twinkling synth work with a flanger-laced 4/4 beat, while ''Don't You Know'' features soaring synthwave patterns and the only vocal samples on the EP. Both sport rich arrangements as well, right down to the cowbell overdubs. Lauer's often lauded for his ''summery sound''. In this light ALT026 lands right on time - yet we might disagree here, as it's suited for all seasons, and all terrains, both the shiny festival grounds and the dim-lit club floors.''