Having an artist with such artistic projection is a true cultural privilege, a conceptual heritage, where making music to make numbers is definitely far from the creative process of DJ and producer BLANCAh, considered today one of the great references for the new generations of the South American scene. Making an album is something that very few producers have ventured into in a hedonistic and uncertain post-pandemic world, and she presents her third in 10 years under the alter ego BLANCAh. An album requires a certain capacity and depth of sound structure that escapes the minds of those who live by copy and paste, which is why it is something that few propose to create. Music For When The World is Silent is my reunion with the essential force that has always guided me and that had died inside me for a moment. Designing tracks that speak to each other is a creative process that lasts for months, like a web that is built thread by thread until it forms a broad and connected structure. This process requires thinking about elements in an abstract way and applying them to each song to create a unique sound sense. This is what BLANCAh does in her new studio album, where she is partly inspired by feelings of anguish over her own musical evolution, until she finds the freedom to make music for herself, without having to look for references in markets that today seem to live in the past.