Part of a rising wave of young American producers pushing underground beats in their own direction, California's own Braydon Terzo joins the Black Book Records roster with an impressive two-track release. His records have quickly earned the attention of artists like Mau P, Cloonee, Chris Stussy, and Jamie Jones and we've been patiently waiting for the right release to bring him to the label. 'Get Ruff,' a track that has found its way into Sosa's Coachella set, where it became one of the most replayed moments from the performance on YouTube. The record has also received support from Adam Ten at EDC and Chris Lake during his Under the K Bridge shows in New York. Terzo is helping shape a new generation of artists bringing fresh energy to the genre.

Black Book Records Electro (Classic / Detroit / Modern)

Batty Bass Electro (Classic / Detroit / Modern)

ElectroBreakz Private Label Group 2026

Tresor Records

Bass Jamz Electro (Classic / Detroit / Modern)

Elektroshok Records Electro (Classic / Detroit / Modern)

Ilian Tape

Distributed by Label Engine - www.label-engine.com

Ravesta Records Electro (Classic / Detroit / Modern)

Puzzlebox Records Electro (Classic / Detroit / Modern)

Italians Do It Better

Kalahari Oyster Cult

ElectroBreakz Electro (Classic / Detroit / Modern)

Elektroshok Records Electro (Classic / Detroit / Modern)

In the seclusion of a house in the Bavarian Forest, something unfolded that felt less like a conventional album production and more like an internal process of condensation. This house wasn't a studio - it was a retreat. Its 1960s-inspired interiors, creaking wooden stairs, and crackling fireplace shaped the sound of Carl Gari as much as the instruments themselves. Though the house no longer exists, its atmosphere remains present in the recordings. The music of Carl Gari - Jonas Yamer, Till Funke, and Jonas Friedlich - resists easy categorization, a trait that continues on this monumental new album. From the friction between electronic music and guitar textures, the trio forges a distinctive, idiosyncratic sound. Distorted electric guitars and pulsating basslines intertwine with analog drum machines, tape delays, and intricate effect chains, creating music that is raw, organic, and psychedelic. A new element on the album is the trio's first use of vocals: Jonas Yamer, usually on bass, raises his voice in a punk-tinged, invented language that hints rather than narrates, unsettling more than it explains. The guest artists do not merely decorate the sound - they alter its very structure at critical points. Polygonia contributes layered vocals that mesh seamlessly with the album's technoid architecture. Will Brooks of Dälek delivers a dark rap feature on 'Poison Shyness (Anti-Social)', his words carving the sonic space with precision. Coby Sey adds introspective vocals that hover between experimentation and restraint on 'Inner Link'. New York rap pioneer Sensational introduces a deliberately rough, individual counterpoint on 'Disco Lights', while the German percussionist Simon Popp drives the album forward with an uncompromising drum performance that insists rather than accompanies on 'Zeitesser'. The cover photographs, taken by Jonas Yamer, project images of corridors onto paintings located in the now demolished house where the album was recorded. Visually, this reflects a key motif of the album: spaces exist only as overlays and echoes - not mystical ghosts, but traces of a place that has physically vanished.

Kompakt

Klasse Wrecks Electro (Classic / Detroit / Modern)

Good Company Electro (Classic / Detroit / Modern)

Funny Business